Search
Search results
Ivana A. | Diary of Difference (1171 KP) rated The Lost Girls of Paris in Books
Feb 3, 2020
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://i2.wp.com/diaryofdifference.com/wp-content/uploads/2019/06/Book-Review-Banner-3.png?resize=1024%2C576&ssl=1"/>;
In the 1940’s, with the world at war, Eleanor Trigg leads a mysterious ring of secret female agents in London. Twelve of these women are sent to Paris to aid the resistance.
<b>They never return home!</b>
Shortly after the war ends, passing through New York’s Grand Central Station, Grace Healey finds an abandoned suitcase beneath a bench. The case is filled with a dozen photographs, each of a different woman.
Setting out to find the women in the pictures, Grace is drawn into the mystery of the lost girls of Paris, their fierce friendship, unthinkable bravery – and, ultimately, the worst kind of betrayal.
Eleanor is a woman that men fear and women hate. Wherever she goes, fear follows. However, in a world of men who lead and men who are in war, she starts a programme in London where she recruits women, prepares them and deploys them to help in the war. The women have to aid the man, transmit radio messages and blend in with the french people. Eleanor makes sure they are prepared for every possible scenario, and she would’ve joined them, if they let her. As much as she seems cruel, she loves her girls like her daughters, and when things go horribly wrong, she blames herself.
Marie never imagined she would be recruited by Eleanor. Leaving her daughter behind and going into the unknown, she is deployed in Paris for a very dangerous mission. But can friendships so easily made survive the dark days of war? And what happens when Marie is one of those twelve women that disappear without a trace, never to be seen again…
And then Grace finds the suitcase full of photos of women and she can’t help but wonder what happened to them. The paths of these three women will indirectly cross over, leaving us, readers, with an amazing story to follow.
The writing is incredible and it transports you right in the 1940’s. Feelings and emotions are overflowing. I am not completely sure how I felt with the ending, as it ended too predictable for my taste, with a lot of unrealistic scenes and no character development, really.
But even despite all that, it warmed my heart and made me rethink my life decisions. The Lost Girls of Paris is a book about women who are brave and loyal. Women who are not afraid to stand up and fight. Women who have everything to lose and nothing to regret. A tale of pure emotion.
Thank you to the team at HarperCollins – HQ, for sending me a paperback ARC copy of this book, in exchange for my honest review.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://i2.wp.com/diaryofdifference.com/wp-content/uploads/2019/06/Book-Review-Banner-3.png?resize=1024%2C576&ssl=1"/>;
In the 1940’s, with the world at war, Eleanor Trigg leads a mysterious ring of secret female agents in London. Twelve of these women are sent to Paris to aid the resistance.
<b>They never return home!</b>
Shortly after the war ends, passing through New York’s Grand Central Station, Grace Healey finds an abandoned suitcase beneath a bench. The case is filled with a dozen photographs, each of a different woman.
Setting out to find the women in the pictures, Grace is drawn into the mystery of the lost girls of Paris, their fierce friendship, unthinkable bravery – and, ultimately, the worst kind of betrayal.
Eleanor is a woman that men fear and women hate. Wherever she goes, fear follows. However, in a world of men who lead and men who are in war, she starts a programme in London where she recruits women, prepares them and deploys them to help in the war. The women have to aid the man, transmit radio messages and blend in with the french people. Eleanor makes sure they are prepared for every possible scenario, and she would’ve joined them, if they let her. As much as she seems cruel, she loves her girls like her daughters, and when things go horribly wrong, she blames herself.
Marie never imagined she would be recruited by Eleanor. Leaving her daughter behind and going into the unknown, she is deployed in Paris for a very dangerous mission. But can friendships so easily made survive the dark days of war? And what happens when Marie is one of those twelve women that disappear without a trace, never to be seen again…
And then Grace finds the suitcase full of photos of women and she can’t help but wonder what happened to them. The paths of these three women will indirectly cross over, leaving us, readers, with an amazing story to follow.
The writing is incredible and it transports you right in the 1940’s. Feelings and emotions are overflowing. I am not completely sure how I felt with the ending, as it ended too predictable for my taste, with a lot of unrealistic scenes and no character development, really.
