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LoganCrews (2861 KP) rated Amélie (2001) in Movies
Sep 21, 2020
Rich cinematic comfort food, not only am I wholly befuddled by this - but shocked at how many people don't hate it. By most means this shouldn't work let alone as remarkably as it does: it exudes any and all of the qualities that defined late 90s/early 00s Miramax-style cinema which sort of began with 𝘈𝘮𝘦𝘳𝘪𝘤𝘢𝘯 𝘉𝘦𝘢𝘶𝘵𝘺 and plateaued with 𝘉𝘦𝘨𝘪𝘯𝘯𝘦𝘳𝘴 where everyone was randomly obsessed with people doing 'adorkable' quirky things for little to no reason (i.e. painting the same Renoir piece once a year for 20 years, looking under photo booths for torn up pictures that you then put together into an extensive photo album collection [??]) and ubiquitous, fast-talking overnarration that just explains a lot of excess details that only exist to be eccentric. I myself will most certainly cop to having a huge warm spot for that sort of film - for the most part - as now we've sort of crescendoed back into the 'monotonous, stock Wikipedia article' type of film. At any rate, this was just so wonderful. An ode to the good in life with pretty much spotless dialogue, scenes that snap together like puzzle pieces, and a deservedly iconic aesthetic - the way better version of 𝘗𝘢𝘺 𝘪𝘵 𝘍𝘰𝘳𝘸𝘢𝘳𝘥. Audrey Tatou deserved *so* much better than slumming it in 𝘛𝘩𝘦 𝘋𝘢 𝘝𝘪𝘯𝘤𝘪 𝘊𝘰𝘥𝘦 after this.
LeftSideCut (3776 KP) rated Porno (2019) in Movies
Nov 27, 2020
Porno is unfortunately a swing and a miss. It has a great cast, but they're trapped in a by the numbers horror comedy that never commits hard enough to either genre to be convincing as either.
Set in the early 90s, Porno revolves around a group of Christian movie theatre workers who unwittingly stumble into a seperate, sealed off abandoned movie theatre underneath they one they work in. They find a mysterious movie reel in the depths and watch it, unleashing a Succubus intent on doing a bunch of evil things. I think. The motive isn't made particularly clear.
It's horror element doesn't work as it's too shy to show the gore one would expect from a film like this, but it still takes things too seriously to fully bring the laughs.
It's still humourous though. The cast are all likable, and the script manages to be funny on occasion, in what is essentially a silly semi-horror. Much like it's flirtation with genres, it also touches on some more serious issues, such as homosexuality and it's acceptance by religion, but once again, never quite goes all the way if you will.
Porno isn't awful by any means, but it feels like a wasted opportunity, a fun idea that isn't quite executed well enough to be a film worth returning to.
Set in the early 90s, Porno revolves around a group of Christian movie theatre workers who unwittingly stumble into a seperate, sealed off abandoned movie theatre underneath they one they work in. They find a mysterious movie reel in the depths and watch it, unleashing a Succubus intent on doing a bunch of evil things. I think. The motive isn't made particularly clear.
It's horror element doesn't work as it's too shy to show the gore one would expect from a film like this, but it still takes things too seriously to fully bring the laughs.
It's still humourous though. The cast are all likable, and the script manages to be funny on occasion, in what is essentially a silly semi-horror. Much like it's flirtation with genres, it also touches on some more serious issues, such as homosexuality and it's acceptance by religion, but once again, never quite goes all the way if you will.
Porno isn't awful by any means, but it feels like a wasted opportunity, a fun idea that isn't quite executed well enough to be a film worth returning to.
A Christian Guide to Environmental Issues: Connecting Bible Insights with Contemporary Challenges
Margot Hodson and Martin Hodson
Book
Environmental sustainability is a major issue in society today. While Christian response was...
Day of the Tentacle Remastered
Games
App
Dr. Fred’s mutated purple tentacle is about to take over the world, and only you can stop him! ...
