Search
Search results
Ross (3284 KP) rated Ready Player One in Books
Apr 3, 2018
As a set of 80s references it was great, as a story in its own right it was OK
I am disappointed with myself for not reading this sooner. Not because it was a life-changing read, but because I now look to be jumping on the bandwagon with the film coming out. I had planned to read this about 3 years ago, before I knew there was a film but never quite got round to it.
The book tells the story of an online world people enter to escape the disaster the real world has become, and shows them spending money they don't have on things they don't need (outfits for their avatar etc), but sadly doesn't take this too far (see Black Mirror for more of a doom-laden version of this world) and tracks the progress of the world's egg-hunters ("gunters") looking to solve epic puzzles and hope to win the ownership of this online world after its creator dies and bequeaths it to the victor.
There are a slew of 80s references in the early pages, and these are mostly enjoyable (unless like me you hate things like the breakfast club and haven't seen many of the films referenced) but thereafter the references are almost solely coin-op video games based, with occasional nods to movies and music. For me, you can get more enjoyable 80s references from one of those talking heads shows ("here, do you remember rubix cubes, what were they all about?!").
The solving of the puzzles (a fairly large part of the story) seemed a little clumsy to me, as if all of a sudden people would make a connection several years after working at it and then just bash on and solve it. This was none more present than in the very final puzzle, there was no logic as to why the solution was what it was. I kind of felt like Cline was desperate for the toilet when he was writing it, twitching on the edge of his seat and just quickly finished it off before he soiled himself.
There were a few twists and turns in the book, and they were mostly enjoyable though I felt there were a few missed tricks (the identity of "Aech" for example - I would put money on Cline planning this to be some Artificial Intelligence reincarnation of Halliday, the world's creator but he wussed out if it).
All in all, I enjoyed reading this, the prose flows quite nicely and easily, and the journey is enjoyable enough. I just felt there could have been more effort on the story and less on squeezing 80s references in ad nauseam.
The book tells the story of an online world people enter to escape the disaster the real world has become, and shows them spending money they don't have on things they don't need (outfits for their avatar etc), but sadly doesn't take this too far (see Black Mirror for more of a doom-laden version of this world) and tracks the progress of the world's egg-hunters ("gunters") looking to solve epic puzzles and hope to win the ownership of this online world after its creator dies and bequeaths it to the victor.
There are a slew of 80s references in the early pages, and these are mostly enjoyable (unless like me you hate things like the breakfast club and haven't seen many of the films referenced) but thereafter the references are almost solely coin-op video games based, with occasional nods to movies and music. For me, you can get more enjoyable 80s references from one of those talking heads shows ("here, do you remember rubix cubes, what were they all about?!").
The solving of the puzzles (a fairly large part of the story) seemed a little clumsy to me, as if all of a sudden people would make a connection several years after working at it and then just bash on and solve it. This was none more present than in the very final puzzle, there was no logic as to why the solution was what it was. I kind of felt like Cline was desperate for the toilet when he was writing it, twitching on the edge of his seat and just quickly finished it off before he soiled himself.
There were a few twists and turns in the book, and they were mostly enjoyable though I felt there were a few missed tricks (the identity of "Aech" for example - I would put money on Cline planning this to be some Artificial Intelligence reincarnation of Halliday, the world's creator but he wussed out if it).
All in all, I enjoyed reading this, the prose flows quite nicely and easily, and the journey is enjoyable enough. I just felt there could have been more effort on the story and less on squeezing 80s references in ad nauseam.
Eleanor (1463 KP) rated Deep Down (Jack Reacher, #16.5) in Books
Jun 20, 2019
Unfulfilling quick Reacher fix
I’m not sure why I keep listening to these Jack Reacher short stories, I think it’s because they are just a quick fix handy to have while doing other jobs.
Set back in the mid 80s we get a glimpse of Reacher’s military career where he is tasked with working out who is leaking information from Capitol Hill. The suspects are four fast-track women; Army political liaison officers. How in the mid 80s likely that all four of these positions would be taken up by women raises an eyebrow but it’s needed to fit the strategy of Reacher trying to get them each alone for a drink (eye-roll.) It doesn't quite work out like that but Reacher quickly gets stuff figured out, has a fight and lets us all go home glad for it to all be over. All standard Reacher just a lot less fleshed out and lacking some intrigue.
There's an odd decision to keep cutting to bits about an unnamed jogger, we find out who this is later but it really adds very little to the story and for a short one it seems a waste.
