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Gareth von Kallenbach (977 KP) rated Morbius (2022) in Movies
Apr 5, 2022
The latest Marvel offering is Morbius. Michael Morbius (Jared Leto) grew up in Greece under the care of Dr.Emil Nikols (Jared Harris). In this universe, Emil is Michael’s Mentor. This story takes
bits from the comic book but it clearly isn’t canon. It is an adequate anti-hero origin story for Phase 4 which gives us the backstory of Morbius’ creation.
Morbius has a rare blood disease. As a child, he made his best friend Milo/Lucien (Matt Smith), a promise to find the cure for their shared illness. Michael, in his quest for the cure, became the youngest scientist to win the Nobel Prize from his development of artificial blood.
He works with fellow scientist Martine Bancroft (Adria Arjona) who becomes his love interest.
Morbius has been working on vampire bats and the abilities within their blood. Once the formula has stabilized, he begins human trials on himself. In doing so, the serum that he has developed transforms him into a vampire that needs human blood to sustain his existence.
The film seems to have dropped the trail to lead the audience to logical conclusions. There are questions that need to be answered which would help flesh out the actions of the characters.
Why the serum, if the reason is to create a cure, why did the bat and human combination mutate instead of the blood changing?
There are points throughout the film that feel like critical explanatory lines were edited out.
Some scenes had witty banter between Michael and Milo. It would have been good to see Morbius enjoy his transformation from his weak, ill state to the Vampire.
The film was good. It definitely could have been better with more information. I wanted to understand motivation by the actors indicating motive or have red herrings thrown through the film.
The best parts for me were the moments where he stumbled upon his new abilities. He observes them like the scientist he is and takes it as data, in order to understand the changes.
The CGI was muddy, in trying to show movement as quick. What it looked like was trying to
convey speed, but in doing so, ended up having what showed up as squiggly lines instead.
I liked it, but didn’t love it mainly for what it seemed to lack, continuity. I think for an origin film, the character needs to be brought out as clean as possible in order to develop solid character traits.
If you go see the movie, there are two end credit scenes. There are a couple situations that you go see the movie, there are two end credit scenes. There are a couple situations that lead into the Multiverse of Magic. I am definitely looking forward to that film.
3 stars out of 5
bits from the comic book but it clearly isn’t canon. It is an adequate anti-hero origin story for Phase 4 which gives us the backstory of Morbius’ creation.
Morbius has a rare blood disease. As a child, he made his best friend Milo/Lucien (Matt Smith), a promise to find the cure for their shared illness. Michael, in his quest for the cure, became the youngest scientist to win the Nobel Prize from his development of artificial blood.
He works with fellow scientist Martine Bancroft (Adria Arjona) who becomes his love interest.
Morbius has been working on vampire bats and the abilities within their blood. Once the formula has stabilized, he begins human trials on himself. In doing so, the serum that he has developed transforms him into a vampire that needs human blood to sustain his existence.
The film seems to have dropped the trail to lead the audience to logical conclusions. There are questions that need to be answered which would help flesh out the actions of the characters.
Why the serum, if the reason is to create a cure, why did the bat and human combination mutate instead of the blood changing?
There are points throughout the film that feel like critical explanatory lines were edited out.
Some scenes had witty banter between Michael and Milo. It would have been good to see Morbius enjoy his transformation from his weak, ill state to the Vampire.
The film was good. It definitely could have been better with more information. I wanted to understand motivation by the actors indicating motive or have red herrings thrown through the film.
The best parts for me were the moments where he stumbled upon his new abilities. He observes them like the scientist he is and takes it as data, in order to understand the changes.
The CGI was muddy, in trying to show movement as quick. What it looked like was trying to
convey speed, but in doing so, ended up having what showed up as squiggly lines instead.
I liked it, but didn’t love it mainly for what it seemed to lack, continuity. I think for an origin film, the character needs to be brought out as clean as possible in order to develop solid character traits.
If you go see the movie, there are two end credit scenes. There are a couple situations that you go see the movie, there are two end credit scenes. There are a couple situations that lead into the Multiverse of Magic. I am definitely looking forward to that film.
3 stars out of 5
West really puts your emotions through the wringer!
Independent reviewer for BookSirens, I was gifted my copy of this book.
There are 2 things I love most about reviewing: finding new to me authors with extensive back lists, and finding brand NEW authors, who smash it out the park. THIS book falls in the latter category.
I fell into this book, and did not come up for air for better part of 3 hours! I didn't move, eat or drink, I was that engrossed in this.
Finn is a soldier, modified to be the perfect assassin. A chance meeting with Kathleen, an undercover cop who tries to save his intended target, and Finn begins to question everything. When Kathleen then becomes a target, Finn disobeys a direct order for the first time.
What I loved about this, was Finn really can't see what has been done to him, until Kathleen points it out. Oh he KNOWS he's been modified, and can be 'reset' at any time, but he doesn't really SEE, you know? Kathleen makes him SEE, makes him wonder about who he was before, about FINN, rather than The Hound, his handle.
There are multi layers to this, and I loved that. I was kept on my toes right from the start and right through the book, that didn't let up.
It's dark, yes. On page assassinations, and violence, but it was needed for the bigger picture to be clear. Although, I'm sure there is a MUCH bigger picture that fully isn't clear yet!
Once Finn started to remember, I loved that he let himself go with Kathleen. He fully gave himself to Kathleen and took what she offered him and I cheered for them at that point.
THEN!! West does what she does and I cried, cos I wasn't sure that Finn could come back from that. He does, and I cheered again. But West puts your emotions through a wringer!!
I only really have a niggle, and it is a niggle cos I'm greedy like that! I would have liked a bit more information about what was done to Finn. We get that he is put through some vigarous mind washing, and genetic modifications, and we get all that but I wanted it in more detail. I wanted to go through that with Finn. Maybe I'm kinda twisted but I wanted to feel his pain, to fully appreciate what he's been through.
Apollo is another soldier who pops up here. I am assuming he will be next and I really hope I get to read it!
4 very VERY good stars, but very well done Ms West!
