"I mainly work as a cinematographer, and I recently had the opportunity to shoot a new film for Milcho Manchevski. It was like being paid to attend a master class in filmmaking. I love this film not just because of its innovative structure but because of the way it transported me to a war-torn country I’d only heard about in the news."

"Bottle Rocket remains my favorite Wes Anderson movie—and I love all of his movies. Dignan was a character I felt I knew from my life but had never seen in a movie, much less as the lead of a movie. “How did an asshole like Bob get such a nice kitchen?” is one of my favorite lines . . . and it’s offscreen."

"Fellini. Here it’s absolutely impossible to choose. What a gift to have such a complete selection of a great artist’s oeuvre. I had the pleasure of watching Fellini shoot a scene from City of Women at Cinecittá. I was flattered when he said, “Ah, you’re the young director I’ve heard so much about,” although I was barely younger than he."

"Fellini. Here it’s absolutely impossible to choose. What a gift to have such a complete selection of a great artist’s oeuvre. I had the pleasure of watching Fellini shoot a scene from City of Women at Cinecittá. I was flattered when he said, “Ah, you’re the young director I’ve heard so much about,” although I was barely younger than he."

"Fellini. Here it’s absolutely impossible to choose. What a gift to have such a complete selection of a great artist’s oeuvre. I had the pleasure of watching Fellini shoot a scene from City of Women at Cinecittá. I was flattered when he said, “Ah, you’re the young director I’ve heard so much about,” although I was barely younger than he."

"Fellini. Here it’s absolutely impossible to choose. What a gift to have such a complete selection of a great artist’s oeuvre. I had the pleasure of watching Fellini shoot a scene from City of Women at Cinecittá. I was flattered when he said, “Ah, you’re the young director I’ve heard so much about,” although I was barely younger than he."