"I saw this film when I was a teenager, and it had a lasting impact on me, having been a fan of hip-hop but being largely unaware of the social conditions in France that made hip-hop culture so powerful there. There’s a scene in particular I have fond memories of in which Cut Killer is deejaying above the streets of his banlieue. So good."

"In this book, Ms. Adichie has constructed a full on romance that has the addictive power of a Jane Austen novel but with the specifics of life in Nigeria, as well as life in the United States as an immigrant. I fell in love with Ifemelu and Obinze in a way that I haven’t felt since I was a child reading novels for the first time."

"Well, I was a super fan of Katharine Hepburn as a kid, so let’s say The Philadelphia Story. I also really loved Cary Grant as a kid, so you could do a subset of, like, His Girl Friday; you know, Rosalind Russell, Cary Grant, incredible movie. The dialogue is just mindblowing. The pace at which they manage to speak, I find to be incredible."

"As I watched my daughter’s delighted face as I read her this book, I would send a silent “thank you” to the brain and heart of Jamie Lee Curtis. This is a story that celebrates the excitement an adoption brings to a family, while still normalizing the experience for all children who love to know about the moment they arrived to make a family whole."

"Ahh, it's gorgeous. The images I have, just putting it on on a Saturday morning. There's something always very quiet and leisurely about a Saturday morning, and again, it's just a complete album. I like the bass sound, it's a slightly more modern sound, and the brilliant execution, the mastery of it – I would say to anybody, just have that album, put it on and relax."

"I love Alfred Hitchcock, but that was the first one that I saw. I saw it in humanities class in high school. We broke it down and had to write all these articles about it, and it stayed with me for a lot of reasons? in exploring all of the imagery that Alfred Hitchcock uses, and just the tone of the film. I always was a Jimmy Stewart fan — my fiancé is kind of very Jimmy Stewart. [laughs] He’s like the every man. I really loved him. And then of course the Hitchcock blonde; a lot of it had to do with the females in the films, so it’s no surprise that I became an actress. I was obsessed with Kim Novak; I would pull my hair back and try to tweeze my eyebrows so I could be a Hitchcock blonde. I loved it. And that was the first time I’d ever explored film intellectually, in that class, because before then I was, you know, I just went to the movies — things would move me and I wasn’t sure why. To get to sit down with my teacher and break a film down intellectually was a discovery for me. It’s still one of my favorites. It speaks to me very strongly."

"I never tire of using this film in the classroom, because there’s always more to glean from it, and I say this as someone who has seen it many, many times. Before I saw it, I had already read Todd’s script, and I did not have any understanding of what it was going to be. I just remember seeing it in New York City at a small screening, and I was in the movie for so long after that—I couldn’t shake it. I came out so hyperaware of every little thing. At the time I was living above a dry cleaner, and I became obsessed with every smell around me. Julianne Moore is amazing in the movie—is there a better performance? This is a film that, if you don’t know anything about it, you certainly won’t know where it’s going. I remember riding in a cab with some big film critic at the time who said, “You won’t believe what I saw today! Some story about a housewife who gets sick—can you believe it?” He had no idea what to make of it, but people have really revised their opinions since then. It’s so masterful, and it’s some of my favorite Todd Haynes writing—it’s so darkly funny."