*same worded review will appear elsewhere
There are 2 things I love most about reviewing: finding new to me authors with extensive back lists, and finding brand NEW authors, who smash it out the park. THIS book falls in the latter category.
I fell into this book, and did not come up for air for better part of 3 hours! I didn't move, eat or drink, I was that engrossed in this.
Finn is a soldier, modified to be the perfect assassin. A chance meeting with Kathleen, an undercover cop who tries to save his intended target, and Finn begins to question everything. When Kathleen then becomes a target, Finn disobeys a direct order for the first time.
What I loved about this, was Finn really can't see what has been done to him, until Kathleen points it out. Oh he KNOWS he's been modified, and can be 'reset' at any time, but he doesn't really SEE, you know? Kathleen makes him SEE, makes him wonder about who he was before, about FINN, rather than The Hound, his handle.
There are multi layers to this, and I loved that. I was kept on my toes right from the start and right through the book, that didn't let up.
It's dark, yes. On page assassinations, and violence, but it was needed for the bigger picture to be clear. Although, I'm sure there is a MUCH bigger picture that fully isn't clear yet!
Once Finn started to remember, I loved that he let himself go with Kathleen. He fully gave himself to Kathleen and took what she offered him and I cheered for them at that point.
THEN!! West does what she does and I cried, cos I wasn't sure that Finn could come back from that. He does, and I cheered again. But West puts your emotions through a wringer!!
I only really have a niggle, and it is a niggle cos I'm greedy like that! I would have liked a bit more information about what was done to Finn. We get that he is put through some vigarous mind washing, and genetic modifications, and we get all that but I wanted it in more detail. I wanted to go through that with Finn. Maybe I'm kinda twisted but I wanted to feel his pain, to fully appreciate what he's been through.
Apollo is another soldier who pops up here. I am assuming he will be next and I really hope I get to read it!
4 very VERY good stars, but very well done Ms West!
*same worded review will appear elsewhere
Debbiereadsbook (1166 KP) rated Rowan & Aldred (Ambrosia #2) in Books
Aug 17, 2024
HEED the triggers, I have none but this really pushed my boundaries!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 2in the Ambrosia series, and I have not read book one. I want to, though. Oh how I WANT!
I wasn't sure how this was gonna go, since it came with a stern, VERY STERN warning to note the triggers. I, after reading, STRESS that point.
Rowan is a bully and Aldred the God of Justice and Retribution. Who better to meek out the punishment the boy deserves. But something is off with Rowan and it takes a bit of time for Aldred to get deep into Rowan's reasons for being a bully. What he discovers shocks him, and makes him oddly protective of the boy. There is also the issue of the god going around, giving ambrosia out to humans, which is deadly if not managed correctly.
So, triggers:
Explicit smex: Oh yes, once Aldred decides he's keeping Rowan, the God loves his boy, and he loves him HARD.
Torture: Aldred, in the beginning, is brutal to Rowan. It was painful, reading about it, and it goes way darker than anything I've read before. I will admit, I came close to stopping, but something begged me to continue and I am so glad I did.
Mention of past abuse: Rowan's reasons for being a bully aren't immediately clear, and it does take some time for Aldred to get to the bottom of them.
Sexual assault: If it's the scen I'm thinking of, it's not a full on page assault, just the threat is there, and but for a kitty cat, there would have been.
It's a very different read than my usual fare, and I'm not tagging it as romance, because, let's be honest, I'm not sure Aldred could love in the hearts and flowers sense, but he cares, DEEPLY for Rowan, and I think, in time, his hearts and flowers will come.
Told from both Rowan and Aldred's point of view, this book is powerful in it's intensity; dark in it's violence; and in the end, the reason's for Rowan being a bully is paid back a hundred fold.
I've had a look, and can only see two books by this author name, and I question that! Why?? Cos if this is book 2 by this author, what is Lucie Fleury gonna be like at book 4, 6 or ten?? Sign me up, mate, I'm-a following this author!
Again though, HEED the triggers, I have none but this really pushed my boundaries!
But dear lord I cannot give it anything other than. . . .
5 full and shiny stars! (but more if I could!)
*same worded review will appear elsewhere
This is book 2in the Ambrosia series, and I have not read book one. I want to, though. Oh how I WANT!
I wasn't sure how this was gonna go, since it came with a stern, VERY STERN warning to note the triggers. I, after reading, STRESS that point.
Rowan is a bully and Aldred the God of Justice and Retribution. Who better to meek out the punishment the boy deserves. But something is off with Rowan and it takes a bit of time for Aldred to get deep into Rowan's reasons for being a bully. What he discovers shocks him, and makes him oddly protective of the boy. There is also the issue of the god going around, giving ambrosia out to humans, which is deadly if not managed correctly.
So, triggers:
Explicit smex: Oh yes, once Aldred decides he's keeping Rowan, the God loves his boy, and he loves him HARD.
Torture: Aldred, in the beginning, is brutal to Rowan. It was painful, reading about it, and it goes way darker than anything I've read before. I will admit, I came close to stopping, but something begged me to continue and I am so glad I did.
Mention of past abuse: Rowan's reasons for being a bully aren't immediately clear, and it does take some time for Aldred to get to the bottom of them.
Sexual assault: If it's the scen I'm thinking of, it's not a full on page assault, just the threat is there, and but for a kitty cat, there would have been.
It's a very different read than my usual fare, and I'm not tagging it as romance, because, let's be honest, I'm not sure Aldred could love in the hearts and flowers sense, but he cares, DEEPLY for Rowan, and I think, in time, his hearts and flowers will come.
Told from both Rowan and Aldred's point of view, this book is powerful in it's intensity; dark in it's violence; and in the end, the reason's for Rowan being a bully is paid back a hundred fold.
I've had a look, and can only see two books by this author name, and I question that! Why?? Cos if this is book 2 by this author, what is Lucie Fleury gonna be like at book 4, 6 or ten?? Sign me up, mate, I'm-a following this author!
Again though, HEED the triggers, I have none but this really pushed my boundaries!
But dear lord I cannot give it anything other than. . . .
5 full and shiny stars! (but more if I could!)
