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Trading Places (1983)
Trading Places (1983)
1983 | Comedy
Laugh out loud (4 more)
Gorilla based hijinx
The good Eddie Murphy
The classic bet goes wrong
Drunken, gun toting Santa
Xmas never looked so good
One of my favourite Xmas films and it goes beyond the season with some great performances from a on form Eddie Murphy and a wacky and deranged Dan Aykroyd. The interplay between them and there descent and rise through the class system allows them to show some different character traits that make this film interesting and thoughtful. The classic bet between 2 unscrupulous and Rick characters pits nature against nurture and is the key plot for the film. Murphy is a product of the mean streets and lives a fast changing life to hustle money and Dan Aykroyd is an elite and upper class snob with everything going right in his life. A complete reversal of their fortunes is arranged due to the bet and this is where the comedic journey really begins with drugs, hookers, thefts, dodgy deals and the scene stealing bi curious goriila who I believe is and unshaven James Belushi

In another world it would have been that duo of Wilder and Pryor who were considered to play the lead roles with the working title of Black and White. I think it may have had a different edge if that was the case.

There was a law made called the Eddie Murphy Rule in America that banned insider trading so this film had a lasting effect but I think there are more better uses of the term Eddie Murphy Rule for some of his shenanigans he has been involved in since this film.

Overall this film takes pride of place at Xmas time but I have often enjoyed it outside of this period, one of the 80s funniest and eccentric films and it just gets me on that basic level that makes me love it dearly like only a gorrila based love triangle can
  
Friday the 13th (2009)
Friday the 13th (2009)
2009 | Horror
5
6.6 (22 Ratings)
Movie Rating
This "remake" of the cult classic 80s slasher is actually one of those modern horror soft reboots, that could be considered a sequel, in this case, following on directly from the original, but ignoring any of the original follow ups.
It's probably not accurately, a re-tread of the first four films, all rolled into a slick looking update.
That's precisely what the main positive is. Friday the 13th looks great. It has good production values, largely practical effects when it comes to the nasty stuff, and even boasts a few striking images here and there.

The main man himself, Jason Voorhees, is portrayed here as a kind of hunter, merely protecting his territory, and this time around, he's an absolute beast, he's brutal, he runs, and he is genuinely quote terrifying at times. The film cycles through both his original potato sack look, and his more well know hockey mask look, and actor Derek Mears successfully plays him off as an imposing threat.
The rest of the cast is where Friday the 13th really suffers. With the exception of Jared Padalecki, Danielle Panabaker, and Arlen Escarpeta, none of the human characters are remotely likable. I get that the writers were probably going for the whole rooting-for-them-to-die-horribly schtick, but honestly, these characters are so exhausting, non-funny, and irritating that it genuinely makes the bulk of the movie unenjoyable.
There's zero character development, and an unnecessary opening narrative (that lasts 25 minutes) about a separate group of equally unlikable douche bags makes the plot an absolute drag.

I did like the opening scene, that re-tells the climax of the original film in a stylish black and white sequence with the odd flash if colour, and a lot of the Jason action and kills are ridiculous and exciting, and that makes Friday the 13th just about watchable as a dumb-but-entertaining popcorn horror.

Here's hoping the whole rights issue gets sorted soon so someone can try again!
  
Pudge & Prejudice
Pudge & Prejudice
A.K. Pittman | 2021 | Romance, Young Adult (YA)
10
10.0 (2 Ratings)
Book Rating
Do you like Pride and Prejudice? Well, I have a love/hate relationship with the story as I love Darcy but want to clobber him at the same time! However, this retelling of the story… is extraordinary. From the first chapter, I was fascinated by Elyse and the way Allison Pittman immersed me in her story. Elyse and Billy Fitz (how cool are their names?!) played off each other so well, I loved their conversations, the letter passing in class, and how both cared so much about the people around them. Allison Pittman also did a great job telling interweaving themes that are so prevalent and realistic into the characters’ thoughts and actions, such as body positivity and being careful who your friends are. Elyse’s older sister Jayne, and Billy’s best friend Charlie, plus the other beloved characters’ help make this story truly unique and engaging.

