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Fred (860 KP) rated The Haunting of Bly Manor in TV
Oct 11, 2020
Yet another re-telling of The Turn of the Screw
This is a re-telling of The Turn of the Screw by Henry James, written in 1898. The last re-telling was 2020s The Turning, which was terrible. So how is this version?
In the last episode of this series, a character says, "This wasn't a ghost story, it was a love story." which is true. Sort of. It's a ghost story in the fact that it has ghosts in it. It's a love story in that two people fall in love. But it's really all about the characters. They are very good characters & acted out very well. I'll even give Henry Thomas credit for trying a British accent, even if his face contorted like someone was running a current through his face every time he talked. Entire episodes are sometimes devoted to a character. And this is the main problem. It's fine to give some character development, but this series is so stretched out. It's 9 episodes that could have been 3 or 4 episodes and worked out much better. Each person's story also jumps back in time, then forward, then back, then back again, then forward, then back. It's pacing can be real bad & quite frankly can be real boring at times.
Sometimes I think how can this story be remade 35 times now & still there's no great film version. It's a good story. It's an interesting idea. But, it's also weird & sometimes confusing & sometimes all over the place. It's got to be tight, but it's also got to be fleshed out enough that we care about the characters. Which as I said, is what it's all about.
Now, is it a ghost story? I already said yes. Is it a horror series? Well, I would say no. It's not scary. It's not creepy. It doesn't even have jump scares, which is normally good, but I would have enjoyed one or two to be honest. What it does have, as I've stated, is characters. But it also has atmosphere & great settings. The manor itself is almost it's own character. But as much as it is dark & there are things hiding in the corners or even in plain sight, it's just doesn't have that creep factor. Even the little girl shushes a ghost when it won't shut up. There's no sense of real evil or malevolence going on.
Now it sounds like I hated this series, but I didn't. I liked it. It was not what I expected, being the second season of the anthology "The Haunting" series, which started with the phenomenal "The Haunting of Hill House". But, if it had been just like Hill House, I probably would have been bored & just re-watched the first season again. So, I'm glad it was different. But like I said, it was stretched out far longer than it should have been.
Now, after we watched the entire series, my wife said that she liked it & would re-watch it maybe in 5 years. and gives it a 6 out of 10 as well. I'm sure a re-watch would be good for seeing things you did not catch the first time, but feel it'd be better to move on to something different. If you're looking for something scary to watch this Halloween series, then you can skip this. Unless you're in the mood to watch some good actors, playing good characters, with an interesting movie & have lots of free time. However, if you didn't see the first season "Hill House", then watch that instead.
In the last episode of this series, a character says, "This wasn't a ghost story, it was a love story." which is true. Sort of. It's a ghost story in the fact that it has ghosts in it. It's a love story in that two people fall in love. But it's really all about the characters. They are very good characters & acted out very well. I'll even give Henry Thomas credit for trying a British accent, even if his face contorted like someone was running a current through his face every time he talked. Entire episodes are sometimes devoted to a character. And this is the main problem. It's fine to give some character development, but this series is so stretched out. It's 9 episodes that could have been 3 or 4 episodes and worked out much better. Each person's story also jumps back in time, then forward, then back, then back again, then forward, then back. It's pacing can be real bad & quite frankly can be real boring at times.
Sometimes I think how can this story be remade 35 times now & still there's no great film version. It's a good story. It's an interesting idea. But, it's also weird & sometimes confusing & sometimes all over the place. It's got to be tight, but it's also got to be fleshed out enough that we care about the characters. Which as I said, is what it's all about.
Now, is it a ghost story? I already said yes. Is it a horror series? Well, I would say no. It's not scary. It's not creepy. It doesn't even have jump scares, which is normally good, but I would have enjoyed one or two to be honest. What it does have, as I've stated, is characters. But it also has atmosphere & great settings. The manor itself is almost it's own character. But as much as it is dark & there are things hiding in the corners or even in plain sight, it's just doesn't have that creep factor. Even the little girl shushes a ghost when it won't shut up. There's no sense of real evil or malevolence going on.
Now it sounds like I hated this series, but I didn't. I liked it. It was not what I expected, being the second season of the anthology "The Haunting" series, which started with the phenomenal "The Haunting of Hill House". But, if it had been just like Hill House, I probably would have been bored & just re-watched the first season again. So, I'm glad it was different. But like I said, it was stretched out far longer than it should have been.
