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Kristy H (1252 KP) rated Two Kinds of Truth (Harry Bosch #20) in Books
Jan 10, 2018
Another wonderful mystery novel featuring Connelly's excellently developed lead detective
Michael Connelly's iconic detective, Harry Bosch, is back again. Harry's basically a volunteer for the San Fernando police department, working cold cases for the tiny force and mentoring their three young detectives. When they are called out for a murder of a father and son at a local pharmacy, Harry assists the inexperienced team in trying to track down the killers. The case leads Harry and his detectives into the dark world of opiates--both the big money of pill mills and the sad, cold side of addiction. Meanwhile, Harry hears from his former employer, the LAPD, when one of his thirty-year-old cases is reopened based on new evidence. Even worse, the killer is claiming Harry framed him. The case threatens Harry's most prized possession: his reputation as a cop, and he knows that no one will fight to clear his name like himself. The two unrelated cases pull at different sides of Bosch as he works to discover all different facets of the truth.
I love Harry Bosch so much, and there will be a hole in my heart when Connelly no longer writes about him. I actually moved this book up in my rotation (something I rarely ever do!) so I could read it on a weekend trip to Chicago, and my only regret is that it meant I finished it in about 48 hours, and now it's over. Per usual, Connelly gives us yet another wonderful mystery novel featuring his excellently developed lead detective. This one covers the timely topic of the opiate crisis, which looms fairly large in America today. It's well-researched, as always.
Reading a Bosch novel is like picking up with an old friend, and this one is no different. Our Bosch is aging, which this book acknowledges well. We see Bosch still grappling with having left the LAPD--who can he trust, what can he do with his life now. We even get some appearances from previous characters in earlier novels. Perhaps the best thing is a fairly large role for Bosch's half brother Mickey Haller, the famed "Lincoln Lawyer." These two are still figuring out their own relationship, but it's a treat for us readers to get a glimpse of Mickey; we even get to see some of his enjoyable courtroom antics. There's even an appearance from Mickey's investigator, Cisco! (See, it's like being old friends!)
And, of course, we can't forget the actual story, which, in usual Connelly style is excellent and tracks along flawlessly along Bosch's own journey. The opiate tale is both fascinating and depressing, while Bosch's unraveling of the backstory behind the reopened cold case will certainly keep you reading. There's never really any crazy twists or turns, but the novel moves along steadily and easily. There's both growth and angst with Bosch--I have to admit, I worry about the end of his arc, but I will still enjoy every moment I get with him until them.
Another enjoyable one for the Bosch canon--certainly recommend!
I love Harry Bosch so much, and there will be a hole in my heart when Connelly no longer writes about him. I actually moved this book up in my rotation (something I rarely ever do!) so I could read it on a weekend trip to Chicago, and my only regret is that it meant I finished it in about 48 hours, and now it's over. Per usual, Connelly gives us yet another wonderful mystery novel featuring his excellently developed lead detective. This one covers the timely topic of the opiate crisis, which looms fairly large in America today. It's well-researched, as always.
Reading a Bosch novel is like picking up with an old friend, and this one is no different. Our Bosch is aging, which this book acknowledges well. We see Bosch still grappling with having left the LAPD--who can he trust, what can he do with his life now. We even get some appearances from previous characters in earlier novels. Perhaps the best thing is a fairly large role for Bosch's half brother Mickey Haller, the famed "Lincoln Lawyer." These two are still figuring out their own relationship, but it's a treat for us readers to get a glimpse of Mickey; we even get to see some of his enjoyable courtroom antics. There's even an appearance from Mickey's investigator, Cisco! (See, it's like being old friends!)
And, of course, we can't forget the actual story, which, in usual Connelly style is excellent and tracks along flawlessly along Bosch's own journey. The opiate tale is both fascinating and depressing, while Bosch's unraveling of the backstory behind the reopened cold case will certainly keep you reading. There's never really any crazy twists or turns, but the novel moves along steadily and easily. There's both growth and angst with Bosch--I have to admit, I worry about the end of his arc, but I will still enjoy every moment I get with him until them.
Another enjoyable one for the Bosch canon--certainly recommend!
Hazel (1853 KP) rated Welcome to Nowhere in Books
May 24, 2017
Contemporary War
This ARC was provided by the publisher via NetGalley in exchange for an honest review
The eximious children’s author, Elizabeth Laird, is continuing with her magnificent streak of prize-worthy novels. Her soon to be published book Welcome to Nowhere will be eagerly consumed by fans and new-readers alike. With a contemporary setting and shocking truths, young readers will become more aware of the events happening near and far.
Omar is only twelve, yet has a life style that will seem alien to the majority of readers. Living in Syria, Omar works to earn a wage as well as attends school, whilst also helping to care for his Cerebral-Palsy-suffering brother and three other siblings. Although Omar’s life is not easy, it is preferable to the events he is soon about to witness.
In March 2011, Syria broke out in civil war after the daring behaviour of a couple of schoolboys. After these vandals scrawled the phrase “the people want the regime to change” onto a wall, the government decided to fight back. With shootings regularly occurring in the streets, and bombs falling on houses, Omar and his family flee their city home to live with family in the countryside. However, they cannot stay there for long before danger finds them again. Running from the enemy, Omar and family find themselves on the streets with thousands of other refugees. But, where can they go when they have nowhere to call home?