*same worded review will appear elsewhere
KittyMiku (138 KP) rated Final Notice: A Political Thriller in Books
May 23, 2019
Final Notice by Van Fleisher is a book that hits you hard with facts of life today in the United States. It begs the question, "What would you do if you knew you had one week to die?" Although reading the book for enjoyment had been very enlightening, I found it raised many common issues of today's world into light. However, it also made me think about the different issues that could come with knowing when I would die and how would I react. Though uncertain what I would do in that situation, Fleisher has some pretty good ideas on how some people would go about their final days. In the book, you can see how guns, anger, and other situations could affect such a decision, as well as, how different parties would react to such. With advancing technology, I wouldn't be surprised if someone who read this was able to create the VT2 like in the book. After all, who doesn't want to know when they will die?
The book follows a great many of characters, all having their own personality and involvement in one way or another to a device that would inform you of your impending death. It would give you a notice so that you could get your affairs in order, or so its creator had intended for it to do. You get to read about how the some people reacted poorly while others just let their end meet them. You also get to see how the government and other agencies (like the press and the public) are affected by the actions of some of the people who knew their end would be soon. In Final Notice, the reader will see how some of the gun laws, racism, and other bigoted treatment can affect the way someone will carry out their final days. Although the book is mainly about the device that can detect with accuracy your time of death, the reader will find themselves completely relating to stand points and often agreeing with certain characters over others. I know I spent a lot of time wishing Vince, a main character you can learn to love, was real so that I could have some of the conversations he often had with his group of friends.
In fact, I found that there were a lot of characters that I could admire and see many others feeling the same way. Most stood for what they believed in, even when others were not as supporting. It gives me hope that even if a device like this came to us now, that maybe as a society we could still do what is right for our fellow man, and start fighting back peacefully against those who wronged us. But as seen in the book, there is also a chance that it could make things worse as well. Having such realistic details on how people could react, had my interest the whole time, especially when a new character was involved.
I had found this book to be an amazing representation of how the United States of America is now. Though it was considered to already have happened, based on the time line being in Obama's presidency, I was able to relate to a few characters and their opinions on the people around them. I enjoyed being able to connect to characters and see that, although they aren't real, there are good people out there wanting to stop some of the wrong doings of others the way I wish to. I often found myself lost in the book, not able to put it down because I just couldn't wait for the next thing to happen. With all the realistic situations these characters went through, and all the gut wrenching suspense, I found it to be a real page turner, which is what I want out of a good book. However, I did find that I longed to hear more about some characters that apparently weren't as important to the story as others. So, I do believe that could have been improved, but over all I found this book to be enticing.
I would rate this book to be 4 stars out of 4 stars. There didn't seem to have any errors, and it often used a plethora of words that I enjoyed seeing instead of all the basic words you can find. I even had to look up a few as I don’t see them often. From the beginning, Fleisher had mapped out the main idea of the book with easy understanding and had slipped in issues we have in our world without a problem. It ran so smoothly together, that it made me feel like it was possible that this book wasn’t fiction at all. I would definitely recommend this book to all my friends, and I have already recommended it to my husband and family. It’s a rather short book, but the ideas and heart in it, makes it a savory delight in my eyes.
Final Notice by Van Fleisher is a must read in my mind. With great story telling and a beautiful way of words, the reader can easily get lost in this fiction work. It was dealt with care and professionalism and it shows. I, again, will state that everyone should read this book at least once if you have interest in how people and the world around you would react if there was such a device. This is by far one of the best books I read, and I hope you will feel the same after reading it yourself.
The book follows a great many of characters, all having their own personality and involvement in one way or another to a device that would inform you of your impending death. It would give you a notice so that you could get your affairs in order, or so its creator had intended for it to do. You get to read about how the some people reacted poorly while others just let their end meet them. You also get to see how the government and other agencies (like the press and the public) are affected by the actions of some of the people who knew their end would be soon. In Final Notice, the reader will see how some of the gun laws, racism, and other bigoted treatment can affect the way someone will carry out their final days. Although the book is mainly about the device that can detect with accuracy your time of death, the reader will find themselves completely relating to stand points and often agreeing with certain characters over others. I know I spent a lot of time wishing Vince, a main character you can learn to love, was real so that I could have some of the conversations he often had with his group of friends.
In fact, I found that there were a lot of characters that I could admire and see many others feeling the same way. Most stood for what they believed in, even when others were not as supporting. It gives me hope that even if a device like this came to us now, that maybe as a society we could still do what is right for our fellow man, and start fighting back peacefully against those who wronged us. But as seen in the book, there is also a chance that it could make things worse as well. Having such realistic details on how people could react, had my interest the whole time, especially when a new character was involved.
I had found this book to be an amazing representation of how the United States of America is now. Though it was considered to already have happened, based on the time line being in Obama's presidency, I was able to relate to a few characters and their opinions on the people around them. I enjoyed being able to connect to characters and see that, although they aren't real, there are good people out there wanting to stop some of the wrong doings of others the way I wish to. I often found myself lost in the book, not able to put it down because I just couldn't wait for the next thing to happen. With all the realistic situations these characters went through, and all the gut wrenching suspense, I found it to be a real page turner, which is what I want out of a good book. However, I did find that I longed to hear more about some characters that apparently weren't as important to the story as others. So, I do believe that could have been improved, but over all I found this book to be enticing.
I would rate this book to be 4 stars out of 4 stars. There didn't seem to have any errors, and it often used a plethora of words that I enjoyed seeing instead of all the basic words you can find. I even had to look up a few as I don’t see them often. From the beginning, Fleisher had mapped out the main idea of the book with easy understanding and had slipped in issues we have in our world without a problem. It ran so smoothly together, that it made me feel like it was possible that this book wasn’t fiction at all. I would definitely recommend this book to all my friends, and I have already recommended it to my husband and family. It’s a rather short book, but the ideas and heart in it, makes it a savory delight in my eyes.
Final Notice by Van Fleisher is a must read in my mind. With great story telling and a beautiful way of words, the reader can easily get lost in this fiction work. It was dealt with care and professionalism and it shows. I, again, will state that everyone should read this book at least once if you have interest in how people and the world around you would react if there was such a device. This is by far one of the best books I read, and I hope you will feel the same after reading it yourself.
