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Zuky the BookBum (15 KP) rated Siren in Books
Mar 15, 2018
Read my review here: https://bookbumzuky.wordpress.com/2017/02/22/review-siren-by-annemarie-neary/
<b><i>Dont play the hero, Roisin. Make sure you have your back covered. But when the moments right, make your move.</i></b>
This is a bit different to the sorts of thrillers Im used to reading. With a lean towards politics, this feels a little more highbrow than the normal the-boyfriend-did-it kind of books Im used to. I dont know anything about about the Northern Ireland Troubles, so it was interesting to get a glimpse into the history of it in this novel.
I liked our characters in this novel. It was nice to have someone like Boyle in this. Homeless, stinky and a bit of a pervert, yet still kind of likable. Though I felt like his story wasnt told all that well. Roisin was a well built out character and Neary was really good at making us empathise with her the whole way through.
The plot, overall, was good. As some other reviewers have stated, the thrill subsides a little bit towards the middle and end, but I was still interested in knowing what was going to happen to really take much notice at the slowing pace. When were flashbacked to Roisins past, I was initially interested, but then things got a little drawn out. I felt like that section of the novel could have easily been shortened so we could have gotten back to the current day situation and learnt a bit more about Boyle and the Dutchman, but, hey.
One of my issues with this novel was the situation between Roisin and The Dutchman. Considering she was so wary of everything and kept completely to herself, it didnt make much sense to me, that she let herself get so close to The Dutchman and so quickly. That part of the story felt very inaccurate to how it would have really played out, had this been a true story.
The writing in this novel is well done, with good descriptive imagery, believable dialogue and well developed characters. There are quite a number of Irish terms used that Im not used to, but theyre easy to get. A thing not so well done in this novel was the layout. Within each chapter, we are presented with several POVs that arent very well separated. The only suggestion that our character perspective has changed is a paragraph break, but then sometimes there are paragraph breaks that will carry on with the same character as before. Im hoping its only this confusing as Ive received an ARC copy from Netgalley, because if not, its a major flaw in the editing.
Im a bit miffed at the ending, to be honest. It seemed abrupt and it was unsatisfying after all we went through with Roisin and her story.
<i>Thanks to Netgalley and Random House UK, Cornerstone for giving me the opportunity to read this in exchange for an honest review.</i>
<b><i>Dont play the hero, Roisin. Make sure you have your back covered. But when the moments right, make your move.</i></b>
This is a bit different to the sorts of thrillers Im used to reading. With a lean towards politics, this feels a little more highbrow than the normal the-boyfriend-did-it kind of books Im used to. I dont know anything about about the Northern Ireland Troubles, so it was interesting to get a glimpse into the history of it in this novel.
I liked our characters in this novel. It was nice to have someone like Boyle in this. Homeless, stinky and a bit of a pervert, yet still kind of likable. Though I felt like his story wasnt told all that well. Roisin was a well built out character and Neary was really good at making us empathise with her the whole way through.
The plot, overall, was good. As some other reviewers have stated, the thrill subsides a little bit towards the middle and end, but I was still interested in knowing what was going to happen to really take much notice at the slowing pace. When were flashbacked to Roisins past, I was initially interested, but then things got a little drawn out. I felt like that section of the novel could have easily been shortened so we could have gotten back to the current day situation and learnt a bit more about Boyle and the Dutchman, but, hey.
One of my issues with this novel was the situation between Roisin and The Dutchman. Considering she was so wary of everything and kept completely to herself, it didnt make much sense to me, that she let herself get so close to The Dutchman and so quickly. That part of the story felt very inaccurate to how it would have really played out, had this been a true story.
The writing in this novel is well done, with good descriptive imagery, believable dialogue and well developed characters. There are quite a number of Irish terms used that Im not used to, but theyre easy to get. A thing not so well done in this novel was the layout. Within each chapter, we are presented with several POVs that arent very well separated. The only suggestion that our character perspective has changed is a paragraph break, but then sometimes there are paragraph breaks that will carry on with the same character as before. Im hoping its only this confusing as Ive received an ARC copy from Netgalley, because if not, its a major flaw in the editing.
Im a bit miffed at the ending, to be honest. It seemed abrupt and it was unsatisfying after all we went through with Roisin and her story.
<i>Thanks to Netgalley and Random House UK, Cornerstone for giving me the opportunity to read this in exchange for an honest review.</i>
Zuky the BookBum (15 KP) rated The People at Number 9 in Books
Mar 15, 2018
From this synopsis of this book, you imagine this is going to be a bit dark and a bit twisty, but its not. Its simply a domestic thriller about people with a lot of money and connections in high up places flirting, changing life paths and having resentments. I understand that this was a novel about middle-class suburban life, which can be dull, but why did nothing happen? <i>But those changes will come at a price."</i> Im sorry, but I must have missed something
What changes? What price?
I didnt like the way this was set out, and maybe thats because it was an ARC copy, but this was really choppy and changey, with no indication that a longish time period (a few hours to a whole afternoon) had passed. The writing was fine, I have no faults with that, but it wasnt anything special.
There are four main characters in this book. Sara and Neil and Lou and Gavin. While each of the characters were well developed and in depth, it didnt stop them from being lacklustre and 2D. I couldnt connect with any of them on a personal level. Even though I would get annoyed at certain things Lou said or did, I wasnt getting annoyed on Saras behalf, because I thought Sara was whiny and she got on my nerves too.
