"Okay, well now I’ve got one of two. Either The Muppets, the new movie, or a film called Monsters, which I really liked. I think I might put that one in. I loved the production design, which I gather [Gareth Edwards] did all himself, and the music by John Hopkins. I’m a huge fan of his music anyway, and his music is what introduced me to the film, which is weird. I look for anything that John’s done, and discovered he’d done the music to this film Monsters. I loved the soundtrack and I thought, “I wonder what this film’s like?” I loved the movie. I thought it was a terrific job."

"Maysles double feature! I was reminded of this one the other day when I encountered a large female raccoon in the middle of Los Angeles. As she licked her paws with urbane nonchalance, I thought to myself, “Holy crap, Big Edie and Little Edie had one of those living in their wall. Hard-core.” I love how ceaselessly imaginative Little Edie is. “Staunch character” indeed. She’s like a fabulous nun in a one-woman order. And Big Edie is dry-as-a-bone hilarious. I don’t view this as a tragedy. There’s probably a Grey Gardens on every street in America."

"I saw this with my parents as a very young child in the seventies, on television, and I never forgot it. I went back to it over the years on VHS and DVD, but this Criterion edition is quite a rediscovery. It’s an unusual VistaVision beach western with unstable and elusive racial narrative elements. It’s also the product of star power and a studio willing to go along, with reportedly messy results, but I see nothing wrong with this film. I like it a lot. Brando is wonderful in it, both as a director and as a star."