Although Welcome to Nowhere is set before the development of the extreme Muslim group, ISIS, Elizabeth Laird provides an accurate description of the lives of Syrians and refugees at this present moment. Most young readers, and possibly many adults, may not understand what caused the current refugee crisis and may even regard them as the enemy. This book will open hearts and minds after revealing the terror and destruction thousands of people have faced, their experience of refugee camps and their desperation to be able to live in safety.
As well as revealing truths about the situation in the Middle East, Welcome to Nowhere educates the reader on the customs and beliefs of average Muslim families. Although slightly antiquated – men dominate over women – they are not all that different to the Western world. Omar wants to become a successful businessman, whilst his sister is desperate to go to school and university. Laird also writes of scenarios that are not unique to Syrian citizens, in particular medical conditions such as Cerebral Palsy and the way these people are attacked by social stigmas.
Whilst not labeling this book as ‘exciting’, Welcome to Nowhere is a story that will engage the readers’ attention. As a book with both entertainment and educational value, Elizabeth Laird’s latest book is worthy of significant praise. It is not often that a writer will dare to reveal the gritty truth about the current situation in the world, and thus Laird must be commended for persevering with such a difficult, challenging story. Although targeted at young adults (ages 12+), older readers will also enjoy and learn from this exceptional novel.
The eximious children’s author, Elizabeth Laird, is continuing with her magnificent streak of prize-worthy novels. Her soon to be published book Welcome to Nowhere will be eagerly consumed by fans and new-readers alike. With a contemporary setting and shocking truths, young readers will become more aware of the events happening near and far.
Omar is only twelve, yet has a life style that will seem alien to the majority of readers. Living in Syria, Omar works to earn a wage as well as attends school, whilst also helping to care for his Cerebral-Palsy-suffering brother and three other siblings. Although Omar’s life is not easy, it is preferable to the events he is soon about to witness.
In March 2011, Syria broke out in civil war after the daring behaviour of a couple of schoolboys. After these vandals scrawled the phrase “the people want the regime to change” onto a wall, the government decided to fight back. With shootings regularly occurring in the streets, and bombs falling on houses, Omar and his family flee their city home to live with family in the countryside. However, they cannot stay there for long before danger finds them again. Running from the enemy, Omar and family find themselves on the streets with thousands of other refugees. But, where can they go when they have nowhere to call home?
Although Welcome to Nowhere is set before the development of the extreme Muslim group, ISIS, Elizabeth Laird provides an accurate description of the lives of Syrians and refugees at this present moment. Most young readers, and possibly many adults, may not understand what caused the current refugee crisis and may even regard them as the enemy. This book will open hearts and minds after revealing the terror and destruction thousands of people have faced, their experience of refugee camps and their desperation to be able to live in safety.
As well as revealing truths about the situation in the Middle East, Welcome to Nowhere educates the reader on the customs and beliefs of average Muslim families. Although slightly antiquated – men dominate over women – they are not all that different to the Western world. Omar wants to become a successful businessman, whilst his sister is desperate to go to school and university. Laird also writes of scenarios that are not unique to Syrian citizens, in particular medical conditions such as Cerebral Palsy and the way these people are attacked by social stigmas.
Whilst not labeling this book as ‘exciting’, Welcome to Nowhere is a story that will engage the readers’ attention. As a book with both entertainment and educational value, Elizabeth Laird’s latest book is worthy of significant praise. It is not often that a writer will dare to reveal the gritty truth about the current situation in the world, and thus Laird must be commended for persevering with such a difficult, challenging story. Although targeted at young adults (ages 12+), older readers will also enjoy and learn from this exceptional novel.
Hazel (1853 KP) rated Glass Sword in Books
May 25, 2017
Good Sequel
This ARC was provided by the publisher via NetGalley in exchange for an honest review
It is finally here; the second book in the riveting Red Queen series by Victoria Aveyard – perfect for fans of The Hunger Games, The Selection series and Divergent. Continuing from the exact point the previous book closed on, Glass Sword is packed with action, suspense and emotional entertainment.
To recap, the world is divided by blood colour: Red (inferior) and Silver (superior); but it is the reason why Silvers consider themselves better that is important. Silver-blooded people are born with a superpower; Reds are not. Until Mare Barrow, that is. By pure accident, Mare discovers she can wield electricity with her bare hands, is forced to pretend she is a Silver living with the royal family, and is finally betrayed by someone she thought was on her side.
Now, in Glass Sword, teenage Mare is in hiding with the Scarlet Guard – Red-blooded rebels – with the knowledge that there are other people out there just like her: “Newbloods,” Red blood with Silver abilities. Mare and her companions are determined to find all of these people and train them to use their powers, however the Silver king is doing the same, with the intention of destroying them all. What makes it worse is Mare no longer knows whom she can trust; anyone could betray her.
Unlike the previous book, Glass Sword is one battle after another. There are no more pretty dresses, royal parties or grand castles. From beginning to end there is not a moment when Mare is not in danger; it is easy to lose count the number of times she narrowly escapes death. But as with any form of violence, someone always ends up injured or killed, resulting in some very upsetting outcomes.
Fans of the first book will already be aware of the love triangle that developed – one that made the conclusion so shocking. Whilst Glass Sword continues with the romantic theme, it is barely perceptible underneath all the bloodshed, arguments and warfare. So, do not expect a romance novel within these pages.
The constant action prevents the story from becoming slow or boring. There is a surprise around every corner; every page, to keep the reader engaged. This however has a downside. With conflict running into conflict it is easy to get confused and struggle to follow the course of the action. This is particularly the case in one of the final, most significant, attacks against the Silvers. The quick pace of the narrative results in the violent scene only taking up the space of a few pages, thus not giving the reader time to develop a clear picture in their head or fully understand what they are reading.