Like having something sweet when you are starving; it’s a quick yet ultimately unfulfilling experience. It’s not like it’s even a great chocolate bar….
Set back in the mid 80s we get a glimpse of Reacher’s military career where he is tasked with working out who is leaking information from Capitol Hill. The suspects are four fast-track women; Army political liaison officers. How in the mid 80s likely that all four of these positions would be taken up by women raises an eyebrow but it’s needed to fit the strategy of Reacher trying to get them each alone for a drink (eye-roll.) It doesn't quite work out like that but Reacher quickly gets stuff figured out, has a fight and lets us all go home glad for it to all be over. All standard Reacher just a lot less fleshed out and lacking some intrigue.
There's an odd decision to keep cutting to bits about an unnamed jogger, we find out who this is later but it really adds very little to the story and for a short one it seems a waste.
Like having something sweet when you are starving; it’s a quick yet ultimately unfulfilling experience. It’s not like it’s even a great chocolate bar….
Coming of Age Under Martial Law: The Initiation Novels of Poland's Last Communist Generation
Svetlana Vassileva-Karagyozova
Book
This volume is a study of approximately thirty coming-of-age Polish novels written by the so-called...
Alexis Taylor recommended Accelerator by Royal Trux in Music (curated)
LoganCrews (2861 KP) rated We Summon the Darkness (2019) in Movies
Jan 5, 2021
This is fun but there's no reason it shouldn't be gorier, crazier, more inventive, and/or more insightful given the film's insanely clever choice to frame a horror/slasher flick through the lens of religious sects vs. metal culture in the 80s - but I digress, perfectly serviceable fluff trash as it stands. Daddario is awesome in it, and I just can't get enough of Knoxville as a deliciously fire-and-brimstone pastor. I at least appreciate the formality - I'm glad this wasn't an obnoxiously meta "hey, remember this?" nostalgia soundboard like droves of films or shows detrimentally feel the need to become whenever they're set in the 80s now. But at the same time, there's so much potential for super bombastic kills and nuanced commentary that never was, and in their place it just tends to lumber for no real reason. Otherwise entertaining solely on principle, with another dependably cool score from Timothy Williams keeping things entertaining. And yes the twist is as righteous as everyone says. Not going to shake a stick at the amount of blood, enjoyment, and amped-up performances this does end up delivering - it's a decent little throwback slasher on its own - but God could you imagine if like Adam Wingard had made this? Holy hell what a picture that would have been.
LeftSideCut (3778 KP) rated Hack-O-Lantern (1988) in Movies
Nov 11, 2020
Hack-O-Lantern is a ride. It boasts a simple plot about a Satanic cult grooming a young boy all the way through adult hood to join their ranks, whilst his siblings just try to enjoy teenage life, and a maniac in a devil mask runs about town killing folk with a pitchfork, all on Halloween night. Standard slasher stuff, but with randomly thrown in music videos, strip teases, and belly dancing. The film even stops dead for a few minutes to show us a stand up comedy routine. It's really really odd.
The whole experience is ball achingly 80s, complete with questionable acting, awkward dialogue, passable gore effects, and an absolutely raging music score. All of the music just sounds like Final Fantasy battle music. It's incredible.
Hack-O-Lantern was aired as part of Joe Bob Briggs 2020 Halloween Special, and is worth a watch to gain some insight into why this films is so weird and disjointed, such as director Jag Mundhra speaking very little English accounting for some of the bizarre dialogue, and his Indian background explaining the out of place Bollywood elements sprinkled throughout. It's a pretty fascinating and quirky horror all in all.
If you're looking for a cheap, ridiculous, and absurd 80s horror, then this ticks all the right boxes.
The whole experience is ball achingly 80s, complete with questionable acting, awkward dialogue, passable gore effects, and an absolutely raging music score. All of the music just sounds like Final Fantasy battle music. It's incredible.
Hack-O-Lantern was aired as part of Joe Bob Briggs 2020 Halloween Special, and is worth a watch to gain some insight into why this films is so weird and disjointed, such as director Jag Mundhra speaking very little English accounting for some of the bizarre dialogue, and his Indian background explaining the out of place Bollywood elements sprinkled throughout. It's a pretty fascinating and quirky horror all in all.
If you're looking for a cheap, ridiculous, and absurd 80s horror, then this ticks all the right boxes.
LeftSideCut (3778 KP) rated In Search of Darkness (2019) in Movies
Aug 12, 2020
In short, In Search of Darkness is a must watch for any horror fan.
