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Ross (3284 KP) rated The Haunting of Hill House in TV
Nov 16, 2018
Fantastic thoughtul and moving horror
The much-hyped horror series, telling the story of the Craine family who lived in "Hill House" during an ill-advised renovation project until the mother died in mysterious circumstances. The story moves between the present day, when the 5 Craine children are all grown up, and the past when they lived in Hill House.
The bulk of each episode is more focused on the drama of the family, and less focused on the horror aspects. But in each episode there are moments of utter, heart-stopping terror - either through true unexpected jump scares (there are few of these, but when they come, they are effective) or just complete bone-chilling creepiness.
As is so often the case, the viewers reaction to the ghostly interactions relies heavily on it happening to a child, really hitting hard at times.
I'm not a fan of horror films going all metaphysical and time-travelly (Paranormal Activity for one) but it is reasonably well handled here and isn't a forced point.
The cast is decent, if not outstanding, especially the younger child actors who are fantastic. And there's still something about Carla Gugino that makes me feel all funny.
I got a little distracted looking for the hidden ghosts throughout the series (there are over 40 of them, some are pretty much impossible to spot, others catch your eye after a few seconds and totally creep you out).
The series is somewhat toned down horror, there is virtually no gore and the jump-scares are few but effective, with much more focus on the drama. For me this was a refreshing twist on the genre and made it a much more enjoyable series than if it were all-out horror. A nice alternative to American Horror Story.
The bulk of each episode is more focused on the drama of the family, and less focused on the horror aspects. But in each episode there are moments of utter, heart-stopping terror - either through true unexpected jump scares (there are few of these, but when they come, they are effective) or just complete bone-chilling creepiness.
As is so often the case, the viewers reaction to the ghostly interactions relies heavily on it happening to a child, really hitting hard at times.
I'm not a fan of horror films going all metaphysical and time-travelly (Paranormal Activity for one) but it is reasonably well handled here and isn't a forced point.
The cast is decent, if not outstanding, especially the younger child actors who are fantastic. And there's still something about Carla Gugino that makes me feel all funny.
I got a little distracted looking for the hidden ghosts throughout the series (there are over 40 of them, some are pretty much impossible to spot, others catch your eye after a few seconds and totally creep you out).
The series is somewhat toned down horror, there is virtually no gore and the jump-scares are few but effective, with much more focus on the drama. For me this was a refreshing twist on the genre and made it a much more enjoyable series than if it were all-out horror. A nice alternative to American Horror Story.
Dreams Underfoot
Book
Welcome to Newford… Welcome to the music clubs, the waterfront, the alleyways where ancient...
Lyndsey Gollogly (2893 KP) rated The Deception of Harriet Fleet in Books
Nov 26, 2023
176 of 235
Book
The Deception of Harriet Fleet
By Helen Scarlett
⭐️⭐️
1871. An age of discovery and progress. But for the Wainwright family, residents of the gloomy Teesbank Hall in County Durham the secrets of the past continue to overshadow their lives.
Harriet would not have taken the job of governess in such a remote place unless she wanted to hide from something or someone. Her charge is Eleanor, the daughter of the house, a fiercely bright eighteen-year-old, tortured by demons and feared by relations and staff alike. But it soon becomes apparent that Harriet is not there to teach Eleanor, but rather to monitor her erratic and dangerous behaviour - to spy on her.
Worn down by Eleanor's unpredictable hostility, Harriet soon finds herself embroiled in Eleanor's obsession - the Wainwright's dark, tragic history. As family secrets are unearthed, Harriet's own begin to haunt her and she becomes convinced that ghosts from the past are determined to reveal her shameful story.
This started of well but then fell flat for me. I was waiting for something to happen that grabbed me and shook me but it didn’t come. The ending wasn’t what I expected either.
Book
The Deception of Harriet Fleet
By Helen Scarlett
⭐️⭐️
1871. An age of discovery and progress. But for the Wainwright family, residents of the gloomy Teesbank Hall in County Durham the secrets of the past continue to overshadow their lives.
Harriet would not have taken the job of governess in such a remote place unless she wanted to hide from something or someone. Her charge is Eleanor, the daughter of the house, a fiercely bright eighteen-year-old, tortured by demons and feared by relations and staff alike. But it soon becomes apparent that Harriet is not there to teach Eleanor, but rather to monitor her erratic and dangerous behaviour - to spy on her.
Worn down by Eleanor's unpredictable hostility, Harriet soon finds herself embroiled in Eleanor's obsession - the Wainwright's dark, tragic history. As family secrets are unearthed, Harriet's own begin to haunt her and she becomes convinced that ghosts from the past are determined to reveal her shameful story.
This started of well but then fell flat for me. I was waiting for something to happen that grabbed me and shook me but it didn’t come. The ending wasn’t what I expected either.
The Animals at Lockwood Manor
10.0
Rate It
Book
Some secrets are unspoken. Others are unspeakable . . . August 1939. Thirty-year-old Hetty...
Joe Kline (10 KP) rated Beetlejuice (1988) in Movies
Dec 9, 2017
The style of Tim Burton makes this movie amazing visually (3 more)
Michael Keaton creates one of the funniest ghosts of all time
The score by Danny Elfman is phenomenal
Still unique after all these years
Some of the stop motion effects may turn off certain people (1 more)
Although originally rated PG it would easily be a PG13 by modern standards
80's Classic with Timeless Appeal
This is a movie about a young couple's struggle to cope with life, or rather their lack there of. The Maitlands discover that death is just the beginning and the living can be a nuisance.