Naturally Mare’s story ends on yet another cliffhanger, so now we await the third installment. It must be difficult to provide a sequel as equally entertaining as the first, but Aveyard has gone above and beyond to create something far better than could be imagined. We can only hope this brilliance continues into the following books.
It is finally here; the second book in the riveting Red Queen series by Victoria Aveyard – perfect for fans of The Hunger Games, The Selection series and Divergent. Continuing from the exact point the previous book closed on, Glass Sword is packed with action, suspense and emotional entertainment.
To recap, the world is divided by blood colour: Red (inferior) and Silver (superior); but it is the reason why Silvers consider themselves better that is important. Silver-blooded people are born with a superpower; Reds are not. Until Mare Barrow, that is. By pure accident, Mare discovers she can wield electricity with her bare hands, is forced to pretend she is a Silver living with the royal family, and is finally betrayed by someone she thought was on her side.
Now, in Glass Sword, teenage Mare is in hiding with the Scarlet Guard – Red-blooded rebels – with the knowledge that there are other people out there just like her: “Newbloods,” Red blood with Silver abilities. Mare and her companions are determined to find all of these people and train them to use their powers, however the Silver king is doing the same, with the intention of destroying them all. What makes it worse is Mare no longer knows whom she can trust; anyone could betray her.
Unlike the previous book, Glass Sword is one battle after another. There are no more pretty dresses, royal parties or grand castles. From beginning to end there is not a moment when Mare is not in danger; it is easy to lose count the number of times she narrowly escapes death. But as with any form of violence, someone always ends up injured or killed, resulting in some very upsetting outcomes.
Fans of the first book will already be aware of the love triangle that developed – one that made the conclusion so shocking. Whilst Glass Sword continues with the romantic theme, it is barely perceptible underneath all the bloodshed, arguments and warfare. So, do not expect a romance novel within these pages.
The constant action prevents the story from becoming slow or boring. There is a surprise around every corner; every page, to keep the reader engaged. This however has a downside. With conflict running into conflict it is easy to get confused and struggle to follow the course of the action. This is particularly the case in one of the final, most significant, attacks against the Silvers. The quick pace of the narrative results in the violent scene only taking up the space of a few pages, thus not giving the reader time to develop a clear picture in their head or fully understand what they are reading.
Naturally Mare’s story ends on yet another cliffhanger, so now we await the third installment. It must be difficult to provide a sequel as equally entertaining as the first, but Aveyard has gone above and beyond to create something far better than could be imagined. We can only hope this brilliance continues into the following books.
Hazel (1853 KP) rated My Side of the Diamond in Books
Sep 16, 2017
Impassive
This ARC was provided by the publisher via NetGalley in exchange for an honest review
My Side of the Diamond is the latest novel by British author Sally Gardner. Employing the use of science fiction, Gardner explores the concept of love in a unique tale of a covered up alien invasion. The main characters are unfortunately caught up in the drama; however, no one will ever believe their story.
Jazmin Little’s best friend, Becky, has disappeared. Some say she was murdered, others claim she committed suicide, but what everyone agrees on is that she jumped from the top of the Shard in London, but never landed. Jazmin knows what happened but the authorities have torn her witness statement to shreds. Now everyone believes that she is the cause of Becky’s disappearance.
The reader plays an active role as the mysterious Mr. Jones who is interviewing a handful of characters involved with the mystery surrounding Becky’s fate. Jazmin and the others tell the reader, as Mr. Jones, the truth about the lead-up to the moment their lives changed forever. Jazmin explains the events that preceded Becky becoming infatuated with the enigmatic Icarus. From their first meeting, bizarre and frightening things began to occur. From Becky’s sudden recovery from anorexia as though she had just had an epiphany, to being chased by an impossible monster, the friends and their relatives are suddenly in serious danger.
Icarus claims to be an alien who has come to Earth to learn about love. Becky instantly believed him, however, Jazmin and the others remained sceptical. As they open up to Mr. Jones, they wish they could go back in time and change the way things panned out. In hindsight, they know who was good and who was bad, but at the time, it was impossible to know whom to trust.
Although the main story focuses on the relationship between Becky and Icarus and their resulting disappearance, Gardner also explores themes of social classes and friendship. Jazmin and Becky were polar opposite: Becky came from a family made of money, whereas Jazmin was lucky to have a can of baked beans for dinner. Despite this, they were best friends who did not let their backgrounds interfere with their relationship. The significance of their social class comes to light as Jazmin explains what happened at the trial after Becky’s disappearance. Being from such a low caste, it was easy for everyone to pin the blame on Jazmin.
The concept behind My Side of the Diamond is interesting, as is the method of narrating the story, however, it lacks any emotional connection. Mr. Jones, although having no dialogue of his own, comes across as an impassive character, and that is how I felt whilst reading the book. None of the characters were particularly relatable and it was difficult to care about what happened to them. Their circumstances were creepy, but also far-fetched and hard to comprehend.
Although Sally Gardner’s ideas are good, My Side of the Diamond is a disappointment, especially coming from a prize-winning author
My Side of the Diamond is the latest novel by British author Sally Gardner. Employing the use of science fiction, Gardner explores the concept of love in a unique tale of a covered up alien invasion. The main characters are unfortunately caught up in the drama; however, no one will ever believe their story.
