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David McK (3705 KP) rated The Mummy Returns (2001) in Movies
Sep 6, 2021 (Updated Sep 3, 2023)
Brendan Fraser as Rick O'Connoll (1 more)
Rachel Weisz as Evie
There was a time in the mid to late 90s/early 00s where Brendan Fraser was a Bona Fide movie star, back before he took a break from acting.
A large part of that appeal was due to his (very) Indiana Jones-alike Rick O'Connell, a role he first portrayed in 1999s The Mummy and reprised in this (which is the middle of the Mummy films).
Unlike the sequel to this, this one also sees the return of Rachel Weisz as his now-wife Evie O'Connell (a role recast in the third film) alongside returning players from the first movie: Arnold Vosloo's Imhotep himself, John Hannah as Evie's no-good brother, Oded Fehr as the Medjai Ardeth Bay - here on the O'Connell's side throughout - and Patricia Velasquez as the reincarnated Anck Su Namun.
As such, there are strong links to the original move here, with this particular entry also seeing Dwayne 'The Rock' Johnson's breakthrough to acting, as the titular Scorpion King (although some of the later effects haven't aged all that well).
Mostly enjoyable, although (and, IMO, unfortunately), they went down the 'annoying child actor' route, with the whole plot about their child getting kidnapped that kicks the journey into motion ...
A large part of that appeal was due to his (very) Indiana Jones-alike Rick O'Connell, a role he first portrayed in 1999s The Mummy and reprised in this (which is the middle of the Mummy films).
Unlike the sequel to this, this one also sees the return of Rachel Weisz as his now-wife Evie O'Connell (a role recast in the third film) alongside returning players from the first movie: Arnold Vosloo's Imhotep himself, John Hannah as Evie's no-good brother, Oded Fehr as the Medjai Ardeth Bay - here on the O'Connell's side throughout - and Patricia Velasquez as the reincarnated Anck Su Namun.
As such, there are strong links to the original move here, with this particular entry also seeing Dwayne 'The Rock' Johnson's breakthrough to acting, as the titular Scorpion King (although some of the later effects haven't aged all that well).
Mostly enjoyable, although (and, IMO, unfortunately), they went down the 'annoying child actor' route, with the whole plot about their child getting kidnapped that kicks the journey into motion ...
A Killing in Costumes
7.0
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Stardom fades fast when you’re on the line for murder, in this debut cozy mystery perfect for fans...
The third of Bernard Cornwell's 5 so-called 'Sailing Thrillers' (comprising 'Wildtrack', 'Sea Lord', this one, 'Stormchild' and 'Scoundrel'), none of which ever really resonated as much with me - or, presumably, the author himself since the last of these was written in 1992! - as his more famous Sharpe series about a British soldier during the Napoleonic Wars, or the Uhtred of Bebbanburg (also sometimes called The Saxon Stories) series, set in and around the time of Alfred the Great.
As with all the other sailing thrillers by the author, this is far more contemporaneous set: here, we're in the late 1980s, early 90s (I believe this was written in 1990), with this being set in and around the Bahamas where - like nearly all of Cornwell's other characters in just about any of his books - the main protagonist is an outcast of sorts: here, by their own choice, turning their back on their rich and famous father to spend their time sailing instead.
Hired by a rich senator for a convalescent cruise for said senator's drug-addict children, what starts out as a simple job soon turns anything but when Nick Breakspear and his small crew run foul of drug smugglers, leading to an action-packed finale - it's just a pity it took so long to actually get there, I felt!
As with all the other sailing thrillers by the author, this is far more contemporaneous set: here, we're in the late 1980s, early 90s (I believe this was written in 1990), with this being set in and around the Bahamas where - like nearly all of Cornwell's other characters in just about any of his books - the main protagonist is an outcast of sorts: here, by their own choice, turning their back on their rich and famous father to spend their time sailing instead.
Hired by a rich senator for a convalescent cruise for said senator's drug-addict children, what starts out as a simple job soon turns anything but when Nick Breakspear and his small crew run foul of drug smugglers, leading to an action-packed finale - it's just a pity it took so long to actually get there, I felt!
