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Sarah (7798 KP) rated Bram Stoker's Dracula (1992) in Movies
Mar 9, 2019
Stays true to the book
This is by far the best adaptation of Bram Stoker’s Dracula novel and aside from the hilarious Dracula: Dead and Loving It, there has never been a decent Dracula film since. The fact that it stays true to the novel is the best thing about this, there’s very little difference between this and the book and I’m so grateful about this. The effects are very old school and in parts a little bit cheesy and very dated watching it back now, but I think that’s part of the charm. It was made in the early 90s after all.
Gary Oldman does a fantastic performance and Anthony Hopkins too is wonderful as Van Helsing, and it’s these two that really make this film as good as it is. The rest of the cast range from good (Richard E Grant), unremarkable (Cary Elwes), to downright awful. And yes, I am talking about Keanu Reeves. I know he was a big star when this was made, but he really is a terrible actor. And he’s even worse when he’s trying to put on a horrendous English accent. I wish they’d have found a decent actor to play Harker, if they had I would’ve scored this a little higher!
Gary Oldman does a fantastic performance and Anthony Hopkins too is wonderful as Van Helsing, and it’s these two that really make this film as good as it is. The rest of the cast range from good (Richard E Grant), unremarkable (Cary Elwes), to downright awful. And yes, I am talking about Keanu Reeves. I know he was a big star when this was made, but he really is a terrible actor. And he’s even worse when he’s trying to put on a horrendous English accent. I wish they’d have found a decent actor to play Harker, if they had I would’ve scored this a little higher!
Awix (3310 KP) rated The Invaders in TV
Mar 15, 2018 (Updated Mar 15, 2018)
One of the classic TV alien invasion shows; the theme tune and the various visual gimmicks (aliens with crooked little fingers who incinerate when killed) are quite well-remembered, along with (possibly) the fact that many of the episodes aren't actually any good.
Larry Cohen's original concept - a paranoid thriller with few overt SF elements - was rapidly abandoned, and Cohen himself had little involvement. The programme is really a victim of the time it was made: episodic storytelling means that the aliens come up with bizarrely different schemes on a weekly basis (weather control, infiltrating industry, man-eating butterflies), and there are nagging problems with the format - it is required that the aliens never just kill Vincent, and that he never manages to get evidence of their activity, either. Some would say that Roy Thinnes' intensely dour performance is not exactly what a show like this needs.
Still, there are some good individual episodes, and the iconography of the show does hang around in your head (it's clearly one of the shows that was a major influence on The X Files). It's a shame this kind of story has since been done to death as you could easily imagine a contemporary Invaders remake being really good (even though the 90s mini-series really wasn't).
Larry Cohen's original concept - a paranoid thriller with few overt SF elements - was rapidly abandoned, and Cohen himself had little involvement. The programme is really a victim of the time it was made: episodic storytelling means that the aliens come up with bizarrely different schemes on a weekly basis (weather control, infiltrating industry, man-eating butterflies), and there are nagging problems with the format - it is required that the aliens never just kill Vincent, and that he never manages to get evidence of their activity, either. Some would say that Roy Thinnes' intensely dour performance is not exactly what a show like this needs.
Still, there are some good individual episodes, and the iconography of the show does hang around in your head (it's clearly one of the shows that was a major influence on The X Files). It's a shame this kind of story has since been done to death as you could easily imagine a contemporary Invaders remake being really good (even though the 90s mini-series really wasn't).
Bong Mines Entertainment (15 KP) rated Next Time - Single by BLESSED in Music
Jun 17, 2019
BLESSED is a Sydney-based rapper, producer, and songwriter from Accra, Ghana. Not too long ago, he released a music video for his “Next Time” single.
“With no control, I’m living life. I’m outta mind, I’m outta sight. I’ve been rollin’ every night. All alone, that’s every night. Tears, they fall like moonlight rain. Shadows on my window paint, now. In the end, they’re all the same. In the end, you’re all the same.” – lyrics
The self-directed black-and-white confessional audiovisual finds BLESSED performing bare-chested. Also, his performance draws inspiration from icons of ‘90s rock ‘n’ roll and hip-hop music.
‘Next Time’ is the first string of singles and videos which BLESSED will be releasing throughout the year, ending in an EP which is slated for late 2019.
The likable tune contains a dreamy storyline, harmonious rap vocals, and chill instrumentation flavored with alternative, hip-hop, and indie-rock elements.
BLESSED moved to Australia as a child, where he was aptly named a blessing by his family.