One of my issues with this book, other than it being boring as heck, was the pretentious conversations going on, all the time. I know this book was a satire piece on the middle class, I get it, but dont bore us to death with long conversations that are eye rollingly posh and uninteresting. You can create a satire piece without making your readers fall asleep. There is very little description in this book, youll find that 80% of all the writing is speech, so it really did my head in after a while.
Now, this point is completely down to personal preference, but another reason I couldnt get on with this book was because of all the out-of-marriage flirting. It makes me really uncomfortable and squirmy reading that kind of stuff, so, since it was heavily featured in this, I disliked the book even more.
This is going to be a controversial book in terms of opinions, most definitely, and it would probably be a great book to read for a discussion, because youd have lots of differing opinions on the characters, but, heres my two-cents:
Ultimately, this novel is a story about over indulged middle class suburban families doing things a little bit risky like sex in a tent or smoking weed, and worrying about things only unrealistic well-off people could worry about, like home-schooling and arts and crafts. Not worth the time it takes to read.
<i>Thanks to Netgalley and HQ for giving me the opportunity to read this in exchange for an honest review.</i>
I didnt like the way this was set out, and maybe thats because it was an ARC copy, but this was really choppy and changey, with no indication that a longish time period (a few hours to a whole afternoon) had passed. The writing was fine, I have no faults with that, but it wasnt anything special.
There are four main characters in this book. Sara and Neil and Lou and Gavin. While each of the characters were well developed and in depth, it didnt stop them from being lacklustre and 2D. I couldnt connect with any of them on a personal level. Even though I would get annoyed at certain things Lou said or did, I wasnt getting annoyed on Saras behalf, because I thought Sara was whiny and she got on my nerves too.
One of my issues with this book, other than it being boring as heck, was the pretentious conversations going on, all the time. I know this book was a satire piece on the middle class, I get it, but dont bore us to death with long conversations that are eye rollingly posh and uninteresting. You can create a satire piece without making your readers fall asleep. There is very little description in this book, youll find that 80% of all the writing is speech, so it really did my head in after a while.
Now, this point is completely down to personal preference, but another reason I couldnt get on with this book was because of all the out-of-marriage flirting. It makes me really uncomfortable and squirmy reading that kind of stuff, so, since it was heavily featured in this, I disliked the book even more.
This is going to be a controversial book in terms of opinions, most definitely, and it would probably be a great book to read for a discussion, because youd have lots of differing opinions on the characters, but, heres my two-cents:
Ultimately, this novel is a story about over indulged middle class suburban families doing things a little bit risky like sex in a tent or smoking weed, and worrying about things only unrealistic well-off people could worry about, like home-schooling and arts and crafts. Not worth the time it takes to read.
<i>Thanks to Netgalley and HQ for giving me the opportunity to read this in exchange for an honest review.</i>
postapocalypticplayground (27 KP) rated The Hazel Wood in Books
Feb 28, 2018
Review of The Hazel Wood
"Seventeen-year-old Alice and her mother have spent most of Alice's life on the road, always a step ahead of the strange bad luck biting at their heels. But when Alice's grandmother, the reclusive author of a book of pitch-dark fairy tales, dies alone on her estate - the Hazel Wood - Alice learns how bad her luck can really get. Her mother is stolen away - by a figure who claims to come from the cruel supernatural world where her grandmother's stories are set. Alice's only lead is the message her mother left behind: STAY AWAY FROM THE HAZEL WOOD.
To retrieve her mother, Alice must venture first to the Hazel Wood, then into the world where her grandmother's tales began . . ."
I'm not to sure how to start with this review. I found The Hazel Wood a real book of 2 halves, one half was very contemporary and not what I would have traditionally expected from a fantasy whereas the other was dark, twisted and incredibly chilling to read at times. I found that not only did I feel this way with the story but also with the characters too. I struggled immensely with the main protagonist Alice, I really couldn't warm to her at all and given her character arc perhaps there is good reason for her being written that way. Whilst she has clearly had to build up walls from the nomadic existence she has had with her mother, I just found her very frustrating in her manner. Juxtaposed with Ellery Finch, her partner in crime of sorts, it really brings out her brattish qualities. Ellery is fabulous though and despite his privilege and flaws I just really enjoyed his character. His fanboy status in relation to the book written by Alice's grandmother also gives us an insight into a few of the dark stories themselves, as he re-tells them to Alice in his own words.
For me the contemporary element was a bit too overwhelming, the breadcrumbs had to be laid and followed in true Hansel and Gretel style but I felt that it took a bit too long to get to where it needed to go. However, when it reached that point I really started to enjoy it more, the pace picked up and I got a sense of both excitement and dread as I was reading. The story telling becomes darker and you know you are very much in the Grimm fairy tale camp rather than Disney. Tricks and twists are plenty as Alice tries to fulfil an almost prophetic course to an ending which isn't quite what you may be expecting.
Whilst I enjoyed it immensely in places, at times I found it a bit of a slog - I need more fantasy in my fantasy. I think it would have been lovely as well to actually have more of the "Tales from the Hinterland" stories within the book as I feel that could have really added an extra dimension to the latter part of the story. From me, The Hazel Wood gets 3*
To retrieve her mother, Alice must venture first to the Hazel Wood, then into the world where her grandmother's tales began . . ."
I'm not to sure how to start with this review. I found The Hazel Wood a real book of 2 halves, one half was very contemporary and not what I would have traditionally expected from a fantasy whereas the other was dark, twisted and incredibly chilling to read at times. I found that not only did I feel this way with the story but also with the characters too. I struggled immensely with the main protagonist Alice, I really couldn't warm to her at all and given her character arc perhaps there is good reason for her being written that way. Whilst she has clearly had to build up walls from the nomadic existence she has had with her mother, I just found her very frustrating in her manner. Juxtaposed with Ellery Finch, her partner in crime of sorts, it really brings out her brattish qualities. Ellery is fabulous though and despite his privilege and flaws I just really enjoyed his character. His fanboy status in relation to the book written by Alice's grandmother also gives us an insight into a few of the dark stories themselves, as he re-tells them to Alice in his own words.