But even despite all that, it warmed my heart and made me rethink my life decisions. The Lost Girls of Paris is a book about women who are brave and loyal. Women who are not afraid to stand up and fight. Women who have everything to lose and nothing to regret. A tale of pure emotion.
Thank you to the team at HarperCollins – HQ, for sending me a paperback ARC copy of this book, in exchange for my honest review.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
Brain & Nervous System Pro III
Medical and Education
App
*** ***** ON SALE FOR A LIMITED TIME ***** *** BRAIN AND NERVOUS SYSTEM PRO III - AWARD WINNING...
Amy Norman (1048 KP) rated The Flash - Season 3 in TV
Jul 9, 2020
Contains spoilers, click to show
This season was painfully predictable. It had so much potential but with clumsy wording, all of the surprise twists were almost immediately obvious.
I am not a huge fan of shows that take a couple of seasons to build a world and characters, and then in some small twist of fate completely change the characters, and their lives. I think Fringe was one I hated the most but it made it so much more poignant and upsetting, which is why I stuck around was completely absorbed by that show - The Flash doesn't achieve this love.
I understand that they would want to tackle the Flashpoint story arc at some point but the way they handled the fallout of this was somewhat straightforward in this season.
The introduction of a single new character, and a single new villain in the first half of the season, made it hard to ignore who it would be 🤷🏼♀️
For the latter half of the season they quite literally told you who it was, a few times at that, and plainly showed you how easy it would be for that character to become the main villain.
The dreaded musical episode (and usual loose Supergirl crossover) was included in this season. It is rare enough that a show can achieve a truly plausible storyline that you want to follow with musical numbers, and this one was a non-start for me, honestly you could probably skip it, as there is hardly any story progression, and you'll catch up soon enough in the next episode.
Musical episodes I've enjoyed previously: Buffy (the OG, and mother of so many genre specific episodes) or Scrubs.
****Real spoilers from here****
By the last episode I was just watching to get to the end of the season, and am hoping that the team will get back to doing what they do best, which is adapting to new metas and dealing with these.
There is so much potential for alternate Earth storylines, and I would love to see Cisco and Wally have some more complex stories, and character layering.
As I had kind of stopped caring by the end of the last episode I actually wanted Iris to die, and was genuinely shocked and seriously annoyed that she didn't.
So bravo to the team for making me care so little I didn't see the obvious final twist, as again they gave you all the clues, shown in a quick series of flashbacks, just to show you how little you cared that you missed it.
But I also have to commend them, as it was more heartbreaking than what we assumed was the inevitable.
Fingers crossed that the writers will break their usual Flash formula, and come up with some more original content in the coming seasons.
The Flash formula:
Work as a team >> secrets/lies >> mistrust, can't possible forgive >> someone does something stupid on their own >> big impassioned speech >> team comes together >> side character (which deserves more) gets killed, or worse >> kinda saved the day >> rinse and repeat until the end of time!!
I am not a huge fan of shows that take a couple of seasons to build a world and characters, and then in some small twist of fate completely change the characters, and their lives. I think Fringe was one I hated the most but it made it so much more poignant and upsetting, which is why I stuck around was completely absorbed by that show - The Flash doesn't achieve this love.
I understand that they would want to tackle the Flashpoint story arc at some point but the way they handled the fallout of this was somewhat straightforward in this season.
The introduction of a single new character, and a single new villain in the first half of the season, made it hard to ignore who it would be 🤷🏼♀️
For the latter half of the season they quite literally told you who it was, a few times at that, and plainly showed you how easy it would be for that character to become the main villain.
The dreaded musical episode (and usual loose Supergirl crossover) was included in this season. It is rare enough that a show can achieve a truly plausible storyline that you want to follow with musical numbers, and this one was a non-start for me, honestly you could probably skip it, as there is hardly any story progression, and you'll catch up soon enough in the next episode.
Musical episodes I've enjoyed previously: Buffy (the OG, and mother of so many genre specific episodes) or Scrubs.
****Real spoilers from here****
By the last episode I was just watching to get to the end of the season, and am hoping that the team will get back to doing what they do best, which is adapting to new metas and dealing with these.
There is so much potential for alternate Earth storylines, and I would love to see Cisco and Wally have some more complex stories, and character layering.
As I had kind of stopped caring by the end of the last episode I actually wanted Iris to die, and was genuinely shocked and seriously annoyed that she didn't.