This project marks the first time he is using his real name instead of a moniker. Also, he is fresh from a national tour supporting Matt Corby.
https://www.bongminesentertainment.com/blessed-next-time/
“With no control, I’m living life. I’m outta mind, I’m outta sight. I’ve been rollin’ every night. All alone, that’s every night. Tears, they fall like moonlight rain. Shadows on my window paint, now. In the end, they’re all the same. In the end, you’re all the same.” – lyrics
The self-directed black-and-white confessional audiovisual finds BLESSED performing bare-chested. Also, his performance draws inspiration from icons of ‘90s rock ‘n’ roll and hip-hop music.
‘Next Time’ is the first string of singles and videos which BLESSED will be releasing throughout the year, ending in an EP which is slated for late 2019.
The likable tune contains a dreamy storyline, harmonious rap vocals, and chill instrumentation flavored with alternative, hip-hop, and indie-rock elements.
BLESSED moved to Australia as a child, where he was aptly named a blessing by his family.
This project marks the first time he is using his real name instead of a moniker. Also, he is fresh from a national tour supporting Matt Corby.
https://www.bongminesentertainment.com/blessed-next-time/
Versusyours (757 KP) rated Angus (1995) in Movies
Nov 9, 2019
Bowl cutted fun for all
Any film that starts a marching band version of Am I Wrong by Love Spit Love is enjoyable in my world. We are introduced to Angus Bethune, pronounced Buffon for comedic effect, his best friend a young sophisticated sex robot sent back through time The Sherminator Troy and their high school dramas. As with all of this type of movie we have a bane of their life and bully boy played here by James Van Der Beek but you may know me as Dawson from the Creek. There is sa running joke of Angus breaking his bully's nose through the years as Angus who despite being bowl cutted and awkward is awell built unit who actually plays football.
The plot follows that tradition of a dance/prom on the horizon and the cool good looking kids are planning some hijinx only for good to win and everyone learns life lessons. Angus has a falling out with his best friend Troy and is all alone before he overcomes his own unsecurities and can move on from high school politics. If you like mid/late 90s alternative music this soundtrack will knock you socks off and transport you back in time.
The plot follows that tradition of a dance/prom on the horizon and the cool good looking kids are planning some hijinx only for good to win and everyone learns life lessons. Angus has a falling out with his best friend Troy and is all alone before he overcomes his own unsecurities and can move on from high school politics. If you like mid/late 90s alternative music this soundtrack will knock you socks off and transport you back in time.
Awix (3310 KP) rated Mars Attacks! (1996) in Movies
Jun 14, 2020
Lavishly camp black-comedy sci-fi extravaganza. Motivated largely by their innate gittishness, Martians attack the Earth (the clue is in the title), and various people naturally respond in their own personal ways. Much property damage and rather dated mid-90s CGI result.
One of those bizarre mutants that should never really have got past the script stage, let alone received a $70m budget: the release schedule inevitably resulted in it being hailed as a spoof of Independence Day (hard to spoof something that wasn't meant to be taken seriously in the first place), but this is much more a send-up of classic 50s sci-fi B-movies (various spot-on parodies), as well as being a startlingly subversive black comedy. You can also sense Burton trying to do his version of Dr Strangelove, with Nicholson in a multiple role, but it doesn't have anything like the same sharpness or impact. A bit patchy overall - some laugh-out-loud moments and game performances, but also a lot of dead wood and characters and jokes that just don't work. On the whole, though, the fact that films like this still get made suggests hope is not yet lost for the world.
One of those bizarre mutants that should never really have got past the script stage, let alone received a $70m budget: the release schedule inevitably resulted in it being hailed as a spoof of Independence Day (hard to spoof something that wasn't meant to be taken seriously in the first place), but this is much more a send-up of classic 50s sci-fi B-movies (various spot-on parodies), as well as being a startlingly subversive black comedy. You can also sense Burton trying to do his version of Dr Strangelove, with Nicholson in a multiple role, but it doesn't have anything like the same sharpness or impact. A bit patchy overall - some laugh-out-loud moments and game performances, but also a lot of dead wood and characters and jokes that just don't work. On the whole, though, the fact that films like this still get made suggests hope is not yet lost for the world.
