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Marianne Faithfull by Marianne Faithfull
Marianne Faithfull by Marianne Faithfull
(0 Ratings)
Album Favorite

"I included this one because sometimes you can read things into records that aren't necessarily there. In the mid-80s I had my first proper girlfriend, we had an on/off thing for ages and then we finally split up. On the Thursday before, she gave me this Marianne Faithfull LP, so in the aftermath of the split I listened to it and heard lots of like 'ooo she's sending me a message through the songs'. I got to know the record quite well, I wallowed in the self-pity. I happened to meet her in Sheffield about 20 years later, was speaking to her and I mentioned to her about that record and she just said 'I knew we were going to split up and it was on offer at WH Smiths, it was only three quid so I just thought I'd get you that'. She'd never listened to it and wasn't making any points or comments to me at all. It shows how you as a listener bring a lot to any record. I didn't tell Marianne Faithfull the story when I worked with her... I should do shouldn't I?"

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Laetitia Sadier recommended Creekside by Lori Goldston in Music (curated)

 
Creekside by Lori Goldston
Creekside by Lori Goldston
2014 | Alternative, Indie
(0 Ratings)
Album Favorite

"I saw her at a Mississippi Records evening at Café Oto. I went there because the guy from Mississippi Records had somehow inherited 700 hours of footage by a man who woke up one morning, I think in the 80s when the technology of hand-held cameras had just appeared, and he felt like he had a mission to go and film people, poorer people, and how they expressed themselves, artistically and spontaneously. So we're not talking about people who were trying to make records, just people who play the guitar and sing or whatever, just musically expressing themselves. And that man felt like these people would soon disappear, that society would disappear and it would be extinct. And I think he probably had a very strong intuition that proved to be right. I think technology will soon take us away from just picking up a guitar and singing some songs, spontaneously. It's refreshing because we don't see that on TV, where everything is manufactured and filtered. It felt so good for my brain and my senses to be connected into that, and to witness all of these expressions."

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The Rocketeer (1991)
The Rocketeer (1991)
1991 | Action, Drama, Family
I remember having an old game, back in the day (late 80s) in the Amiga: Rocket Ranger.

The reason I mention that?

Because it very well could have acted as inspiration for this 1991 film.

(edit: I've just discovered it's actually based on a lesser known graphic novel of the same name! Presumably so is Rocket Ranger ...)

Released in the wake of Batman, and a good couple of decades before the birth of the Marvel Cinematic Universe (MCU), this stars a post-Bond Timothy Dalton on villain duty, with Bill Campbell taking on the role of Cliff Secord (who becomes The Rocketeer) and Jennifer Connolly as his love interest.

Set in 1938, this - apparently, like the comics - takes inspiration from the pulp serials of old, with director Joe Johnston bringing the same verisimilitude to the setting as he would his (much) later "Captain America: The First Avenger". Unfortunately, the film is a bit too po-faced for its own good - missing the wryness of, say, an Indiana Jones - an suffered somewhat from an unfortunate release window, sandwiched right between "Robin Hood: Prince of Thieves" and "Terminator 2: Judgment Day".
  
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LeftSideCut (3776 KP) rated The Lost Boys (1987) in Movies

Jan 15, 2021 (Updated Jan 15, 2021)  
The Lost Boys (1987)
The Lost Boys (1987)
1987 | Comedy, Horror
There's is just straight up nothing I don't like about The Lost Boys.

Corey Feldman's decision to put on a deep voice for the whole runtime, Kiefer Sutherland's mullet, the absolutely banging soundtrack (oiled up beefcake saxophone guy and all)
The whole movie is dripping with atmosphere from the opening shot, it's extremely 80s vibe being constantly undercut with a darker edge, and buzzing with the excitement of youth and freedom.
It's always stuck in my mind as a horror that kids could watch, but every time I revisit The Lost Boys, I'm always taken aback by the sudden bursts of violence. It brings it own additions to the vampire horror genre, being that sure, it's gets bloody here and there, but the adolescent story that's woven throughout, and it's frequently funny and warming screenplay gives it a unique touch that is hard to successfully imitate.

The Lost Boys is Joel Schumacher's finest work (followed by Falling Down of course) and is a film that is so of its era, but still manages to feel fresh. Absolutely love it. Now excuse me whilst I go and listen to Cry Little Sister on repeat.
  
    Alina String Ensemble

    Alina String Ensemble

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    "Nice sounds, great price” comment from Synthtopia “I cant tell you how pleased and excited I am...

The Final Girls (2015)
The Final Girls (2015)
2015 | Comedy, Horror
8
6.9 (14 Ratings)
Movie Rating
I love it
So me my sister and fiancé have been watching alot of films, I have seen this one a few times on Netflix and ordered it the other day, it finally came through and we all sat down to watch, my sister and fiancé said how shit they thought it was, me on the other hand loved it, everyone knows I love a budget comedy horror.

Sad opening when a mother is put down because she stared in a cheesy 80s slasher, now older and wiser she has a daughter max, you see there bond and relationship very fast and you see how it was taken away in one quick car crash, on the anniversary of Max's mums death she goes to the cinema to watch the film her mother was in, a fire breaks out and in a swift exit behind the screen a handful end up within the film. It's a comical fight to live and it pulls on plenty of heart strings as max is reunited with her late mother. I personally thought it was a brilliant cheesy, funny film and definitely worth the watch!!!
  
9 1/2 Weeks (1986)
9 1/2 Weeks (1986)
1986 | Drama, Romance
Wild, magnetic, and hot as hell - nobody does these like Lyne, man. One of the things I love most about this is that it's one of the sacred few of these that don't demonize kink *nor* make it a symptom of some trauma/mental illness; this is simply two consenting adults participating in a kinky relationship. They were getting this shit right in 1986, people - there's no excuse to keep messing it up 35 years later. Of course Rourke and Basinger have smoldering chemistry here too, their performances are so daring for the time and hold up airtight even today. Asks the devastating question of whether it's worse when passion is lost altogether, or when it becomes too consuming for one's reasonable expectations to handle? Also features a montage of the two leads fucking on a rainy alley staircase to loud 1980s synth music after beating up a random group of thugs - so you really get the best of both worlds. The last 20/25 minutes is the best work of Lyne's entire career. 80s MTV version of 𝘍𝘪𝘧𝘵𝘺 𝘚𝘩𝘢𝘥𝘦𝘴 𝘰𝘧 𝘎𝘳𝘦𝘺 (still not quite as good as 𝘚𝘦𝘤𝘳𝘦𝘵𝘢𝘳𝘺, though).