A Killing in Costumes
7.0
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Book
Stardom fades fast when you’re on the line for murder, in this debut cozy mystery perfect for fans...
The third of Bernard Cornwell's 5 so-called 'Sailing Thrillers' (comprising 'Wildtrack', 'Sea Lord', this one, 'Stormchild' and 'Scoundrel'), none of which ever really resonated as much with me - or, presumably, the author himself since the last of these was written in 1992! - as his more famous Sharpe series about a British soldier during the Napoleonic Wars, or the Uhtred of Bebbanburg (also sometimes called The Saxon Stories) series, set in and around the time of Alfred the Great.
As with all the other sailing thrillers by the author, this is far more contemporaneous set: here, we're in the late 1980s, early 90s (I believe this was written in 1990), with this being set in and around the Bahamas where - like nearly all of Cornwell's other characters in just about any of his books - the main protagonist is an outcast of sorts: here, by their own choice, turning their back on their rich and famous father to spend their time sailing instead.
Hired by a rich senator for a convalescent cruise for said senator's drug-addict children, what starts out as a simple job soon turns anything but when Nick Breakspear and his small crew run foul of drug smugglers, leading to an action-packed finale - it's just a pity it took so long to actually get there, I felt!
As with all the other sailing thrillers by the author, this is far more contemporaneous set: here, we're in the late 1980s, early 90s (I believe this was written in 1990), with this being set in and around the Bahamas where - like nearly all of Cornwell's other characters in just about any of his books - the main protagonist is an outcast of sorts: here, by their own choice, turning their back on their rich and famous father to spend their time sailing instead.
Hired by a rich senator for a convalescent cruise for said senator's drug-addict children, what starts out as a simple job soon turns anything but when Nick Breakspear and his small crew run foul of drug smugglers, leading to an action-packed finale - it's just a pity it took so long to actually get there, I felt!
Kim Pook (101 KP) rated Senior year (2022) in Movies
Jun 3, 2022
At the start of the movie, the main character steph is recording a video talking about her childhood, she was snubbed by the cool kids so decided she wanted to become popular. She achieved this, got a "hot" boyfriend and became a cheerleader. However, after a cheerleading accident steph ends up in a coma for 20 years. When she wakes up she has to learn all the ins and outs of the present day, such as smart phones, words you can't use anymore, the fact her boyfriend was now married and how much her body has aged.
She soon decides that she wants to finish her month she missed of her senior year, including cheerleading and becoming prom Queen.
I really enjoyed this movie despite it being over the top silly in places and unrealistic, I mean a 37 year old still fitting into her clothes from when she was 17 with very different body shapes is about as unrealistic as you can get!
The soundtrack is all kinds of nostalgic and took me back to my late teens as there was everything from Mandy Moore to a like for like redo of the drive me (crazy) video by britney spears. If you love the 90s/00s era of teen movies, you're sure to love this.
She soon decides that she wants to finish her month she missed of her senior year, including cheerleading and becoming prom Queen.
I really enjoyed this movie despite it being over the top silly in places and unrealistic, I mean a 37 year old still fitting into her clothes from when she was 17 with very different body shapes is about as unrealistic as you can get!
The soundtrack is all kinds of nostalgic and took me back to my late teens as there was everything from Mandy Moore to a like for like redo of the drive me (crazy) video by britney spears. If you love the 90s/00s era of teen movies, you're sure to love this.
David McK (3801 KP) rated The Mummy Returns (2001) in Movies
Sep 6, 2021 (Updated Sep 3, 2023)
Brendan Fraser as Rick O'Connoll (1 more)
Rachel Weisz as Evie
There was a time in the mid to late 90s/early 00s where Brendan Fraser was a Bona Fide movie star, back before he took a break from acting.
A large part of that appeal was due to his (very) Indiana Jones-alike Rick O'Connell, a role he first portrayed in 1999s The Mummy and reprised in this (which is the middle of the Mummy films).
