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Lyndsey Gollogly (2893 KP) rated Death Be Blue (Terra Vane #1) in Books
Jul 15, 2019
Contains spoilers, click to show
She can glimpse visions of the past, present, and future but she doesn’t know when, how, or why. She only knows the outcome, and it doesn’t look good…
Being human is hard enough. Being human with psychic abilities is worse. It was for Terra Vane anyway, until she immigrated to Portiside. There she feels at home in the thriving city of the Fey, Shifters, Vampires, and other gifted humans.
Where there are many factions of creatures, however, crime and skirmishes are to be expected. With a stubbornness born out of years of being deemed a “freak,” Terra’s determination and unique ability serve her well as an Enforcer Field Agent for the Portiside City Agency.
Alongside her annoying wolf-shifting partner, Kaleb, there is no case that is too strange to solve. No case too dangerous—until there is, and the trail of bloodlust leads them to unravel a mystery that threatens Portiside as they know it.
Brilliant
This is the first book I've read of Katie Epstien and I couldn't put it down I was hooked from the start. Her style reminds me of Keri Arthur's and I love her books. It was full of action and sexual tension. It's refreshing to have a strong female lead that's kickass and not wingy. I love the relationship dynamics that she has put together. Terras friends are brilliant strong women helping each other along, then you have the two father figures in Dan and her step dad, her best friend and partner relationship with Kaleb. All this set in such a fantastic world. So ready for the next book.
⭐⭐⭐⭐⭐

Being human is hard enough. Being human with psychic abilities is worse. It was for Terra Vane anyway, until she immigrated to Portiside. There she feels at home in the thriving city of the Fey, Shifters, Vampires, and other gifted humans.
Where there are many factions of creatures, however, crime and skirmishes are to be expected. With a stubbornness born out of years of being deemed a “freak,” Terra’s determination and unique ability serve her well as an Enforcer Field Agent for the Portiside City Agency.
Alongside her annoying wolf-shifting partner, Kaleb, there is no case that is too strange to solve. No case too dangerous—until there is, and the trail of bloodlust leads them to unravel a mystery that threatens Portiside as they know it.
Brilliant
This is the first book I've read of Katie Epstien and I couldn't put it down I was hooked from the start. Her style reminds me of Keri Arthur's and I love her books. It was full of action and sexual tension. It's refreshing to have a strong female lead that's kickass and not wingy. I love the relationship dynamics that she has put together. Terras friends are brilliant strong women helping each other along, then you have the two father figures in Dan and her step dad, her best friend and partner relationship with Kaleb. All this set in such a fantastic world. So ready for the next book.
⭐⭐⭐⭐⭐

Merissa (11913 KP) rated Lost (Werewolf Academy #5) in Books
Jun 9, 2020
Lost is the fifth book in the Werewolf Academy series and, as the title says, Alex is lost. Kalia is dead. He feels responsible. Boris wants to kill him. Torin wants to kill him. With all that, Alex can't face the Academy so when a friend comes to him for help, he is more than happy to disappear to Greyton for a while. He couldn't help Kalia but he is able to help some of the kidnapped women and girls.
Oh, the guilt in this book. It is quite simply dripping in it. Alex becomes the Demon of Greyton but can't defeat his guilt over Kalia or over leaving Siale behind. He is quite self-involved in this book but I don't think it would be right any other way. He is still a young adult after all, in situations no one should be in, and trying to deal with it any way he can. Just when things look like they're back on track, Alex is betrayed.
Another gripping, exciting, fantastic instalment in this series. It really does just get better and better. I love how different characters are growing and changing as the books progress. It doesn't just remain about Alex although he is the main character. Every book is emotional in different ways and I love that I never know what's coming next.
Do I recommend it? Erm, YES!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Oh, the guilt in this book. It is quite simply dripping in it. Alex becomes the Demon of Greyton but can't defeat his guilt over Kalia or over leaving Siale behind. He is quite self-involved in this book but I don't think it would be right any other way. He is still a young adult after all, in situations no one should be in, and trying to deal with it any way he can. Just when things look like they're back on track, Alex is betrayed.
Another gripping, exciting, fantastic instalment in this series. It really does just get better and better. I love how different characters are growing and changing as the books progress. It doesn't just remain about Alex although he is the main character. Every book is emotional in different ways and I love that I never know what's coming next.