For me the contemporary element was a bit too overwhelming, the breadcrumbs had to be laid and followed in true Hansel and Gretel style but I felt that it took a bit too long to get to where it needed to go. However, when it reached that point I really started to enjoy it more, the pace picked up and I got a sense of both excitement and dread as I was reading. The story telling becomes darker and you know you are very much in the Grimm fairy tale camp rather than Disney. Tricks and twists are plenty as Alice tries to fulfil an almost prophetic course to an ending which isn't quite what you may be expecting.
Whilst I enjoyed it immensely in places, at times I found it a bit of a slog - I need more fantasy in my fantasy. I think it would have been lovely as well to actually have more of the "Tales from the Hinterland" stories within the book as I feel that could have really added an extra dimension to the latter part of the story. From me, The Hazel Wood gets 3*
Mayhawke (97 KP) rated Wilde Lake in Books
Feb 13, 2018
A gripping thriller chronicling the awful collision of events past and present for a newly inaugurated District Attorney
Thank you to Andrew at Faber & Faber for the ARC.
OK - so my first admission here is that, although I read a lot of crime I have somehow managed to remain completely oblivious to the (quite large!) body of work from Ms. Lippman!
That said the, fact that there exists such a body to give evidence to her long experience as a writer goes someway to explaining the smooth skill with which the story of newly-appointed State's Attorney, Lu Brandt, is unpackaged and delivered to the reader.
The story is told in a combination of first- and third-person relating current and past events. I found this a slightly odd and unsettling, though effective, way to use the voice of the narrator, and I was constantly bothered by who was narrating in the third-person sequences.
Lu Brandt, scion of a former and legendary State's Attorney , grew up in the experimental new town of Columbia, in a house on the edge of Wilde Lake. For me she is one of the most realistic characters I have ever read, and I felt a strong empathy for the child Lu in the historic sequences, though she was far smarter than I ever was!
Her mother's death early in Lu's life, her father's immersion in his job and the age gap between Lu and her older brother left the precocious Lu with the feeling of always being an outsider in her own life, yet one with a unique and largely over-looked position from which to view the events of all their lives. In childhood this externalism simply confused her: as an adult she misconstrues it as casual and unintentional neglect - nothing she can't overcome or forgive with an adult's perspective.
The plotline is simple: The first case to land on Lu's desk in her new job is a mundane but nasty murder. Directing the police to be more thorough than her predecessor demanded Lu finds occasional links back to her earlier life in Colombia. At first these seem like nothing more than the kind of inter-connection of lives that is to be expected in small town, but the further she digs the closer to home the connections appear to come, and her earlier childhood observations begin to take on a more menacing cast.
This is not an original format or even a particularly uncommon story but it is in the details and the delivery that Lippman's skill is brought to bear. The steady rhythm with which the facts and fictions, truth and lies are laid before the reader; the characters, who are developed from bright-eyed high-schoolers, through college and into more cynical middle-age; the events that carry those same characters to that darker stage of their lives - all of these aspects of the story are delivered with a style and depth that make this one of the most thoroughly engaging books I have read this year.
This is a good representation of the book I would like all my ARC's and proofs to be.
OK - so my first admission here is that, although I read a lot of crime I have somehow managed to remain completely oblivious to the (quite large!) body of work from Ms. Lippman!
That said the, fact that there exists such a body to give evidence to her long experience as a writer goes someway to explaining the smooth skill with which the story of newly-appointed State's Attorney, Lu Brandt, is unpackaged and delivered to the reader.
The story is told in a combination of first- and third-person relating current and past events. I found this a slightly odd and unsettling, though effective, way to use the voice of the narrator, and I was constantly bothered by who was narrating in the third-person sequences.
Lu Brandt, scion of a former and legendary State's Attorney , grew up in the experimental new town of Columbia, in a house on the edge of Wilde Lake. For me she is one of the most realistic characters I have ever read, and I felt a strong empathy for the child Lu in the historic sequences, though she was far smarter than I ever was!
Her mother's death early in Lu's life, her father's immersion in his job and the age gap between Lu and her older brother left the precocious Lu with the feeling of always being an outsider in her own life, yet one with a unique and largely over-looked position from which to view the events of all their lives. In childhood this externalism simply confused her: as an adult she misconstrues it as casual and unintentional neglect - nothing she can't overcome or forgive with an adult's perspective.
The plotline is simple: The first case to land on Lu's desk in her new job is a mundane but nasty murder. Directing the police to be more thorough than her predecessor demanded Lu finds occasional links back to her earlier life in Colombia. At first these seem like nothing more than the kind of inter-connection of lives that is to be expected in small town, but the further she digs the closer to home the connections appear to come, and her earlier childhood observations begin to take on a more menacing cast.
This is not an original format or even a particularly uncommon story but it is in the details and the delivery that Lippman's skill is brought to bear. The steady rhythm with which the facts and fictions, truth and lies are laid before the reader; the characters, who are developed from bright-eyed high-schoolers, through college and into more cynical middle-age; the events that carry those same characters to that darker stage of their lives - all of these aspects of the story are delivered with a style and depth that make this one of the most thoroughly engaging books I have read this year.
This is a good representation of the book I would like all my ARC's and proofs to be.