BankofMarquis (1832 KP) rated 2001: A Space Odyssey (1968) in Movies
Mar 4, 2018
Groundbreaking Special Effects (1 more)
Music
Truly...a masterpiece
Over the years, many, many words have been written and said about the 1968 Stanley Kubrick opus, 2001: A SPACE ODYSSEY, but after re-watching it, there is only 1 word I would write about it...
MASTERPIECE
I have a long history with this film. My father took me to it as a 7 year old. I was intrigued by the Sci-Fi special effects, but mostly liked the monkeys at the beginning. I then saw it again as a college student in the early 1980's and was "really into" (for obvious reasons) the psychedelic special effects at the end. Later...in the early 1990's, during my Arthur C. Clark phase, I read the book and then re-watched the film and my understanding of what was happening on the screen gelled and, consequently, my fascination and respect for the themes and scope of 2001 opened up new doors of understanding. I think I have seen it another 4 or 5 times since then and have appreciated it in different ways each time.
For this viewing, I walked away with a sense of awe of the sheer craftsmanship and audacity that Kubrick put up on the screen. The scope of the project in 1968 was (I'm sure) daunting with a subject matter that was just outside of normal vision, so for Kubrick to get a studio to o'k this film is mind-boggling to me.
But...how does it stack up as a film? Very well, indeed.
Told in 4 parts, 2001: A SPACE ODYSSEY tells the tale of mankind's evolution from ape-man to space explorers and the mysterious, monolithic aliens who help mankind advance along this line.
In the hands of the great Stanley Kubrick, 2001 dazzles with pure visionary visuals, exploding heretofore unseen images on the screen. Showing us what could be possible in outer space visuals (not just paper plates hung on a wire against a star background). The film is full of Kubrick hallmarks - meticulously staged and choreographed scenes, stark colors - mostly one color with a dab of another color across the screen, and long scenes where not much dialogue takes place, but what is said (or not said) in the pauses speaks volume. Some would call this type of film making boring (and I have accused other filmmakers who have attempted this as boring and pretentious), but in the hands of Kubrick, this film is mesmerizing and continuously fascinating.
The first 20 minutes of the film - the DAWN OF MAN portion - and the last 20 minutes - the JUPITER AND BEYOND THE INFINITE portion - are both dialogue-free. Kubrick let's the action and visuals speak for themselves. In between are THE MOON portion, which really serves as the audience introduction into the style and substance of the film, the wonderfully, Oscar winning special effects set upon a backdrop of classical music (who can hear Also sprach Zarathustra and not think of 2001)?
It is during the 3rd - and most famous - portion of this film that a viewer will either engage or disengage with this film. This is the famous HAL 9000 portion of the film where 2 astronauts end up battling with a increasingly unstable artificial intelligence on a journey to Jupiter. It is here where Kubrick, I feel, is at his best. The long, uncomfortable silences and the glances between the two astronauts (played wonderfully by the oft-praised Keir Dullea and the underrated Gary Lockwood) leads to a sense of dread that is very reminiscent of Alfred Hitchcock at his finest.
I will admit that this film is not for everyone - and more than 1 of you reading this will attempt to watch 2001:A SPACE ODYSSEY and fall asleep during the middle of it - but for those of you that can plug into what Kubrick was achieving here will be rewarded with a very rich, very fascinating and very GOOD film that will garner conversation and criticism for many, many years to come.
Truly...a masterpiece.
Letter Grade: A+
10 (out of 10) stars and you can take that to the Bank(ofMarquis)
MASTERPIECE
I have a long history with this film. My father took me to it as a 7 year old. I was intrigued by the Sci-Fi special effects, but mostly liked the monkeys at the beginning. I then saw it again as a college student in the early 1980's and was "really into" (for obvious reasons) the psychedelic special effects at the end. Later...in the early 1990's, during my Arthur C. Clark phase, I read the book and then re-watched the film and my understanding of what was happening on the screen gelled and, consequently, my fascination and respect for the themes and scope of 2001 opened up new doors of understanding. I think I have seen it another 4 or 5 times since then and have appreciated it in different ways each time.
For this viewing, I walked away with a sense of awe of the sheer craftsmanship and audacity that Kubrick put up on the screen. The scope of the project in 1968 was (I'm sure) daunting with a subject matter that was just outside of normal vision, so for Kubrick to get a studio to o'k this film is mind-boggling to me.
But...how does it stack up as a film? Very well, indeed.
Told in 4 parts, 2001: A SPACE ODYSSEY tells the tale of mankind's evolution from ape-man to space explorers and the mysterious, monolithic aliens who help mankind advance along this line.
In the hands of the great Stanley Kubrick, 2001 dazzles with pure visionary visuals, exploding heretofore unseen images on the screen. Showing us what could be possible in outer space visuals (not just paper plates hung on a wire against a star background). The film is full of Kubrick hallmarks - meticulously staged and choreographed scenes, stark colors - mostly one color with a dab of another color across the screen, and long scenes where not much dialogue takes place, but what is said (or not said) in the pauses speaks volume. Some would call this type of film making boring (and I have accused other filmmakers who have attempted this as boring and pretentious), but in the hands of Kubrick, this film is mesmerizing and continuously fascinating.
The first 20 minutes of the film - the DAWN OF MAN portion - and the last 20 minutes - the JUPITER AND BEYOND THE INFINITE portion - are both dialogue-free. Kubrick let's the action and visuals speak for themselves. In between are THE MOON portion, which really serves as the audience introduction into the style and substance of the film, the wonderfully, Oscar winning special effects set upon a backdrop of classical music (who can hear Also sprach Zarathustra and not think of 2001)?
It is during the 3rd - and most famous - portion of this film that a viewer will either engage or disengage with this film. This is the famous HAL 9000 portion of the film where 2 astronauts end up battling with a increasingly unstable artificial intelligence on a journey to Jupiter. It is here where Kubrick, I feel, is at his best. The long, uncomfortable silences and the glances between the two astronauts (played wonderfully by the oft-praised Keir Dullea and the underrated Gary Lockwood) leads to a sense of dread that is very reminiscent of Alfred Hitchcock at his finest.
