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LoganCrews (2861 KP) rated Unfaithful (2002) in Movies
Sep 20, 2020
A deceitfully simple erotic thriller that goes from idle 0 to 100 so suddenly it could cause whiplash. A lot of things I love about this one: the trio of stellar performances from Gere, Lane, and Martinez; the way it reaches its cold tendrils into numerous different genres; and while it isn't as visually attractive as ๐๐ฏ๐ฅ๐ฆ๐ค๐ฆ๐ฏ๐ต ๐๐ณ๐ฐ๐ฑ๐ฐ๐ด๐ข๐ญ (still looks great though, as is standard with Lyne) it's eight billion times more subtle. Though perhaps the highest nuance for a film that so easily could have been another anemic dump into the ever-sterilizing late-90s-esque trashy erotic thriller genre is how all of these events and the subsequent domino effect they set in motion don't really start out from your standard 'nondescript failing marriage' trope. This is a relatively happy, normal, even healthy family which still ends up... in an Adrian Lyne movie. It gives a false sense of hope and thus almost this feeling of normalcy, like even though you're a model citizen something of this severity could still somehow happen to you or someone you're close with, which quickly becomes rather traumatizing. Has a lot of solid banter and shit-your-pants "get me the fuck out of here" moments strung together nicely. Wasn't sure where it was going at first, but it all made sense in the end.
LoganCrews (2861 KP) rated Amรฉlie (2001) in Movies
Sep 21, 2020
Rich cinematic comfort food, not only am I wholly befuddled by this - but shocked at how many people don't hate it. By most means this shouldn't work let alone as remarkably as it does: it exudes any and all of the qualities that defined late 90s/early 00s Miramax-style cinema which sort of began with ๐๐ฎ๐ฆ๐ณ๐ช๐ค๐ข๐ฏ ๐๐ฆ๐ข๐ถ๐ต๐บ and plateaued with ๐๐ฆ๐จ๐ช๐ฏ๐ฏ๐ฆ๐ณ๐ด where everyone was randomly obsessed with people doing 'adorkable' quirky things for little to no reason (i.e. painting the same Renoir piece once a year for 20 years, looking under photo booths for torn up pictures that you then put together into an extensive photo album collection [??]) and ubiquitous, fast-talking overnarration that just explains a lot of excess details that only exist to be eccentric. I myself will most certainly cop to having a huge warm spot for that sort of film - for the most part - as now we've sort of crescendoed back into the 'monotonous, stock Wikipedia article' type of film. At any rate, this was just so wonderful. An ode to the good in life with pretty much spotless dialogue, scenes that snap together like puzzle pieces, and a deservedly iconic aesthetic - the way better version of ๐๐ข๐บ ๐ช๐ต ๐๐ฐ๐ณ๐ธ๐ข๐ณ๐ฅ. Audrey Tatou deserved *so* much better than slumming it in ๐๐ฉ๐ฆ ๐๐ข ๐๐ช๐ฏ๐ค๐ช ๐๐ฐ๐ฅ๐ฆ after this.
LeftSideCut (3776 KP) rated Porno (2019) in Movies
Nov 27, 2020
Porno is unfortunately a swing and a miss. It has a great cast, but they're trapped in a by the numbers horror comedy that never commits hard enough to either genre to be convincing as either.
Set in the early 90s, Porno revolves around a group of Christian movie theatre workers who unwittingly stumble into a seperate, sealed off abandoned movie theatre underneath they one they work in. They find a mysterious movie reel in the depths and watch it, unleashing a Succubus intent on doing a bunch of evil things. I think. The motive isn't made particularly clear.
It's horror element doesn't work as it's too shy to show the gore one would expect from a film like this, but it still takes things too seriously to fully bring the laughs.
It's still humourous though. The cast are all likable, and the script manages to be funny on occasion, in what is essentially a silly semi-horror. Much like it's flirtation with genres, it also touches on some more serious issues, such as homosexuality and it's acceptance by religion, but once again, never quite goes all the way if you will.
Porno isn't awful by any means, but it feels like a wasted opportunity, a fun idea that isn't quite executed well enough to be a film worth returning to.
