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Gareth von Kallenbach (980 KP) rated Despicable Me 3 (2017) in Movies
Jul 11, 2019
Universal Pictures new release Despicable ME 3 stars Steve Carell, Kristen Wiig, Trey Parker, and brings back Miranda Cosgrove, Dana Gaier, and Nev Scharrel as Margo, Edith and Agnes.
Of course, there must be Minions, as well!
In this third installment of the animated series, Gru (Carell) and Lucy (Wiig) are fired from the Anti-Villain League for letting Balthazar Bratt (Parker) slip away, and embark on an adventure of trying to figure out “what’s next” in their lives.
In the midst of his employment dilemma, Gru discovers he has a long-lost twin brother Dru (also voiced by Carell), and takes the family off to see him in Fredonia. There, he discovers that his brother and his father have a successful pig-farming business, and appear to be quite wealthy. Lucy and the girls are immediately enamored of Dru, but Gru is not so easily won over, especially when he becomes jealous of his brothers luxurious hair.
Dru reveals that the family empire is built not just on the fruits of the pig empire, but also on their fathers’ secret villainy, and tells Gru that he was their dads’ biggest disappointment. Dru wants Gru to teach him how to be a super-villain, as he has always aspired to follow Gru’s footsteps.
While Dru and Gru set off to find and recover the giant diamond stolen by Balthazar Bratt, Lucy follows the girls around Fredonia.
The movie is full of 80’s tunes, brought on by the premise that Bratt is a failed 80’s child star.
The minions have less of a presence in this film, but when they are onscreen, they do provide the usual laughs we would associate with them. The best Minion scene is likely the musical number in prison.
I found the Balthazar Bratt character impossibly annoying, although I do acknowledge that that may have been “the point”. I found myself dreading his next interaction within the movie.
Despite that, I thought the movie flowed well, and I especially enjoyed the development of the relationships between Lucy and Margo, Edith and Agnes. Lucy’s “momma bear” moments made me smile.
My 8 year old son liked the movie a lot, and said his favorite parts were the bubble-gum weapon of the villain, and the new car that Dru and Gru use for their escapades. He especially liked that the end of the film left open the possibility of yet another installment of the Despicable Me series.
The child gives the movie 4 out of 5 stars, I myself would give it 3.5 out of 5, as I couldn’t quite get past the annoyance of the Bratt character, but besides that, overall, found it enjoyable.
Of course, there must be Minions, as well!
In this third installment of the animated series, Gru (Carell) and Lucy (Wiig) are fired from the Anti-Villain League for letting Balthazar Bratt (Parker) slip away, and embark on an adventure of trying to figure out “what’s next” in their lives.
In the midst of his employment dilemma, Gru discovers he has a long-lost twin brother Dru (also voiced by Carell), and takes the family off to see him in Fredonia. There, he discovers that his brother and his father have a successful pig-farming business, and appear to be quite wealthy. Lucy and the girls are immediately enamored of Dru, but Gru is not so easily won over, especially when he becomes jealous of his brothers luxurious hair.
Dru reveals that the family empire is built not just on the fruits of the pig empire, but also on their fathers’ secret villainy, and tells Gru that he was their dads’ biggest disappointment. Dru wants Gru to teach him how to be a super-villain, as he has always aspired to follow Gru’s footsteps.
While Dru and Gru set off to find and recover the giant diamond stolen by Balthazar Bratt, Lucy follows the girls around Fredonia.
The movie is full of 80’s tunes, brought on by the premise that Bratt is a failed 80’s child star.
The minions have less of a presence in this film, but when they are onscreen, they do provide the usual laughs we would associate with them. The best Minion scene is likely the musical number in prison.
I found the Balthazar Bratt character impossibly annoying, although I do acknowledge that that may have been “the point”. I found myself dreading his next interaction within the movie.
Despite that, I thought the movie flowed well, and I especially enjoyed the development of the relationships between Lucy and Margo, Edith and Agnes. Lucy’s “momma bear” moments made me smile.
My 8 year old son liked the movie a lot, and said his favorite parts were the bubble-gum weapon of the villain, and the new car that Dru and Gru use for their escapades. He especially liked that the end of the film left open the possibility of yet another installment of the Despicable Me series.
The child gives the movie 4 out of 5 stars, I myself would give it 3.5 out of 5, as I couldn’t quite get past the annoyance of the Bratt character, but besides that, overall, found it enjoyable.
ClareR (5726 KP) rated Ready Player One in Books
Aug 10, 2018
Third time's the charm!
