"I grew up with a lot of my dad's reggae records. I used to always buy the compilations, the Reggae Hits volumes, Ragga Ragga Ragga! We always listened to music in the car and “Murder She Wrote” really captured everything that was great about ‘90s dancehall music. The melodies were right, the emceeing was just the right tone, and the beat itself was of an era of dancehall that I loved so much, from listening to sound systems like Kilimanjaro and Addis. “What I've really enjoyed, having been in this for a minute now, is to see how styles and trends and music are cyclical. I used to think all that was BS; “Oh yeah, don't worry, this is gonna come back round”, but when I start to think, I guess it was around 2015 that there was this new sound everyone was talking about called 'Afrobeats'. I was like “Let's check this out” and to me it's ‘90s dancehall with a twist. You know what I mean? And now we've got Diadora, Kappa, Fila, all these brands that kind of had a moment, and all of a sudden it's retro, it's vintage. It's like “Wow, this is happening in front of my face.” “So to have that wisdom of what those songs were about is exciting for me. I can go in the studio and I can draw samples from a ‘90s dancehall tune, that, if you didn't grow up during that time might be lost in the vaults, because you wouldn't even know about Jigsy King, Sanchez, Beres Hammond and old school dub reggae. “Now I can pull out my tracksuit and people are like 'Mate, where'd you get that?' and I'm like '1990', this is real vintage coming out my mum's cupboard."

"It's such a cool song and it so represents that sound, the grunge of the 90s. I’ve just turned 37, so for me with the 90s’ I remember all the music that was out, I remember turning on MTV and seeing all the music videos and hearing all these songs. Rock videos were at their height at that point - at least in America - I know in the UK you had a little more pop than we did earlier on, but rock music was just everywhere. “This song reminds me of me coming out of adolescence and smoking cigarettes for the first time, trying rebellious teenage things like sneaking out of the house and going with my friends to the beach without our parents knowing; things that were kind of wrong. Now I look back, they were pretty harmless, but it was me kind of being a rebel for the first time as a teenager. “’Zombie’ reminds me of a couple of close friends. Actually, the girl that played it for me passed away about eight years later. It reminds me of her and that time."