Now, after we watched the entire series, my wife said that she liked it & would re-watch it maybe in 5 years. and gives it a 6 out of 10 as well. I'm sure a re-watch would be good for seeing things you did not catch the first time, but feel it'd be better to move on to something different. If you're looking for something scary to watch this Halloween series, then you can skip this. Unless you're in the mood to watch some good actors, playing good characters, with an interesting movie & have lots of free time. However, if you didn't see the first season "Hill House", then watch that instead.
Scarlett Mysteries: Cursed Child
Games and Stickers
App
FANTASTIC HIDDEN OBJECT PUZZLE ADVENTURE GAME FROM THE CREATORS OF ENIGMATIS AND GRIM LEGENDS! ...
Amy Norman (1048 KP) rated The Haunting of Bly Manor in TV
Oct 10, 2020 (Updated Oct 10, 2020)
Ok wow. There is so much to deconstruct from 'The Haunting of Bly Manor'.
*there will be no direct spoilers but I will be talking about indirect spoilers*
Indirect spoilers to me are still spoilers, as they change the way you view what piece of media you are consuming! So fair warning here, don't read on if you want to watch Bly unencumbered, or directed towards certain aspects.
The first thing I hope that everyone appreciates about Bly is that it is not a carbon copy of 'The Haunting of Hill House', it is a beautiful piece of its own theatre, and should be appreciated in its own right e.g. each individual season of American Horror Story.
If you are looking for more jump scares, and something more akin to Hill House, then you need to look else where.
Bly is such a delicate and deliberate story, that unfurls so slowly, it crawls. I understand some will find this boring, and will likely give up watching after the first 3 episodes, but it is so perfectly placed, I would implore you to watch on until the end.
*Every* detail within Bly is precise.
I constantly felt like the walls, the flooring, paintings, and general decor were changing, but it was so subtle, and often hadn't at all, it is purposefully disorientating.
Even the camera angles are ever so slightly askew between each shot, the cinematography is unfalteringly gorgeous as a whole anyway.
The colour palate, and colour itself, becomes a character of its own, and was a joy to watch, and take note of.
The dark corners are so black, and add to the heaviness and gravity of any particular scene, leaving you constantly second guessing if you saw a ghost in the background, or if something did subtly change, and then importantly why.
For me, a great many of the characters are heart achingly powerful to watch. I was mesmerised by certain scenes, and I was so drawn in, I sometimes forgot they were delivering an absolutely powerful monologue, and haven't interacted with another character for a while.
For me this was absolutely an ensemble piece, it would not have worked without each moving part, and I would struggle to choose an outstanding performance, as they all delivered.
Some noteworthy topics!
The background ghosts blend in so sublimely, I am sure I missed plenty of them, including some obvious ones, but again that is all part of the absolute majesty of Bly, or 'The Haunting' series.
I would advise to try not to look for them on a first watch through, and let them come to you organically.
I've already seen some mention of this, and I expect it will become a bone of contention - the accents.
I will admit, at first I found some of the accents difficult to listen to, but they are so important, and key to a much larger arc. At first I thought someone needs to fire that voice acting coach! However, what they have done is actually absolutely stellar.
I could gush about the programme for a while but I will leave it here, and let each person decide for themselves what they enjoy about it!
Overall, the whole series is surprisingly poignant and heartfelt - not a lot of titles in the horror genre can claim that. I thoroughly enjoyed it, and will likely rewatch, something I haven't been overly inclined to do in recent years.
I so hope that audiences will enjoy this for what it is, and it won't be downplayed as being 'not as good as Hill House', as they are non-comparable to me.
Masterful! Please enjoy for the utter eye candy the whole thing is.
*there will be no direct spoilers but I will be talking about indirect spoilers*
Indirect spoilers to me are still spoilers, as they change the way you view what piece of media you are consuming! So fair warning here, don't read on if you want to watch Bly unencumbered, or directed towards certain aspects.
The first thing I hope that everyone appreciates about Bly is that it is not a carbon copy of 'The Haunting of Hill House', it is a beautiful piece of its own theatre, and should be appreciated in its own right e.g. each individual season of American Horror Story.
