Search
Search results
Charlotte Ozanne (108 KP) rated Klaus (2019) in Movies
Dec 4, 2019
To my knowledge, 'Klaus' is the first Christmas film to combine the magic of Father Christmas with the everyday work of a postman - bringing heart-warming results. This movie succeeds on every level; the animation, the music and the script fuse to create a film that deserves a place in everyone's Christmas catalogue, no matter what age.
The concept of this film is extremely touching - a young man spoiled by his father is sent to a remote island with the goal to deliver 6000 letters in a year. There, he meets Klaus, an old toymaker who lives in a wooded part of the island, out of sight of the townspeople. Together, they create Christmas for the island with the help of the resident schoolteacher and foreign settlers. The result is magical, as children and adults alike who have never experienced Christmas, get to soak in the wonders of the season.
The artwork featured in the film is somewhat disproportionate which really builds the tension, especially when Jesper first steps foot on the island. Colour-wise, the whole film is quite dark and drab which perfectly emphasises the change when the island is transformed into a Christmassy wonderland at the end. Together, these elements really help to convey the moods in the film, and the audience really goes on the same journey as Jesper.
This film cleverly sheds light through the use of music in several scenes. For example, when Jesper's attitude changes towards the island and his task, there is a wonderful moment where he transforms his workshop to the sounds of a popular 80s song. I couldn't help but smile as I find that era of music very infectious.
As a postwoman myself, I loved this film because it has made me look at my job in a different way. Especially at this time of year, I help to deliver lots of presents to households which will make people's Christmasses the best of their lives. I bring joy to people, just as this film brought lots of joy to me.
The concept of this film is extremely touching - a young man spoiled by his father is sent to a remote island with the goal to deliver 6000 letters in a year. There, he meets Klaus, an old toymaker who lives in a wooded part of the island, out of sight of the townspeople. Together, they create Christmas for the island with the help of the resident schoolteacher and foreign settlers. The result is magical, as children and adults alike who have never experienced Christmas, get to soak in the wonders of the season.
The artwork featured in the film is somewhat disproportionate which really builds the tension, especially when Jesper first steps foot on the island. Colour-wise, the whole film is quite dark and drab which perfectly emphasises the change when the island is transformed into a Christmassy wonderland at the end. Together, these elements really help to convey the moods in the film, and the audience really goes on the same journey as Jesper.
This film cleverly sheds light through the use of music in several scenes. For example, when Jesper's attitude changes towards the island and his task, there is a wonderful moment where he transforms his workshop to the sounds of a popular 80s song. I couldn't help but smile as I find that era of music very infectious.
As a postwoman myself, I loved this film because it has made me look at my job in a different way. Especially at this time of year, I help to deliver lots of presents to households which will make people's Christmasses the best of their lives. I bring joy to people, just as this film brought lots of joy to me.
Versusyours (757 KP) rated Trading Places (1983) in Movies
Dec 14, 2019
Laugh out loud (4 more)
Gorilla based hijinx
The good Eddie Murphy
The classic bet goes wrong
Drunken, gun toting Santa
Xmas never looked so good
One of my favourite Xmas films and it goes beyond the season with some great performances from a on form Eddie Murphy and a wacky and deranged Dan Aykroyd. The interplay between them and there descent and rise through the class system allows them to show some different character traits that make this film interesting and thoughtful. The classic bet between 2 unscrupulous and Rick characters pits nature against nurture and is the key plot for the film. Murphy is a product of the mean streets and lives a fast changing life to hustle money and Dan Aykroyd is an elite and upper class snob with everything going right in his life. A complete reversal of their fortunes is arranged due to the bet and this is where the comedic journey really begins with drugs, hookers, thefts, dodgy deals and the scene stealing bi curious goriila who I believe is and unshaven James Belushi
In another world it would have been that duo of Wilder and Pryor who were considered to play the lead roles with the working title of Black and White. I think it may have had a different edge if that was the case.
There was a law made called the Eddie Murphy Rule in America that banned insider trading so this film had a lasting effect but I think there are more better uses of the term Eddie Murphy Rule for some of his shenanigans he has been involved in since this film.
Overall this film takes pride of place at Xmas time but I have often enjoyed it outside of this period, one of the 80s funniest and eccentric films and it just gets me on that basic level that makes me love it dearly like only a gorrila based love triangle can
In another world it would have been that duo of Wilder and Pryor who were considered to play the lead roles with the working title of Black and White. I think it may have had a different edge if that was the case.
There was a law made called the Eddie Murphy Rule in America that banned insider trading so this film had a lasting effect but I think there are more better uses of the term Eddie Murphy Rule for some of his shenanigans he has been involved in since this film.