Jazmin Little’s best friend, Becky, has disappeared. Some say she was murdered, others claim she committed suicide, but what everyone agrees on is that she jumped from the top of the Shard in London, but never landed. Jazmin knows what happened but the authorities have torn her witness statement to shreds. Now everyone believes that she is the cause of Becky’s disappearance.
The reader plays an active role as the mysterious Mr. Jones who is interviewing a handful of characters involved with the mystery surrounding Becky’s fate. Jazmin and the others tell the reader, as Mr. Jones, the truth about the lead-up to the moment their lives changed forever. Jazmin explains the events that preceded Becky becoming infatuated with the enigmatic Icarus. From their first meeting, bizarre and frightening things began to occur. From Becky’s sudden recovery from anorexia as though she had just had an epiphany, to being chased by an impossible monster, the friends and their relatives are suddenly in serious danger.
Icarus claims to be an alien who has come to Earth to learn about love. Becky instantly believed him, however, Jazmin and the others remained sceptical. As they open up to Mr. Jones, they wish they could go back in time and change the way things panned out. In hindsight, they know who was good and who was bad, but at the time, it was impossible to know whom to trust.
Although the main story focuses on the relationship between Becky and Icarus and their resulting disappearance, Gardner also explores themes of social classes and friendship. Jazmin and Becky were polar opposite: Becky came from a family made of money, whereas Jazmin was lucky to have a can of baked beans for dinner. Despite this, they were best friends who did not let their backgrounds interfere with their relationship. The significance of their social class comes to light as Jazmin explains what happened at the trial after Becky’s disappearance. Being from such a low caste, it was easy for everyone to pin the blame on Jazmin.
The concept behind My Side of the Diamond is interesting, as is the method of narrating the story, however, it lacks any emotional connection. Mr. Jones, although having no dialogue of his own, comes across as an impassive character, and that is how I felt whilst reading the book. None of the characters were particularly relatable and it was difficult to care about what happened to them. Their circumstances were creepy, but also far-fetched and hard to comprehend.
Although Sally Gardner’s ideas are good, My Side of the Diamond is a disappointment, especially coming from a prize-winning author
Movie Metropolis (309 KP) rated Sing (2016) in Movies
Jun 11, 2019
Fun for all the family
Talking animated animals are big business over in Hollywood. After all, Disney’s Zootopia was one of only a handful of films to gross over $1billion last year. Its competitor, The Secret Life of Pets performed well but wasn’t critically successful.
Here, the company behind that second film, Illumination Entertainment, try to get the genre right with Sing. But are we looking at the next superstar of the animated genre?
Koala Buster Moon (Matthew McConaughey) presides over a once-grand theatre that has recently fallen on hard times. An eternal optimist, he loves his work enormously and will do anything to preserve it. Facing the crumbling of his life’s ambition, he takes one final chance to restore his fading jewel to its former glory by producing a singing competition, with eternal glory facing the winner.
There’s an impressive roster of talent on offer in Sing, something that parents will no doubt enjoy slightly more than the offspring they no doubt have to bring with them. With Matthew McConaughey taking the lead role, Taron Egerton, Reese Witherspoon, Scarlett Johansson and Seth McFarlane to name a few all lend their voices. There’s even a role for Brit-favourite Jennifer Saunders as a grumpy old sheep, it’s not ground-breaking, but it’s immensely likeable stuff.
Illumination Entertainment has brought us the brilliant Despicable Me franchise as well as its ridiculously successful spin-off Minions, but they’ve been criticised heavily for relying too much on the funny yellow critters to cash their paycheques. Thankfully, bar the now infamous company logo, the tic-tac shaped creatures are nowhere to be found and Sing is a vastly entertaining movie, in spite of their absence.
Whilst it’s true that the animation lacks the depth or fluidity of offerings from Pixar, Disney, and Dreamworks, there is a certain charm to its simplistic colour palate that children will find endearing. The plot is woefully unoriginal but director Garth Jennings, in his first animated feature, utilises that well, cleverly referencing the many talent shows that feature on our television screens – including those we are sick of.
There are some moral lessons in here too. Tori Kelly’s stage-shy elephant Meena has a great story arc that sees her face her fears and embrace her talents, whilst Taron Egerton’s gorilla Johnny stands up to his criminal father and learns that a life of crime doesn’t always pay.
In fact, only Seth MacFarlane’s obnoxious mouse Mike fails to make an impact on the plot, with his berating of an asthmatic sheep in the cleverly produced opening sequence coming across a little crude in comparison to the rest of the script.
Overall, Sing is a great film to hold the kid’s attention as we approach the half-term holidays. It would be easy to criticise it for lacking an original story, but there’s more to offer here than a half-baked plot. It’s beautifully voiced and reasonably well animated. Illumination Entertainment may not have topped Zootopia, but this is their best offering outside of Despicable Me by a country mile.
https://moviemetropolis.net/2017/01/28/fun-for-all-the-family-sing-review/
Here, the company behind that second film, Illumination Entertainment, try to get the genre right with Sing. But are we looking at the next superstar of the animated genre?
Koala Buster Moon (Matthew McConaughey) presides over a once-grand theatre that has recently fallen on hard times. An eternal optimist, he loves his work enormously and will do anything to preserve it. Facing the crumbling of his life’s ambition, he takes one final chance to restore his fading jewel to its former glory by producing a singing competition, with eternal glory facing the winner.
There’s an impressive roster of talent on offer in Sing, something that parents will no doubt enjoy slightly more than the offspring they no doubt have to bring with them. With Matthew McConaughey taking the lead role, Taron Egerton, Reese Witherspoon, Scarlett Johansson and Seth McFarlane to name a few all lend their voices. There’s even a role for Brit-favourite Jennifer Saunders as a grumpy old sheep, it’s not ground-breaking, but it’s immensely likeable stuff.