Do I recommend it? Erm, YES!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Phil Leader (619 KP) rated Perfect Genesis: Adolescence in Books
Nov 21, 2019
This is a book of many levels and many emotions. Superficially it is a far-future science fiction book where societies have been engineered by some planet-spanning intelligence to create stable and sustainable places for humans to live. Under this runs a strong current of philosophy and meta physics about exactly what this means for the individuals involved - and the news isn't good.
The plot follows Leonardo Khalid, a genetically engineered genius who has dedicated his life to improving life for mankind. However when he is taken critically ill he agrees to undergo a procedure to scan and record is brain. He is warned that during the process he will appear to inhabit a very real and long lasting dream as his brain is stimulated.
The dream is extremely vivid - so much so that we don't see it just from Leonardo's point of view. So is it a dream? Or a very real future world that he has somehow been projected into? Leonardo certainly believes he is in a dream, but does that condone some of his more morally questionable actions?
There are plenty of questions raised by this book. As Hogan says in a brief introduction, this book is supposed to stay with the reader long after they have read it, and it will certainly do that. At times it is an uncomfortable read - the dream societies place little value on human life and women in particular are treated very badly. Death, violence and sexual exploitation are daily hazards for the members of the societies described, but these are engineered places, not designed to benefit the individual human but to ensure the longevity of the society itself. They have been created with cold and clinical efficiency with no regard for the individual members of the citizenry.
This is a huge dichotomy and the heart of the book. The story itself - Leonardo exploring the land of his dream and overcoming the various obstacles that hinder him and his companions - skates along the top at a good pace, fizzing between plot points and twists, summoning the reader on to read just one more page. But underneath the dark heart will be throwing up awkward questions.
Exploitation of all sorts abounds, particularly sexual exploitation (not all of it men exploiting women). These sections can be an uncomfortable read but they are supposed to be - the questions around power and the abuse of power are valid and the reader is not supposed to be entirely sympathetic with any of the characters or their actions - even Leornardo. The civilisations are frequently brutal, either because of a dangerous environment or a ruthless ruler. People get hurt, people get abused, people die (sometimes horribly) but always the society lives on.
Read this book if you want to have a fantastic story exploring different places but at the same time have something to think about. By the end you will have seen what can happen if the concept of an ideal society is pursued to its limits. And it's not a utopia.
And yes this book will stay with me for a while. Definitely one of the best reads of 2014. Thoroughly recommended.
Rating: Sexual scenes, sexual violence and some torture.
The plot follows Leonardo Khalid, a genetically engineered genius who has dedicated his life to improving life for mankind. However when he is taken critically ill he agrees to undergo a procedure to scan and record is brain. He is warned that during the process he will appear to inhabit a very real and long lasting dream as his brain is stimulated.
The dream is extremely vivid - so much so that we don't see it just from Leonardo's point of view. So is it a dream? Or a very real future world that he has somehow been projected into? Leonardo certainly believes he is in a dream, but does that condone some of his more morally questionable actions?
There are plenty of questions raised by this book. As Hogan says in a brief introduction, this book is supposed to stay with the reader long after they have read it, and it will certainly do that. At times it is an uncomfortable read - the dream societies place little value on human life and women in particular are treated very badly. Death, violence and sexual exploitation are daily hazards for the members of the societies described, but these are engineered places, not designed to benefit the individual human but to ensure the longevity of the society itself. They have been created with cold and clinical efficiency with no regard for the individual members of the citizenry.
This is a huge dichotomy and the heart of the book. The story itself - Leonardo exploring the land of his dream and overcoming the various obstacles that hinder him and his companions - skates along the top at a good pace, fizzing between plot points and twists, summoning the reader on to read just one more page. But underneath the dark heart will be throwing up awkward questions.
Exploitation of all sorts abounds, particularly sexual exploitation (not all of it men exploiting women). These sections can be an uncomfortable read but they are supposed to be - the questions around power and the abuse of power are valid and the reader is not supposed to be entirely sympathetic with any of the characters or their actions - even Leornardo. The civilisations are frequently brutal, either because of a dangerous environment or a ruthless ruler. People get hurt, people get abused, people die (sometimes horribly) but always the society lives on.
