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Kim Pook (101 KP) rated Fear Street Part One: 1994 (2021) in Movies
Jul 26, 2021
A young teen, Heather, is finishing her last shift of the day in the mall, upon closing time she agrees to meet her friend Ryan outside so they can walk home together. Once Ryan leaves to gather his things, Heather is chased through the mall by a masked stranger and murdered in an almost identical way to casey becker in scream! When the credits start, the 1994 is blood red and someone screams as it is splattered against the screen, again just like scream! Either purely coincidental or the writers are a fan of the movie.
Anyway, the next day we see a number of teens talking and apparently this isn't the first murder in this town, in fact almost every decade has had a massacre, which many of the teens believe is the result of a witches curse. After a fight breaks out at a vigil held for Heather and Ryan, the rival schools threaten to kill each other and a killing spree starts shortly after. However, it is not the teens going through with their threats, in fact the killers aren't even alive! The teens must find a way to stop these creatures.
The movie is filled with so many feels of the 90s, as someone who was a teen in that decade herself I enjoyed all the nostalgia, from the mention of AOL to calling someone a dilweed. I liked the fact that the teens in the movie actually did look like teens unlike many other movies, though it did the almost sex scenes seem wrong. I enjoyed the teen Slasher part of the story as Slashers are my fav movie genre and we don't get many of those anymore, what ruined I for me though was the addition of Supernatural beings, I really wanted a teen Slasher with a big reveal at the end but sadly that isn't what I got. Still a good film though.
Anyway, the next day we see a number of teens talking and apparently this isn't the first murder in this town, in fact almost every decade has had a massacre, which many of the teens believe is the result of a witches curse. After a fight breaks out at a vigil held for Heather and Ryan, the rival schools threaten to kill each other and a killing spree starts shortly after. However, it is not the teens going through with their threats, in fact the killers aren't even alive! The teens must find a way to stop these creatures.
The movie is filled with so many feels of the 90s, as someone who was a teen in that decade herself I enjoyed all the nostalgia, from the mention of AOL to calling someone a dilweed. I liked the fact that the teens in the movie actually did look like teens unlike many other movies, though it did the almost sex scenes seem wrong. I enjoyed the teen Slasher part of the story as Slashers are my fav movie genre and we don't get many of those anymore, what ruined I for me though was the addition of Supernatural beings, I really wanted a teen Slasher with a big reveal at the end but sadly that isn't what I got. Still a good film though.
Joe Goodhart (27 KP) rated Doctor Who: Sleepy in Books
Nov 30, 2020
This was a re-read for me, as I had read SLEEPY when it first came out in the late 90s. While I remembered parts of the book, it was, more or less, like it was fresh. Most of my time was spent "gobbling" as many books as I could, allowing me to "escape" the humdrum life I was leading and my not-so-cool bachelorhood. So, yeah, a fresh start of sorts to this read.
SLEEPY is the first book that begins the overarching "Psi Powers" story line. Author Kate Orman wastes no time, throwing us right into the deep end of the pool as the book opens! The ride that begins never lets up, providing with well-fleshed out characters and minor characters, as well as providing an intriguing and thought-provoking backstory.
In both the Virgin <i>New Adventures</i> as well as the BBC's <i>Eighth Doctor Adventures</i>, Orman was always favorite of mine, as well as a number of the pre-NuWHO fans. Her characters, goodies <b>and</b> baddies, were always full of depth, giving something than us tropes. The Doctor, regardless of the Incarnation, was treated properly, offering a much better Doctor than the new series has shown us.
The book requires focus when reading. That is, it works better if you can read it in room without distractions (musical film scores playing in the background don't count as a distracting), without anyone trying to talk to you while you're trying to read, i.e. my wife (!). There's some truly heady stuff going on the pages within, and if you ride it out, you will not be disappointed!
In the 61 <i>New Adventures</i> that Virgin Books published from 1991-96, there are several that stand out as cornerstones of the WHO-niverse. SLEEPY is one of those "cornerstones". If you see this out in your travels, perusing a cool used book shop, pick this book up, as it well worth the time!
SLEEPY is the first book that begins the overarching "Psi Powers" story line. Author Kate Orman wastes no time, throwing us right into the deep end of the pool as the book opens! The ride that begins never lets up, providing with well-fleshed out characters and minor characters, as well as providing an intriguing and thought-provoking backstory.
In both the Virgin <i>New Adventures</i> as well as the BBC's <i>Eighth Doctor Adventures</i>, Orman was always favorite of mine, as well as a number of the pre-NuWHO fans. Her characters, goodies <b>and</b> baddies, were always full of depth, giving something than us tropes. The Doctor, regardless of the Incarnation, was treated properly, offering a much better Doctor than the new series has shown us.