Illumination Entertainment has brought us the brilliant Despicable Me franchise as well as its ridiculously successful spin-off Minions, but they’ve been criticised heavily for relying too much on the funny yellow critters to cash their paycheques. Thankfully, bar the now infamous company logo, the tic-tac shaped creatures are nowhere to be found and Sing is a vastly entertaining movie, in spite of their absence.
Whilst it’s true that the animation lacks the depth or fluidity of offerings from Pixar, Disney, and Dreamworks, there is a certain charm to its simplistic colour palate that children will find endearing. The plot is woefully unoriginal but director Garth Jennings, in his first animated feature, utilises that well, cleverly referencing the many talent shows that feature on our television screens – including those we are sick of.
There are some moral lessons in here too. Tori Kelly’s stage-shy elephant Meena has a great story arc that sees her face her fears and embrace her talents, whilst Taron Egerton’s gorilla Johnny stands up to his criminal father and learns that a life of crime doesn’t always pay.
In fact, only Seth MacFarlane’s obnoxious mouse Mike fails to make an impact on the plot, with his berating of an asthmatic sheep in the cleverly produced opening sequence coming across a little crude in comparison to the rest of the script.
Overall, Sing is a great film to hold the kid’s attention as we approach the half-term holidays. It would be easy to criticise it for lacking an original story, but there’s more to offer here than a half-baked plot. It’s beautifully voiced and reasonably well animated. Illumination Entertainment may not have topped Zootopia, but this is their best offering outside of Despicable Me by a country mile.
https://moviemetropolis.net/2017/01/28/fun-for-all-the-family-sing-review/
This book drew me down the rabbit hole and never let go. I hate Marissa Meyer for making me fall in love with these characters when I know that they may not have a happy ending. No, I don't actually hate her book (I loved it) but it gives you so many feelings and yet you feel that it's not possible for it to work out. If you are familiar with Lewis Carroll's work, you know what happens in Alice in Wonderland. As this is a prequel, you expect that you know how each character turns out and wonder if it will inevitably play out the same way in Heartless. It crushes your heart to know their dreams and realize that they may not come true. My only hope going into this book was that it would have a Wicked-style secret that explains how any of them could possibly find their happily ever afters.
I have always been a huge fan of well-done fairytale re-tellings (or prequels in this case) and Heartless does not disappoint. Marissa Meyer did a wonderful job with the Lunar Chronicles and this is just as well done. We get a different look at our most beloved and hated characters, prior to their lives intersecting with Alice's. Most Wonderland retellings I've read feature Alice, so this was a nice change of pace.
Catherine is our likable if a bit spineless heroine who is set to be the future Queen of Hearts - if her mother has any say. She is joined by the Joker, Hatter, March Hare and other classic characters. Cath's dream is to open the finest bakery in Hearts, but her parents have other plans.
The Joker, Jest is my favourite character by far and he has a great arc throughout the story. He is witty, kind, magical and so much more than just the Fool. I almost wish he was the main character because his scenes were always my favourite.
The author took some liberties with the characters, but overall they just helped to make them more believable. Their personalities are developed and expanded, lending them an air of realness that doesn't always permeate Wonderland.
The Mad Tea Party scene was highly enjoyable as each guest was called upon to perform whilst jauntily adorned with a hat. My only negative is that I wish the Hatter was more likable. I understand his motivations but as classically one of my favourite characters I wish I had enjoyed his role more in this novel. I also wish that Cath could have been more pro-active, even though I understand her less than stellar backbone due to the period and her upbringing.
The world is vividly described from the fabric and accouterment laden Hatta's shop to the lavish King's castle. The author even adds a little Wonderland flair to common phrases and anecdotes. World-building is very well done and makes me long to visit Hearts.
Highly recommended to young adult/teen readers who enjoy fantasy and the fantastical, fairytale re-tellings, prequels and Marissa Meyer's wonderful writing.
I have always been a huge fan of well-done fairytale re-tellings (or prequels in this case) and Heartless does not disappoint. Marissa Meyer did a wonderful job with the Lunar Chronicles and this is just as well done. We get a different look at our most beloved and hated characters, prior to their lives intersecting with Alice's. Most Wonderland retellings I've read feature Alice, so this was a nice change of pace.
Catherine is our likable if a bit spineless heroine who is set to be the future Queen of Hearts - if her mother has any say. She is joined by the Joker, Hatter, March Hare and other classic characters. Cath's dream is to open the finest bakery in Hearts, but her parents have other plans.
The Joker, Jest is my favourite character by far and he has a great arc throughout the story. He is witty, kind, magical and so much more than just the Fool. I almost wish he was the main character because his scenes were always my favourite.
The author took some liberties with the characters, but overall they just helped to make them more believable. Their personalities are developed and expanded, lending them an air of realness that doesn't always permeate Wonderland.
The Mad Tea Party scene was highly enjoyable as each guest was called upon to perform whilst jauntily adorned with a hat. My only negative is that I wish the Hatter was more likable. I understand his motivations but as classically one of my favourite characters I wish I had enjoyed his role more in this novel. I also wish that Cath could have been more pro-active, even though I understand her less than stellar backbone due to the period and her upbringing.
The world is vividly described from the fabric and accouterment laden Hatta's shop to the lavish King's castle. The author even adds a little Wonderland flair to common phrases and anecdotes. World-building is very well done and makes me long to visit Hearts.