Read this book if you want to have a fantastic story exploring different places but at the same time have something to think about. By the end you will have seen what can happen if the concept of an ideal society is pursued to its limits. And it's not a utopia.
And yes this book will stay with me for a while. Definitely one of the best reads of 2014. Thoroughly recommended.
Rating: Sexual scenes, sexual violence and some torture.
BookInspector (124 KP) rated Dead Woman Walking in Books
Sep 24, 2020
I had to try quite a bit for this book to reach my hands, once I got it, I simply savoured reading every page of it. Like many S.J. Bolton’s creations, this book is astonishing, amazingly twisty and has a fantastic plot. It is not very easy to write a review of this book. Have you seen the description? It is quite short, isn’t it? Well, there is a reason why. One wrong sentence, and it will be a “spoiler alert”. That’s right; the book starts with an air balloon trip. And then, the first murder of the book happens. All people on the balloon saw it happen, then, the air balloon goes down, and only one person survives. And she runs, runs for her life.
The main characters of the book were sisters – Jessica and Isabel. Straight from the beginning it was clear, that Isabel, was a nun. Both of these characters are very interesting and strong women. They have some issues from the past to deal with. I loved that author allowed the readers to see every aspect of the book from different angles. It was not a story told by one character; all main characters had their voice, and were able to tell the story from their perspectives. That made the book way more intriguing, and more pleasant to read. It also helped to understand the characters way better.
The plot of this book is very well thought through. The story time travels between past and presence, bringing twist after twist into the story. When you think you get used to the course of action, the author creatively brings another turn into the plot. And it does not stop till the last sentence of the book. The author unfolds the characters throughout the book very nicely, where everything falls into their places eventually. If you had a pleasure to read “Dark and twisted tide” by this author, you might find some similar topics discussed, which are very important issue in our modern society, and I’m grateful , that author is bringing attention to the problems discussed in this book. You will have to read the book to find out what it was…
The suspense in this novel is well kept with short chapters, and easy to read writing style. Those unread pages of this book are just melting in your hands, because it is really fast paced, and the switch between characters makes it a real page turner. The ending of this book is unexpected, and as I mentioned before, keeps the surprise factor till the last sentence. So, to conclude, it is yet another fantastic job of this author, and an absolute MUST READ.
The main characters of the book were sisters – Jessica and Isabel. Straight from the beginning it was clear, that Isabel, was a nun. Both of these characters are very interesting and strong women. They have some issues from the past to deal with. I loved that author allowed the readers to see every aspect of the book from different angles. It was not a story told by one character; all main characters had their voice, and were able to tell the story from their perspectives. That made the book way more intriguing, and more pleasant to read. It also helped to understand the characters way better.
The plot of this book is very well thought through. The story time travels between past and presence, bringing twist after twist into the story. When you think you get used to the course of action, the author creatively brings another turn into the plot. And it does not stop till the last sentence of the book. The author unfolds the characters throughout the book very nicely, where everything falls into their places eventually. If you had a pleasure to read “Dark and twisted tide” by this author, you might find some similar topics discussed, which are very important issue in our modern society, and I’m grateful , that author is bringing attention to the problems discussed in this book. You will have to read the book to find out what it was…
The suspense in this novel is well kept with short chapters, and easy to read writing style. Those unread pages of this book are just melting in your hands, because it is really fast paced, and the switch between characters makes it a real page turner. The ending of this book is unexpected, and as I mentioned before, keeps the surprise factor till the last sentence. So, to conclude, it is yet another fantastic job of this author, and an absolute MUST READ.
Bob Mann (459 KP) rated Bridget Jones's Baby (2016) in Movies
Sep 29, 2021
Come the F*** on Bridget… who’s the Daddy?
The world’s favourite lonely-hearts diarist is back. Bridget (Renée Zellweger) once again starts the film ‘all by herself’, haunted by occasional meetings with ex-flame Mark D’Arcy (Colin Firth) – now married to Camilla (Agni Scott) – and facing the natural discomfort of the early funeral of another friend who has died way too young. And at 43, Bridget’s biological clock is also ticking towards parental midnight.