I will admit that this film is not for everyone - and more than 1 of you reading this will attempt to watch 2001:A SPACE ODYSSEY and fall asleep during the middle of it - but for those of you that can plug into what Kubrick was achieving here will be rewarded with a very rich, very fascinating and very GOOD film that will garner conversation and criticism for many, many years to come.
Truly...a masterpiece.
Letter Grade: A+
10 (out of 10) stars and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated 2001: A Space Odyssey (1968) in Movies
Jul 4, 2018
A Masterpiece
Over the years, many, many words have been written and said about the 1968 Stanley Kubrick opus, 2001: A SPACE ODYSSEY, but after re-watching it, there is only 1 word I would write about it...
MASTERPIECE
I have a long history with this film. My father took me to it as a 7 year old. I was intrigued by the Sci-Fi special effects, but mostly liked the monkeys at the beginning. I then saw it again as a college student in the early 1980's and was "really into" (for obvious reasons) the psychedelic special effects at the end. Later...in the early 1990's, during my Arthur C. Clark phase, I read the book and then re-watched the film and my understanding of what was happening on the screen gelled and, consequently, my fascination and respect for the themes and scope of 2001 opened up new doors of understanding. I think I have seen it another 4 or 5 times since then and have appreciated it in different ways each time.
For this viewing, I walked away with a sense of awe of the sheer craftsmanship and audacity that Kubrick put up on the screen. The scope of the project in 1968 was (I'm sure) daunting with a subject matter that was just outside of normal vision, so for Kubrick to get a studio to o'k this film is mind-boggling to me.
But...how does it stack up as a film? Very well, indeed.
Told in 4 parts, 2001: A SPACE ODYSSEY tells the tale of mankind's evolution from ape-man to space explorers and the mysterious, monolithic aliens who help mankind advance along this line.
In the hands of the great Stanley Kubrick, 2001 dazzles with pure visionary visuals, exploding heretofore unseen images on the screen. Showing us what could be possible in outer space visuals (not just paper plates hung on a wire against a star background). The film is full of Kubrick hallmarks - meticulously staged and choreographed scenes, stark colors - mostly one color with a dab of another color across the screen, and long scenes where not much dialogue takes place, but what is said (or not said) in the pauses speaks volume. Some would call this type of film making boring (and I have accused other filmmakers who have attempted this as boring and pretentious), but in the hands of Kubrick, this film is mesmerizing and continuously fascinating.
The first 20 minutes of the film - the DAWN OF MAN portion - and the last 20 minutes - the JUPITER AND BEYOND THE INFINITE portion - are both dialogue-free. Kubrick let's the action and visuals speak for themselves. In between are THE MOON portion, which really serves as the audience introduction into the style and substance of the film, the wonderfully, Oscar winning special effects set upon a backdrop of classical music (who can hear Also sprach Zarathustra and not think of 2001)?
It is during the 3rd - and most famous - portion of this film that a viewer will either engage or disengage with this film. This is the famous HAL 9000 portion of the film where 2 astronauts end up battling with a increasingly unstable artificial intelligence on a journey to Jupiter. It is here where Kubrick, I feel, is at his best. The long, uncomfortable silences and the glances between the two astronauts (played wonderfully by the oft-praised Keir Dullea and the underrated Gary Lockwood) leads to a sense of dread that is very reminiscent of Alfred Hitchcock at his finest.
I will admit that this film is not for everyone - and more than 1 of you reading this will attempt to watch 2001:A SPACE ODYSSEY and fall asleep during the middle of it - but for those of you that can plug into what Kubrick was achieving here will be rewarded with a very rich, very fascinating and very GOOD film that will garner conversation and criticism for many, many years to come.
Truly...a masterpiece.
Letter Grade: A+
10 (out of 10) stars and you can take that to the Bank(ofMarquis)
MASTERPIECE
I have a long history with this film. My father took me to it as a 7 year old. I was intrigued by the Sci-Fi special effects, but mostly liked the monkeys at the beginning. I then saw it again as a college student in the early 1980's and was "really into" (for obvious reasons) the psychedelic special effects at the end. Later...in the early 1990's, during my Arthur C. Clark phase, I read the book and then re-watched the film and my understanding of what was happening on the screen gelled and, consequently, my fascination and respect for the themes and scope of 2001 opened up new doors of understanding. I think I have seen it another 4 or 5 times since then and have appreciated it in different ways each time.
For this viewing, I walked away with a sense of awe of the sheer craftsmanship and audacity that Kubrick put up on the screen. The scope of the project in 1968 was (I'm sure) daunting with a subject matter that was just outside of normal vision, so for Kubrick to get a studio to o'k this film is mind-boggling to me.
But...how does it stack up as a film? Very well, indeed.
Told in 4 parts, 2001: A SPACE ODYSSEY tells the tale of mankind's evolution from ape-man to space explorers and the mysterious, monolithic aliens who help mankind advance along this line.
In the hands of the great Stanley Kubrick, 2001 dazzles with pure visionary visuals, exploding heretofore unseen images on the screen. Showing us what could be possible in outer space visuals (not just paper plates hung on a wire against a star background). The film is full of Kubrick hallmarks - meticulously staged and choreographed scenes, stark colors - mostly one color with a dab of another color across the screen, and long scenes where not much dialogue takes place, but what is said (or not said) in the pauses speaks volume. Some would call this type of film making boring (and I have accused other filmmakers who have attempted this as boring and pretentious), but in the hands of Kubrick, this film is mesmerizing and continuously fascinating.
The first 20 minutes of the film - the DAWN OF MAN portion - and the last 20 minutes - the JUPITER AND BEYOND THE INFINITE portion - are both dialogue-free. Kubrick let's the action and visuals speak for themselves. In between are THE MOON portion, which really serves as the audience introduction into the style and substance of the film, the wonderfully, Oscar winning special effects set upon a backdrop of classical music (who can hear Also sprach Zarathustra and not think of 2001)?