I started this book ages ago, then put it down and forgot about it. I started it again after I watched the film, but again, I stopped reading it for some reason. This was my third attempt, driven by having watched the film. I'm sure that it's pretty obvious that this book is nothing like the film (as is so often the case). The details in the book could never all be included in a film, and there are a number of places where the story has been completely changed, and I can see why. There is so much detail: from music, to TV programmes, to computer games, to characters' motivations. Don't get me wrong, I've enjoyed both the book and the film. The book is both very exciting and very detailed. I have to admit to skimming some, feeling guilty, then going back and reading it properly!
I loved the references to 80's music, although some were a bit random even for me (this is probably the difference between a Brit and someone from the US reading it). I do find though, that Ernest Cline's writing is incredibly detailed, and this is probably the reason why my 14 year old son gave up halfway through. I'm impressed he got to the halfway point to be honest!
I loved the references to 80's music, although some were a bit random even for me (this is probably the difference between a Brit and someone from the US reading it). I do find though, that Ernest Cline's writing is incredibly detailed, and this is probably the reason why my 14 year old son gave up halfway through. I'm impressed he got to the halfway point to be honest!
Jesters_folly (230 KP) rated Elvira, Mistress of the Dark (1988) in Movies
Oct 27, 2019
Horror movie hostess Elvira dreams of hosting a show in Vegas. When she receives saying that her Great Aunt had died she thinks her dreams have come true. Once she arrives at Fallwell, Massachusetts for the reading of the will she finds that things won’t be as easy as she had hoped. As the town turns against her and family secrets are uncovered Elvira needs to find a way to stop her great Uncles plan.
Elvira, Mistress of the Dark brings a backstory to Cassandra Pearson's character Elvira, gothic late night horror hostess. The film starts during one of Elvira’s shows when she receives a telegram telling her to go the reading of a will for a dead relative and, in the events that follow she finds out that she really is a witch.
Elvira is odd in the fact that it is almost in the style of an 80’s teen movie but it isn’t quite one. There are a few teens in the cast but the film does focus on Elvira and other people in the town.
Elvira, Mistress of the dark is rated 15 and is a comedy with a couple of scenes of peril and one jump scare. A lot of the humour focuses on Elvira’s rather ample bosom but in a quite tasteful way, it’s not a ‘Sex comedy’.
Elvira, Mistress of the Dark brings a backstory to Cassandra Pearson's character Elvira, gothic late night horror hostess. The film starts during one of Elvira’s shows when she receives a telegram telling her to go the reading of a will for a dead relative and, in the events that follow she finds out that she really is a witch.
Elvira is odd in the fact that it is almost in the style of an 80’s teen movie but it isn’t quite one. There are a few teens in the cast but the film does focus on Elvira and other people in the town.
Elvira, Mistress of the dark is rated 15 and is a comedy with a couple of scenes of peril and one jump scare. A lot of the humour focuses on Elvira’s rather ample bosom but in a quite tasteful way, it’s not a ‘Sex comedy’.
Darren Fisher (2447 KP) rated Taking Tiger Mountain (By Strategy) by Brian Eno in Music
Dec 18, 2020 (Updated Jan 15, 2021)
Eno On Peak
In the 80's I got into Brian Eno via Talking Heads (with the excellent Remain in Light alvum) and David Bowie (Low, Heroes and Lodger), rather than through early Roxy Music.
My first introduction to Eno's solo work was the compilation More Blank Than Frank in 1986, which after listening to, was enough to convince me that I really needed to check out more of his work. I found Taking Tiger Mountain on cassette in the bargain bins at Our Price (I think). No inlay card but it was going cheap. Taking a punt I got it home and was instantly blown away. Musically upbeat for most of its duration, the lyrics told dark, humorous and downright weird tales about espionage, Limbourg Asylum and the rape of a woman by a crazed machine. There's also a lot of references to China (as the album title suggests).
So obssessed by this album I once recycled my smashed up electric guitar body in to a 'skinning up' table (with coaster bed legs so you could push it from person to person). The main centrepiece of this 'table' was a big mound of wax which I attempted to mould into my own Tiger Mountain... Damn the drugs were good back then hahaha 😎✌
Album Highlights:
Burning Airlines Give You So Much More
Third Uncle
The True Wheel
My first introduction to Eno's solo work was the compilation More Blank Than Frank in 1986, which after listening to, was enough to convince me that I really needed to check out more of his work. I found Taking Tiger Mountain on cassette in the bargain bins at Our Price (I think). No inlay card but it was going cheap. Taking a punt I got it home and was instantly blown away. Musically upbeat for most of its duration, the lyrics told dark, humorous and downright weird tales about espionage, Limbourg Asylum and the rape of a woman by a crazed machine. There's also a lot of references to China (as the album title suggests).