Set in the early 90s, Porno revolves around a group of Christian movie theatre workers who unwittingly stumble into a seperate, sealed off abandoned movie theatre underneath they one they work in. They find a mysterious movie reel in the depths and watch it, unleashing a Succubus intent on doing a bunch of evil things. I think. The motive isn't made particularly clear.
It's horror element doesn't work as it's too shy to show the gore one would expect from a film like this, but it still takes things too seriously to fully bring the laughs.
It's still humourous though. The cast are all likable, and the script manages to be funny on occasion, in what is essentially a silly semi-horror. Much like it's flirtation with genres, it also touches on some more serious issues, such as homosexuality and it's acceptance by religion, but once again, never quite goes all the way if you will.
Porno isn't awful by any means, but it feels like a wasted opportunity, a fun idea that isn't quite executed well enough to be a film worth returning to.
Kim Pook (101 KP) rated Senior year (2022) in Movies
Jun 3, 2022
At the start of the movie, the main character steph is recording a video talking about her childhood, she was snubbed by the cool kids so decided she wanted to become popular. She achieved this, got a "hot" boyfriend and became a cheerleader. However, after a cheerleading accident steph ends up in a coma for 20 years. When she wakes up she has to learn all the ins and outs of the present day, such as smart phones, words you can't use anymore, the fact her boyfriend was now married and how much her body has aged.
She soon decides that she wants to finish her month she missed of her senior year, including cheerleading and becoming prom Queen.
I really enjoyed this movie despite it being over the top silly in places and unrealistic, I mean a 37 year old still fitting into her clothes from when she was 17 with very different body shapes is about as unrealistic as you can get!
The soundtrack is all kinds of nostalgic and took me back to my late teens as there was everything from Mandy Moore to a like for like redo of the drive me (crazy) video by britney spears. If you love the 90s/00s era of teen movies, you're sure to love this.
She soon decides that she wants to finish her month she missed of her senior year, including cheerleading and becoming prom Queen.
I really enjoyed this movie despite it being over the top silly in places and unrealistic, I mean a 37 year old still fitting into her clothes from when she was 17 with very different body shapes is about as unrealistic as you can get!
The soundtrack is all kinds of nostalgic and took me back to my late teens as there was everything from Mandy Moore to a like for like redo of the drive me (crazy) video by britney spears. If you love the 90s/00s era of teen movies, you're sure to love this.
David McK (3562 KP) rated The Mummy Returns (2001) in Movies
Sep 6, 2021 (Updated Sep 3, 2023)
Brendan Fraser as Rick O'Connoll (1 more)
Rachel Weisz as Evie
There was a time in the mid to late 90s/early 00s where Brendan Fraser was a Bona Fide movie star, back before he took a break from acting.
A large part of that appeal was due to his (very) Indiana Jones-alike Rick O'Connell, a role he first portrayed in 1999s The Mummy and reprised in this (which is the middle of the Mummy films).
Unlike the sequel to this, this one also sees the return of Rachel Weisz as his now-wife Evie O'Connell (a role recast in the third film) alongside returning players from the first movie: Arnold Vosloo's Imhotep himself, John Hannah as Evie's no-good brother, Oded Fehr as the Medjai Ardeth Bay - here on the O'Connell's side throughout - and Patricia Velasquez as the reincarnated Anck Su Namun.
As such, there are strong links to the original move here, with this particular entry also seeing Dwayne 'The Rock' Johnson's breakthrough to acting, as the titular Scorpion King (although some of the later effects haven't aged all that well).
Mostly enjoyable, although (and, IMO, unfortunately), they went down the 'annoying child actor' route, with the whole plot about their child getting kidnapped that kicks the journey into motion ...
A large part of that appeal was due to his (very) Indiana Jones-alike Rick O'Connell, a role he first portrayed in 1999s The Mummy and reprised in this (which is the middle of the Mummy films).
Unlike the sequel to this, this one also sees the return of Rachel Weisz as his now-wife Evie O'Connell (a role recast in the third film) alongside returning players from the first movie: Arnold Vosloo's Imhotep himself, John Hannah as Evie's no-good brother, Oded Fehr as the Medjai Ardeth Bay - here on the O'Connell's side throughout - and Patricia Velasquez as the reincarnated Anck Su Namun.
