"Saw it with my whole family when I was seven. Sat in my uncle Linny’s lap, I think, or next to him. He covered my eyes when Mookie rubbed ice on Tina’s areola. I saw through his fingers. I thought I was those people, but I was a child"

"""Ben Vida is a composer and sound artist whose work I really love. This record he did pairing his idiosyncratic electronic voice with percussion is a favourite. I suppose everyone I have given on this list has a strong character. The thing I love about Ben too is that he's so good at synthesising sounds and he has such a strong compositional voice. But his music has such a great sense of humour too – some of the sounds are absurd. They are really high quality, well made objects, but in a lot of ways it's so funny. I'm always excited to listen to anything that Ben does. And it's great to get a chance to work with him too. He's been a long time collaborator. I also sought him out to work with me as a performer on my HIVE project. When I first started the project, it was this installation where there were these five wooden mushroom-like pods. It's a piece for three percussionists and two modular synths. Being a fan of his music and having known him for a couple of years, I asked him to do that with me. And so we ended up touring that around together. I ended up adding some vocals to some records that he did. He did a record called Slipping Control a couple of years ago, that I worked on with him. So it's been a very rich creative relationship."""

"It’s All Coming Back To Me Now’ was on the first CD that I remember buying. I had a little purple plastic CD rack and it was one of the most played on that. I loved the piano and I started playing the piano around that age, so it felt relatable for me. Again, I just loved the drama; it’s like a seven or eight minute long song, it’s so amazing, who does that? No one does that! It took me on such a story, the visuals are so clear, even now I can still feel that intense drama. Celine Dion’s amazing, it’s like watching a movie, honestly, listening to those kinds of songs. “So that was ’96, so I was nine. I was quite a melancholy child. My mum would put me to bed and I’d always get up and walk around upstairs, where there wasn’t really anywhere to walk around. I would just walk around the bathroom, sit at the top of the stairs, hold the staircase and stare out. I really was quite melancholy and I now understand mental health issues as an adult - like I had, you know, anxiety, OCD, depression; I had so much emotion. I mean that was just me as a really morose, melancholy nine year old, I really felt that intensity. “Those emotional songs can be the cloak that you wrap yourself in. I was drawn to the drama of those kinds of songs, definitely. I mean, those are pretty intense sad songs for a little kid."