If you are looking for more jump scares, and something more akin to Hill House, then you need to look else where.
Bly is such a delicate and deliberate story, that unfurls so slowly, it crawls. I understand some will find this boring, and will likely give up watching after the first 3 episodes, but it is so perfectly placed, I would implore you to watch on until the end.
*Every* detail within Bly is precise.
I constantly felt like the walls, the flooring, paintings, and general decor were changing, but it was so subtle, and often hadn't at all, it is purposefully disorientating.
Even the camera angles are ever so slightly askew between each shot, the cinematography is unfalteringly gorgeous as a whole anyway.
The colour palate, and colour itself, becomes a character of its own, and was a joy to watch, and take note of.
The dark corners are so black, and add to the heaviness and gravity of any particular scene, leaving you constantly second guessing if you saw a ghost in the background, or if something did subtly change, and then importantly why.
For me, a great many of the characters are heart achingly powerful to watch. I was mesmerised by certain scenes, and I was so drawn in, I sometimes forgot they were delivering an absolutely powerful monologue, and haven't interacted with another character for a while.
For me this was absolutely an ensemble piece, it would not have worked without each moving part, and I would struggle to choose an outstanding performance, as they all delivered.
Some noteworthy topics!
The background ghosts blend in so sublimely, I am sure I missed plenty of them, including some obvious ones, but again that is all part of the absolute majesty of Bly, or 'The Haunting' series.
I would advise to try not to look for them on a first watch through, and let them come to you organically.
I've already seen some mention of this, and I expect it will become a bone of contention - the accents.
I will admit, at first I found some of the accents difficult to listen to, but they are so important, and key to a much larger arc. At first I thought someone needs to fire that voice acting coach! However, what they have done is actually absolutely stellar.
I could gush about the programme for a while but I will leave it here, and let each person decide for themselves what they enjoy about it!
Overall, the whole series is surprisingly poignant and heartfelt - not a lot of titles in the horror genre can claim that. I thoroughly enjoyed it, and will likely rewatch, something I haven't been overly inclined to do in recent years.
I so hope that audiences will enjoy this for what it is, and it won't be downplayed as being 'not as good as Hill House', as they are non-comparable to me.
Masterful! Please enjoy for the utter eye candy the whole thing is.
The Darkest Corners
8.0
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Book
The Darkest Corners is a psychological thriller about the lies little girls tell, and the deadly...
Acanthea Grimscythe (300 KP) rated The Mansion in Books
Jan 31, 2019
The Mansion is a tale stricken with ghosts of the past–but not the sort that haunt. Rather, in this novel by Ezekiel Boone, much of the elements that one might describe as horrific simply don’t exist. If you’re picking up The Mansion to find out what goes wrong in an automated house, I’d suggest Dean Koontz’s Demon Seed instead because this story crawls at a dreadfully slow pace.
The story centers around a rather messy love triangle. One girl, two guys, they both want her, and beyond that there’s little use for her character in the story. Much of the book’s plot consists of exposition, exposition, and even more exposition. You’ll learn all the faults and flaws of the characters, you’ll learn their childhood histories, you’ll hear their sob stories. It’s not until the final ten percent of the book that you’ll actually get a chance to see some action, and even then it’s still rather tame by horror standards. Amongst all this exposition, we learn of the wedge driven between Billy and Shawn, as well as a mysterious third person, Takata, whose whereabouts are unknown. Despite playing somewhat of a role in the book, he’s mostly an unnecessary character.
Speaking of characters, The Mansion has a rather small roster of them, and they’re all traumatized. With the exception of one, and she’s objectified. Billy has an addiction problem. Shawn is a pretentious nitwit that thinks the entire world revolves around him. Emily is simply there to fuel a fire between these two masculine characters who have devalued themselves to the point that now, years and years later on down the road, are still fighting over the same girl–and no one asks her what she wants at any point in the story. Poor Emily. There’s also the twins. They’re creepy. Really creepy. And no one seems to acknowledge that? Hello, realism?
Development. That’s an important part of a book, and The Mansion severely lacks it. There’s no development in the plot for 90% of the book. There’s absolutely no character development for Wendy, who is described as a black woman that looks like she walked out of a Victoria’s Secret magazine (or something along those lines). In fact, poor Wendy gets the short end of the stick all around. She’s the oddball out in this little teenaged drama hissy fit.