As such, there are strong links to the original move here, with this particular entry also seeing Dwayne 'The Rock' Johnson's breakthrough to acting, as the titular Scorpion King (although some of the later effects haven't aged all that well).
Mostly enjoyable, although (and, IMO, unfortunately), they went down the 'annoying child actor' route, with the whole plot about their child getting kidnapped that kicks the journey into motion ...
David McK (3562 KP) rated Infinity Welcomes Careful Drivers (Red Dwarf #1) in Books
Jan 28, 2019 (Updated Sep 1, 2019)
Back in the late 80s/early 90s, there was a TV show on British terrestial channles, that gained a bit of a cult following: 'Red Dwarf'.
Set on a 6-mile long mining ship in deep space, the early years of Red Dwarf were centred around the odd-couple pairing of Dave Lister (the last known Human alive, who was in a stasis booth - released thousands of years later - when a radiation leak wiped out the crew of the eponymous ship) and Arnold J Rimmer: a hologram of his dead bunk-mate, and perhaps the most annoying man in existence. Added to this are the ships now-senile computer Holly and the Cat: a creature evolved from a cat that Lister had smuggle aboard (and why he was in the stasis booth in the first place).
To this, and round about season 3 (although he first made an appearance in season 2), was added Kryten: a mechanoid with an overactive guilt chip.
Some novels based on a TV show seem to pretty much just repeat the episode scene for scene; others seem to share nothing in common with hteir source material except the name. This, I felt, falls somewhere in the middle: while certain segments of the novel do indeed follow (very) closely to their source, others only use that as their starting-off point. It aslo does a better job of tying the episodes together than the TV show ever could!
Set on a 6-mile long mining ship in deep space, the early years of Red Dwarf were centred around the odd-couple pairing of Dave Lister (the last known Human alive, who was in a stasis booth - released thousands of years later - when a radiation leak wiped out the crew of the eponymous ship) and Arnold J Rimmer: a hologram of his dead bunk-mate, and perhaps the most annoying man in existence. Added to this are the ships now-senile computer Holly and the Cat: a creature evolved from a cat that Lister had smuggle aboard (and why he was in the stasis booth in the first place).
To this, and round about season 3 (although he first made an appearance in season 2), was added Kryten: a mechanoid with an overactive guilt chip.
Some novels based on a TV show seem to pretty much just repeat the episode scene for scene; others seem to share nothing in common with hteir source material except the name. This, I felt, falls somewhere in the middle: while certain segments of the novel do indeed follow (very) closely to their source, others only use that as their starting-off point. It aslo does a better job of tying the episodes together than the TV show ever could!
Sarah (7800 KP) rated Joseph and the Amazing Technicolor Dreamcoat (1999) in Movies
Jan 29, 2019
Great music, shame about the rest
I loved Joseph when I was a child, and I havenโt seen the stage show since I was in primary school either, so I had to watch this when I saw it had been added to Netflix.
I spent the entire of this film trying to figure out if this was a stage show theyโd recorded and made look like a film, or if theyโd intentionally made it as a film like this. Looking it up afterwards, Iโve discovered this was a direct to video film and boy can you tell. For a purposely made film, the production values in this are really cheesy and cheap, and the costumes are pretty bad even with it being the late 90s. I also canโt stand the narrator in this, I just found her very irritating - the last scene especially. Donny Osmond is alright but his hair looks so fake I couldnโt help laughing every time there was a close up. The highlight of the cast by far is Richard Attenborough, itโs just a shame he isn't in it very much.
What saves this is the all round entertainment factor and the soundtrack. You canโt question the Lloyd Webber music, itโs truly fantastic and so varied (from country to Elvis rock) and catchy. I just wished the rest of the film lived up to this - they really should have just filmed a stage version.