Highly recommended to young adult/teen readers who enjoy fantasy and the fantastical, fairytale re-tellings, prequels and Marissa Meyer's wonderful writing.
Kristy H (1252 KP) rated The Girlfriend in Books
Jan 23, 2018
Tense & creepy (1 more)
Draws you in to characters
Slow at times (1 more)
Melodramatic pieces
Creepy psychological suspense novel
Laura is a wealthy woman with a successful career in the entertainment industry and a very close relationship to her son, Daniel, who is studying to be a doctor. She cherishes this closeness, but that all changes when Daniel meets Cherry, a beautiful young woman who hasn't had all the opportunities that Laura and Daniel's wealth has brought them. When Daniel meets Cherry while searching for a flat, she immediately recognizes all that he could bring to her life. The pair quickly form a romantic relationship, and Cherry and Laura are eager to meet. But the meeting doesn't go well and the two get off to a rocky start. Laura worries Cherry is only after Daniel's money; Cherry
feels that Laura is standing in the way of her happiness with Daniel. Will they ever see eye-to-eye?
This was a slow build novel focused on a limited cast of characters, but it had a remarkable ability to draw you into its tale of an overbearing mother and overachieving young woman. Its strength is in its characters, its slow, tense reveals, and the careful buildup to the ending, which while potentially inevitable, will have you frantically flipping pages, wondering what will happen to these crazy people.
The book works the popular unreliable narrator trope well. There are certainly early clues that neither Laura or Cherry are exactly as they seem, and you are left wondering what is going on, and who can you trust. If you're like me, you'll take sides early on, even both seem a bit outlandish.
Indeed, I found some parts a bit melodramatic. Laura initially seems a little overprotective of Daniel (who is in his mid-20s!) and Cherry a bit to harsh to jump to conclusions; a lot of childishness and pettiness reigns early on. Poor Daniel probably would have been better off jumping on a plane and leaving both behind. The book dragged at times, but really had some power in its characters. Cherry could be quite frightening and there was quite an intense, ongoing mental fight between these two women. It accompanies a slow, tense creep to the book that I definitely enjoyed.
The novel was not exactly what I was expecting. It takes a dark turn about halfway through and then there are some twists and turns in the latter half. Laura is a sad figure even if her actions are a bit insane. I found myself empathizing with her, even if she was a bit frustrating at times.
Overall, this was rather enjoyable. It's slow sometimes and perhaps not really a true thriller. My ARC version was a bit hard to read (words were stuck together and the lines didn't go all the way to the end of the page, plus it's hard to tell when we change POV). Nonetheless, this is a very creepy psychological suspense novel that you'll want to keep reading. 4 stars.
I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review.
feels that Laura is standing in the way of her happiness with Daniel. Will they ever see eye-to-eye?
This was a slow build novel focused on a limited cast of characters, but it had a remarkable ability to draw you into its tale of an overbearing mother and overachieving young woman. Its strength is in its characters, its slow, tense reveals, and the careful buildup to the ending, which while potentially inevitable, will have you frantically flipping pages, wondering what will happen to these crazy people.
The book works the popular unreliable narrator trope well. There are certainly early clues that neither Laura or Cherry are exactly as they seem, and you are left wondering what is going on, and who can you trust. If you're like me, you'll take sides early on, even both seem a bit outlandish.
Indeed, I found some parts a bit melodramatic. Laura initially seems a little overprotective of Daniel (who is in his mid-20s!) and Cherry a bit to harsh to jump to conclusions; a lot of childishness and pettiness reigns early on. Poor Daniel probably would have been better off jumping on a plane and leaving both behind. The book dragged at times, but really had some power in its characters. Cherry could be quite frightening and there was quite an intense, ongoing mental fight between these two women. It accompanies a slow, tense creep to the book that I definitely enjoyed.
The novel was not exactly what I was expecting. It takes a dark turn about halfway through and then there are some twists and turns in the latter half. Laura is a sad figure even if her actions are a bit insane. I found myself empathizing with her, even if she was a bit frustrating at times.
Overall, this was rather enjoyable. It's slow sometimes and perhaps not really a true thriller. My ARC version was a bit hard to read (words were stuck together and the lines didn't go all the way to the end of the page, plus it's hard to tell when we change POV). Nonetheless, this is a very creepy psychological suspense novel that you'll want to keep reading. 4 stars.
I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review.
Kristy H (1252 KP) rated Who’s That Girl? in Books
Feb 1, 2018
Edie's life is going along just fine, she supposes. Until the fateful day of Jack and Charlotte's wedding, when everything changes. Edie is caught in a particular transgression with the groom, Jack, and immediately everyone blames her, without knowing the full story. Since Jack, Charlotte, and Edie work together, Edie finds life at work unbearable and winds up taking an assignment from her boss in Nottingham, her hometown. There she meets famous actor (think "Game of Thrones" famous) Elliot Owen, for whom Edie must ghost write his autobiography. But things only seem to go from bad to worse, as Elliot seems a pompous, self-absorbed actor and Edie's sister and father don't exactly seem thrilled she's living back home again. Not to mention she can't show her face on social media (or in public) due to Charlotte's revengeful friends, who all hate her... will things ever go right for Edie again?
I admit that I really didn't really know (remember?) the genre of this novel when I picked it up. It's a bit confusing at first, though certainly has its charming moments, especially as a romance.