Proving that enormous ditzyness and lack of talent need not be an impediment to a successful career, Bridget is now a top TV floor manager on a cable news station, anchored by friend Miranda (an excellent Sarah Solemani). In an effort to shake Bridget out of her malaise, Miranda takes her to a music festival (featuring some fun cameos!) where she has a one-night-stand with the delectable (speaking at least for all the women in my audience) Jack (Patrick Dempsey). Following another one-night-stand with D’Arcy and finding herself pregnant, a comedy of farce follows with one expectant mother and two prospective fathers competing for Bridget’s affections.
OK. So it’s not bloody Shakespeare. But it is an extremely well-crafted comedy, and as a British rom-com it significantly out-does many of the efforts of the rom-com king – Richard Curtis – in recent years. As a series its just amazing how many of the original cast have been reunited after 2004’s rather lacklustre “Bridget Jones: Edge of Reason”. Particularly effective are Bridget’s parents, played by the delectably Tory Gemma Jones and the ever-perfect Jim Broadbent. And Bridget’s trio of irreverent friends: Shazzer (Sally Phillips), Jude (Shirley Henderson) and Tom (James Callis) are all back. All are either well into parenthood or have impending parenthood, adding to the pressure on Bridget’s aching ovaries.
New to the cast, and brilliant in every scene she’s in, is the ever-radiant Emma Thompson as Bridget’s doctor. Is there any actress in the movies today that can deliver a comic line better-timed than Thompson? I doubt it. Just superb. And Thompson also co-wrote the screenplay, together with Bridget author Helen Fielding and – an unlikely contributor – Ali G collaborator Dan Mazer. All contribute to a sizzling script – not based on Fielding’s poorly received story – that zips along and makes the 123 minute run-time fly by. My one reservation would be – despite the film being set in the current day – lapses into internet memes like Hitler Cats and song crazes that are at least five years out of date. But I forgive that for the Colin Firth ‘Gangnam’ line, for me the funniest in the whole film.
Zellweger looks fantastic, pulling off the 4 year age difference from her character with ease. And isn’t it wonderful to see a middle-aged character as the centre of a rom-com for once? Hollywood would be well to remember that romance is not restricted to the 20-somethings. Certainly the packed cinema – filled with probably 90% (well oiled) women – certainly thought so, in what was a raucous and entertaining showing!
The music is superbly supported by an epic soundtrack of well-chosen tracks from Ellie Goulding, Years and Years, Jess Glynne, Lily Allen (with very funny adult content!) and classic oldies, all wrappered with nice themes by the brilliant and underrated Craig “Love Actually” Armstrong.
Sharon Maguire – the director of the original “Diary” – has delivered here a fun, absorbing and enormously entertaining piece of fluff that deserves to do well. And it has in the UK, making $11M in its opening weekend here and playing to packed showings. However – incomprehensibly – it has bombed in the US with only $8M coming in. Hopefully it might prove a bit of a sleeper hit there: come on America… we go to see all of the rubbish rom-coms you send over here, and this is way better than most of those!
This was a film I was determined to be sniffy about with my rating. But as a) I enjoyed it very much and b) a packed audience of women can’t be wrong…
Proving that enormous ditzyness and lack of talent need not be an impediment to a successful career, Bridget is now a top TV floor manager on a cable news station, anchored by friend Miranda (an excellent Sarah Solemani). In an effort to shake Bridget out of her malaise, Miranda takes her to a music festival (featuring some fun cameos!) where she has a one-night-stand with the delectable (speaking at least for all the women in my audience) Jack (Patrick Dempsey). Following another one-night-stand with D’Arcy and finding herself pregnant, a comedy of farce follows with one expectant mother and two prospective fathers competing for Bridget’s affections.
OK. So it’s not bloody Shakespeare. But it is an extremely well-crafted comedy, and as a British rom-com it significantly out-does many of the efforts of the rom-com king – Richard Curtis – in recent years. As a series its just amazing how many of the original cast have been reunited after 2004’s rather lacklustre “Bridget Jones: Edge of Reason”. Particularly effective are Bridget’s parents, played by the delectably Tory Gemma Jones and the ever-perfect Jim Broadbent. And Bridget’s trio of irreverent friends: Shazzer (Sally Phillips), Jude (Shirley Henderson) and Tom (James Callis) are all back. All are either well into parenthood or have impending parenthood, adding to the pressure on Bridget’s aching ovaries.