Hazel (1853 KP) rated The Treatment in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review
You have to help me. We’re not being reformed. We’re being brainwashed. </i>When sixteen-year-old Drew Finch receives this note from a strange woman on the street claiming to be her brother’s psychologist, she does not know how to react. But when a speeding car hits the doctor immediately after, Drew begins to think something portentous is afoot. In <i>The Treatment</i> by C. L. Taylor, the Residential Reform Academy in Northumberland is achieving great things, turning antisocial teenagers into model citizens. Mason, Drew’s brother, has been expelled from three different schools and has been sent to the academy as a last resort, however, Drew now suspects that Mason is in trouble.
In a slightly dystopian setting, Drew, a usually quiet girl, easily gets herself admitted to the academy by punching the school bully. With the intention of helping Mason escape, Drew calmly arrives at the Academy, not realising how much danger she is placing herself in. She soon discovers that this would not be a transitory admission and, unless she escapes, she will become like all the other narcotised students.
Trying to remain fastidious whilst avoiding garrulous roommates and staff, Drew desperately tries to concoct an escape plan, however, she may be too late. The more she learns about the Residential Reform Academy, the more she discovers about the evil intentions behind it. How can she break out of the prison-like building and seek help when the government is deeply involved with the whole sordid procedure?
C. L. Taylor devises an exciting scenario that will appeal to fans of Cecelia Ahern’s <i>Flawed</i> and Kazuo Ishiguro’s <i>Never Let Me Go</i>. A thriller that needs a hero in the unlikely form of a teenage girl, <i>The Treatment</i> is a stimulating story about those without a public voice overthrowing the immoral experiments of the dastards in power.
A <i>One Flew Over the Cuckoo’s Nest</i> for teenagers, this book deals with themes of mental health, oppression and the misuse of authority. Told from the perspective of a girl who has been bullied most of her life and coming from a dysfunctional family, there is a lot for the reader to connect with. Although it does not allay the growing fears of governmental conspiracies, The Treatment ends with the positive message that by standing up to those who do you wrong has its rewards, not only for yourself but for those in similar situations too.
<i>The Treatment</i> is a very enjoyable book that pulls the reader into the story, causing them to question how they would handle a similar situation. Would they be as brave as Drew and her new friends, or would they be doomed to a fate of mindless obedience? Compelling from beginning to end, C. L. Taylor’s latest novel is a refreshing break from the over-the-top science fiction dystopian novels, preferring to tackle futuristic ideas that are much closer to home. This is a book that can be fully recommended to the Young Adult community.
You have to help me. We’re not being reformed. We’re being brainwashed. </i>When sixteen-year-old Drew Finch receives this note from a strange woman on the street claiming to be her brother’s psychologist, she does not know how to react. But when a speeding car hits the doctor immediately after, Drew begins to think something portentous is afoot. In <i>The Treatment</i> by C. L. Taylor, the Residential Reform Academy in Northumberland is achieving great things, turning antisocial teenagers into model citizens. Mason, Drew’s brother, has been expelled from three different schools and has been sent to the academy as a last resort, however, Drew now suspects that Mason is in trouble.
In a slightly dystopian setting, Drew, a usually quiet girl, easily gets herself admitted to the academy by punching the school bully. With the intention of helping Mason escape, Drew calmly arrives at the Academy, not realising how much danger she is placing herself in. She soon discovers that this would not be a transitory admission and, unless she escapes, she will become like all the other narcotised students.
Trying to remain fastidious whilst avoiding garrulous roommates and staff, Drew desperately tries to concoct an escape plan, however, she may be too late. The more she learns about the Residential Reform Academy, the more she discovers about the evil intentions behind it. How can she break out of the prison-like building and seek help when the government is deeply involved with the whole sordid procedure?
C. L. Taylor devises an exciting scenario that will appeal to fans of Cecelia Ahern’s <i>Flawed</i> and Kazuo Ishiguro’s <i>Never Let Me Go</i>. A thriller that needs a hero in the unlikely form of a teenage girl, <i>The Treatment</i> is a stimulating story about those without a public voice overthrowing the immoral experiments of the dastards in power.
A <i>One Flew Over the Cuckoo’s Nest</i> for teenagers, this book deals with themes of mental health, oppression and the misuse of authority. Told from the perspective of a girl who has been bullied most of her life and coming from a dysfunctional family, there is a lot for the reader to connect with. Although it does not allay the growing fears of governmental conspiracies, The Treatment ends with the positive message that by standing up to those who do you wrong has its rewards, not only for yourself but for those in similar situations too.
<i>The Treatment</i> is a very enjoyable book that pulls the reader into the story, causing them to question how they would handle a similar situation. Would they be as brave as Drew and her new friends, or would they be doomed to a fate of mindless obedience? Compelling from beginning to end, C. L. Taylor’s latest novel is a refreshing break from the over-the-top science fiction dystopian novels, preferring to tackle futuristic ideas that are much closer to home. This is a book that can be fully recommended to the Young Adult community.
Hazel (1853 KP) rated The Upside of Unrequited in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Becky Albertalli, a clinical psychologist turned author, is mostly known for her debut novel <i>Simon vs. the Homo Sapiens Agenda</i> (2015). Sticking with the theme of homosexuality, Albertalli has launched her second novel with the hope that it will be as popular amongst the LGBT community. <i>The Upside of Unrequited</i> is written from a female heterosexual point of view, however includes a wide range of characters with other sexual preferences.