The Mansion simply falls horribly flat all around. The writing style was good, and it wasn’t so awful that I could’t complete reading the book, but it’s definitely not a title I’d recommend to a horror fan. A romance-thriller sort? Maybe. But not horror.
I received this book from NetGalley and the publisher in exchange for an honest review.
The story centers around a rather messy love triangle. One girl, two guys, they both want her, and beyond that there’s little use for her character in the story. Much of the book’s plot consists of exposition, exposition, and even more exposition. You’ll learn all the faults and flaws of the characters, you’ll learn their childhood histories, you’ll hear their sob stories. It’s not until the final ten percent of the book that you’ll actually get a chance to see some action, and even then it’s still rather tame by horror standards. Amongst all this exposition, we learn of the wedge driven between Billy and Shawn, as well as a mysterious third person, Takata, whose whereabouts are unknown. Despite playing somewhat of a role in the book, he’s mostly an unnecessary character.
Speaking of characters, The Mansion has a rather small roster of them, and they’re all traumatized. With the exception of one, and she’s objectified. Billy has an addiction problem. Shawn is a pretentious nitwit that thinks the entire world revolves around him. Emily is simply there to fuel a fire between these two masculine characters who have devalued themselves to the point that now, years and years later on down the road, are still fighting over the same girl–and no one asks her what she wants at any point in the story. Poor Emily. There’s also the twins. They’re creepy. Really creepy. And no one seems to acknowledge that? Hello, realism?
Development. That’s an important part of a book, and The Mansion severely lacks it. There’s no development in the plot for 90% of the book. There’s absolutely no character development for Wendy, who is described as a black woman that looks like she walked out of a Victoria’s Secret magazine (or something along those lines). In fact, poor Wendy gets the short end of the stick all around. She’s the oddball out in this little teenaged drama hissy fit.
The Mansion simply falls horribly flat all around. The writing style was good, and it wasn’t so awful that I could’t complete reading the book, but it’s definitely not a title I’d recommend to a horror fan. A romance-thriller sort? Maybe. But not horror.
I received this book from NetGalley and the publisher in exchange for an honest review.
ClareR (5836 KP) rated The Haunting of Alma Fielding: A True Ghost Story in Books
Oct 5, 2020 (Updated Oct 5, 2020)
The Haunting of Alma Fielding is the non-fiction account of Nando Fodor and his investigation in to the haunting of a London housewife. Fodor was a Jewish-Hungarian refugee and worked for the International Institute for Psychical Research. When Fodor was tipped off about a possible poltergeist haunting, he rushed to Alma’s house to try and work out what exactly was going on. He was scrupulous. He involved trusted mediums, wrote detailed notes (lucky for us!) and whilst reading the book, it became obvious that Fodor became obsessed. His obsession however, had a deleterious effect on Alma. The more access to her that he had, the more physically ill she seemed to become and the more she seemed to be haunted.
There does seem to be a theme of obsession running through this with regards to Fodor. I was never quite sure if his obsession was with Alma’s haunting, or with Alma herself. She was an attractive woman, after all. He would certainly have been stopped a lot sooner if this had happened today (but I do wonder whether this would have happened at all).
The historical background and the build up to the Second World War was very interesting, and I enjoyed the historical detail throughout. I also liked that there was an ending. Summerscale researched up to the deaths of those involved - I appreciated that closure. But what interesting lives these people had!
This was a great story for a sceptic like me. Ghost stories fascinate me. I don’t believe that there are ghosts, but I still like that they have the ability to unnerve and scare me! And this was certainly unnerving!
Many thanks to The Pigeonhole for serialising this book. I probably would have gone on the waiting list at the library because of the (well-deserved) buzz around it, but I really do much prefer not having to wait and reading along with my fellow pigeons!
There does seem to be a theme of obsession running through this with regards to Fodor. I was never quite sure if his obsession was with Alma’s haunting, or with Alma herself. She was an attractive woman, after all. He would certainly have been stopped a lot sooner if this had happened today (but I do wonder whether this would have happened at all).
The historical background and the build up to the Second World War was very interesting, and I enjoyed the historical detail throughout. I also liked that there was an ending. Summerscale researched up to the deaths of those involved - I appreciated that closure. But what interesting lives these people had!