New to the cast, and brilliant in every scene she’s in, is the ever-radiant Emma Thompson as Bridget’s doctor. Is there any actress in the movies today that can deliver a comic line better-timed than Thompson? I doubt it. Just superb. And Thompson also co-wrote the screenplay, together with Bridget author Helen Fielding and – an unlikely contributor – Ali G collaborator Dan Mazer. All contribute to a sizzling script – not based on Fielding’s poorly received story – that zips along and makes the 123 minute run-time fly by. My one reservation would be – despite the film being set in the current day – lapses into internet memes like Hitler Cats and song crazes that are at least five years out of date. But I forgive that for the Colin Firth ‘Gangnam’ line, for me the funniest in the whole film.
Zellweger looks fantastic, pulling off the 4 year age difference from her character with ease. And isn’t it wonderful to see a middle-aged character as the centre of a rom-com for once? Hollywood would be well to remember that romance is not restricted to the 20-somethings. Certainly the packed cinema – filled with probably 90% (well oiled) women – certainly thought so, in what was a raucous and entertaining showing!
The music is superbly supported by an epic soundtrack of well-chosen tracks from Ellie Goulding, Years and Years, Jess Glynne, Lily Allen (with very funny adult content!) and classic oldies, all wrappered with nice themes by the brilliant and underrated Craig “Love Actually” Armstrong.
Sharon Maguire – the director of the original “Diary” – has delivered here a fun, absorbing and enormously entertaining piece of fluff that deserves to do well. And it has in the UK, making $11M in its opening weekend here and playing to packed showings. However – incomprehensibly – it has bombed in the US with only $8M coming in. Hopefully it might prove a bit of a sleeper hit there: come on America… we go to see all of the rubbish rom-coms you send over here, and this is way better than most of those!
This was a film I was determined to be sniffy about with my rating. But as a) I enjoyed it very much and b) a packed audience of women can’t be wrong…
Molly J (Cover To Cover Cafe) (106 KP) rated When You Are Near in Books
Mar 11, 2019
Characters (2 more)
Plot
Writing Style
Those that know me, know I love to read Historical novels, so it will come as no surprise at all that I love this novel. It’s my first Peterson novel in a long time, and I was excited to see what she had in store for her readers with this one. Let me tell, I was taken on a whirl wind ride with this one and I loved every minute of it! Those that know me, also know that I love to be around horses and ride them (though it’s been a while since I’ve ridden one!), so I definitely enjoyed this book for that aspect alone.
I adored Lizzy’s character. She’s beautifully chiseled and I loved that she was a trick rider in this story! I haven’t read a book like this one, about women trick rider’s, so it made Lizzy’s story that much more fun for me. I felt a connection with Lizzy, having lost my mother a few years back, and I dealt with my own pain and struggles much like Lizzy did. Watching her blossom from that pain and struggle, seeing her connection with her horse, seeing how she realized that love is what she truly needs to get through it all, was a fantastic experience!
If you love novels that are beautifully written, filled with rich Historical detail, and filled with characters that come to life, then you need not look any further than Peterson’s new novel. She has tremendous talent and fills her books with hope, understanding and love, along with some powerful messages for her readers. This book is fast paced, and before I knew it, it was over, so I’m highly anxious to get book 2 in this series, as I am not yet done with these trick riders and their stunning horses! Grab this 4 star novel now and see what I’m talking about! You won’t be sorry.
*I received a complimentary copy of this book from Bethany House Publishers and was under no obligation to post a review, positive or negative.*
I adored Lizzy’s character. She’s beautifully chiseled and I loved that she was a trick rider in this story! I haven’t read a book like this one, about women trick rider’s, so it made Lizzy’s story that much more fun for me. I felt a connection with Lizzy, having lost my mother a few years back, and I dealt with my own pain and struggles much like Lizzy did. Watching her blossom from that pain and struggle, seeing her connection with her horse, seeing how she realized that love is what she truly needs to get through it all, was a fantastic experience!
If you love novels that are beautifully written, filled with rich Historical detail, and filled with characters that come to life, then you need not look any further than Peterson’s new novel. She has tremendous talent and fills her books with hope, understanding and love, along with some powerful messages for her readers. This book is fast paced, and before I knew it, it was over, so I’m highly anxious to get book 2 in this series, as I am not yet done with these trick riders and their stunning horses! Grab this 4 star novel now and see what I’m talking about! You won’t be sorry.