LoganCrews (2861 KP) rated Wild Wild West (1999) in Movies
Nov 10, 2020
I hate the late 90s blockbuster, man... I really do. This era's tongue-in-cheek manufactured spectacle coated with pause-for-laughs cringe 'jokes' and standard-to-crappy action makes my skin crawl. This is actually much, much better than 𝘐𝘯𝘥𝘦𝘱𝘦𝘯𝘥𝘦𝘯𝘤𝘦 𝘋𝘢𝘺 but otherwise they're the exact same formula in tiring popcorn slogs though this one dared to actually have a bit of fun sometimes unlike ID so truthfully I have no idea why this one is more reviled - it just seems random to me. Yeah I have no idea why this source material was turned into confusingly sexual, boring one-note tripe but the last twenty minutes is actually kind of exciting and the effects are top-notch. Don't even lie, you think that giant steampunk spider is fucking cool too and the gadgets/costumes/sets/makeup are eye-catching too - I only wish they were all in a better movie. The two perfunctory performances from Smith and Kline are canceled out by the religious scenery-chewing of Ted Levine and this movie's MVP Kenneth Branagh but besides the title song that I'm tired of pretending doesn't slap -because it *does* - that's about where the positives end. Its only personality traits are being dumb, looking cool sometimes, and misogyny.
LeftSideCut (3778 KP) rated Beauty and the Beast (1991) in Movies
Nov 22, 2020
Beauty and the Beast is an example of animated Disney at the top of their game, and stands proudly amongst the string of high quality outputs from Disney during the tail end of the 80s and through the 90s.
The aesthetic is quintessential Disney fairytale material, alternating between the bright and colourful un-named village that Belle lives in, to the dark and gothic castle where The Beast resides. The animation is wonderful, especially when it comes to characters. Characters such as Cogsworth, Lumiere, and Mrs. Potts are bought to life in such a vibrant manner, it's another argument for why the live action adaptions will never quite capture the same magic, and the likes of Belle, The Beast, and Gaston are memorable and visually iconic Disney inhabitants.
The story is straight down the middle for this kind of thing, but it's crowd pleasing, heart warming, with a perfect helping of melancholy, a formula that has always been Disney's bread and butter along with catchy songs. I struggle to get on board with musicals for the most part but some of the music demonstrated here is superbly written and occasionally beautiful.
Beauty & The Beast is classic Disney through and through. It's truly timeless and will be enjoyed for generations to come.
The aesthetic is quintessential Disney fairytale material, alternating between the bright and colourful un-named village that Belle lives in, to the dark and gothic castle where The Beast resides. The animation is wonderful, especially when it comes to characters. Characters such as Cogsworth, Lumiere, and Mrs. Potts are bought to life in such a vibrant manner, it's another argument for why the live action adaptions will never quite capture the same magic, and the likes of Belle, The Beast, and Gaston are memorable and visually iconic Disney inhabitants.
The story is straight down the middle for this kind of thing, but it's crowd pleasing, heart warming, with a perfect helping of melancholy, a formula that has always been Disney's bread and butter along with catchy songs. I struggle to get on board with musicals for the most part but some of the music demonstrated here is superbly written and occasionally beautiful.
Beauty & The Beast is classic Disney through and through. It's truly timeless and will be enjoyed for generations to come.
LoganCrews (2861 KP) rated Hocus Pocus (1993) in Movies
Mar 16, 2021
A full-tilt ball, I tend to be averse to anything ruminating with *this* much untamed theater kid energy - but Sarah Jessica Parker, Kathy Najimy, and of-fucking-course Bette Midler are 110% off the chain. I admit that the odious 90s stereotypes in this are hard to stomach, but I miss when Disney's live action allowed for such sublime scenery-chewing like this trio of perfect performances instead of Will Smith and some dude tepidly talking about jelly for what feels like an hour. I hate to be that guy, but something this lively just couldn't be recreated from the company today; Kenny Ortega's knack for brilliant practical effects and super impressive CGI for the time today is replaced by plastic visuals and flat soundstages where any sense of fun all but evaporates. Make no mistake, this is still not much more than pure fluff at the end of the day - but Lord it's such a blast. One of the few millennial-worship films I can fully understand the hype for, a delightful cross between 𝘛𝘩𝘦 𝘞𝘪𝘵𝘤𝘩𝘦𝘴 𝘰𝘧 𝘌𝘢𝘴𝘵𝘸𝘪𝘤𝘬 and "The Three Stooges". It's also consistently funny. "I Put A Spell On You" is a bop, and maybe I'm just getting old but the stuff at the end had me genuinely choked up.
Martin Scorsese recommended Ashes and Diamonds (1958) in Movies (curated)