This was a great story for a sceptic like me. Ghost stories fascinate me. I don’t believe that there are ghosts, but I still like that they have the ability to unnerve and scare me! And this was certainly unnerving!
Many thanks to The Pigeonhole for serialising this book. I probably would have gone on the waiting list at the library because of the (well-deserved) buzz around it, but I really do much prefer not having to wait and reading along with my fellow pigeons!
Lee Ann (116 KP) rated Moonlight Sins in Books
May 18, 2018
This book is so awkward. That's really the only way I can put it. The female MC flits between sounding like a woman in her 20s to a teenager and back again with alarming regularity.
The three de Vincent brothers are flat. It's like JLA picked out three primary alpha male qualities, gave one to each and figured that was enough. Devlin is the silent, mysterious one, Gabe is the easygoing one and Lucian is the playboy. Each trope isn't a bad one, but there's barely any fleshing out.
The plot alludes to ghosts haunting the house, but nothing ever really comes of that other than ghostly footsteps and flickering lights happening here and there but have no real impact on the story, it's like they're used as an excuse for mystery.
The primary storyline is okay - Lucian is painted as a womaniser at first, and the first few scenes with him are boring and predictable. When he first meets Julia, the JLA we know and love shines through for a while, with witty banter and Lucian gets a little bit of padding.
Sadly, the plot seems to lose its way at some point - it's almost like she's trying to hard and throwing as much into the mix as she can to ensure she covers all bases.
The result is a messy read, up and down, good parts and bad. It reads mostly like it should be YA, but with some of the most awkward sex scenes with things like "he caught her nipple between thumb and forefinger and did something that...." lots of sentences in these scenes end with "did something that..." we never find out what that something is lol
Overall, it's not horrible, but it was awkward and clumsy. I do have the second one on preorder, so we'll see..
The three de Vincent brothers are flat. It's like JLA picked out three primary alpha male qualities, gave one to each and figured that was enough. Devlin is the silent, mysterious one, Gabe is the easygoing one and Lucian is the playboy. Each trope isn't a bad one, but there's barely any fleshing out.
The plot alludes to ghosts haunting the house, but nothing ever really comes of that other than ghostly footsteps and flickering lights happening here and there but have no real impact on the story, it's like they're used as an excuse for mystery.
The primary storyline is okay - Lucian is painted as a womaniser at first, and the first few scenes with him are boring and predictable. When he first meets Julia, the JLA we know and love shines through for a while, with witty banter and Lucian gets a little bit of padding.
Sadly, the plot seems to lose its way at some point - it's almost like she's trying to hard and throwing as much into the mix as she can to ensure she covers all bases.
The result is a messy read, up and down, good parts and bad. It reads mostly like it should be YA, but with some of the most awkward sex scenes with things like "he caught her nipple between thumb and forefinger and did something that...." lots of sentences in these scenes end with "did something that..." we never find out what that something is lol
Overall, it's not horrible, but it was awkward and clumsy. I do have the second one on preorder, so we'll see..
BookInspector (124 KP) rated The Twisted Tree in Books
Sep 24, 2020
Martha is our protagonist in this novel, and this book is told from her perspective. I really liked Martha, she is different, she is blind in one eye and marked with a scar that makes her doubt herself. There is no very wide selection of characters, but all of them are very intriguing. I really liked Stig (the boy who ran away from his home) in this book as well. He is strange but at the same time very sweet and likeable. One thing that I really don’t understand is the need for kids to consume alcohol in books. Why? In this case, it did not bring anything to the story, so I think it could’ve been left out. :/
I really liked the way the author combined different themes in this book. We have modern day youth entwined with ancient mythology, magic, demons and souls, and topped up with a little bit of romance. It was a dark and spooky read, the whole setting of this novel feels isolated and gloomy, set in a little island in Norway during winter, where snowstorms rattle the whole house. It is a tiny book, so the story is really fast-paced and filled with interesting turns and twists. I really enjoyed how the author analysed the family relationships through our main characters. It was heartbreaking but very amusing at the same time.
