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Independence Day (1996)
Independence Day (1996)
1996 | Action, Mystery, Sci-Fi
It easy to forget how jaw dropping Independence Day was when it first landed in the mid 90s, thanks to the plethora of sub-par disaster films that followed in its wake, thanks in no small part to this very films director, but the fact remains that it's is still blockbuster gold to this day.
It's cheesy, it's loud, it's dumb, but it has an incredibly likable cast, effects that still hold up, and absolutely shit loads of general destruction.
It also has possibly THE best speech ever commited to film. If you don't get all riled up during that speech, then you are dead inside, I don't make the rules.
  
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Blazing Minds (92 KP) rated Rent-A-Pal (2020) in Movies

Oct 29, 2021 (Updated Nov 3, 2021)  
Rent-A-Pal (2020)
Rent-A-Pal (2020)
2020 | Horror, Thriller
7
6.8 (5 Ratings)
Movie Rating
Rent-A-Pal certainly has that 90s vibe to it as lonely bachelor named David (Brian Landis Folkins) is looking for an escape from the day-to-day drudgery of caring for his ageing mother (Kathleen Brady). His only escape is the chance to find a partner through a video dating service but he discovers a strange VHS tape called Rent-A-Pal.

Hosted by the charming and charismatic Andy (Wil Wheaton – Star Trek: The Next Generation, The Big Bang Theory, Stand By Me), the tape offers him what he yearns for, some much-needed friendship. But finding a Pal comes at a cost.
  
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Colin Newman recommended Frequencies by Lfo in Music (curated)

 
Frequencies by Lfo
Frequencies by Lfo
1991 | Techno
6.0 (1 Ratings)
Album Favorite

"This is such an important record. It spawned a whole scene of music. You talk to any electronic musicians from the 90s onwards, and they'll say that. And they were just two boys from Leeds. I haven't seen him for a long while, but we worked with Gez, G-Man, we released his records in the 90s and I know what kind of guy he is. But I'd also spoken to Mark Bell, and Mark was very different. When I talk to Gez, I just talk to someone who's made a record, and he's just talking about his music. Mark was very clever and he was obviously the thinker of the two of them. But that combination of the two of them, those two guys: the title track with that bass, and 'Simon From Sydney', again it's a record that we've listened to a billion times. Gez used to say that they were part of a breakdancing crew, they were just mates, and they were so young when that record came out. I think they were 19, and they had a song in the top 20 and somebody on Radio 1 said their music was awful or something like that. They had everything happening at once at a very young age. I'm sure it affected them. But LFO were lads, you know. It wasn't high concept. It was dancefloor. That was what they were trying to do: to move people's butts and shake the bottom end."

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Nightwatch (1998)
Nightwatch (1998)
1998 | Drama, Horror, Mystery
8
7.8 (4 Ratings)
Movie Rating
Great story, good scares & and a decent who dunnit (0 more)
Ewan McGregor's 'american' accent. (0 more)
Don't diddle dead things!
Me and the wife were watching 'the possession of Hannah Grace' and it reminded me of this 90s gem. Ewan McGregor takes a job as a night watchman at a morgue to pay for law school and it's obviously kinda freaky but then he begins to realise he's being implicated for a series of murders. Great psychological build ups and scares and great performances from josh brolin and Nick Nolte. The only real let down is Ewan McGregor and his terrible American accent which is so bad it's almost distracting. Most definitely worth a watch.
  
A Little Night Music by Stephen Sondheim
A Little Night Music by Stephen Sondheim
1975 | Soundtrack
6.0 (1 Ratings)
Album Favorite

"I was a student at N.Y.U. in the ’90s. It was the first semester of a musical theater class, and one of the students got up and sang “Every Day a Little Death.” It was dark outside and snowing, and I remember hearing the song and thinking, “What is this?” It’s such a simple series of tiny moments that make up a day, that seem to be completely pragmatic descriptions of everyday life, played against the unbelievable torrent of sweeping emotion underneath in the music. And that is such a classic skill of Steve’s, where lyric plays against music, and the two things together, in the ear of the listener, tell you the whole story."

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