The narrator, Molly, is only seventeen, but desperately wishes she could have a boyfriend. Endlessly teased for the number of crushes she has had – currently standing at 26 – Molly has never experienced a boy liking her back. Her twin sister, Cassie, on the other hand, has no problem attracting a girlfriend, and quickly hooks up with the beautiful Mina. Cassie and Mina are determined to set Molly up with a friend named Will, however Molly has her eye on someone else.
Molly and Cassie have always been close, but Cassie’s surreptitious behaviour involving anything to do with Mina, starts to put a strain on their relationship. As Molly gets torn between two boys, she begins to realise that having crushes on other people is far easier than getting someone to like her back.
Whilst Molly and Cassie focus on their relationships, their Mums (the twins were born via IVF) are celebrating the passing of the law that states gay people can marry their partners. Despite having been together for 20 years or so, they are planning on a big wedding, adding more stress to Molly’s life.
Albertalli uses her background in psychology to reflect the emotions, thoughts and feelings of her characters with great efficacy. She writes in a way that normalises homosexuality, although one does begin to question the authenticity in the gay to straight ratio. It is refreshing to read a Young Adult novel where homophobia is less of an issue.
As with most Young Adult romance novels, <i>The Upside of Unrequited</i> includes the dreaded love triangle – that tedious, unnecessary element. Teenage romance is always farcical and unrealistic, with more eye rolling on the reader’s part, than swooning and such forth. This book was no different, and it was difficult to remain engaged with or even care about the storyline.
Personally I think I may be going off Young Adult literature, and therefore am not the best person to judge the narrative. As a piece of writing however, I was not as impressed as I have been by other authors’ talents. Occasionally, sentences felt stilted, often broken down into several where only one would suffice.
If you are looking for a romantic novel with a happy ending and a diverse character selection, then you will probably not be disappointed with this book – if you are a teenager that is. Beware of occasional use of strong language and sexual references, which are inappropriate for younger readers. Despite the attraction to the LGBT community, <i>The Upside of Unrequited</i> will only be successful amongst a small amount of readers.
Becky Albertalli, a clinical psychologist turned author, is mostly known for her debut novel <i>Simon vs. the Homo Sapiens Agenda</i> (2015). Sticking with the theme of homosexuality, Albertalli has launched her second novel with the hope that it will be as popular amongst the LGBT community. <i>The Upside of Unrequited</i> is written from a female heterosexual point of view, however includes a wide range of characters with other sexual preferences.
The narrator, Molly, is only seventeen, but desperately wishes she could have a boyfriend. Endlessly teased for the number of crushes she has had – currently standing at 26 – Molly has never experienced a boy liking her back. Her twin sister, Cassie, on the other hand, has no problem attracting a girlfriend, and quickly hooks up with the beautiful Mina. Cassie and Mina are determined to set Molly up with a friend named Will, however Molly has her eye on someone else.
Molly and Cassie have always been close, but Cassie’s surreptitious behaviour involving anything to do with Mina, starts to put a strain on their relationship. As Molly gets torn between two boys, she begins to realise that having crushes on other people is far easier than getting someone to like her back.
Whilst Molly and Cassie focus on their relationships, their Mums (the twins were born via IVF) are celebrating the passing of the law that states gay people can marry their partners. Despite having been together for 20 years or so, they are planning on a big wedding, adding more stress to Molly’s life.
Albertalli uses her background in psychology to reflect the emotions, thoughts and feelings of her characters with great efficacy. She writes in a way that normalises homosexuality, although one does begin to question the authenticity in the gay to straight ratio. It is refreshing to read a Young Adult novel where homophobia is less of an issue.
As with most Young Adult romance novels, <i>The Upside of Unrequited</i> includes the dreaded love triangle – that tedious, unnecessary element. Teenage romance is always farcical and unrealistic, with more eye rolling on the reader’s part, than swooning and such forth. This book was no different, and it was difficult to remain engaged with or even care about the storyline.
Personally I think I may be going off Young Adult literature, and therefore am not the best person to judge the narrative. As a piece of writing however, I was not as impressed as I have been by other authors’ talents. Occasionally, sentences felt stilted, often broken down into several where only one would suffice.
If you are looking for a romantic novel with a happy ending and a diverse character selection, then you will probably not be disappointed with this book – if you are a teenager that is. Beware of occasional use of strong language and sexual references, which are inappropriate for younger readers. Despite the attraction to the LGBT community, <i>The Upside of Unrequited</i> will only be successful amongst a small amount of readers.
Hazel (1853 KP) rated Glass Sword in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
It is finally here; the second book in the riveting<i> Red Queen</i> series by Victoria Aveyard – perfect for fans of <i>The Hunger Games, The Selection</i> series and <i>Divergent</i>. Continuing from the exact point the previous book closed on, <i>Glass Sword</i> is packed with action, suspense and emotional entertainment.
To recap, the world is divided by blood colour: Red (inferior) and Silver (superior); but it is the reason why Silvers consider themselves better that is important. Silver-blooded people are born with a superpower; Reds are not. Until Mare Barrow, that is. By pure accident, Mare discovers she can wield electricity with her bare hands, is forced to pretend she is a Silver living with the royal family, and is finally betrayed by someone she thought was on her side.
Now, in <i>Glass Sword</i>, teenage Mare is in hiding with the Scarlet Guard – Red-blooded rebels – with the knowledge that there are other people out there just like her: “Newbloods,” Red blood with Silver abilities. Mare and her companions are determined to find all of these people and train them to use their powers, however the Silver king is doing the same, with the intention of destroying them all. What makes it worse is Mare no longer knows whom she can trust; anyone could betray her.