The book requires focus when reading. That is, it works better if you can read it in room without distractions (musical film scores playing in the background don't count as a distracting), without anyone trying to talk to you while you're trying to read, i.e. my wife (!). There's some truly heady stuff going on the pages within, and if you ride it out, you will not be disappointed!
In the 61 <i>New Adventures</i> that Virgin Books published from 1991-96, there are several that stand out as cornerstones of the WHO-niverse. SLEEPY is one of those "cornerstones". If you see this out in your travels, perusing a cool used book shop, pick this book up, as it well worth the time!
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David McK (3600 KP) rated Quantum Leap: Too Close for Comfort in Books
Sep 22, 2024 (Updated Sep 22, 2024)
"Theorising that one could time travel within his own lifetime, Doctor Sam Beckett stepped into the Quantum Leap accelerator and vanished... He woke to find himself trapped in the past, facing mirror images that were not his own, and driven by an unknown force to change history for the better. His only guide on this journey is Al, an observer from his own time, who appears in the form of a hologram that only Sam can see and hear. And so Doctor Beckett finds himself leaping from life to life, striving to put right what once went wrong, and hoping each time that his next leap will be the leap home…”
That's the intro from the original, 1990s, show (as opposed to the more modern 2020 reincarnation).
Why am I posting the above?
Because this novel itself is from the 90s, long before Dr Raymond Song or any of the newer bunch, and so focuses on the original Leaper Sam, and his hologrammatic observer Al.
It was also obviously written whilst the show was still on air (or, at the very least, not long after it ended), and very much could have been a episode of that original show, which was far more episodic in nature than the newer version.
Here, Sam finds himself in the body of a college graduate in what-I-believe-to-be the early 1990s, leasing a room from a college professor who is very much into the whole Men movement of the era, so much so that said professor does not even realize when his family life is falling down around him.
Being the early 1990s, this is far too close to the timeline from which Sam leaps (1999), with Al Calvacci also involved here both as Sam's hologram, and as an actual person who Sam encounters as a member of Dr Wales encounter group. Hence the title 'Too Close for Comfort', which can be construed in multiple different ways!
That's the intro from the original, 1990s, show (as opposed to the more modern 2020 reincarnation).
Why am I posting the above?
Because this novel itself is from the 90s, long before Dr Raymond Song or any of the newer bunch, and so focuses on the original Leaper Sam, and his hologrammatic observer Al.
It was also obviously written whilst the show was still on air (or, at the very least, not long after it ended), and very much could have been a episode of that original show, which was far more episodic in nature than the newer version.
Here, Sam finds himself in the body of a college graduate in what-I-believe-to-be the early 1990s, leasing a room from a college professor who is very much into the whole Men movement of the era, so much so that said professor does not even realize when his family life is falling down around him.
Being the early 1990s, this is far too close to the timeline from which Sam leaps (1999), with Al Calvacci also involved here both as Sam's hologram, and as an actual person who Sam encounters as a member of Dr Wales encounter group. Hence the title 'Too Close for Comfort', which can be construed in multiple different ways!
Kirk Bage (1775 KP) rated Seinfeld - Season 1 in TV
Jan 22, 2021
I always assumed I wouldn’t like Seinfeld in the 90s. In fact I was opposed to the very idea of it on principle. And that principle was: I’ve never heard of this guy as a comedian, and American stand-up usually isn’t funny. I never saw a single episode until six months ago – in my head it was some dumb, canned laughter show with very forced scripts and little charm. I just didn’t get why it was always quoted amongst the best sitcoms of all time, and I wasn’t willing to find out. This is called “being ignorant”. Guilty.
One random day with nothing else inspiring me I finally took the plunge and put an episode on. Guess what happened? I laughed, I found it completely charming and witty and easy to watch, with some great lines and likeable characters. 3 hours later I had done 6 episodes and was as hooked as anyone can be with anything. It was just so nostalgically and completely 90s! And I loved that!
A show doesn’t run for 9 years and over 170 episodes without being some kind of special, especially taking into account the depreciation due to being dated, as all sitcoms eventually are, and it really is quite remarkable – deserving of a place in the conversation of the greatest ever American half hour shows. Sure, there is an element early on in the preoccupation with everyone’s sex life and dating habits that is a little creepy in 2020, but I am totally willing to forgive it.
