"I like that kind of conceptual hip hop in a way. It's really minimal and stripped down. It builds a kind of insistence. I really like Legacy, generally"

"I was in film school when I first saw this film. I didn't understand it. Or, more specifically, I watched it and then couldn't grasp what had happened in any linear sense. I had conversations with film school friends about it, but I just couldn't really remember anything except a girl-on-girl love scene and an audition. I watched it twenty-two times this way, not really remembering. Then one night, on an MDMA comedown, I couldn't sleep and it was 8:00 a.m. and the movie was coming on. And suddenly I was able to process every second. It's interesting, because a fever dream is a hard thing to grasp, and I like Lynch's films because they induce these dreams. That morning I was living a fever dream, so the film was suddenly apparent. And it's such a complete portrait of the agony of Hollywood."

"I love how thought-provoking that film is. I love that there’s a lot of great laughs in it, but there’s a lot of pathos. Alan Alda has never been better at being a douchebag than in this. It’s just got so much humanity, and it’s a comedy but it’s not pushing the comedy, it just is. There’s so much I like about that movie, I just thought it was a great combination. Sometimes Woody gets a little jokey and slapstick and sometimes he gets a little lost up in his head a little bit; this movie had a lot going on. I felt like it explored morality and the human condition."