*I received a complimentary copy of this book from Bethany House Publishers and was under no obligation to post a review, positive or negative.*
Leigh J (71 KP) rated Salò, or the 120 Days of Sodom (1975) in Movies
Nov 10, 2019 (Updated Nov 10, 2019)
Does Salo stand for Boring?!
Contains spoilers, click to show
Salo, based on the book called "100 Days of Sodom" by Marquis de Sade, is about 4 men in positions of power (The Duke, The Bishop, The Masgistrate and The President) who kidnap a large group of girls and boys and subject them to severe abuse, torture and even murder; just to, well, get their deviant rocks off basically. The cruel and sadistic abuse soon builds to a cresendo of sickening torture and murder.
I went into Salo VERY nervous; I'd read the Book so had a good idea of what was coming, and especially so as this Movie is always on those "sickest Movies ever" lists, and is almost always very near the #1 spot. Rarely does it ever take the crown though, and after seeing Salo, I understand why. It's so boring!! It's very diagloue heavy, which if done right makes a Movie engaging and compelling. If done wrong, as is the case with Salo, it becomes a tedious chore. Unfortunately for Salo, I was so bored with the pointless drivel that when it eventually did get to the shocking parts, I was over it and not as shocked as I really should have been. I mean, it was bad (two words: poop banquet) but I was left thinking "all that hype and waffle... for this?!" Definitely overrated. The small saving grace of this Movie was a bunch of Prostitutes, ironically. They were telling stories of their own deviancies; I found their stories shocking and they made me sit up and pay attention, some stories being more shocking than what we were seeing. I found those Women disgustingly wonderful and able to actually make something out of the literal crap-show that was Salo. I would only recommend Salo to the die hard "Sick Movie" fans (and that's for the sole purpose of ticking it off your list) and Cinema buffs because the Cinematography is quite nice. Other than that, it would make a fantastic sleep aid!
I went into Salo VERY nervous; I'd read the Book so had a good idea of what was coming, and especially so as this Movie is always on those "sickest Movies ever" lists, and is almost always very near the #1 spot. Rarely does it ever take the crown though, and after seeing Salo, I understand why. It's so boring!! It's very diagloue heavy, which if done right makes a Movie engaging and compelling. If done wrong, as is the case with Salo, it becomes a tedious chore. Unfortunately for Salo, I was so bored with the pointless drivel that when it eventually did get to the shocking parts, I was over it and not as shocked as I really should have been. I mean, it was bad (two words: poop banquet) but I was left thinking "all that hype and waffle... for this?!" Definitely overrated. The small saving grace of this Movie was a bunch of Prostitutes, ironically. They were telling stories of their own deviancies; I found their stories shocking and they made me sit up and pay attention, some stories being more shocking than what we were seeing. I found those Women disgustingly wonderful and able to actually make something out of the literal crap-show that was Salo. I would only recommend Salo to the die hard "Sick Movie" fans (and that's for the sole purpose of ticking it off your list) and Cinema buffs because the Cinematography is quite nice. Other than that, it would make a fantastic sleep aid!
Well researched historical background (2 more)
Intriguing characters
Jamie Fraser
Like many other reviewers of this book, the genre of this story is not my first go to. This aside, I have thoroughly enjoyed reading Outlander.
The novel is set in two different time periods, the first the aftermath of the Second World War, the second during the 1740s and the build up to the battle of Culloden. One of the strengths of this book, is that Diana Gabaldon has researched the historical settings of this novel well, and paints a fantastic image of the times for the reader. With a background in the study of history, I am normally the first to start picking faults in the historiography of a story, however in this case, I was unable to, and instead able to relax into the plot line itself. The novel also encouraged me to carry out further research into Scotland in the 1740s and even visit the Culloden battlefield (and of course the Fraser stone).
The characters in the novel are well thought out and all have their faults as well as strengths (which in my eyes makes them more believable). Clare, the main character is a strong willed and independent woman, however can be outspoken before her time. Jamie is a character that see through Clare’s eyes and as such, we understand why she falls in love with him, is at times held by the constraints about how men and women should act in marriage during the 1740s, and struggles to cope with Clare’s independence.