So bravo to the team for making me care so little I didn't see the obvious final twist, as again they gave you all the clues, shown in a quick series of flashbacks, just to show you how little you cared that you missed it.
But I also have to commend them, as it was more heartbreaking than what we assumed was the inevitable.
Fingers crossed that the writers will break their usual Flash formula, and come up with some more original content in the coming seasons.
The Flash formula:
Work as a team >> secrets/lies >> mistrust, can't possible forgive >> someone does something stupid on their own >> big impassioned speech >> team comes together >> side character (which deserves more) gets killed, or worse >> kinda saved the day >> rinse and repeat until the end of time!!
Lottie disney bookworm (1056 KP) rated Wendy, Darling in Books
Jun 17, 2021
Have you ever wondered what happened when Wendy, John and Michael returned from Neverland? Wendy, Darling by A. C Wise is about to reveal all, but let me warn you, it is far from a fairytale!
Life post-Neverland for the Darling children has been difficult to say the least. Upon their return Wendy was struck with a serious fever, their parents were casualties of the Titanic, Michael has recently returned from WWI with his own ghosts and John has financial struggles. However, from Wendy's perspective, these all pale in comparison: John and Michael have done the worst thing imaginable they have forgotten Neverland!
Wendy's refusal to let go of Neverland and her dogged determination to make her brothers remember their adventures causes great friction within the Darling family. Wendy finds herself labelled as a hysterical woman and is even confined to an asylum after raging at her siblings.
This is just one of the methods Wise uses to address the misogyny of the original Peter Pan story and it is a particularly harrowing one: the abuse Wendy faces at the hands of her "carers" is brutal and unforgiving in its detail. To everyone surrounding her, Neverland is Wendy's sickness, an imaginery world that she is hiding behind. However, several years after her release from St Bernadettes, Neverland still lives on in Wendy's memories and now it is catching up with her. Now Peter is flying out of her window again... with Wendy's daughter Jane in tow!
Wendy returns to a very different Neverland to that which she left. Although the island always seemed to play to Peter's every whim this time there is a dark, evil edge to it. Wise really plays on the fact that everyone idolised Peter in the original fairytale but this Peter has a barbaric, sinister personality along with a dangerous secret. Can Wendy rescue her daughter from the boy she used to worship? One thing is for sure, they're not playing a game anymore!
A. C Wise's writing almost hypnotises the reader, flitting between characters and time periods with ease without losing our interest. The undercurrent of a locked-away secret and the juxtaposition between Barrie/Disney's Neverland and Wise's makes this a real page turner.
Wendy herself is a flawed heroine but in my opinion that is the best kind. She has overcome so much loss and trauma and, although she still feels the pull of Neverland, she finds that motherhood has a much stronger claim on her heart and can provide her with so much more power than she ever imagined.
Wendy, Darling is an unflinching retelling of Peter Pan with a feminist edge. A. C Wise kidnaps and transports her readers to a dark and ominous Neverland which harbours a monstrous secret. Wendy and her daughter are on an adventure of fear, loss and grief. There is no make-believe in this fantasy land.
Thank you to Netgalley and Titan Books for the opportunity to read this e-ARC in exchange for an honest review. Wendy, Darling comes with trigger warnings for kidnap, death, trauma and abuse.
Life post-Neverland for the Darling children has been difficult to say the least. Upon their return Wendy was struck with a serious fever, their parents were casualties of the Titanic, Michael has recently returned from WWI with his own ghosts and John has financial struggles. However, from Wendy's perspective, these all pale in comparison: John and Michael have done the worst thing imaginable they have forgotten Neverland!
Wendy's refusal to let go of Neverland and her dogged determination to make her brothers remember their adventures causes great friction within the Darling family. Wendy finds herself labelled as a hysterical woman and is even confined to an asylum after raging at her siblings.
This is just one of the methods Wise uses to address the misogyny of the original Peter Pan story and it is a particularly harrowing one: the abuse Wendy faces at the hands of her "carers" is brutal and unforgiving in its detail. To everyone surrounding her, Neverland is Wendy's sickness, an imaginery world that she is hiding behind. However, several years after her release from St Bernadettes, Neverland still lives on in Wendy's memories and now it is catching up with her. Now Peter is flying out of her window again... with Wendy's daughter Jane in tow!