<i>"Do we ever choose who we fall for? Edie has many a long lonely evening in with only Netflix for company to contemplate that one."</I>
Edie's quest for love is just one of the book's central themes. In many ways, she's on a journey to find herself, and only in doing so, can find love. The novel switches between the present tense (starting with the wedding) and also gives us a little of the past in some places. My biggest beef was how the adults in this book acted like bullying schoolchildren. So, Edie's transgression is really so bad that she's completely ostracized and the subject of intense in-life and cyber shaming and scrutiny? It seems like high school gone really wrong. Her "friend" Louis is just awful; are people really like this?! It's a commentary on social media and cyber bullying, perhaps, but also just terrible and hard to believe at times. These are grown adults! I found myself a little too appalled and couldn't believe grown people would act this way. It's really sad if they do, honestly...
However, once you get further past the wedding day and more into Nottingham, the novel picks up. Edie isn't always the most enjoyable of characters, but I did like her, as I liked Elliot. Parts of the book are just downright funny; I actually found myself laughing out loud. Edie's friends from school are particularly hilarious and a good fit for her. Her boss, too, even if he falls a bit on the dramatic side.
Just when it all seemed normal, it did get a little preposterous again, but hey, that can come with a good romance at times. Overall, while I found some of the characters and plot points frustrating on this one, much of it was balanced out by the charm and humor of the novel. 3.5 stars.
I received an ARC of this novel from the publisher and Edelweiss (thank you!).
I admit that I really didn't really know (remember?) the genre of this novel when I picked it up. It's a bit confusing at first, though certainly has its charming moments, especially as a romance.
<i>"Do we ever choose who we fall for? Edie has many a long lonely evening in with only Netflix for company to contemplate that one."</I>
Edie's quest for love is just one of the book's central themes. In many ways, she's on a journey to find herself, and only in doing so, can find love. The novel switches between the present tense (starting with the wedding) and also gives us a little of the past in some places. My biggest beef was how the adults in this book acted like bullying schoolchildren. So, Edie's transgression is really so bad that she's completely ostracized and the subject of intense in-life and cyber shaming and scrutiny? It seems like high school gone really wrong. Her "friend" Louis is just awful; are people really like this?! It's a commentary on social media and cyber bullying, perhaps, but also just terrible and hard to believe at times. These are grown adults! I found myself a little too appalled and couldn't believe grown people would act this way. It's really sad if they do, honestly...
However, once you get further past the wedding day and more into Nottingham, the novel picks up. Edie isn't always the most enjoyable of characters, but I did like her, as I liked Elliot. Parts of the book are just downright funny; I actually found myself laughing out loud. Edie's friends from school are particularly hilarious and a good fit for her. Her boss, too, even if he falls a bit on the dramatic side.
Just when it all seemed normal, it did get a little preposterous again, but hey, that can come with a good romance at times. Overall, while I found some of the characters and plot points frustrating on this one, much of it was balanced out by the charm and humor of the novel. 3.5 stars.
I received an ARC of this novel from the publisher and Edelweiss (thank you!).
Kristy H (1252 KP) rated Girls' Weekend in Books
Feb 13, 2018
Charlotte, Dani, and Meg have been friends for ages-- bonding over motherhood and the issues that accompany it. However, each woman has their own problems and are reluctant to bring them up with their friends. Charlotte, a busy and successful interior designer, has a dentist husband and a loving son, but she feels like her husband, Brett, doesn't even see her anymore. Dani's life appears great -- a caring husband and two kids, but she can't quite shake the empty feelings she has. And Meg is still reeling from losing her young son two years ago; her grief remains, but everyone around her seems to have moved on. When the three women get a chance to go away for a girls' weekend, they jump at the chance, even if involves a little rearranging of schedules. But once there, they make a fateful decision: they aren't coming back home.
When reading it, the premise seems a little farfetched, but the characters in this novel immediately seem very real and the book gives a lot of little details about motherhood that lend it realism (for instance, humming annoying intro music to a children's show at inappropriate times). Each woman is different, but you can relate to a piece of each of them. I found myself liking parts of each and being frustrated with other parts - just like your actual friends.
It's probably true that parts of the book are stereotypical toward men (and fathers) -- painting them as bumbling and clueless toward their wives and children, but sadly, there is some realism to it, too. Plus, as the storyline progresses, you fixate less on this fact and realize there's more to this story than black and white. Honestly, it speaks universally to many women, especially mothers: those seeking answers in life, those feeling guilty for not being happy when life seems perfect on paper, those wondering when life simply became a series of errands. I felt like Achterberg did an excellent job of dealing with and capturing some of the quintessential problems facing the modern mom.
The book is painful to read at times, but only because it's so well-written. Your heart breaks for Meg and all she has been through. The book lags a little in the middle, but really, the women do too, as they try to figure out exactly what they should do. It is fascinating because they are doing what you can't quite imagine pulling off. My mind was racing as I read: I mean, who would really watch your kids for that long? What spouse would be OK with this? Who could leave their kids for that long? And yet, you sort of dream for the time away, envy the women as you read the novel. It's easy to empathize with them, even as you may question some of their motives.
Overall, the book was easy to read and Charlotte, Meg, and Dani were interesting and relatable characters. The book made me think (and highlight many passages). It's a fun read, but also goes deeper, too. Really enjoyed it.
I received an ARC of this book from Netgalley (thank you!); it is available everywhere on 5/3.
When reading it, the premise seems a little farfetched, but the characters in this novel immediately seem very real and the book gives a lot of little details about motherhood that lend it realism (for instance, humming annoying intro music to a children's show at inappropriate times). Each woman is different, but you can relate to a piece of each of them. I found myself liking parts of each and being frustrated with other parts - just like your actual friends.