Unlike the previous book, <i>Glass Sword</i> is one battle after another. There are no more pretty dresses, royal parties or grand castles. From beginning to end there is not a moment when Mare is not in danger; it is easy to lose count the number of times she narrowly escapes death. But as with any form of violence, someone always ends up injured or killed, resulting in some very upsetting outcomes.
Fans of the first book will already be aware of the love triangle that developed – one that made the conclusion so shocking. Whilst <i>Glass Sword</i> continues with the romantic theme, it is barely perceptible underneath all the bloodshed, arguments and warfare. So, do not expect a romance novel within these pages.
The constant action prevents the story from becoming slow or boring. There is a surprise around every corner; every page, to keep the reader engaged. This however has a downside. With conflict running into conflict it is easy to get confused and struggle to follow the course of the action. This is particularly the case in one of the final, most significant, attacks against the Silvers. The quick pace of the narrative results in the violent scene only taking up the space of a few pages, thus not giving the reader time to develop a clear picture in their head or fully understand what they are reading.
Naturally Mare’s story ends on yet another cliffhanger, so now we await the third installment. It must be difficult to provide a sequel as equally entertaining as the first, but Aveyard has gone above and beyond to create something far better than could be imagined. We can only hope this brilliance continues into the following books.
It is finally here; the second book in the riveting<i> Red Queen</i> series by Victoria Aveyard – perfect for fans of <i>The Hunger Games, The Selection</i> series and <i>Divergent</i>. Continuing from the exact point the previous book closed on, <i>Glass Sword</i> is packed with action, suspense and emotional entertainment.
To recap, the world is divided by blood colour: Red (inferior) and Silver (superior); but it is the reason why Silvers consider themselves better that is important. Silver-blooded people are born with a superpower; Reds are not. Until Mare Barrow, that is. By pure accident, Mare discovers she can wield electricity with her bare hands, is forced to pretend she is a Silver living with the royal family, and is finally betrayed by someone she thought was on her side.
Now, in <i>Glass Sword</i>, teenage Mare is in hiding with the Scarlet Guard – Red-blooded rebels – with the knowledge that there are other people out there just like her: “Newbloods,” Red blood with Silver abilities. Mare and her companions are determined to find all of these people and train them to use their powers, however the Silver king is doing the same, with the intention of destroying them all. What makes it worse is Mare no longer knows whom she can trust; anyone could betray her.
Unlike the previous book, <i>Glass Sword</i> is one battle after another. There are no more pretty dresses, royal parties or grand castles. From beginning to end there is not a moment when Mare is not in danger; it is easy to lose count the number of times she narrowly escapes death. But as with any form of violence, someone always ends up injured or killed, resulting in some very upsetting outcomes.
Fans of the first book will already be aware of the love triangle that developed – one that made the conclusion so shocking. Whilst <i>Glass Sword</i> continues with the romantic theme, it is barely perceptible underneath all the bloodshed, arguments and warfare. So, do not expect a romance novel within these pages.
The constant action prevents the story from becoming slow or boring. There is a surprise around every corner; every page, to keep the reader engaged. This however has a downside. With conflict running into conflict it is easy to get confused and struggle to follow the course of the action. This is particularly the case in one of the final, most significant, attacks against the Silvers. The quick pace of the narrative results in the violent scene only taking up the space of a few pages, thus not giving the reader time to develop a clear picture in their head or fully understand what they are reading.
Naturally Mare’s story ends on yet another cliffhanger, so now we await the third installment. It must be difficult to provide a sequel as equally entertaining as the first, but Aveyard has gone above and beyond to create something far better than could be imagined. We can only hope this brilliance continues into the following books.
Necole (36 KP) rated Lies You Never Told Me in Books
Aug 25, 2018
ARC Win
I won this as a goodreads give-away and am glad I did!
A gripping, thrilling, page-turning YA novel that grabbed you from the beginning until the last page! It touches base on many different relationships. How lies, secrets, desires and choices in life can haunt you, make you question things and make you rethink if the choices you made were the right ones. This was a quick read that kept you guessing. A mixture of romance, thriller, mystery and young adult relationships, struggles and emotions.
Lies You Never Told Me can be broken down into two stories.
The first is about Gabe, a teenager who gets lost in a relationship with his girlfriend Sasha and questions why he stays with her. Sasha is the typical high school popular girl and bully. He decides to break up with her, however Sasha does not want the relationship to end. Sasha tries different things to get Gabe back. She is the epidemy of a psycho ex-girlfriend. Gabe starts falling for another girl Catherine and that too is a complicated relationship in itself. And while this is all happening Gabe finds himself a victim of a hit and run.
The second story in Lies You Never Told Me is about a girl named Elyse who is a teenage high school student who tries to hide a family secret about her mother, while going to school, working and keeping her and her mother from becoming homeless. Her only outlet of feeling normal is from her drama theater class. She gets a role in the school play and her life gets even more complicated. She falls for her high school drama teacher, Aiden Hunter and she has to hide this from everyone including her best friend Brynn. And her story unfolds from there.
In the end, these two stories collide together in such a way, it leaves the readers wanting more and gives you that aha moment of why the book was written how it was.
I rated it 4/5 because it was a little confusing of how the two stories tied together until you got to the end. Both stories told in Lies You Never Told Me dealt with a complicated teenage relationship though both very different, psychologically gripping and written in a way you get pulled to the characters, the stories didn't collide until the end so you were wondering throughout the book why it was written like it was and felt disconnected from each other. You felt like you were reading 2 separate novels until the last few chapters.