It's 4+ hour runtime is a gushing love letter to 80s horror, covering the decade year by year, with interviews from an impressive cast of genre icons - John Carpenter, Larry Cohen, Joe Dante, Barbara Crampton, Doug Bradley, Tom Atkins, Lori Cardille, Nick Castle, Jeffrey Combs, Kane Hodder, Tom Holland, Heather Langenkamp, Don Mancini, Cassandra Peterson, Caroline Williams, Brian Yuzner, and many more!
The documentary doesn't break any new ground, truth be told, but it's hard to not to appreciate all of these films being covered in one place. The sheer amount of titles discussed is pretty vast.
It's put together nicely as well. Old grainy film trailers tend to set the tone of each entry, but all of the footage shown is crystal clear and HD. The graphics are eye catching, with classic one sheets on display throughout, and it's all set too a great synth soundtrack courtesy of Weary Pines.
Really worth checking out - I split my viewing over a few nights and was honestly gutted when I had none left to watch. Director David A. Weiner did a great job with this documentary, and has a second one coming next year entitled In Search of Tomorrow, focusing on the Sci-Fi films of the 80s, and I can't wait to see it!
It's 4+ hour runtime is a gushing love letter to 80s horror, covering the decade year by year, with interviews from an impressive cast of genre icons - John Carpenter, Larry Cohen, Joe Dante, Barbara Crampton, Doug Bradley, Tom Atkins, Lori Cardille, Nick Castle, Jeffrey Combs, Kane Hodder, Tom Holland, Heather Langenkamp, Don Mancini, Cassandra Peterson, Caroline Williams, Brian Yuzner, and many more!
The documentary doesn't break any new ground, truth be told, but it's hard to not to appreciate all of these films being covered in one place. The sheer amount of titles discussed is pretty vast.
It's put together nicely as well. Old grainy film trailers tend to set the tone of each entry, but all of the footage shown is crystal clear and HD. The graphics are eye catching, with classic one sheets on display throughout, and it's all set too a great synth soundtrack courtesy of Weary Pines.
Really worth checking out - I split my viewing over a few nights and was honestly gutted when I had none left to watch. Director David A. Weiner did a great job with this documentary, and has a second one coming next year entitled In Search of Tomorrow, focusing on the Sci-Fi films of the 80s, and I can't wait to see it!
Erika (17788 KP) rated Call Me by Your Name (2017) in Movies
Dec 27, 2017
I can't believe this movie has won so many awards. It was the longest 2+ hours of my life, sitting in the theater and watching this movie. The camera work was shoddy, and almost made me ill, at first I thought it was done to be artsy or something... But no. I wasn't quite sure how the two main characters managed to figure out they were interested in each other. I am also forever scarred by Elio American-Pie-ing an apricot. The only redeeming quality of this entire movie was the fact it took place in the 80s, so Armie Hammer was wearing short shorts.
Rose (201 KP) rated It Follows (2015) in Movies
Jul 13, 2017
New take on old theme (1 more)
Dreamy, 80s quality
Hope it's not following me
I really enjoyed this movie. Nowadays, it takes more than a jump scare and some blood to get me to hop out of my seat and pay attention. I need atmosphere and creep factor and this movie delivered.
The old "killer goes after those that have sex in a horror movie" rule gets turned on its head with a new and, dare I say it, modern perspective.
I loved the eclectic, old Polaroid quality of each shot, giving the movie a retro vibe while being futuristic at the same time -- setting the movie in no exact time frame.
The old "killer goes after those that have sex in a horror movie" rule gets turned on its head with a new and, dare I say it, modern perspective.
I loved the eclectic, old Polaroid quality of each shot, giving the movie a retro vibe while being futuristic at the same time -- setting the movie in no exact time frame.
Nikita (202 KP) rated One of us is Lying in Books
Aug 29, 2017
I was a little wary at first this was going to be too 'teen' for me. Once a chapter in I was hooked and could not put it down (read within a day) This plot was very interesting, easily flowed. The characters were well rounded and likeable. Especially the character Nate.
As a big fan of 80s movies, This did pretty much read as a modern, darker version of The breakfast Club. If that was the intent it was done well. By the end of the book I didn't want it to end. It is highly adaptable for a tv series or movie and I would love to see one.
As a big fan of 80s movies, This did pretty much read as a modern, darker version of The breakfast Club. If that was the intent it was done well. By the end of the book I didn't want it to end. It is highly adaptable for a tv series or movie and I would love to see one.