Wendy returns to a very different Neverland to that which she left. Although the island always seemed to play to Peter's every whim this time there is a dark, evil edge to it. Wise really plays on the fact that everyone idolised Peter in the original fairytale but this Peter has a barbaric, sinister personality along with a dangerous secret. Can Wendy rescue her daughter from the boy she used to worship? One thing is for sure, they're not playing a game anymore!
A. C Wise's writing almost hypnotises the reader, flitting between characters and time periods with ease without losing our interest. The undercurrent of a locked-away secret and the juxtaposition between Barrie/Disney's Neverland and Wise's makes this a real page turner.
Wendy herself is a flawed heroine but in my opinion that is the best kind. She has overcome so much loss and trauma and, although she still feels the pull of Neverland, she finds that motherhood has a much stronger claim on her heart and can provide her with so much more power than she ever imagined.
Wendy, Darling is an unflinching retelling of Peter Pan with a feminist edge. A. C Wise kidnaps and transports her readers to a dark and ominous Neverland which harbours a monstrous secret. Wendy and her daughter are on an adventure of fear, loss and grief. There is no make-believe in this fantasy land.
Thank you to Netgalley and Titan Books for the opportunity to read this e-ARC in exchange for an honest review. Wendy, Darling comes with trigger warnings for kidnap, death, trauma and abuse.
Natasha Khan recommended Bad by Michael Jackson in Music (curated)
BookInspector (124 KP) rated What Lies Within in Books
Sep 24, 2020
For more reviews please visit https://bbookinspector.wordpress.com
When I read the description of this book, I found it very catchy, and it got me really intrigued of what this book can offer. I had this ARC for a while now, and I am not sure was anything edited before publication, so this review is my opinion of the copy the author sent me.
The main character in this book is Tyler, along with his younger brother Devil, they are killing child abusers, who have been released by police due to lack of evidence. Unfortunately, their “good deeds” don’t get unnoticed by the police, and the chase begins. I really liked Tyler as a character, I liked his personality, his manners, and his way of thinking was very amusing and interesting to follow throughout the book. I really loved his complex relationship with Devil, and wish to adjust in society. This novel was told from multiple perspectives – Tyler’s and Police investigators. I preferred Tyler’s parts, I think they opened his character very nicely and was more interesting to read than the police investigation.
The plot of this novel was appealing but not fully utilized. I think this book has lots of potentials, and by adding some deeper parts about Devil’s identity, where he came from, it would’ve been better. I think Smith did a good job by incorporating Devil, but the truth was given away too early. Another thing which disappointed me was the investigation, I was not very happy with how detectives were working, I didn’t feel the suspense breathing through the pages, and I think they could’ve done better. However, I think this book would make a pretty interesting film because it has the right amount of action and a riveting suspect. There were some interesting turns and twists in this novel, which kept my interest going. What really struck me, was the topics which Smith was discussing in this book, such as child abuse; how mental illness affects children, when there is nobody to help; children homelessness; survival and adjustment in the society.
This book was very easy to read, and the language used in this novel was not complicated. It has short chapters and it got me binge-reading all the way through. These short chapters kind of made me keep going to find out, what else Tyler has planned. The ending of this novel is unexpected, but absolutely impossible and compromises what detectives said, once they entered Tyler’s flat. I was very pleasantly surprised, that at the end, the author gave a little description of all the characters who were mentioned in this book. I think it was pretty awesome. So, to conclude, I think this novel has a really engrossing message to share with the world, through these intense characters and the struggle between what is good and what is bad in this world. I do recommend to read it and to figure out for yourselves, how people try to cope in this world after something horrible has happened to them in the past.
I would like to throw in a disclaimer, there is murders, violence, child abuse scenes in this book.
When I read the description of this book, I found it very catchy, and it got me really intrigued of what this book can offer. I had this ARC for a while now, and I am not sure was anything edited before publication, so this review is my opinion of the copy the author sent me.
The main character in this book is Tyler, along with his younger brother Devil, they are killing child abusers, who have been released by police due to lack of evidence. Unfortunately, their “good deeds” don’t get unnoticed by the police, and the chase begins. I really liked Tyler as a character, I liked his personality, his manners, and his way of thinking was very amusing and interesting to follow throughout the book. I really loved his complex relationship with Devil, and wish to adjust in society. This novel was told from multiple perspectives – Tyler’s and Police investigators. I preferred Tyler’s parts, I think they opened his character very nicely and was more interesting to read than the police investigation.