I would highly recommend this book to YA readers and adults who want a fast read, like a book told in different character perspectives, want a mystery/psychothriller mixed in with romance and relationship issues, those who like engaging characters and teenage issues that adults can understand as well!!!! I would say it's a YA book that compares adults book authors like Gillian Flynn, B.A. Paris, Lisa Jewell and others with similar writing styles and plots!
A gripping, thrilling, page-turning YA novel that grabbed you from the beginning until the last page! It touches base on many different relationships. How lies, secrets, desires and choices in life can haunt you, make you question things and make you rethink if the choices you made were the right ones. This was a quick read that kept you guessing. A mixture of romance, thriller, mystery and young adult relationships, struggles and emotions.
Lies You Never Told Me can be broken down into two stories.
The first is about Gabe, a teenager who gets lost in a relationship with his girlfriend Sasha and questions why he stays with her. Sasha is the typical high school popular girl and bully. He decides to break up with her, however Sasha does not want the relationship to end. Sasha tries different things to get Gabe back. She is the epidemy of a psycho ex-girlfriend. Gabe starts falling for another girl Catherine and that too is a complicated relationship in itself. And while this is all happening Gabe finds himself a victim of a hit and run.
The second story in Lies You Never Told Me is about a girl named Elyse who is a teenage high school student who tries to hide a family secret about her mother, while going to school, working and keeping her and her mother from becoming homeless. Her only outlet of feeling normal is from her drama theater class. She gets a role in the school play and her life gets even more complicated. She falls for her high school drama teacher, Aiden Hunter and she has to hide this from everyone including her best friend Brynn. And her story unfolds from there.
In the end, these two stories collide together in such a way, it leaves the readers wanting more and gives you that aha moment of why the book was written how it was.
I rated it 4/5 because it was a little confusing of how the two stories tied together until you got to the end. Both stories told in Lies You Never Told Me dealt with a complicated teenage relationship though both very different, psychologically gripping and written in a way you get pulled to the characters, the stories didn't collide until the end so you were wondering throughout the book why it was written like it was and felt disconnected from each other. You felt like you were reading 2 separate novels until the last few chapters.
I would highly recommend this book to YA readers and adults who want a fast read, like a book told in different character perspectives, want a mystery/psychothriller mixed in with romance and relationship issues, those who like engaging characters and teenage issues that adults can understand as well!!!! I would say it's a YA book that compares adults book authors like Gillian Flynn, B.A. Paris, Lisa Jewell and others with similar writing styles and plots!
LilyLovesIndie (123 KP) rated Ascension (The Gates Legacy, #3) in Books
Nov 5, 2018
4.5 Stars
I have adored these books from the very start, and once again, this third offering from Ms Font doesn't fail to please. We pick right back up with our motley crew of vamps and humans as they do battle against the crazy Goran and his misguided attempts to control absolutely everything (he's a tad on the barmy side, but he's a good character to read so we'll let it slide a little longer).
As always, there was a superb continuation from the second book in the series. As someone who knew what was going on, it was excellent to dive straight back into the action, although I have to admit, I needed to check oddments as my brain hadn't retained all the facts it needed. As a new reader, you'd need to go right back to the start, but given how amazing they are, you shouldn't mind it that much.
Unlike the other books, I did find Ascension to be a little slower starting, but if you should encounter the same issue, please, for the love of everything, do not stop reading! Because my oh my! Once that snowball reaches the top of the hill, it powers down with a force that is unbelievably intoxicating. The last 10% in particular was phenomenal writing and it was quite impossible to put it down. I was left with a real sense of whiplash, just as things appeared to have settled down, and it all went to hell in a fast car all over again! Be warned though, you will definitely need some tissues, that's all I'm saying!
The characters, as you would expect from Font, are all absolutely excellent. The old cast are fabulous (but we already knew that!) and the new additions blend in effortlessly and are a pleasure to read. With all that's going on, it would be easy to get lost and start wondering who's who, but Font is very good at making sure that, despite the multiple points of view she writes from, the reader always knows exactly what they need to know about the characters and the action - but you'll never know more than you need to, it's a supreme balancing act that is brilliant to read. As always, I'm a huge fan of the multiple POVs and I love being able to get inside all the characters heads, without getting lost along the way.
And so, to wrap it up. This is yet another excellent read from Font that I can highly recommend to all who enjoy action, excellent characters, brilliant vampire lore and that extra little twist of something special. I've honestly never read a series quite like this, but I am already on tenterhooks waiting for the next part of the Gates Legacy to find out where else this brilliant story can now go. Seriously though, if you haven't already tried this series, buckle up and block out your schedule for a week or so and get where the action is, because this series is going from strength to strength.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
I have adored these books from the very start, and once again, this third offering from Ms Font doesn't fail to please. We pick right back up with our motley crew of vamps and humans as they do battle against the crazy Goran and his misguided attempts to control absolutely everything (he's a tad on the barmy side, but he's a good character to read so we'll let it slide a little longer).
As always, there was a superb continuation from the second book in the series. As someone who knew what was going on, it was excellent to dive straight back into the action, although I have to admit, I needed to check oddments as my brain hadn't retained all the facts it needed. As a new reader, you'd need to go right back to the start, but given how amazing they are, you shouldn't mind it that much.
Unlike the other books, I did find Ascension to be a little slower starting, but if you should encounter the same issue, please, for the love of everything, do not stop reading! Because my oh my! Once that snowball reaches the top of the hill, it powers down with a force that is unbelievably intoxicating. The last 10% in particular was phenomenal writing and it was quite impossible to put it down. I was left with a real sense of whiplash, just as things appeared to have settled down, and it all went to hell in a fast car all over again! Be warned though, you will definitely need some tissues, that's all I'm saying!
