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Michael Packner (32 KP) rated Child's Play (1988) in Movies
Jun 21, 2019
The atmosphere is top notch. (4 more)
The tension could be cut with a knife at times.
Young Alex Vincent is surprisingly amazing in the film.
The film quickly establishes Chucky as a horror icon.
Everything was done with practical effects and actually looks amazing
Hi I'm Chucky, wanna play?
I'm sorry but at least for me this is about as close as you can get to a perfect horror film. The atmosphere of this film is perfect and both the acting and direction are top notch. The special effects are astounding for the time that this came out and Chucky is masterfully voiced by Brad Douriff. This film is interesting in the fact that if you grew up in the 80s and early 90s and remember what life was like back then, not only was this film absolutely terrifying for you as a child, but it holds up beautifully 30 years later. If you are a child of the modern era however, you just might find this film ridiculous and dated. The kills are extremely well thought out and suspenseful and the dark as night soundtrack fully adds to the terrifying experience. Child's Play remains 30 years later for me a staple of the horror genre and one of the main reasons I became such a big fan of the genre. Alex Vincent is unbelievably great holding down the lead role as a 6 year old. Not many horror films can survive centered around a protagonist so young, but this film does so masterfully.
I'm sorry but at least for me this is about as close as you can get to a perfect horror film. The atmosphere of this film is perfect and both the acting and direction are top notch. The special effects are astounding for the time that this came out and Chucky is masterfully voiced by Brad Douriff. This film is interesting in the fact that if you grew up in the 80s and early 90s and remember what life was like back then, not only was this film absolutely terrifying for you as a child, but it holds up beautifully 30 years later. If you are a child of the modern era however, you just might find this film ridiculous and dated. The kills are extremely well thought out and suspenseful and the dark as night soundtrack fully adds to the terrifying experience. Child's Play remains 30 years later for me a staple of the horror genre and one of the main reasons I became such a big fan of the genre. Alex Vincent is unbelievably great holding down the lead role as a 6 year old. Not many horror films can survive centered around a protagonist so young, but this film does so masterfully.
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LeftSideCut (3776 KP) rated The Howling (1981) in Movies
Oct 30, 2020
A fair few werewolf horror movies came out during the 80s, but whilst American Werewolf in London is generally considered to be the best of the bunch, The Howling definitely deserves a look in for that honour.
The plot takes a little while to kick in, but the slow first half actually allows the audience time to get to know the characters. Karen White (Dee Wallace) takes the lead, and is a hugely likable protagonist to carry the story forward. By the time the monstrous shenanigans kick off, you genuinely want her to win. Everyone else is a little disposable, allowing the rest of the focus to go towards werewolf characters, mainly Eddie Quist (Robert Picardo) and Marsha (Elisabeth Brooks), two characters that are sick of hiding their true nature, and want to live free, like wild animals should, feeding in humans and all. Unfortunately, the slow burn first half leaves little time to properly explore this aspect of the narrative.
The transformation effects are fucking great. Do they look dated? Sure, but considering that this released in 1981, the practical effects used are fantastic. I'm a fan of the bubbling effects in particular. When the transformation is complete, the aesthetic mostly avoids looking like a guy in a suit (not completely mind) and this is probably down to the make up work on the faces. The creatures look pretty damn mean.
A solid screenplay, a decent cast, and some great effects work ensure that The Howling stands out in a decade of gratuitous horror. Love it.
The plot takes a little while to kick in, but the slow first half actually allows the audience time to get to know the characters. Karen White (Dee Wallace) takes the lead, and is a hugely likable protagonist to carry the story forward. By the time the monstrous shenanigans kick off, you genuinely want her to win. Everyone else is a little disposable, allowing the rest of the focus to go towards werewolf characters, mainly Eddie Quist (Robert Picardo) and Marsha (Elisabeth Brooks), two characters that are sick of hiding their true nature, and want to live free, like wild animals should, feeding in humans and all. Unfortunately, the slow burn first half leaves little time to properly explore this aspect of the narrative.
The transformation effects are fucking great. Do they look dated? Sure, but considering that this released in 1981, the practical effects used are fantastic. I'm a fan of the bubbling effects in particular. When the transformation is complete, the aesthetic mostly avoids looking like a guy in a suit (not completely mind) and this is probably down to the make up work on the faces. The creatures look pretty damn mean.
A solid screenplay, a decent cast, and some great effects work ensure that The Howling stands out in a decade of gratuitous horror. Love it.
Jonathan Donahue recommended Let It Be by The Replacements in Music (curated)
Joe Goodhart (27 KP) rated Justice League International, Vol. 4 in Books
Nov 30, 2020
The 80s. I know, right? What the heck happened??! When did things get so confusing and angstastically heavy?! I mean, beside the frelled up election result for 2016??
Thankfully, despite all of that, there are many good outlets to remind us how to have fun and to also remind us that WE actually used to be FUN! Keith Giffen and J.M. DeMatteis truly know how to have fun times with the likes of Batman, Blue Beetle, and Martian Manhunter, just to name a few of the characters within.
The art, from artists Mike McKone, Ty Templeton, and Kevin Maguire was equally enjoyable, further enhancing the suing fun times. The only art I wasn't wowed by was Bill Willingham's. Not that it was bad or anything of the sort, I just thought it wasn't one of his stronger contributions. But, yeah, the other guys were all aces!
The only reason it didn't warrant Five Stars, or even Four for that matter, was the last issue in the TPB: "Teenage Biker Mega-Death!" (Vol. 1, Issue #30). The story itself was a weaker offering from Giffen and DeMatteis, only made weaker by the art from Willingham. The "big bad" of the story was neither <i>big</i> nor really very <i>bad</i>! Again, not the worst, but not the best.
Overall, though, this is yet another great example of how to make comics fun and enjoyable! If only they had gone this route for 2017's JUSTICE LEAGUE film!
Thankfully, despite all of that, there are many good outlets to remind us how to have fun and to also remind us that WE actually used to be FUN! Keith Giffen and J.M. DeMatteis truly know how to have fun times with the likes of Batman, Blue Beetle, and Martian Manhunter, just to name a few of the characters within.
The art, from artists Mike McKone, Ty Templeton, and Kevin Maguire was equally enjoyable, further enhancing the suing fun times. The only art I wasn't wowed by was Bill Willingham's. Not that it was bad or anything of the sort, I just thought it wasn't one of his stronger contributions. But, yeah, the other guys were all aces!
The only reason it didn't warrant Five Stars, or even Four for that matter, was the last issue in the TPB: "Teenage Biker Mega-Death!" (Vol. 1, Issue #30). The story itself was a weaker offering from Giffen and DeMatteis, only made weaker by the art from Willingham. The "big bad" of the story was neither <i>big</i> nor really very <i>bad</i>! Again, not the worst, but not the best.
Overall, though, this is yet another great example of how to make comics fun and enjoyable! If only they had gone this route for 2017's JUSTICE LEAGUE film!