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Awix (3310 KP) rated Ghidorah, the Three-Headed Monster (1964) in Movies
Feb 12, 2019
Archetypal Toho monster mash with exuberant men-in-suits wrestling and an all-over-the-place plot - Flying Saucer enthusiasts predict the apocalypse, a Himalayan princess survives an assassination attempt when she is possessed by the spirit of a Venusian (or Martian, depending on which version you watch), a mysterious meteorite hatches out Ghidorah the three-headed space dragon. Earth's fate depends on the ability of a caterpillar to persuade a nuclear dinosaur and a giant pterodactyl to work together.
Lots of fun if you enjoy this sort of thing, with many incidental pleasures - not least the startling shades-and-ruff outfit adopted by the chief villain at one point. Not quite as jokey in tone as King Kong Vs Godzilla, but still notably lighter than most of the previous films in the series - the various monsters are treated more as characters than before, too (there's a fairly lengthy conversation between Mothra, Rodan and Godzilla). Calling this the mid-60s Japanese version of The Avengers is probably stretching a point, but it's certainly one of the better early Godzilla movies; hopefully the forthcoming American take on these characters will be as much fun.
Lots of fun if you enjoy this sort of thing, with many incidental pleasures - not least the startling shades-and-ruff outfit adopted by the chief villain at one point. Not quite as jokey in tone as King Kong Vs Godzilla, but still notably lighter than most of the previous films in the series - the various monsters are treated more as characters than before, too (there's a fairly lengthy conversation between Mothra, Rodan and Godzilla). Calling this the mid-60s Japanese version of The Avengers is probably stretching a point, but it's certainly one of the better early Godzilla movies; hopefully the forthcoming American take on these characters will be as much fun.
Awix (3310 KP) rated Godzilla Vs King Ghidorah (1991) in Movies
Mar 7, 2018
Eighteenth Godzilla movie (fifth Ghidorah movie, if anyone cares) goes back to campy basics following the relative underperformance of Godzilla Vs Biollante. Owes a lot to 60s and 70s Godzilla movies, but also to American SF movies of the 80s - Back to the Future and Terminator have clearly been an influence. Despite all this the film has an undeniably anti-American subtext (in the future, Japan will become the world's biggest superpower, causing jealous Americans to hatch evil plot to stop this) which is actually quite amusing (possibly less so if you're actually from the USA).
Interesting story, some of the special effects are a little variable but the monster battles are undeniably good fun. Given that Godzilla was a bad guy monster in all the films from this period, and Ghidorah is nearly always the bad guy monster, the question of how to resolve the plot without the bad guy monster winning is reasonably elegant. Some surprisingly edgy moments for a Godzilla movie, too - looks, albeit obliquely, at events connected to the Second World War in a way which previous films would never have dreamt of. Definitely from close to the top of the Godzilla stack.
Interesting story, some of the special effects are a little variable but the monster battles are undeniably good fun. Given that Godzilla was a bad guy monster in all the films from this period, and Ghidorah is nearly always the bad guy monster, the question of how to resolve the plot without the bad guy monster winning is reasonably elegant. Some surprisingly edgy moments for a Godzilla movie, too - looks, albeit obliquely, at events connected to the Second World War in a way which previous films would never have dreamt of. Definitely from close to the top of the Godzilla stack.
Awix (3310 KP) rated She (1965) in Movies
Feb 24, 2018
Blue Flame Blues
Well-remembered Hammer fantasy has lavish production values, thoughtful script, terrific cast. World-weary explorers find themselves drawn to lost city in the mountains of North Africa, where they find a living legend and a blue flame with the power to grant immortality.
Obviously, you have to overlook the fact that the ancient Egyptian queen looks and sounds so Swiss, but apart from that there is a lot to enjoy here, although it is probably all a bit unreconstructed by modern standards (the whiter and blonder you are, the more important and beautiful). Peter Cushing does the business, as usual; Christopher Lee doesn't get enough to do. The main problem is that the film's central relationship (between Richardson and Andress) is just terribly tepid and not dramatic enough to power the second half of the film; as a result this is one of those movies that starts very strongly but discovers that the lost city is worth seeing, but not really worth the trouble of going to see. Probably still worth a look, overall, if 60s fantasy films are your cup of tea.
Obviously, you have to overlook the fact that the ancient Egyptian queen looks and sounds so Swiss, but apart from that there is a lot to enjoy here, although it is probably all a bit unreconstructed by modern standards (the whiter and blonder you are, the more important and beautiful). Peter Cushing does the business, as usual; Christopher Lee doesn't get enough to do. The main problem is that the film's central relationship (between Richardson and Andress) is just terribly tepid and not dramatic enough to power the second half of the film; as a result this is one of those movies that starts very strongly but discovers that the lost city is worth seeing, but not really worth the trouble of going to see. Probably still worth a look, overall, if 60s fantasy films are your cup of tea.