I spent the entire of this film trying to figure out if this was a stage show theyโd recorded and made look like a film, or if theyโd intentionally made it as a film like this. Looking it up afterwards, Iโve discovered this was a direct to video film and boy can you tell. For a purposely made film, the production values in this are really cheesy and cheap, and the costumes are pretty bad even with it being the late 90s. I also canโt stand the narrator in this, I just found her very irritating - the last scene especially. Donny Osmond is alright but his hair looks so fake I couldnโt help laughing every time there was a close up. The highlight of the cast by far is Richard Attenborough, itโs just a shame he isn't in it very much.
What saves this is the all round entertainment factor and the soundtrack. You canโt question the Lloyd Webber music, itโs truly fantastic and so varied (from country to Elvis rock) and catchy. I just wished the rest of the film lived up to this - they really should have just filmed a stage version.
โThere is evil in all of us, and it is the mark of a man how he defies the evil within.โ
The third of David Gemmell's Drenai books, this is also chronologically the first, set (as it is) centuries before the events of Legend.
I think I first read this in the mid-to-late 90s, not that long after discovering Gemmell as an author.
As an early work by Gemmell, this also has several of what-would-become-known-as his trademark: the main character of Waylander himself, for instance (who he would return to twice more in Waylander II and Hero in the Shadows) is not a clean-cut hero (perhaps more of an anti-hero), only rescuing the priest Dardalian (who would go on to have a VERY important impact on the history of the Drenai) at the very start of the novel as the renegades who are torturing that priest have also stolen Waylander's horse.
Full of powerful imagery (Waylander standing alone against the robbers in the dusk with the sun setting behind him for one, not that long after this rescue) and Gemmell's contemplation on the Source, Waylander would become - I feel - second only to Druss amongst his most popular creations.
That's not to say this is perfect: like Legend, the romance between Waylander and Danyal does seemingly come out of nowhere, although Gemmell is (was) getting better at organically growing those relationships compared to his first work.
The third of David Gemmell's Drenai books, this is also chronologically the first, set (as it is) centuries before the events of Legend.
I think I first read this in the mid-to-late 90s, not that long after discovering Gemmell as an author.
As an early work by Gemmell, this also has several of what-would-become-known-as his trademark: the main character of Waylander himself, for instance (who he would return to twice more in Waylander II and Hero in the Shadows) is not a clean-cut hero (perhaps more of an anti-hero), only rescuing the priest Dardalian (who would go on to have a VERY important impact on the history of the Drenai) at the very start of the novel as the renegades who are torturing that priest have also stolen Waylander's horse.
Full of powerful imagery (Waylander standing alone against the robbers in the dusk with the sun setting behind him for one, not that long after this rescue) and Gemmell's contemplation on the Source, Waylander would become - I feel - second only to Druss amongst his most popular creations.
That's not to say this is perfect: like Legend, the romance between Waylander and Danyal does seemingly come out of nowhere, although Gemmell is (was) getting better at organically growing those relationships compared to his first work.
Allison Knapp (118 KP) rated Public Secrets in Books
Jan 22, 2019
Well written and complex characters (7 more)
Covers a broad range of social topics such as addiction, domestic violence, and homosexuality in a way which is both well written and accurate with the times
Strong character dynamics
Not nearly as cheesy as the romance novels of which she is known for writing
At times creepy or psychologically disturbing in a way which makes you care even more about the life of the main character
Strong ensemble cast
Great nostalgic look at music and cinema from the 60s up through the 90s
Excellent and unpredictable plot twists
Murder Mystery set in the world of the Music Industry
The illegitimate daughter of a young rock star witnesses the accidental murder of her baby brother when she is still very young, and due to a case of isolated amnesia, cannot identify the murderer. As she grows up under the public eye, amidst the tragedy and its effects on her family, struggling to let go of her nightmares of that fateful night while struggling to find her own identity aside from the shadow of her father and the legendary status of her family, she faces many struggles and challenges just to prove an identity of her own. Yet as she grows up into a mature young woman, she learns that there are some tragedies from her past which were worth suffering through if she were to finally help bring justice for her brother and their family.
Brian Fallon recommended track Just Like a Woman by Bob Dylan in Bootleg Series, Vol. 4: The "Royal Albert Hall" Concert by Bob Dylan in Music (curated)
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