The plot of this novel was appealing but not fully utilized. I think this book has lots of potentials, and by adding some deeper parts about Devil’s identity, where he came from, it would’ve been better. I think Smith did a good job by incorporating Devil, but the truth was given away too early. Another thing which disappointed me was the investigation, I was not very happy with how detectives were working, I didn’t feel the suspense breathing through the pages, and I think they could’ve done better. However, I think this book would make a pretty interesting film because it has the right amount of action and a riveting suspect. There were some interesting turns and twists in this novel, which kept my interest going. What really struck me, was the topics which Smith was discussing in this book, such as child abuse; how mental illness affects children, when there is nobody to help; children homelessness; survival and adjustment in the society.
This book was very easy to read, and the language used in this novel was not complicated. It has short chapters and it got me binge-reading all the way through. These short chapters kind of made me keep going to find out, what else Tyler has planned. The ending of this novel is unexpected, but absolutely impossible and compromises what detectives said, once they entered Tyler’s flat. I was very pleasantly surprised, that at the end, the author gave a little description of all the characters who were mentioned in this book. I think it was pretty awesome. So, to conclude, I think this novel has a really engrossing message to share with the world, through these intense characters and the struggle between what is good and what is bad in this world. I do recommend to read it and to figure out for yourselves, how people try to cope in this world after something horrible has happened to them in the past.
I would like to throw in a disclaimer, there is murders, violence, child abuse scenes in this book.
Kristy H (1252 KP) rated A Means to an End in Books
Sep 13, 2019
Cold Case Detective Lauren Riley is back on the job after being stabbed in the line of duty. She and her partner, Shane Reese, find themselves investigating a body dumped in the woods in the exact same site as a victim from one of Lauren's previous cases. She quickly recognizes the tie to David Spencer, a clever kid whom Lauren helped get off on a murder charge while she was working as a Private Investigator. Once he was acquitted, Lauren realized he was a cold-blooded psychopath, and she's been haunted by it (and him) ever since. Lauren is put on a Task Force investigating the killing--and the unsolved murders of two cops--but she quickly realizes she may be the only one who can stop David, for once and for all.
I really like the character of Lauren Riley--she's a tough yet vulnerable cop who knows her stuff, and I've been following her since the beginning of this series. This book tied up some things, but left others hanging, and I have to admit, I hope there is a book four out there? I also have to say, to prove my devotion to Lauren, my ARC copy had issues with the "f"s in the book (e.g. Sheriff = Sheri; office = offce; files = les, etc.) and none of the text messages were in there, and I still read it, because I needed to know what was happening to Lauren. A final copy will be fine--just pointing out how much I care about these characters!
We have a small cast here, but do get some new blood, mainly in the form of the task force gents. Two, of course, suspect Lauren for the cop killings that happened in the second novel, but one, Jack Nolan, seems to be a good guy. Poor Lauren, she can't catch a break. I would mention that this book will make more sense if you've read the first two. Redmond explains things, but the backstory is easier to comprehend (and those first two books are good). Still, don't let that scare you away from this one.
These cases are personal for Lauren, and I found some of this book stressful, as I care about her and Reese, and I was worried about them both! If you're less invested, you may not be as concerned. No matter what, it's an interesting book--we think we know our suspect (David), but we're never quite sure, and there's a lot of angst and intrigue in trying to track him down. I always enjoy how the city of Buffalo is almost another character in these books, and it's very clear that Redmond knows her police procedures.
"She'd been waging a one-person war against him, and she was losing. She had to take this further before anyone else got hurt."
Overall, I definitely recommend this one, especially if you've read the earlier books, enjoy a good police procedural, or are on the hunt for a strong female protagonist. Redmond's stories are always interesting and sure to suck you in. 4 stars.