Awix (3310 KP) rated Godzilla Vs Mechagodzilla II (1993) in Movies
Mar 11, 2018 (Updated Mar 11, 2018)
Old-school Toho monster mash follows the trend of early-90s Godzilla movies by reinventing popular characters from 60s and 70s films. Kind of suffers from the same problem as superhero films with multiple villains (cf Spider-Man 3 or Batman Forever), in that contriving a way for all the monsters to appear and interact requires some outlandish plotting and a good deal of hand-waving of implausibilities (not to mention indulgence from the audience).
In addition to Godzilla, in this film you get Mechagodzilla (well, duh), and also giant pterodactyl Rodan and Minilla (aka Baby Godzilla). The monster battles are pretty good, though there's a slight tendency towards the combatants just standing there and zapping each other with breath-rays, and the monster suits are excellent (the Rodan puppet is particularly impressive). Set against this we must place the fact that the movie doesn't actually have a plot, as such - things just happen one after the other with no sense of theme or structure. Most of the human characters are slightly annoying too. A step down from the previous few films, but still better than much of what was to follow in the late 90s and early 2000s.
In addition to Godzilla, in this film you get Mechagodzilla (well, duh), and also giant pterodactyl Rodan and Minilla (aka Baby Godzilla). The monster battles are pretty good, though there's a slight tendency towards the combatants just standing there and zapping each other with breath-rays, and the monster suits are excellent (the Rodan puppet is particularly impressive). Set against this we must place the fact that the movie doesn't actually have a plot, as such - things just happen one after the other with no sense of theme or structure. Most of the human characters are slightly annoying too. A step down from the previous few films, but still better than much of what was to follow in the late 90s and early 2000s.
Benedick Lewis (3001 KP) rated Netflix in Apps
Jul 9, 2018
Quick loading (2 more)
Easy search
Lots of content
Layout changes not most accessible (1 more)
Variety of content a little limited
Does exactly as it says on the tin
If you want Netflix on the go then download this app. With the ability to download certain films and tv programmes and enable you to watch whenever you want, you will be hard pushed not to find something to your taste.
Being a cineaste, Netflix doesn’t cater for everything. If you would like to see tv series from the 60s or 70s or a film pre-1980s, then you will find it difficult but for modern audiences, this is a treat.
The layout is a little wild for my taste in apps and it is not immediately accessible for fine tune searching but if you know what you are looking for, you won’t have a problem.
Netflix is pushing their own films and tv series more now (and not a bad thing because fortunately a lot of it is high quality) so keep this in mind if you are not yet a member and look on Smashbomb or other websites for recommendations on what to watch.
Being a cineaste, Netflix doesn’t cater for everything. If you would like to see tv series from the 60s or 70s or a film pre-1980s, then you will find it difficult but for modern audiences, this is a treat.
The layout is a little wild for my taste in apps and it is not immediately accessible for fine tune searching but if you know what you are looking for, you won’t have a problem.
Netflix is pushing their own films and tv series more now (and not a bad thing because fortunately a lot of it is high quality) so keep this in mind if you are not yet a member and look on Smashbomb or other websites for recommendations on what to watch.
Sarah (7798 KP) rated The Ward (2010) in Movies
Nov 9, 2019
Very poor
I've considered this film every time I've looked through horror films on Sky, mainly because it's John Carpenter, and I finally decided to give it a go this evening. Sadly I wish I hadn't bothered.
This film might have been made in 2010, but it looks a lot more like it was filmed when the film is actually set in the 60s. And I don't mean from a realism point of view either. It looks and feels that bad, the effects are awful - admittedly this is kind of explained during the ending but for me it was still no excuse for shoddy physical effects. Amber Heard is actually okay in this but sadly the rest of the cast are rather unremarkable. The wonderful Jared Harris is definitely underused. The whole film relies on poor effects and predictable and rather pathetic jump scares that aren't even scary. The horror aspect of this film is sadly lacking.
I didn't see the ending coming, but even when it did this sort of storyline has been done in much bigger and better films. And the final scene was rather pathetic and obvious.
Overall a very poor return for John Carpenter.
This film might have been made in 2010, but it looks a lot more like it was filmed when the film is actually set in the 60s. And I don't mean from a realism point of view either. It looks and feels that bad, the effects are awful - admittedly this is kind of explained during the ending but for me it was still no excuse for shoddy physical effects. Amber Heard is actually okay in this but sadly the rest of the cast are rather unremarkable. The wonderful Jared Harris is definitely underused. The whole film relies on poor effects and predictable and rather pathetic jump scares that aren't even scary. The horror aspect of this film is sadly lacking.
I didn't see the ending coming, but even when it did this sort of storyline has been done in much bigger and better films. And the final scene was rather pathetic and obvious.
Overall a very poor return for John Carpenter.
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