I loved the setting (Northenfield, TX), the 1980s drama, and the emphasis on music. Plus, all the 1980s references throughout the story helped to shape thing into a funny, realistic, and heart touching retelling of the original. Yet, it stands out as one of the most memorable renditions of Jane Austen’s works, that I have ever had the pleasure of reading. It was also interesting to see how Allison Pittman took the 1800s classic and evolved it into a new classic.

Overall, I think any age group would enjoy this book especially if you enjoyed the original. I know it will be going down as one of my favorite stories this year. 5 out of 5 stars.

*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.

IF Y’ALL LOVE ’80S MUSIC BE SURE TO CHECK OUT THE PLAY LIST THAT JENN FROM<a href="https://thatswhatshesreading.com/2021/02/05/pudge-and-prejudice-book-review/">THAT’S WHAT SHE’S READING</a> PUT TOGETHER!
  
Friday the 13th Part VI: Jason Lives (1986)
Friday the 13th Part VI: Jason Lives (1986)
1986 | Horror
If you were to show someone who had never watched a Friday the 13th movie, one single film from the franchise, then Part VI would surely be the one. It does everything that this series aims to do so well - it's easy to see why it's such a fan favourite.

Part VI marks the turning point into supernatural territory. Jason is back properly this time, risen from the grave, essentially a zombie, and even more unkillable than he was before. In the entries preceding this one, Jason has always been an imposing figure sure, but this time around C.J. Graham makes him feel like a proper tank (something that would be carried on wholeheartedly by Kane Hodder).
Most of the cast are typical slasher types purely here to up the kill count, but Tommy Jarvis appear once again to round off his trilogy of films, this time played by Thom Mathews, easily the most recognisable and iconic portrayal of the character.
The kills come thick and fast, and although certainly not the bloodiest of the series, it still has some memorable moments (a dude gets folded in half like a deckchair, which is suitably ridiculous) and the general pacing of the movie is well realised.
The comedic tone is just right as well. It's not quite as goofy as Part V, and the humourous parts are genuinely funny. The dumb script just adds to this. The paintball scene is a little too much though, silly music and all.
Talking of music, Harry Manfredini returns to score, and his work continues to be one of the best parts about the franchise.

Jason Lives is a good time, through and through. It's a shining example of what can be great about 80s slashers - it's fun, it's violent, just the right amount of hammy, and is simply one of the best Friday the 13th films out there.
  
Power Corruption &amp; Lies by New Order
Power Corruption & Lies by New Order
2009 | Rock
8.0 (1 Ratings)
Album Favorite

"I love Power, Corruption & Lies. I also love Movement and I play it all the time, as it was the first album after Joy Division. It still has a bit of that Joy Division darkness, almost with a sense of defeat about it, which is kind of how I felt when I was a teenager in the late fucking '70s. But I think Power, Corruption, the record after it, there's more light in it. It's more joyous, it's more lyrically lighter. And I think Bernard Sumner found his own voice, loosened up and just became Bernard when he came out of Ian Curtis's shadow. This album is a huge inspiration and I was fascinated at the time by the way that New Order would take electronics and the sequencer sound, which I loved from Donna Summer's 'I Feel Love', and they took it and applied it to rock & roll. They first did this with 'Temptation', which was released before 'Blue Monday'. I was previously in a band on Factory called The Wake and we'd opened for New Order. I'd had a tape recorder and I'd recorded some of their shows. They were playing 'Temptation' live, long before it was released as a single. I was obsessed by the way they took that tut-tut-tutut-tut-tut-tut sequence inspired by Donna Summer and Giorgio Moroder's arpeggio sound. To this day, that's still a big influence on Primal Scream. I'm just saying thank you to Bernard, Hooky, Stephen and Gill because I remember buying that record when it came out with a beautiful Peter Saville sleeve. The reason there's no writing on the album cover of Screamedelica is in total homage to Saville and Factory Records. A lot of our albums have no writing on the cover either. I mean, 'Age Of Consent': What. The. Fuck. Is. That? Playing with New Order back in the early '80s was like a fucking dream at the height of their fucking power!"

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