David McK (3705 KP) rated Infinity Welcomes Careful Drivers (Red Dwarf #1) in Books
Jan 28, 2019 (Updated Sep 1, 2019)
Back in the late 80s/early 90s, there was a TV show on British terrestial channles, that gained a bit of a cult following: 'Red Dwarf'.
Set on a 6-mile long mining ship in deep space, the early years of Red Dwarf were centred around the odd-couple pairing of Dave Lister (the last known Human alive, who was in a stasis booth - released thousands of years later - when a radiation leak wiped out the crew of the eponymous ship) and Arnold J Rimmer: a hologram of his dead bunk-mate, and perhaps the most annoying man in existence. Added to this are the ships now-senile computer Holly and the Cat: a creature evolved from a cat that Lister had smuggle aboard (and why he was in the stasis booth in the first place).
To this, and round about season 3 (although he first made an appearance in season 2), was added Kryten: a mechanoid with an overactive guilt chip.
Some novels based on a TV show seem to pretty much just repeat the episode scene for scene; others seem to share nothing in common with hteir source material except the name. This, I felt, falls somewhere in the middle: while certain segments of the novel do indeed follow (very) closely to their source, others only use that as their starting-off point. It aslo does a better job of tying the episodes together than the TV show ever could!
Set on a 6-mile long mining ship in deep space, the early years of Red Dwarf were centred around the odd-couple pairing of Dave Lister (the last known Human alive, who was in a stasis booth - released thousands of years later - when a radiation leak wiped out the crew of the eponymous ship) and Arnold J Rimmer: a hologram of his dead bunk-mate, and perhaps the most annoying man in existence. Added to this are the ships now-senile computer Holly and the Cat: a creature evolved from a cat that Lister had smuggle aboard (and why he was in the stasis booth in the first place).
To this, and round about season 3 (although he first made an appearance in season 2), was added Kryten: a mechanoid with an overactive guilt chip.
Some novels based on a TV show seem to pretty much just repeat the episode scene for scene; others seem to share nothing in common with hteir source material except the name. This, I felt, falls somewhere in the middle: while certain segments of the novel do indeed follow (very) closely to their source, others only use that as their starting-off point. It aslo does a better job of tying the episodes together than the TV show ever could!
Sarah (7800 KP) rated Joseph and the Amazing Technicolor Dreamcoat (1999) in Movies
Jan 29, 2019
Great music, shame about the rest
I loved Joseph when I was a child, and I haven’t seen the stage show since I was in primary school either, so I had to watch this when I saw it had been added to Netflix.
I spent the entire of this film trying to figure out if this was a stage show they’d recorded and made look like a film, or if they’d intentionally made it as a film like this. Looking it up afterwards, I’ve discovered this was a direct to video film and boy can you tell. For a purposely made film, the production values in this are really cheesy and cheap, and the costumes are pretty bad even with it being the late 90s. I also can’t stand the narrator in this, I just found her very irritating - the last scene especially. Donny Osmond is alright but his hair looks so fake I couldn’t help laughing every time there was a close up. The highlight of the cast by far is Richard Attenborough, it’s just a shame he isn't in it very much.
What saves this is the all round entertainment factor and the soundtrack. You can’t question the Lloyd Webber music, it’s truly fantastic and so varied (from country to Elvis rock) and catchy. I just wished the rest of the film lived up to this - they really should have just filmed a stage version.
I spent the entire of this film trying to figure out if this was a stage show they’d recorded and made look like a film, or if they’d intentionally made it as a film like this. Looking it up afterwards, I’ve discovered this was a direct to video film and boy can you tell. For a purposely made film, the production values in this are really cheesy and cheap, and the costumes are pretty bad even with it being the late 90s. I also can’t stand the narrator in this, I just found her very irritating - the last scene especially. Donny Osmond is alright but his hair looks so fake I couldn’t help laughing every time there was a close up. The highlight of the cast by far is Richard Attenborough, it’s just a shame he isn't in it very much.