It is during the 3rd - and most famous - portion of this film that a viewer will either engage or disengage with this film. This is the famous HAL 9000 portion of the film where 2 astronauts end up battling with a increasingly unstable artificial intelligence on a journey to Jupiter. It is here where Kubrick, I feel, is at his best. The long, uncomfortable silences and the glances between the two astronauts (played wonderfully by the oft-praised Keir Dullea and the underrated Gary Lockwood) leads to a sense of dread that is very reminiscent of Alfred Hitchcock at his finest.
I will admit that this film is not for everyone - and more than 1 of you reading this will attempt to watch 2001:A SPACE ODYSSEY and fall asleep during the middle of it - but for those of you that can plug into what Kubrick was achieving here will be rewarded with a very rich, very fascinating and very GOOD film that will garner conversation and criticism for many, many years to come.
Truly...a masterpiece.
Letter Grade: A+
10 (out of 10) stars and you can take that to the Bank(ofMarquis)
Heather Cranmer (2721 KP) rated Yazzy's Amazing Yarn in Books
Aug 24, 2019 (Updated Aug 24, 2019)
Anyone who's followed my reviews for awhile knows that I love children's picture books. They're just so much fun to read, and they brighten up my day with how colorful the illustrations can be. When I was asked if I wanted to read and review Yazzy's Amazing Yarn by Cathey Graham Nickell, I didn't hesitate to say yes. Yazzy's Amazing Yarn was such an uplifting and exciting read!
Yazzy is a young girl who loves knitting just like her mom. When Yazzy and her mom walk by a park, Yazzy's mom reminisces about how the park was a lot better back when she was a kid. That night, Yazzy can't sleep. She's thinking about what her mom told her about the park. With the help of her friends, Yazzy decides to yarn bomb the park to bring back some of the cheer her mom experienced as a little girl.
I found the plot for Yazzy's Amazing Yarn to be interesting. My 4 year old son lost interest after a few pages though, but I don't think he's quite the demographic this book would appeal to. To me, I believe this book would appeal most to little girls aged 6 to 10 years of age. I also think the dialogue would be more understandable in this age group. Anyway, I enjoyed learning about what Yazzy and her friends would come up with to make the park more colorful and lively. When the girls leave the house for the park before it opens, I did wonder if they let Yazzy's mom know they were leaving the house. I guess that's just the mom in me though. I would have liked something written in the book that said a parent was notified of them leaving. Anyway, everything else was great, and yarn bombing was a fantastic idea to make a dreary old park come to life. I loved how the author added some history about yarn bombing at the end of the book. I had no idea yarn bombing was a thing until I read Yazzy's Amazing Yarn. From my take on it, it's when someone knits something for an item in their neighborhood such as for stop signs, traffic lights, parks, sidewalks, trees, etc.
The character of Yazzy was likable, and I think young girls can and will relate to her quite easily. She comes across as someone with a kind heart who likes to make others happy. Yazzy seems selfless and like a happy go lucky girl. I loved the diversity of all the characters I came across in Yazzy's Amazing Yarn, but it would have been even better if one of Yazzy's friends had been a boy to show that boy's like knitting as well and that it's not only for females. I was a bit disappointed that only girls were shown knitting. However, that didn't stop me from enjoying this great book.
The illustrations for Yazzy's Amazing Yarn were done superbly. Emily Calimlim, the illustrator, is such a talented artist, and it definitely showed throughout this book. I loved the different vibrant colors used throughout the pictures! My favorite scenes were the ones that took place in the park when it came to illustrations. I felt this was when the colors and illustrations jumped up at me from the page the most.
All in all, Yazzy's Amazing Yarn is such a feel good funtastic (not a typo) story that will warm everyone's heart. The story itself is beautifully written, and the illustrations are gorgeous! I would recommend Yazzy's Amazing Yarn by Cathey Graham Nickell to all ages due to the feel good factor although I do believe little girls ages 6 - 10 years would find it the most appealing. Yazzy's Amazing Yarn gets a 4 out of 5 stars from me!
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(A special thank you to Lone Star Book Blog Tours for providing me with an eBook of Yazzy's Amazing Yarn by Cathey Graham Nickell in exchange for an honest and unbiased review.)
Yazzy is a young girl who loves knitting just like her mom. When Yazzy and her mom walk by a park, Yazzy's mom reminisces about how the park was a lot better back when she was a kid. That night, Yazzy can't sleep. She's thinking about what her mom told her about the park. With the help of her friends, Yazzy decides to yarn bomb the park to bring back some of the cheer her mom experienced as a little girl.
I found the plot for Yazzy's Amazing Yarn to be interesting. My 4 year old son lost interest after a few pages though, but I don't think he's quite the demographic this book would appeal to. To me, I believe this book would appeal most to little girls aged 6 to 10 years of age. I also think the dialogue would be more understandable in this age group. Anyway, I enjoyed learning about what Yazzy and her friends would come up with to make the park more colorful and lively. When the girls leave the house for the park before it opens, I did wonder if they let Yazzy's mom know they were leaving the house. I guess that's just the mom in me though. I would have liked something written in the book that said a parent was notified of them leaving. Anyway, everything else was great, and yarn bombing was a fantastic idea to make a dreary old park come to life. I loved how the author added some history about yarn bombing at the end of the book. I had no idea yarn bombing was a thing until I read Yazzy's Amazing Yarn. From my take on it, it's when someone knits something for an item in their neighborhood such as for stop signs, traffic lights, parks, sidewalks, trees, etc.
The character of Yazzy was likable, and I think young girls can and will relate to her quite easily. She comes across as someone with a kind heart who likes to make others happy. Yazzy seems selfless and like a happy go lucky girl. I loved the diversity of all the characters I came across in Yazzy's Amazing Yarn, but it would have been even better if one of Yazzy's friends had been a boy to show that boy's like knitting as well and that it's not only for females. I was a bit disappointed that only girls were shown knitting. However, that didn't stop me from enjoying this great book.
The illustrations for Yazzy's Amazing Yarn were done superbly. Emily Calimlim, the illustrator, is such a talented artist, and it definitely showed throughout this book. I loved the different vibrant colors used throughout the pictures! My favorite scenes were the ones that took place in the park when it came to illustrations. I felt this was when the colors and illustrations jumped up at me from the page the most.