Overall this film takes pride of place at Xmas time but I have often enjoyed it outside of this period, one of the 80s funniest and eccentric films and it just gets me on that basic level that makes me love it dearly like only a gorrila based love triangle can
LeftSideCut (3778 KP) rated Friday the 13th (2009) in Movies
Feb 10, 2020
This "remake" of the cult classic 80s slasher is actually one of those modern horror soft reboots, that could be considered a sequel, in this case, following on directly from the original, but ignoring any of the original follow ups.
It's probably not accurately, a re-tread of the first four films, all rolled into a slick looking update.
That's precisely what the main positive is. Friday the 13th looks great. It has good production values, largely practical effects when it comes to the nasty stuff, and even boasts a few striking images here and there.
The main man himself, Jason Voorhees, is portrayed here as a kind of hunter, merely protecting his territory, and this time around, he's an absolute beast, he's brutal, he runs, and he is genuinely quote terrifying at times. The film cycles through both his original potato sack look, and his more well know hockey mask look, and actor Derek Mears successfully plays him off as an imposing threat.
The rest of the cast is where Friday the 13th really suffers. With the exception of Jared Padalecki, Danielle Panabaker, and Arlen Escarpeta, none of the human characters are remotely likable. I get that the writers were probably going for the whole rooting-for-them-to-die-horribly schtick, but honestly, these characters are so exhausting, non-funny, and irritating that it genuinely makes the bulk of the movie unenjoyable.
There's zero character development, and an unnecessary opening narrative (that lasts 25 minutes) about a separate group of equally unlikable douche bags makes the plot an absolute drag.
I did like the opening scene, that re-tells the climax of the original film in a stylish black and white sequence with the odd flash if colour, and a lot of the Jason action and kills are ridiculous and exciting, and that makes Friday the 13th just about watchable as a dumb-but-entertaining popcorn horror.
Here's hoping the whole rights issue gets sorted soon so someone can try again!
It's probably not accurately, a re-tread of the first four films, all rolled into a slick looking update.
That's precisely what the main positive is. Friday the 13th looks great. It has good production values, largely practical effects when it comes to the nasty stuff, and even boasts a few striking images here and there.
The main man himself, Jason Voorhees, is portrayed here as a kind of hunter, merely protecting his territory, and this time around, he's an absolute beast, he's brutal, he runs, and he is genuinely quote terrifying at times. The film cycles through both his original potato sack look, and his more well know hockey mask look, and actor Derek Mears successfully plays him off as an imposing threat.
The rest of the cast is where Friday the 13th really suffers. With the exception of Jared Padalecki, Danielle Panabaker, and Arlen Escarpeta, none of the human characters are remotely likable. I get that the writers were probably going for the whole rooting-for-them-to-die-horribly schtick, but honestly, these characters are so exhausting, non-funny, and irritating that it genuinely makes the bulk of the movie unenjoyable.
There's zero character development, and an unnecessary opening narrative (that lasts 25 minutes) about a separate group of equally unlikable douche bags makes the plot an absolute drag.
I did like the opening scene, that re-tells the climax of the original film in a stylish black and white sequence with the odd flash if colour, and a lot of the Jason action and kills are ridiculous and exciting, and that makes Friday the 13th just about watchable as a dumb-but-entertaining popcorn horror.
Here's hoping the whole rights issue gets sorted soon so someone can try again!
Rocks: My Life in and out of Aerosmith
David Ritz and Joe Perry
Book
In this riveting inside account of his life in rock-and-roll band Aerosmith, Joe Perry opens up for...
Becoming Steve Jobs: The Evolution of a Reckless Upstart into a Visionary Leader
Brent Schlender and Rick Tetzeli
Book
We all think we know who Steve Jobs was, what made him tick, and what made him succeed. Yet the...
Darling Days
Book
I WAS BORN, SEPTEMBER 1985, IN THE VORTEX OF THE LOWER EAST SIDE OF NEW YORK: THERE WERE FEW RULES...
Frank Lowy: A Second Life
Book
The brand new second volume of the biography of one of Australia's richest, most active and most...
From Deptford to Antarctica
Book
Pete Wilkinson grew up in Deptford, south London, in the 50s. Somehow he got to grammar school and...
TravelersWife4Life (31 KP) rated Pudge & Prejudice in Books
Feb 24, 2021
Do you like Pride and Prejudice? Well, I have a love/hate relationship with the story as I love Darcy but want to clobber him at the same time! However, this retelling of the story… is extraordinary. From the first chapter, I was fascinated by Elyse and the way Allison Pittman immersed me in her story. Elyse and Billy Fitz (how cool are their names?!) played off each other so well, I loved their conversations, the letter passing in class, and how both cared so much about the people around them. Allison Pittman also did a great job telling interweaving themes that are so prevalent and realistic into the characters’ thoughts and actions, such as body positivity and being careful who your friends are. Elyse’s older sister Jayne, and Billy’s best friend Charlie, plus the other beloved characters’ help make this story truly unique and engaging.
