"Now, I can tell you about some women writers who truly are fantastic. One is Anna Kavan. She writes stories like I approach Land of a Thousand Dances: she’s caught in a haze and then a light, a little teeny light, come through. It could be a leopard, that light, or it could be a spot of blood. It could be anything. But she hooks onto that and spirals out. And she does it within the accessible rhythms of plot, and that’s really exciting. She’s not hung up with being a woman, she just keeps extending herself, keeps telescoping language and plot."

"One of those records that caught me at the right minute. As you know, I was a huge fan of Spiders-era Bowie. I was distraught when they split, but I followed Ronson's solo career. He was a little bit more mainstream; these were stunning songs. Very French, somehow - it had that 'I'm wondering around down the docks in Amsterdam' kind of vibe! It also has the second greatest guitar solo of all time on 'Women' and in between you have these fantastic ballads like 'The Empty Bed', a stunning song. His lead playing on that record is just incredible."