All in all, Yazzy's Amazing Yarn is such a feel good funtastic (not a typo) story that will warm everyone's heart. The story itself is beautifully written, and the illustrations are gorgeous! I would recommend Yazzy's Amazing Yarn by Cathey Graham Nickell to all ages due to the feel good factor although I do believe little girls ages 6 - 10 years would find it the most appealing. Yazzy's Amazing Yarn gets a 4 out of 5 stars from me!
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(A special thank you to Lone Star Book Blog Tours for providing me with an eBook of Yazzy's Amazing Yarn by Cathey Graham Nickell in exchange for an honest and unbiased review.)
Daniel Boyd (1066 KP) rated Mindhunter - Season 1 in TV
Oct 24, 2017 (Updated Oct 24, 2017)
Fantastic Performances (3 more)
Brilliant Script
Good Direction
Great Soundtrack
A Method In The Madness?
Mindhunter is a Netflix series set in the late 70's, that follows two FBI detectives as they embark to learn more about serial killers and why they do the things that they do. One of the detectives, Bill Tench, actually coins the phrase, 'serial killer,' at one point and the team do seem to be making progressive steps into understanding a disturbed psyche, even if some of the methods they use along the way are fairly questionable.
The series is produced by David Fincher, who also directs 4 episodes of this first season. If you are a fan of Fincher's other work, then this will be right up your street. It shares a lot of similarities with Se7en, The Social Network, Gone Girl, Panic Room and definitely Zodiac. The two main series stars, Jonathan Groff and Holt McCallany are brilliant in their roles. You may recognise McCallany from Fight Club and Groff from Glee, but this show couldn't be a further departure from Glee if it tried, which makes Groff's already electric performance, even better.
McCallany plays Bill Tench, an older FBI agent who has a good few years of experience under his belt. Groff plays Holden Ford, a young maverick, who barges his way towards progress, regardless of who gets caught up in the collateral damage. The two work fantastically together and the chemistry between the two actors is one of the best things about this show. The supporting cast are also solid, with Hannah Gross standing out as Holden's girlfriend, as well as Anna Torv, who plays a doctor of psychology helping the two detectives analyse the data that they collect from interviews held with various serial killers. The serial killers featured throughout the show are also memorable, especially Jerry Brudos and Ed Kemper. Cameron Britton, who plays Kemper, gives a subtly terrifying performance and is exponentially engaging for every minute that he is onscreen.
The performances are helped with a brilliant script. The dialogue is snappy and effective, causing as many existential questions as it does unorthodox observations. Fincher's direction, is of course, fantastic and the other directors who work on this show also do a good job. The soundtrack to the show is sometimes antithetic to what is going on in the storyline, but it is always effective and never distracting. The shot composition and cinematography was also on point in each episode, with some really effective imagery being implemented throughout.
Overall, this is a brilliantly made, psychological drama. The writing is of a very high standard and the performances are excellent all around. If you are a fan of serial killer stories or anything David Fincher has worked on before, this will be for you. The characters are all interesting and deep and although they may do some questionable things, I can't wait to see where this endeavour takes them next.
The series is produced by David Fincher, who also directs 4 episodes of this first season. If you are a fan of Fincher's other work, then this will be right up your street. It shares a lot of similarities with Se7en, The Social Network, Gone Girl, Panic Room and definitely Zodiac. The two main series stars, Jonathan Groff and Holt McCallany are brilliant in their roles. You may recognise McCallany from Fight Club and Groff from Glee, but this show couldn't be a further departure from Glee if it tried, which makes Groff's already electric performance, even better.
McCallany plays Bill Tench, an older FBI agent who has a good few years of experience under his belt. Groff plays Holden Ford, a young maverick, who barges his way towards progress, regardless of who gets caught up in the collateral damage. The two work fantastically together and the chemistry between the two actors is one of the best things about this show. The supporting cast are also solid, with Hannah Gross standing out as Holden's girlfriend, as well as Anna Torv, who plays a doctor of psychology helping the two detectives analyse the data that they collect from interviews held with various serial killers. The serial killers featured throughout the show are also memorable, especially Jerry Brudos and Ed Kemper. Cameron Britton, who plays Kemper, gives a subtly terrifying performance and is exponentially engaging for every minute that he is onscreen.
The performances are helped with a brilliant script. The dialogue is snappy and effective, causing as many existential questions as it does unorthodox observations. Fincher's direction, is of course, fantastic and the other directors who work on this show also do a good job. The soundtrack to the show is sometimes antithetic to what is going on in the storyline, but it is always effective and never distracting. The shot composition and cinematography was also on point in each episode, with some really effective imagery being implemented throughout.
Overall, this is a brilliantly made, psychological drama. The writing is of a very high standard and the performances are excellent all around. If you are a fan of serial killer stories or anything David Fincher has worked on before, this will be for you. The characters are all interesting and deep and although they may do some questionable things, I can't wait to see where this endeavour takes them next.
Kristy H (1252 KP) rated Relative Strangers in Books
Apr 18, 2018
Engaging YA novel
Jules is a senior in high school; for as long as she can remember, it's always just been her and her mom, a recovering alcoholic. But when Jules goes to look for a baby picture to include in her senior yearbook, she makes a startling discovery: she spent the majority of her first two years in foster care. Angry at her mom for never telling her, Jules seeks out her foster family. She discovers the picture perfect family she always dreamed of, including her older foster brother, who always dreamed of finding her again. Jules is thrilled, but quickly realizes she also has a crush on him. She's always dreamed of having a family, but will she ruin it all with her unfortunate crush?
I requested this book on a whim from Librarything, and I'm so glad I did. I haven't read Paula Garner's previous book, but I will now. This was just a really enjoyable, touching story that drew me in from the start. I fell for Jules immediately and never stopped. I am typically a pretty stoic reader--it takes a lot to move me--but I actually teared up a couple of times with this one.
The main focus of the novel is Jules, and she proves to be a strong, likeable character and a good storyteller. As I said, I felt engaged with her from the beginning. I had to remind myself a few times that she was still in high school, but that was about it. She's actually pretty mature for her age, really, and does some growing up and maturing as the story progresses.