So obssessed by this album I once recycled my smashed up electric guitar body in to a 'skinning up' table (with coaster bed legs so you could push it from person to person). The main centrepiece of this 'table' was a big mound of wax which I attempted to mould into my own Tiger Mountain... Damn the drugs were good back then hahaha 😎✌
Album Highlights:
Burning Airlines Give You So Much More
Third Uncle
The True Wheel
Screen Memories by John Maus
Album Watch
It has been six years since We Must Become The Pitiless Censors Of Ourselves appeared like a...
dance
BankofMarquis (1832 KP) rated Bohemian Rhapsody (2018) in Movies
Nov 4, 2018
Come for the music, stay...for the music
My musical tastes end somewhere in the late 1970's/early 1980's. Billy Joel, ELO and, especially, Queen were in constant rotation on my turntable. So it was with a mixture of excitement and nervousness that I checked out BOHEMIAN RHAPSODY, the "Queen movie".
Fortunately, this film rekindled my love for the music of Queen. I gotta admit, I was cranking Queen tunes in the car on the ride home. Unfortunately, the storytelling is weak, so I really did not gain any insight into Freddy, his family, the group, his marriage, his bi-sexuality, his drug use, the times they lived in or the AIDS epidemic of the '80's. All these items were touched upon in the movie, but not delved into, leaving a void in the part of my brain that craves a good, meaningful and touching story with my movie/musicals. It certainly doesn't help this story that I have the wonderful A STAR IS BORN sitting in my recent memory.
But the music, the musical performances and the acting performances of all involved almost make up for this void, leaving a very satisfying experience at the movies.
BOHEMIAN RHAPSODY follows young Farrokh Bulsara as he joins the band SMILE, changes the bands name to QUEEN, changes his name to Freddie Mercury and becomes an International Superstar leading up to the inevitable fall and resurgence at the Live Aid concert in the 1980's.
In the lead, Rami Malik is wonderful. He has the essence of the superstar we know down well. He is a winning, watchable presence on screen and I wouldn't be surprised if he is mentioned when Oscar nominations roll around. Joining him as members of the band are Ben Hardy as Roger Taylor, Joe Mazzello as John Deacon and Gwilym Lee as Brian May. All are effective enough in their roles - and believable in the musical scenes - with Lee standing out just a bit more than the others.
Also along for the ride are Lucy Boyton as Freddy's wife, Mary Austin and Tom Hollander, Mike Myers and Aidan Gillen as music execs aiding and attempting to guide Queen to the top. Only Allen Leech as Paul Prenter is unconvincing on the screen. But, I blame this more to the decisions of the screenwriters and directors for Paul is the "villain" of this piece - and a not-too-subtle villain at that.
But, Director Bryan Singer (X-MEN, THE USUAL SUSPECTS) is forgiven his lapses in content and subtlety as the music scenes are strong - and the film finishes with a 20 minute recreation of Queen at the Live Aid concert that is worth the price of admission all on it's own.
All in all, a good time at the movies. If you like Queen, you'll be entertained by this film.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
Fortunately, this film rekindled my love for the music of Queen. I gotta admit, I was cranking Queen tunes in the car on the ride home. Unfortunately, the storytelling is weak, so I really did not gain any insight into Freddy, his family, the group, his marriage, his bi-sexuality, his drug use, the times they lived in or the AIDS epidemic of the '80's. All these items were touched upon in the movie, but not delved into, leaving a void in the part of my brain that craves a good, meaningful and touching story with my movie/musicals. It certainly doesn't help this story that I have the wonderful A STAR IS BORN sitting in my recent memory.
But the music, the musical performances and the acting performances of all involved almost make up for this void, leaving a very satisfying experience at the movies.
BOHEMIAN RHAPSODY follows young Farrokh Bulsara as he joins the band SMILE, changes the bands name to QUEEN, changes his name to Freddie Mercury and becomes an International Superstar leading up to the inevitable fall and resurgence at the Live Aid concert in the 1980's.
In the lead, Rami Malik is wonderful. He has the essence of the superstar we know down well. He is a winning, watchable presence on screen and I wouldn't be surprised if he is mentioned when Oscar nominations roll around. Joining him as members of the band are Ben Hardy as Roger Taylor, Joe Mazzello as John Deacon and Gwilym Lee as Brian May. All are effective enough in their roles - and believable in the musical scenes - with Lee standing out just a bit more than the others.
Also along for the ride are Lucy Boyton as Freddy's wife, Mary Austin and Tom Hollander, Mike Myers and Aidan Gillen as music execs aiding and attempting to guide Queen to the top. Only Allen Leech as Paul Prenter is unconvincing on the screen. But, I blame this more to the decisions of the screenwriters and directors for Paul is the "villain" of this piece - and a not-too-subtle villain at that.