I loved the setting (Northenfield, TX), the 1980s drama, and the emphasis on music. Plus, all the 1980s references throughout the story helped to shape thing into a funny, realistic, and heart touching retelling of the original. Yet, it stands out as one of the most memorable renditions of Jane Austen’s works, that I have ever had the pleasure of reading. It was also interesting to see how Allison Pittman took the 1800s classic and evolved it into a new classic.
Overall, I think any age group would enjoy this book especially if you enjoyed the original. I know it will be going down as one of my favorite stories this year. 5 out of 5 stars.
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
IF Y’ALL LOVE ’80S MUSIC BE SURE TO CHECK OUT THE PLAY LIST THAT JENN FROM<a href="https://thatswhatshesreading.com/2021/02/05/pudge-and-prejudice-book-review/">THAT’S WHAT SHE’S READING</a> PUT TOGETHER!
I loved the setting (Northenfield, TX), the 1980s drama, and the emphasis on music. Plus, all the 1980s references throughout the story helped to shape thing into a funny, realistic, and heart touching retelling of the original. Yet, it stands out as one of the most memorable renditions of Jane Austen’s works, that I have ever had the pleasure of reading. It was also interesting to see how Allison Pittman took the 1800s classic and evolved it into a new classic.
Overall, I think any age group would enjoy this book especially if you enjoyed the original. I know it will be going down as one of my favorite stories this year. 5 out of 5 stars.
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
IF Y’ALL LOVE ’80S MUSIC BE SURE TO CHECK OUT THE PLAY LIST THAT JENN FROM<a href="https://thatswhatshesreading.com/2021/02/05/pudge-and-prejudice-book-review/">THAT’S WHAT SHE’S READING</a> PUT TOGETHER!
LeftSideCut (3778 KP) rated Friday the 13th Part VI: Jason Lives (1986) in Movies
Dec 30, 2020
If you were to show someone who had never watched a Friday the 13th movie, one single film from the franchise, then Part VI would surely be the one. It does everything that this series aims to do so well - it's easy to see why it's such a fan favourite.
Part VI marks the turning point into supernatural territory. Jason is back properly this time, risen from the grave, essentially a zombie, and even more unkillable than he was before. In the entries preceding this one, Jason has always been an imposing figure sure, but this time around C.J. Graham makes him feel like a proper tank (something that would be carried on wholeheartedly by Kane Hodder).
Most of the cast are typical slasher types purely here to up the kill count, but Tommy Jarvis appear once again to round off his trilogy of films, this time played by Thom Mathews, easily the most recognisable and iconic portrayal of the character.
The kills come thick and fast, and although certainly not the bloodiest of the series, it still has some memorable moments (a dude gets folded in half like a deckchair, which is suitably ridiculous) and the general pacing of the movie is well realised.
The comedic tone is just right as well. It's not quite as goofy as Part V, and the humourous parts are genuinely funny. The dumb script just adds to this. The paintball scene is a little too much though, silly music and all.
Talking of music, Harry Manfredini returns to score, and his work continues to be one of the best parts about the franchise.
Jason Lives is a good time, through and through. It's a shining example of what can be great about 80s slashers - it's fun, it's violent, just the right amount of hammy, and is simply one of the best Friday the 13th films out there.
Part VI marks the turning point into supernatural territory. Jason is back properly this time, risen from the grave, essentially a zombie, and even more unkillable than he was before. In the entries preceding this one, Jason has always been an imposing figure sure, but this time around C.J. Graham makes him feel like a proper tank (something that would be carried on wholeheartedly by Kane Hodder).
Most of the cast are typical slasher types purely here to up the kill count, but Tommy Jarvis appear once again to round off his trilogy of films, this time played by Thom Mathews, easily the most recognisable and iconic portrayal of the character.
The kills come thick and fast, and although certainly not the bloodiest of the series, it still has some memorable moments (a dude gets folded in half like a deckchair, which is suitably ridiculous) and the general pacing of the movie is well realised.
The comedic tone is just right as well. It's not quite as goofy as Part V, and the humourous parts are genuinely funny. The dumb script just adds to this. The paintball scene is a little too much though, silly music and all.
Talking of music, Harry Manfredini returns to score, and his work continues to be one of the best parts about the franchise.
Jason Lives is a good time, through and through. It's a shining example of what can be great about 80s slashers - it's fun, it's violent, just the right amount of hammy, and is simply one of the best Friday the 13th films out there.