The supporting characters are varied, and while they aren't as strong as Jules, they certainly help fill out the book. (I'm looking at you, Eli.) There were definitely a few instances where I felt like things were repeated a few times too many: yes, Jules' two best friends knew each other longer than they knew Jules, etc., but they were only minor distractions from the strength of the story. The book hinges on Jules and she doesn't disappoint. Her discovery of her foster family is, honestly, fascinating, as is her newfound friendship with her former foster brother, Luke. At times I was a bit skeptical that a once six-year-old would have such fond memories of his baby foster sister, to the point he wanted to develop the relationship as an adult, but I went with it. Jules' struggle with her sense of identity and belonging is well-done, and I really enjoyed the arc of the novel.
Overall, this was a lovely surprise. It's hard not to fall for Jules, and once you do, this is just such an engaging novel. Her struggle to find herself is both heartbreaking and inspiring. 4 stars.
I received a copy of this novel from the publisher and Librarything in return for an unbiased review.
I requested this book on a whim from Librarything, and I'm so glad I did. I haven't read Paula Garner's previous book, but I will now. This was just a really enjoyable, touching story that drew me in from the start. I fell for Jules immediately and never stopped. I am typically a pretty stoic reader--it takes a lot to move me--but I actually teared up a couple of times with this one.
The main focus of the novel is Jules, and she proves to be a strong, likeable character and a good storyteller. As I said, I felt engaged with her from the beginning. I had to remind myself a few times that she was still in high school, but that was about it. She's actually pretty mature for her age, really, and does some growing up and maturing as the story progresses.
The supporting characters are varied, and while they aren't as strong as Jules, they certainly help fill out the book. (I'm looking at you, Eli.) There were definitely a few instances where I felt like things were repeated a few times too many: yes, Jules' two best friends knew each other longer than they knew Jules, etc., but they were only minor distractions from the strength of the story. The book hinges on Jules and she doesn't disappoint. Her discovery of her foster family is, honestly, fascinating, as is her newfound friendship with her former foster brother, Luke. At times I was a bit skeptical that a once six-year-old would have such fond memories of his baby foster sister, to the point he wanted to develop the relationship as an adult, but I went with it. Jules' struggle with her sense of identity and belonging is well-done, and I really enjoyed the arc of the novel.
Overall, this was a lovely surprise. It's hard not to fall for Jules, and once you do, this is just such an engaging novel. Her struggle to find herself is both heartbreaking and inspiring. 4 stars.
I received a copy of this novel from the publisher and Librarything in return for an unbiased review.
Kristy H (1252 KP) rated The Last Summer of the Garrett Girls in Books
Mar 6, 2019
Delightful novel about sisterhood and growing up
The Garrett sisters are pretty used to the routine of their lives in their small town. Des, 19, is caretaker of her sisters and Arden, the bookstore left behind by their late parents. Their seventy-year-old Gram counts on her to take care of things--even more so since her knee surgery. Bea, 18, is smart, ambitious, and heading to Georgetown in the fall, along with her longtime boyfriend, Erik. Kat, 16, is their theatrical diva, whom no one really takes seriously; she recently broke up with her boyfriend, and she'd do just about anything to get him back. At fifteen, Vi is the "baby" of the family. She's quiet, sensitive, and gay. It's all worked pretty well for a while, but little do they all know: things are about to change for the Garrett girls this summer.
Jessica Spotswood said that she pitched this novel as "Little Women meets Gilmore Girls by way of Sarah Dessen," and I couldn't agree more. I didn't read this until her epilogue, and both the Little Women and Gilmore Girls pieces had already crossed my mind. This is such a lovely, charming, and touching book--I thoroughly enjoyed it. The Garrett sisters were so wonderful and engaging that as the book ended, I immediately found myself wishing there was a sequel, because I was completely immersed in their lives.
Spotswood creates some excellent, different, and completely captivating characters in these sisters. Each is unique in their own way--their own person. I loved the wonderful diverse representation in this one: "there aren't many YA books about girls falling in love," Vi says. It's so true, and how nice it is to have a well-written book where that storyline is just one of the many plots. There are some absolutely beautiful exchanges, as Vi has a crush on the girl who works at the restaurant next door, Cece. It was easily my favorite part of the book--I adored sweet Vi. I also loved how books played a such a strong role in the story--between the girls' family owning a bookstore and all of them loving books and stories in some way.
The novel itself is really about the universal themes of growing up, finding your way, and friendship and sisterhood. And love. It's so well-done and really sweet and fun. The girls seem so real, and it was quite easy to get caught up in their lives and problems. I found it quite enjoyable, even if I could guess how most things would resolve themselves.
Overall, this was a delightful novel about sisterhood and growing up. I truly wish I could have spent more time with the Garrett sisters. 4+ stars.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
Jessica Spotswood said that she pitched this novel as "Little Women meets Gilmore Girls by way of Sarah Dessen," and I couldn't agree more. I didn't read this until her epilogue, and both the Little Women and Gilmore Girls pieces had already crossed my mind. This is such a lovely, charming, and touching book--I thoroughly enjoyed it. The Garrett sisters were so wonderful and engaging that as the book ended, I immediately found myself wishing there was a sequel, because I was completely immersed in their lives.
Spotswood creates some excellent, different, and completely captivating characters in these sisters. Each is unique in their own way--their own person. I loved the wonderful diverse representation in this one: "there aren't many YA books about girls falling in love," Vi says. It's so true, and how nice it is to have a well-written book where that storyline is just one of the many plots. There are some absolutely beautiful exchanges, as Vi has a crush on the girl who works at the restaurant next door, Cece. It was easily my favorite part of the book--I adored sweet Vi. I also loved how books played a such a strong role in the story--between the girls' family owning a bookstore and all of them loving books and stories in some way.
The novel itself is really about the universal themes of growing up, finding your way, and friendship and sisterhood. And love. It's so well-done and really sweet and fun. The girls seem so real, and it was quite easy to get caught up in their lives and problems. I found it quite enjoyable, even if I could guess how most things would resolve themselves.
Overall, this was a delightful novel about sisterhood and growing up. I truly wish I could have spent more time with the Garrett sisters. 4+ stars.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).