What saves this is the all round entertainment factor and the soundtrack. You can’t question the Lloyd Webber music, it’s truly fantastic and so varied (from country to Elvis rock) and catchy. I just wished the rest of the film lived up to this - they really should have just filmed a stage version.
“There is evil in all of us, and it is the mark of a man how he defies the evil within.”
The third of David Gemmell's Drenai books, this is also chronologically the first, set (as it is) centuries before the events of Legend.
I think I first read this in the mid-to-late 90s, not that long after discovering Gemmell as an author.
As an early work by Gemmell, this also has several of what-would-become-known-as his trademark: the main character of Waylander himself, for instance (who he would return to twice more in Waylander II and Hero in the Shadows) is not a clean-cut hero (perhaps more of an anti-hero), only rescuing the priest Dardalian (who would go on to have a VERY important impact on the history of the Drenai) at the very start of the novel as the renegades who are torturing that priest have also stolen Waylander's horse.
Full of powerful imagery (Waylander standing alone against the robbers in the dusk with the sun setting behind him for one, not that long after this rescue) and Gemmell's contemplation on the Source, Waylander would become - I feel - second only to Druss amongst his most popular creations.
That's not to say this is perfect: like Legend, the romance between Waylander and Danyal does seemingly come out of nowhere, although Gemmell is (was) getting better at organically growing those relationships compared to his first work.
The third of David Gemmell's Drenai books, this is also chronologically the first, set (as it is) centuries before the events of Legend.
I think I first read this in the mid-to-late 90s, not that long after discovering Gemmell as an author.
As an early work by Gemmell, this also has several of what-would-become-known-as his trademark: the main character of Waylander himself, for instance (who he would return to twice more in Waylander II and Hero in the Shadows) is not a clean-cut hero (perhaps more of an anti-hero), only rescuing the priest Dardalian (who would go on to have a VERY important impact on the history of the Drenai) at the very start of the novel as the renegades who are torturing that priest have also stolen Waylander's horse.
Full of powerful imagery (Waylander standing alone against the robbers in the dusk with the sun setting behind him for one, not that long after this rescue) and Gemmell's contemplation on the Source, Waylander would become - I feel - second only to Druss amongst his most popular creations.
That's not to say this is perfect: like Legend, the romance between Waylander and Danyal does seemingly come out of nowhere, although Gemmell is (was) getting better at organically growing those relationships compared to his first work.
Allison Knapp (118 KP) rated Public Secrets in Books
Jan 22, 2019
Well written and complex characters (7 more)
Covers a broad range of social topics such as addiction, domestic violence, and homosexuality in a way which is both well written and accurate with the times
Strong character dynamics
Not nearly as cheesy as the romance novels of which she is known for writing
At times creepy or psychologically disturbing in a way which makes you care even more about the life of the main character
Strong ensemble cast
Great nostalgic look at music and cinema from the 60s up through the 90s
Excellent and unpredictable plot twists
Murder Mystery set in the world of the Music Industry
The illegitimate daughter of a young rock star witnesses the accidental murder of her baby brother when she is still very young, and due to a case of isolated amnesia, cannot identify the murderer. As she grows up under the public eye, amidst the tragedy and its effects on her family, struggling to let go of her nightmares of that fateful night while struggling to find her own identity aside from the shadow of her father and the legendary status of her family, she faces many struggles and challenges just to prove an identity of her own. Yet as she grows up into a mature young woman, she learns that there are some tragedies from her past which were worth suffering through if she were to finally help bring justice for her brother and their family.
Tell Me Who I am: Sometimes it's Safer Not to Know
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Imagine waking up one day to discover that you have forgotten everything about your life. Your only...
Tell Me Who I am: Sometimes it's Safer Not to Know
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Imagine waking up one day to discover that you have forgotten everything about your life. Your only...
The Age of Bowie
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THE SUNDAY TIMES BESTSELLER 'A handsome six footer with a warm and engaging personality, Davie Jones...