As readers we are led through a story of 1740s clan culture in Scotland (including the brutal behaviour of the British officer Jack Randall), as well as the emerging love story between Jamie and Clare. This is ultimately a love story, but sexual scenes are much more subtle in text than the dramatisation of the TV series. As is often the case with books that have been dramatised onto the screen, we also get a much deeper insight into the feelings and emotions of a character, which often struggles to translate onto screen.
Overall, I thoroughly enjoyed this book and eagerly await picking up the sequel to find out what will happen next to Clare, Jamie and Frank.
The novel is set in two different time periods, the first the aftermath of the Second World War, the second during the 1740s and the build up to the battle of Culloden. One of the strengths of this book, is that Diana Gabaldon has researched the historical settings of this novel well, and paints a fantastic image of the times for the reader. With a background in the study of history, I am normally the first to start picking faults in the historiography of a story, however in this case, I was unable to, and instead able to relax into the plot line itself. The novel also encouraged me to carry out further research into Scotland in the 1740s and even visit the Culloden battlefield (and of course the Fraser stone).
The characters in the novel are well thought out and all have their faults as well as strengths (which in my eyes makes them more believable). Clare, the main character is a strong willed and independent woman, however can be outspoken before her time. Jamie is a character that see through Clare’s eyes and as such, we understand why she falls in love with him, is at times held by the constraints about how men and women should act in marriage during the 1740s, and struggles to cope with Clare’s independence.
As readers we are led through a story of 1740s clan culture in Scotland (including the brutal behaviour of the British officer Jack Randall), as well as the emerging love story between Jamie and Clare. This is ultimately a love story, but sexual scenes are much more subtle in text than the dramatisation of the TV series. As is often the case with books that have been dramatised onto the screen, we also get a much deeper insight into the feelings and emotions of a character, which often struggles to translate onto screen.
Overall, I thoroughly enjoyed this book and eagerly await picking up the sequel to find out what will happen next to Clare, Jamie and Frank.
Gareth von Kallenbach (974 KP) rated Battle of the Sexes (2016) in Movies
Jul 11, 2019
1972: Billie Jean King (played brilliantly by Emma Stone) just became the Grand Slam Champion of the Women’s Tennis Association. She had challenged the inequity of pay between the Men’s and Women’s Tennis Tour. Once she learns that the tournament for the Lawn Tennis Association is paying Women one eighth of the Men’s purse. She goes up against Jack Kramer (Bill Pullman at his misogynistic best). Billie, with her Manager, Gladys Heldman (Sarah Silverman in spectacular form echoing a more subdued version of Bobbie Fleckman) leave the LTA and start their own Women’s Tour. Which became the Virginia Slims tournament.
Around the same time, Bobby (Steve Carell, playing Riggs like a manic Pagliacci) the once Pro Slam Champion who now works in a nondescript office at his father-in-law’s business. Bobby, the dreamer, is a gambler figuratively and literally. The man who’s inner child has taken the reins on the run. He is the clown who needs constant attention, and the showman who could sell the Golden Gate. Carell, gives an exceptional performance, riling us up with cringe-worthy moments and showing us the man that is so certain of his abilities that he forgets the fable of the tortoise and the hare.
We are brought into relationships that these two athletes have with their families and loved ones. Of what they went through before the epic, world famous Battle of the Sexes in the Houston Astrodome. The film serves us a picture of the time where women had recently began the feminine movement and Women’s Liberation. The entire feel of the movie is set solidly in the seventies, the sexism rampant and accepted as the status quo. Misogyny is socially acceptable and Riggs and friends epitomize the attitude.
There is also the story of Billie Jean, realizing an attraction to a woman she meets before the starting her tour. Marilyn (Andrea Riseborough was magnetic), the hairdresser that was instantly drawn to Billie. We also get the treat of seeing the magnificent Alan Cumming as Ted, the charming designer of the women’s fantastic tennis outfits. Wallace Langham as Henry, the tailor.
The story is built up to the historic Battle of the Sexes at the Astrodome. We see the work that Billie does in preparation. Daily drills and practice games. Bobby’s confidence in his ability to deliver a win that mirrored the decimation of Margaret Court (Jessica McNamee) who at the time was the top female tennis player in the world.