The characters, as you would expect from Font, are all absolutely excellent. The old cast are fabulous (but we already knew that!) and the new additions blend in effortlessly and are a pleasure to read. With all that's going on, it would be easy to get lost and start wondering who's who, but Font is very good at making sure that, despite the multiple points of view she writes from, the reader always knows exactly what they need to know about the characters and the action - but you'll never know more than you need to, it's a supreme balancing act that is brilliant to read. As always, I'm a huge fan of the multiple POVs and I love being able to get inside all the characters heads, without getting lost along the way.
And so, to wrap it up. This is yet another excellent read from Font that I can highly recommend to all who enjoy action, excellent characters, brilliant vampire lore and that extra little twist of something special. I've honestly never read a series quite like this, but I am already on tenterhooks waiting for the next part of the Gates Legacy to find out where else this brilliant story can now go. Seriously though, if you haven't already tried this series, buckle up and block out your schedule for a week or so and get where the action is, because this series is going from strength to strength.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
LilyLovesIndie (123 KP) rated Star of Bethlehem (Flowering, #1.6) in Books
Nov 5, 2018
I remember when I was first given this book, and I was very excited to get my hands on it. Then, when I actually started reading it, I relived that excitement as it really is wonderful. A tale of that fateful evening when you introduce your new partner to your parents for the first time. Always scary, always charged with lots of different emotions, and Daltry manages this brilliantly, hence the four star review!
I thoroughly enjoyed so many parts of this book. Perhaps the first thing I feel needs pointing out is how easy it is to read. I was given the earlier books in the series by the author (reviews will follow when I get a spare few moments!) but I went into this book ÔcoldÕ as it were, but I honestly couldnÕt have known there were earlier books. Daltry gives enough information about her characters to keep you involved if you are new to the series, but not too much to overwhelm you if you have already read them. Add to that a smooth pace and impeccable flow and you have, in a kindle sized nutshell, the perfect easy read for after a tough day in the classroom. I could dip in and out of this book to suit my schedule (a godsend Ð thankyou!) all without ever losing my thread of the characters or events.
Something else I really enjoyed was the relationship between Jack and Lily. TheyÕre both great characters, and their passion and love is so wonderful to read. ItÕs full of the trials and difficulties that you could expect in a real relationship, even down to the last tiny detail of the annoying ÔexÕ in the background. The sex scenes are well written and not too Ôin your faceÕ, taking a back seat (quite literally at times!) in the story telling which suits me perfectly. In addition, the emotions between them was all incredibly well written and very tangible throughout. This adds a lovely believability to the story and makes it that much more enjoyable and easy to read.
In addition, the family dynamic in LilyÕs life, contrasted with that of JackÕs is also fantastic. Although itÕs never made fully clear what has happened in JackÕs past, Daltry weaves the contrast between their families very carefully and without over-exaggerating it. LilyÕs family are a mad bunch, but they remind me of so many of my own family that I found it really easy to invest emotionally in the characters. To me, this is an important part of a story as, if done properly, it makes it a joy to read, and IÕm pleased to say that is exactly what Daltry managed.
In conclusion, although this story may be slightly on the shorter side, it had a lot of fantastic plot and plenty of great characters. The two viewpoints of Lily and Jack are woven with skill and detail throughout and the entire story was an absolute pleasure to read. Daltry is most definitely a talented author and one I am looking forward to reading more of in the near future!
Review first posted to Lily Loves Indie (ARC received with thanks) - http://lilylovesindie.co.uk/?p=272
I thoroughly enjoyed so many parts of this book. Perhaps the first thing I feel needs pointing out is how easy it is to read. I was given the earlier books in the series by the author (reviews will follow when I get a spare few moments!) but I went into this book ÔcoldÕ as it were, but I honestly couldnÕt have known there were earlier books. Daltry gives enough information about her characters to keep you involved if you are new to the series, but not too much to overwhelm you if you have already read them. Add to that a smooth pace and impeccable flow and you have, in a kindle sized nutshell, the perfect easy read for after a tough day in the classroom. I could dip in and out of this book to suit my schedule (a godsend Ð thankyou!) all without ever losing my thread of the characters or events.
Something else I really enjoyed was the relationship between Jack and Lily. TheyÕre both great characters, and their passion and love is so wonderful to read. ItÕs full of the trials and difficulties that you could expect in a real relationship, even down to the last tiny detail of the annoying ÔexÕ in the background. The sex scenes are well written and not too Ôin your faceÕ, taking a back seat (quite literally at times!) in the story telling which suits me perfectly. In addition, the emotions between them was all incredibly well written and very tangible throughout. This adds a lovely believability to the story and makes it that much more enjoyable and easy to read.
In addition, the family dynamic in LilyÕs life, contrasted with that of JackÕs is also fantastic. Although itÕs never made fully clear what has happened in JackÕs past, Daltry weaves the contrast between their families very carefully and without over-exaggerating it. LilyÕs family are a mad bunch, but they remind me of so many of my own family that I found it really easy to invest emotionally in the characters. To me, this is an important part of a story as, if done properly, it makes it a joy to read, and IÕm pleased to say that is exactly what Daltry managed.
In conclusion, although this story may be slightly on the shorter side, it had a lot of fantastic plot and plenty of great characters. The two viewpoints of Lily and Jack are woven with skill and detail throughout and the entire story was an absolute pleasure to read. Daltry is most definitely a talented author and one I am looking forward to reading more of in the near future!
Review first posted to Lily Loves Indie (ARC received with thanks) - http://lilylovesindie.co.uk/?p=272