But, Director Bryan Singer (X-MEN, THE USUAL SUSPECTS) is forgiven his lapses in content and subtlety as the music scenes are strong - and the film finishes with a 20 minute recreation of Queen at the Live Aid concert that is worth the price of admission all on it's own.
All in all, a good time at the movies. If you like Queen, you'll be entertained by this film.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
Brecoles Nine (16 KP) rated The Flash in TV
Mar 12, 2019 (Updated Mar 12, 2019)
The Fastest Man Alive
The Flash on CW! This show is absolutely brilliant in my true honest opinion. It started with Grant Gustin appearing as Barry Allen in a few episodes of Arrow, after that, they announced that his own show would be coming to the network. The hype encircled this new show, the veteran fans of The Flash were immediately on board. Then came the new fans of the Scarlet Speedster. This show has given attention to a hero I believe has been severely underrated and underappreciated. Barry Allen is a CSI Agent that gets struck by lightning and gains the power of the Speed Force, he becomes The Flash, the fastest man alive. The show focuses a lot on Barry just not being quite fast enough to beat the villain of each story arc, but it can be that sometimes Barry can't always save the day. For being a show called The Flash, it focuses on each hero and villain as equal parts to the show. Cameos from other heroes and villains of The Flash tv show back in the 80's-90's era are also a wonderdul addition and subtle nod that the Multiverse actually does exist. There's time travel, parralel dimension travel, seperate Earth travel, amazing character development, wonderful nods to past present and future DC Hero's and Villians. The show does somewhat get repetitive as in, it feels like they're losing ideas once they finish up a story arc. It does catch its footing after a few episodes, however. The Flash on CW is definitely the show that takes the cake from all the other shows on the network such as Arrow, Supergirl, and DC's Legends of Tomorrow. We will see if Batwoman stays on par with The Flash when they finish that one up.
Jesters_folly (230 KP) rated Terrifier (2017) in Movies
Sep 9, 2019
When two women see a creepy clown in a pizza place they soon find themselves fighting for their livers in an abandoned building.
Terrifier could easily be mistaken for an 80’s or 90’s slasher movie as Art the Clown (never actually named in the film) cut’s, stabs, shoots and strangles his way through the rest of the cast using a variety of different weapons. Art the Clown seems to stand out in a genre that could almost be called over saturated, he speaks less than either Mike Myers or Jason Voorhees but carries out his kills with a comedic joy that almost matches Freddy Kruger, acting out his pleasure through mime which seems to intensify the silence he exudes.
The film seems to have a homemade feel about it, that’s not saying that it seems cheap but that the cast seem to get along well and that it could almost be something that was shot for fun by a group of friends in the same way the ‘Evil Dead’ or the original ‘Night of the Living Dead’ was. This is helped by a small cast and limited locations.
Being a slasher there is, of course; blood, violence, screaming and a bit of nudity but no sex, in fact the reason one character gets involved it to avoid being in the room with a couple who are getting amorous. Art dispatched his victims in a number of ways, most of which have been done before, after all there are only so many ways to stab or shoot someone, however, Art brings a joyfulness to his actions and, although I have already compared him to Freddy Kruger, Art seems to really see a funny side to what he is doing unlike Freddy who just enjoys the kill.
I have seen that there is a sequel slated for 2020 and given the being/end of Terrifier I think that is could be very interesting.
Terrifier could easily be mistaken for an 80’s or 90’s slasher movie as Art the Clown (never actually named in the film) cut’s, stabs, shoots and strangles his way through the rest of the cast using a variety of different weapons. Art the Clown seems to stand out in a genre that could almost be called over saturated, he speaks less than either Mike Myers or Jason Voorhees but carries out his kills with a comedic joy that almost matches Freddy Kruger, acting out his pleasure through mime which seems to intensify the silence he exudes.
The film seems to have a homemade feel about it, that’s not saying that it seems cheap but that the cast seem to get along well and that it could almost be something that was shot for fun by a group of friends in the same way the ‘Evil Dead’ or the original ‘Night of the Living Dead’ was. This is helped by a small cast and limited locations.
Being a slasher there is, of course; blood, violence, screaming and a bit of nudity but no sex, in fact the reason one character gets involved it to avoid being in the room with a couple who are getting amorous. Art dispatched his victims in a number of ways, most of which have been done before, after all there are only so many ways to stab or shoot someone, however, Art brings a joyfulness to his actions and, although I have already compared him to Freddy Kruger, Art seems to really see a funny side to what he is doing unlike Freddy who just enjoys the kill.
I have seen that there is a sequel slated for 2020 and given the being/end of Terrifier I think that is could be very interesting.
Berserker by Beast in Black
Album Watch
The metal world was in rage when Anton Kabanen parted ways with his former band BATTLE BEAST back in...
Metal