Unlike the sequel to this, this one also sees the return of Rachel Weisz as his now-wife Evie O'Connell (a role recast in the third film) alongside returning players from the first movie: Arnold Vosloo's Imhotep himself, John Hannah as Evie's no-good brother, Oded Fehr as the Medjai Ardeth Bay - here on the O'Connell's side throughout - and Patricia Velasquez as the reincarnated Anck Su Namun.
As such, there are strong links to the original move here, with this particular entry also seeing Dwayne 'The Rock' Johnson's breakthrough to acting, as the titular Scorpion King (although some of the later effects haven't aged all that well).
Mostly enjoyable, although (and, IMO, unfortunately), they went down the 'annoying child actor' route, with the whole plot about their child getting kidnapped that kicks the journey into motion ...
A large part of that appeal was due to his (very) Indiana Jones-alike Rick O'Connell, a role he first portrayed in 1999s The Mummy and reprised in this (which is the middle of the Mummy films).
Unlike the sequel to this, this one also sees the return of Rachel Weisz as his now-wife Evie O'Connell (a role recast in the third film) alongside returning players from the first movie: Arnold Vosloo's Imhotep himself, John Hannah as Evie's no-good brother, Oded Fehr as the Medjai Ardeth Bay - here on the O'Connell's side throughout - and Patricia Velasquez as the reincarnated Anck Su Namun.
As such, there are strong links to the original move here, with this particular entry also seeing Dwayne 'The Rock' Johnson's breakthrough to acting, as the titular Scorpion King (although some of the later effects haven't aged all that well).
Mostly enjoyable, although (and, IMO, unfortunately), they went down the 'annoying child actor' route, with the whole plot about their child getting kidnapped that kicks the journey into motion ...
David McK (3801 KP) rated Infinity Welcomes Careful Drivers (Red Dwarf #1) in Books
Jan 28, 2019 (Updated Sep 1, 2019)
Back in the late 80s/early 90s, there was a TV show on British terrestial channles, that gained a bit of a cult following: 'Red Dwarf'.
Set on a 6-mile long mining ship in deep space, the early years of Red Dwarf were centred around the odd-couple pairing of Dave Lister (the last known Human alive, who was in a stasis booth - released thousands of years later - when a radiation leak wiped out the crew of the eponymous ship) and Arnold J Rimmer: a hologram of his dead bunk-mate, and perhaps the most annoying man in existence. Added to this are the ships now-senile computer Holly and the Cat: a creature evolved from a cat that Lister had smuggle aboard (and why he was in the stasis booth in the first place).
To this, and round about season 3 (although he first made an appearance in season 2), was added Kryten: a mechanoid with an overactive guilt chip.
Some novels based on a TV show seem to pretty much just repeat the episode scene for scene; others seem to share nothing in common with hteir source material except the name. This, I felt, falls somewhere in the middle: while certain segments of the novel do indeed follow (very) closely to their source, others only use that as their starting-off point. It aslo does a better job of tying the episodes together than the TV show ever could!
Set on a 6-mile long mining ship in deep space, the early years of Red Dwarf were centred around the odd-couple pairing of Dave Lister (the last known Human alive, who was in a stasis booth - released thousands of years later - when a radiation leak wiped out the crew of the eponymous ship) and Arnold J Rimmer: a hologram of his dead bunk-mate, and perhaps the most annoying man in existence. Added to this are the ships now-senile computer Holly and the Cat: a creature evolved from a cat that Lister had smuggle aboard (and why he was in the stasis booth in the first place).
To this, and round about season 3 (although he first made an appearance in season 2), was added Kryten: a mechanoid with an overactive guilt chip.
Some novels based on a TV show seem to pretty much just repeat the episode scene for scene; others seem to share nothing in common with hteir source material except the name. This, I felt, falls somewhere in the middle: while certain segments of the novel do indeed follow (very) closely to their source, others only use that as their starting-off point. It aslo does a better job of tying the episodes together than the TV show ever could!