Shows that are hyper aware of themselves and the audience are odd creatures the minute they take themselves too seriously, and Seinfeld never does that. It knows it is trivial, essentially about nothing and going nowhere, and style-wise it is always winking at us for being in on the joke and a part of it, even to the point of applauding new characters on their entrance, which is a uniquely American thing to do.
The secret of the show is undoubtedly the chemistry of the four leads, so mismatched that it someone works a spell and creates magic, much in the same way Friends managed to do, times six. Jerry Seinfeld himself is a very likeable everyman, and the schtick of each show beginning and ending with 30 seconds of stand up is a gimmick that grows on you, as does everything about it: the more you watch, the more you love it for what it is.
Jason Alexander as the balding, quirky, self-conscious, opinionated best friend is perhaps my least favourite of the regular quartet, but he has some amazing moments over the course of things, and plays great dead-pan. But the other two are on a plane of equal genius. The verbal timing of the super cute, super smart Julia Louis-Dreyfus as Elaine (who I have fallen in love with a little bit in 1993) and the physical slapstick timing of Michael Richards as Cosmo Kramer (surely one of the most memorable characters in sitcom history) have both left me aching with laughter time after time after time. Just a glance or an expression is often enough.
And the great thing is, it never seems to get old. They are always finding new ways and new situations that keep it fresh. Some trick! Even in the final season of the 9, when there is a small melancholia creeping in because they all know it is coming to an end, it still manages to create moments that aren’t just repeats of previous gags. Which means, as future background watching it is 100% perfect. Leave it on whilst doing something else, look up once in a while, and like the best of all long running US comedy shows each episode is indistinguishable from any other in the best way – it is like having a friend in the room.
I can’t imagine ever saying it is amongst my very favourites, maybe because I missed out on it first time around – which I put down to an inherent middle aged appeal, rather than a youth appeal – but I wouldn’t also ever argue with anyone that did say that it was one of their favourites. Because I get it now. And I’m so glad I got to do it, no matter how late to the party!
One random day with nothing else inspiring me I finally took the plunge and put an episode on. Guess what happened? I laughed, I found it completely charming and witty and easy to watch, with some great lines and likeable characters. 3 hours later I had done 6 episodes and was as hooked as anyone can be with anything. It was just so nostalgically and completely 90s! And I loved that!
A show doesn’t run for 9 years and over 170 episodes without being some kind of special, especially taking into account the depreciation due to being dated, as all sitcoms eventually are, and it really is quite remarkable – deserving of a place in the conversation of the greatest ever American half hour shows. Sure, there is an element early on in the preoccupation with everyone’s sex life and dating habits that is a little creepy in 2020, but I am totally willing to forgive it.
Shows that are hyper aware of themselves and the audience are odd creatures the minute they take themselves too seriously, and Seinfeld never does that. It knows it is trivial, essentially about nothing and going nowhere, and style-wise it is always winking at us for being in on the joke and a part of it, even to the point of applauding new characters on their entrance, which is a uniquely American thing to do.
The secret of the show is undoubtedly the chemistry of the four leads, so mismatched that it someone works a spell and creates magic, much in the same way Friends managed to do, times six. Jerry Seinfeld himself is a very likeable everyman, and the schtick of each show beginning and ending with 30 seconds of stand up is a gimmick that grows on you, as does everything about it: the more you watch, the more you love it for what it is.
Jason Alexander as the balding, quirky, self-conscious, opinionated best friend is perhaps my least favourite of the regular quartet, but he has some amazing moments over the course of things, and plays great dead-pan. But the other two are on a plane of equal genius. The verbal timing of the super cute, super smart Julia Louis-Dreyfus as Elaine (who I have fallen in love with a little bit in 1993) and the physical slapstick timing of Michael Richards as Cosmo Kramer (surely one of the most memorable characters in sitcom history) have both left me aching with laughter time after time after time. Just a glance or an expression is often enough.
And the great thing is, it never seems to get old. They are always finding new ways and new situations that keep it fresh. Some trick! Even in the final season of the 9, when there is a small melancholia creeping in because they all know it is coming to an end, it still manages to create moments that aren’t just repeats of previous gags. Which means, as future background watching it is 100% perfect. Leave it on whilst doing something else, look up once in a while, and like the best of all long running US comedy shows each episode is indistinguishable from any other in the best way – it is like having a friend in the room.
I can’t imagine ever saying it is amongst my very favourites, maybe because I missed out on it first time around – which I put down to an inherent middle aged appeal, rather than a youth appeal – but I wouldn’t also ever argue with anyone that did say that it was one of their favourites. Because I get it now. And I’m so glad I got to do it, no matter how late to the party!