I really liked the writing style of this novel, it is easy to understand, but it delivers a lot of new things to me. There is plenty of Norwegian mythology in this novel, and I think the author has done a great job with the research. The chapters were a decent length and didn’t feel draggy, and I absolutely loved the artwork used in this novel, it made the reading experience more enjoyable. The ending was nicely written, but it left me with many unanswered questions. What happened to Martha and Stig? Who is going to water the tree? Etc.
So, to conclude, it was a really good read, filled with unique and different characters, as well as action-filled and entertaining plot, where magic and scary ghosts are only a few steps away, hidden in the Twisted Tree.
I really liked the way the author combined different themes in this book. We have modern day youth entwined with ancient mythology, magic, demons and souls, and topped up with a little bit of romance. It was a dark and spooky read, the whole setting of this novel feels isolated and gloomy, set in a little island in Norway during winter, where snowstorms rattle the whole house. It is a tiny book, so the story is really fast-paced and filled with interesting turns and twists. I really enjoyed how the author analysed the family relationships through our main characters. It was heartbreaking but very amusing at the same time.
I really liked the writing style of this novel, it is easy to understand, but it delivers a lot of new things to me. There is plenty of Norwegian mythology in this novel, and I think the author has done a great job with the research. The chapters were a decent length and didn’t feel draggy, and I absolutely loved the artwork used in this novel, it made the reading experience more enjoyable. The ending was nicely written, but it left me with many unanswered questions. What happened to Martha and Stig? Who is going to water the tree? Etc.
So, to conclude, it was a really good read, filled with unique and different characters, as well as action-filled and entertaining plot, where magic and scary ghosts are only a few steps away, hidden in the Twisted Tree.
Accidentally Vacationed with an Incubus (Briar Coven, #2)
8.0
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He wants a connection. She wants him gone. A steamy bargain changes everything. When 27-year-old...
Romance Urban Fantasy Witches Monster Romance
Louise (64 KP) rated Goth Girl: and the Ghost of a Mouse in Books
Jul 2, 2018
Ada Goth lives in Ghastly-Gorm Hall with her father, servants and a few ghosts. Ada’s father likes to keep himself to himself even when it comes to his daughter, he makes her wear clumpy shoes so he can hear her coming. Ada is very much alone in this huge mansion style house until one evening she meets a ghost in the form of a Mouse called Ishmael. Ishmael informs Ada that he was killed by a Mouse trap and that he is to roam the hall for all eternity. Together they go and investigate the rooms in which Ishmael was killed when they come upon some strange things and other denizens.
The book had a lot of characters in it, all shapes and sizes all very whimsical but none have much depth to them, you don’t get to find out an awful lot. I wish Ishmael could have been in the book a bit more than he was. He was introduced in chapter 1 and then didn’t have much involvement. The story is very slow to start off with and only really starts to get going in the second half.
This book definitely had its quirks, I loved the use of the footnotes that were written by ‘The foot’ which made me chuckle. There is also literary references such as Von Hellsung and Hebe Poppins. The Comic book at the back was an added bonus! I didn’t realise this was included when I picked it up.
This book is beautiful, it has a purple ribbon and metallic page edges, inside the cover is decorated in a silver/gold foil and also there is an additional pocket with a miniature comic book called ‘Memoirs of Mouse’. Not only did Chris Riddell Illustrate this book but he also wrote it. I love his artwork, it’s so detailed and definitely stunning to look at all in black and white. Everything was on point regarding presentation.
Overall I rated this 3.5 stars out of 5.
The book had a lot of characters in it, all shapes and sizes all very whimsical but none have much depth to them, you don’t get to find out an awful lot. I wish Ishmael could have been in the book a bit more than he was. He was introduced in chapter 1 and then didn’t have much involvement. The story is very slow to start off with and only really starts to get going in the second half.
This book definitely had its quirks, I loved the use of the footnotes that were written by ‘The foot’ which made me chuckle. There is also literary references such as Von Hellsung and Hebe Poppins. The Comic book at the back was an added bonus! I didn’t realise this was included when I picked it up.
This book is beautiful, it has a purple ribbon and metallic page edges, inside the cover is decorated in a silver/gold foil and also there is an additional pocket with a miniature comic book called ‘Memoirs of Mouse’. Not only did Chris Riddell Illustrate this book but he also wrote it. I love his artwork, it’s so detailed and definitely stunning to look at all in black and white. Everything was on point regarding presentation.
Overall I rated this 3.5 stars out of 5.