It's probably true that parts of the book are stereotypical toward men (and fathers) -- painting them as bumbling and clueless toward their wives and children, but sadly, there is some realism to it, too. Plus, as the storyline progresses, you fixate less on this fact and realize there's more to this story than black and white. Honestly, it speaks universally to many women, especially mothers: those seeking answers in life, those feeling guilty for not being happy when life seems perfect on paper, those wondering when life simply became a series of errands. I felt like Achterberg did an excellent job of dealing with and capturing some of the quintessential problems facing the modern mom.
The book is painful to read at times, but only because it's so well-written. Your heart breaks for Meg and all she has been through. The book lags a little in the middle, but really, the women do too, as they try to figure out exactly what they should do. It is fascinating because they are doing what you can't quite imagine pulling off. My mind was racing as I read: I mean, who would really watch your kids for that long? What spouse would be OK with this? Who could leave their kids for that long? And yet, you sort of dream for the time away, envy the women as you read the novel. It's easy to empathize with them, even as you may question some of their motives.
Overall, the book was easy to read and Charlotte, Meg, and Dani were interesting and relatable characters. The book made me think (and highlight many passages). It's a fun read, but also goes deeper, too. Really enjoyed it.
I received an ARC of this book from Netgalley (thank you!); it is available everywhere on 5/3.
Kristy H (1252 KP) rated The Girl Who Stayed in Books
Feb 13, 2018
Zoe returns to her hometown of Sullivan's Island with one goal in mind: repair her childhood home and sell it, so she never has to come back. Her parents are dead, her brother doesn't want it, and her little sister, Hannah, disappeared from the Island when Hannah was eight and Zoe was ten. At the time, Hannah's friend, Gabi, insinuated that Zoe was responsible for Hannah's disappearance and while she knows it isn't true, Zoe has always felt confused and remorseful about her behavior during the time period when Hannah vanished. Even worse, she grew up under the doubt of her parents, especially her angry father, who seemed to believe Gabi, and with whom Zoe had a rough and rocky relationship as she aged.
This was an interesting book and I confess it had the misfortune of being read during a crazy time for me of illness and work: not its fault. Zoe is a tough character to crack at first, but she's also a victim of abuse, and her slowness to reveal herself--in the book and to others--makes sense. Crosby does a good job of displaying (versus telling) how Zoe's relationship with her parents has formed her into the adult she is today. What I enjoyed is that Zoe is a complicated individual with many layers. I've read too many books lately where a character had a bad childhood or suffered some form of abuse and that seems to be a reason to make them have only one character trait, which they must act upon, with no sign of reason. Zoe is nuanced, even if she takes some time to warm up to.
There are several scenes in the book that are nearly heartbreaking as you read. For instance, when Zoe finds a projector and a bunch of film belonging to her grandfather and manages to splice together enough film to capture a few moments of her late sister as a kid. As she describes the moment, it's powerful, and you can completely picture it. In another scene, she reminisces about how her mother "helped" her fix up Zoe's bathing suit before a first date--an event that ended poorly. This moment is not only formed so clearly, but says so much about how Zoe continued to relate to her Mom. It's very well-done.
The book spends most of its time focusing on Zoe's late second coming of age story (at nearly 40), with a few characters from Sullivan's Island thrown in, but there is a subplot to Hannah's disappearance that picks up pace near the end. The very end of the story felt a little rushed (though exciting). I'm still a bit torn about the actual ending--it sort of pissed me off--but I understand Crosby's choices.
In writing this review, I'd probably push my rating up to a 3.75 stars. It's a different book, and I enjoyed Zoe. I almost wish I could encounter her again.
I received an ARC of this book from Edelweiss - thank you! It is available for publication on 4/19/16. You can find a review this novel and many more at my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
This was an interesting book and I confess it had the misfortune of being read during a crazy time for me of illness and work: not its fault. Zoe is a tough character to crack at first, but she's also a victim of abuse, and her slowness to reveal herself--in the book and to others--makes sense. Crosby does a good job of displaying (versus telling) how Zoe's relationship with her parents has formed her into the adult she is today. What I enjoyed is that Zoe is a complicated individual with many layers. I've read too many books lately where a character had a bad childhood or suffered some form of abuse and that seems to be a reason to make them have only one character trait, which they must act upon, with no sign of reason. Zoe is nuanced, even if she takes some time to warm up to.
There are several scenes in the book that are nearly heartbreaking as you read. For instance, when Zoe finds a projector and a bunch of film belonging to her grandfather and manages to splice together enough film to capture a few moments of her late sister as a kid. As she describes the moment, it's powerful, and you can completely picture it. In another scene, she reminisces about how her mother "helped" her fix up Zoe's bathing suit before a first date--an event that ended poorly. This moment is not only formed so clearly, but says so much about how Zoe continued to relate to her Mom. It's very well-done.
The book spends most of its time focusing on Zoe's late second coming of age story (at nearly 40), with a few characters from Sullivan's Island thrown in, but there is a subplot to Hannah's disappearance that picks up pace near the end. The very end of the story felt a little rushed (though exciting). I'm still a bit torn about the actual ending--it sort of pissed me off--but I understand Crosby's choices.
In writing this review, I'd probably push my rating up to a 3.75 stars. It's a different book, and I enjoyed Zoe. I almost wish I could encounter her again.
I received an ARC of this book from Edelweiss - thank you! It is available for publication on 4/19/16. You can find a review this novel and many more at my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.