Trouble is on the horizon as a yuppie couple and their terminally dismal daughter Lydia move in. The rustic country house is soon renovated into a warped view of abstract modernism. The Maitlands are unable to scare off the invaders. In a moment of desperation they respond to an erie advertisement by calling Beetlejuice, Beetlejuice, Beetlejuice.
After awakening this audacious spirit they soon realise why the other ghosts had warned against him. He is crass and crude and has no boundaries. However the Maitlands discover that putting this genie back in the bottle will not be easy.
Chaos ensues when Beetlejuice goes overboard and makes the family right back. Lydia, who has befriended the Maitlands, is caught in the middle.
This is one of my favorite movies of all time. It's a funny, quirky take on the afterlife. Tim Burton's signature style makes the world beyond both creepy and intriguing. It's paired perfectly with a brilliant score by Danny Elfman.
This is easily one of Michael Keaton best performances. Beetlejuice is the perfect villain that you love to hate, and you hate that you love. Every character is perfectly cast.
There are some negatives, but they're mostly nit-picks. This movie was PG when it came out, but some of the language and humor would easily make it a PG13 today. Some of the stop motion effects may look cheesey to some, although personally I love them. Finally, the eighties modern stylings of the Deets family may date the movie for some.
I cannot recommend this movie enough. If you love dark humor and the visual flare of Tim Burton you owe it to yourself to see this movie.
One final warning: The song Day-O will be stuck in your head for days.
Trouble is on the horizon as a yuppie couple and their terminally dismal daughter Lydia move in. The rustic country house is soon renovated into a warped view of abstract modernism. The Maitlands are unable to scare off the invaders. In a moment of desperation they respond to an erie advertisement by calling Beetlejuice, Beetlejuice, Beetlejuice.
After awakening this audacious spirit they soon realise why the other ghosts had warned against him. He is crass and crude and has no boundaries. However the Maitlands discover that putting this genie back in the bottle will not be easy.
Chaos ensues when Beetlejuice goes overboard and makes the family right back. Lydia, who has befriended the Maitlands, is caught in the middle.
This is one of my favorite movies of all time. It's a funny, quirky take on the afterlife. Tim Burton's signature style makes the world beyond both creepy and intriguing. It's paired perfectly with a brilliant score by Danny Elfman.
This is easily one of Michael Keaton best performances. Beetlejuice is the perfect villain that you love to hate, and you hate that you love. Every character is perfectly cast.
There are some negatives, but they're mostly nit-picks. This movie was PG when it came out, but some of the language and humor would easily make it a PG13 today. Some of the stop motion effects may look cheesey to some, although personally I love them. Finally, the eighties modern stylings of the Deets family may date the movie for some.
I cannot recommend this movie enough. If you love dark humor and the visual flare of Tim Burton you owe it to yourself to see this movie.
One final warning: The song Day-O will be stuck in your head for days.
Before I Let You Go
Book
The 2:00 a.m. call is the first time Lexie Vidler has heard her sister’s voice in years. Annie is...
The Craftsman
8.5
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Book
Catching him will make her career - and change her forever. August, 1999 On the hottest day of...
mystery
Lou Grande (148 KP) rated The Apparition (2012) in Movies
Jul 9, 2018
There are two reasons to watch this movie, and only two: Sebastian Stan's goofy hair and you desperately need to kill an hour and a half. The Apparition follows the standard straight-to-video line: young couple moves into a new house, spooky stuff happens, everyone very easily accepts that it can only be caused by ghosts, they seek out "professional" help, and everything goes to hell in a handbasket. I watched this about two hours ago and I really can't tell you anything notable about it, except that Sebastian Stan cannot rock bangs, poor baby. It's PG-13, so you can't even get a little gratuitous nudity out of the deal. I guess Stan is half-naked in a few scenes, but I mostly just found myself staring at his larger-than-average nipples. But I digress.
Unless you have a penchant for Tom Felton (you know, as a wizard, you think he'd be used to these situations by now) or Sebastian Stan, your time is probably more valuable than this movie. I have one of those things, so I took the hit for you. You're welcome.
Unless you have a penchant for Tom Felton (you know, as a wizard, you think he'd be used to these situations by now) or Sebastian Stan, your time is probably more valuable than this movie. I have one of those things, so I took the hit for you. You're welcome.
Father Therapy: How to Heal Your Father Issues So You Can Enjoy Your Life
Doreen Virtue and Andrew Karpenko
Book
Wounds from primal relationships, such as those with mothers and fathers, run very deep. If your...
LoganCrews (2861 KP) rated Pulse (Kairo) (2001) in Movies
Sep 20, 2020
Spine-chilling, fucking exceptional horror. For all intents and purposes, this is the scariest (horror) movie I've ever seen - I couldn't walk around in my own house the same after watching this. Could be personal preference, but this just captures that eerie sense of merging humans and ghosts *just* so to where it's deeply, deeply unsettling. The deliberate lack of any cues as to when the horror is happening, and the vaguely creepy gestural stuff (i.e. moving your arms a little weird, slightly stumbling [almost intentionally so] when you walk) as opposed to outright demon-esque actions makes this feel more real, akin to something like those disturbing LiveLeak types of videos - binding the void between scary movies and snuff films. And this is all not even to mention the emotionally hefty themes and crackerjack dialogue which subvert this even more beyond the pack. Stumbles ever so slightly in its final fifteen or so minutes, but otherwise the work of a genius if you can get past the aged analog about the internet being this mysterious new entity.