The directing duo of Jonathan Dayton and Valerie Faris (Little Miss Sunshine) delivers us a well balanced, heartfelt film with a stellar cast. The soundtrack brings us into the early seventies and the costuming is quantum leap back to the time where polyester leisure suits and colorful shirts were the height of fashion. This is a love story of Billie Jean King and Tennis
Around the same time, Bobby (Steve Carell, playing Riggs like a manic Pagliacci) the once Pro Slam Champion who now works in a nondescript office at his father-in-law’s business. Bobby, the dreamer, is a gambler figuratively and literally. The man who’s inner child has taken the reins on the run. He is the clown who needs constant attention, and the showman who could sell the Golden Gate. Carell, gives an exceptional performance, riling us up with cringe-worthy moments and showing us the man that is so certain of his abilities that he forgets the fable of the tortoise and the hare.
We are brought into relationships that these two athletes have with their families and loved ones. Of what they went through before the epic, world famous Battle of the Sexes in the Houston Astrodome. The film serves us a picture of the time where women had recently began the feminine movement and Women’s Liberation. The entire feel of the movie is set solidly in the seventies, the sexism rampant and accepted as the status quo. Misogyny is socially acceptable and Riggs and friends epitomize the attitude.
There is also the story of Billie Jean, realizing an attraction to a woman she meets before the starting her tour. Marilyn (Andrea Riseborough was magnetic), the hairdresser that was instantly drawn to Billie. We also get the treat of seeing the magnificent Alan Cumming as Ted, the charming designer of the women’s fantastic tennis outfits. Wallace Langham as Henry, the tailor.
The story is built up to the historic Battle of the Sexes at the Astrodome. We see the work that Billie does in preparation. Daily drills and practice games. Bobby’s confidence in his ability to deliver a win that mirrored the decimation of Margaret Court (Jessica McNamee) who at the time was the top female tennis player in the world.
The directing duo of Jonathan Dayton and Valerie Faris (Little Miss Sunshine) delivers us a well balanced, heartfelt film with a stellar cast. The soundtrack brings us into the early seventies and the costuming is quantum leap back to the time where polyester leisure suits and colorful shirts were the height of fashion. This is a love story of Billie Jean King and Tennis
Goddess in the Stacks (553 KP) rated Furyborn: Empirium Trilogy Book 1 in Books
Jul 31, 2018
I'd seen several glowing reviews of this book, but I was always put off by descriptions of events that happened millennia apart from each other "intersecting" and affecting each other. Like, no. The past can affect the future, but the future can't change the past. That appears, however, to just be a problem in the synopsis of the book and not the book itself. At least in this, the opening volume of the trilogy, the future does not change the past. The book alternates between the two women, Rielle in the past and Eliana in the future. Each chapter flips back and forth. I was much more intrigued by Rielle's chapters, but that could be because there was a lot more magic in Rielle's time.
The magic system is really interesting! I love that through Rielle's trials we learn so much about the magic system, each school and guiding saint and prayers. It's really fleshed out and I enjoyed that.
The "shocking connections" aren't shocking, they're predictable. But the book was no less fantastic for it. I really think the synopsis is where the problems lie. The first couple chapters pretty much reveal all the surprises the description hints at, and the book details how we got to that point. (Mostly, anyway!) It was great, don't get me wrong, but the description of the book feels a little misleading.
The GLBT content in the book is only about two sentences, but it was a surprise and made me grin.
I really enjoyed this book. I'm looking forward to the rest of the trilogy to discover the rest of Rielle's story and what Eliana is going to do about it.
You can find all my reviews at http://goddessinthestacks.wordpress.com
The magic system is really interesting! I love that through Rielle's trials we learn so much about the magic system, each school and guiding saint and prayers. It's really fleshed out and I enjoyed that.
The "shocking connections" aren't shocking, they're predictable. But the book was no less fantastic for it. I really think the synopsis is where the problems lie. The first couple chapters pretty much reveal all the surprises the description hints at, and the book details how we got to that point. (Mostly, anyway!) It was great, don't get me wrong, but the description of the book feels a little misleading.
The GLBT content in the book is only about two sentences, but it was a surprise and made me grin.
I really enjoyed this book. I'm looking forward to the rest of the trilogy to discover the rest of Rielle's story and what Eliana is going to do about it.
You can find all my reviews at http://goddessinthestacks.wordpress.com