I really like the character of Lauren Riley--she's a tough yet vulnerable cop who knows her stuff, and I've been following her since the beginning of this series. This book tied up some things, but left others hanging, and I have to admit, I hope there is a book four out there? I also have to say, to prove my devotion to Lauren, my ARC copy had issues with the "f"s in the book (e.g. Sheriff = Sheri; office = offce; files = les, etc.) and none of the text messages were in there, and I still read it, because I needed to know what was happening to Lauren. A final copy will be fine--just pointing out how much I care about these characters!
We have a small cast here, but do get some new blood, mainly in the form of the task force gents. Two, of course, suspect Lauren for the cop killings that happened in the second novel, but one, Jack Nolan, seems to be a good guy. Poor Lauren, she can't catch a break. I would mention that this book will make more sense if you've read the first two. Redmond explains things, but the backstory is easier to comprehend (and those first two books are good). Still, don't let that scare you away from this one.
These cases are personal for Lauren, and I found some of this book stressful, as I care about her and Reese, and I was worried about them both! If you're less invested, you may not be as concerned. No matter what, it's an interesting book--we think we know our suspect (David), but we're never quite sure, and there's a lot of angst and intrigue in trying to track him down. I always enjoy how the city of Buffalo is almost another character in these books, and it's very clear that Redmond knows her police procedures.
"She'd been waging a one-person war against him, and she was losing. She had to take this further before anyone else got hurt."
Overall, I definitely recommend this one, especially if you've read the earlier books, enjoy a good police procedural, or are on the hunt for a strong female protagonist. Redmond's stories are always interesting and sure to suck you in. 4 stars.
The Animator’s Survival Kit
Reference and Education
App
World-renowned animator and triple-Oscar-winner Richard Williams presents ‘The Animator’s...
Astro Gold
Lifestyle
App
Astro Gold is the professional-level astrology iPhone and iPad app that you have been waiting for! ...
LeftSideCut (3776 KP) rated The Mandalorian - Season 1 in TV
May 5, 2020
A live action series set in the Star Wars universe has been a long time coming and thankfully, it hit almost all the right notes.
The Mandalorian is set after the events of Return of the Jedi, where the empire is all but gone, and the titular hero is going about his business, taking bounty jobs for good pay. It's not too long before it's revealed that remnants of the empire remain intact and one unexpected bounty job sets Mando on a different path entirely.
The plot isn't too heavy on dramatics for the most part, and the 8 episode arc concentrates on small stories - mini adventures that are resolved relatively quickly. It's a lot of fun. The final two episodes set up a larger narrative, that has me excited for season 2.
The Mandalorian himself (Pedro Pascal) is a great lead, and considering his face is covered the entire time, that's high praise. He has a cold, precise exterior, and shows off frequently his capabilities as a warrior (every episode has a pretty awesome action set piece at one point). Underneath it all, his humanity is shown when The Child (commonly know as Baby Yoda) is thrown into his care, drawing paraells with his own childhood.
The Child arguably steals the show at intervals, being offensively cute throughout, and showing hints at force powers here and there.
Other cast members include Cara Dune (Gina Carano), a completely badass ex Imperial Shock Trooper. Her character is another highlight, and I sincerely hope to see her return for season 2.
Greef Karga (Carl freaking Weathers), bounty salesman and sometimes ally of Mando. The three of them (plus The Child) make for a damn fine crew.
Some further Star power is provided by IG-11 (Taika Waititi) and Kuiil (Nick Nolte) and these two characters further flesh out a great cast.
The villains of the piece aren't in your face, but are present enough to lay the seeds for bigger things to come. Earlier on we have The Client (Werner Herzog oozing text book evil empire vibes), and a bit later, Moff Gideon (Giancarlo Esposito), who is menacing enough to make an impact with his little screentime.
I also enjoyed the fleshing out of the Mandalorian religion.
There is some great directing talent in display as well, with episode from the likes of the aforementioned Taika Waititi, Deborah Chow, Dave Filoni, Bryce Dallas Howard, and Rick Famuyiwa. They've all down a great job of bringing this particular Star Wars narrative to life, and I genuinely enjoyed every episode.
Except for episode 6. And thats mainly due to the throwaway characters we get given. (It reminded me of that infamous shitty episode in season 2 of Stranger Things.)
The devotion to using practical effects pays off tremendously, as The Mandalorian frequently looks superb. The CGI used is actually pretty subtle, and the mix of the two works.
All in all, it's a strong first season that personally tops any of the recent trilogy in terms of Star Wars material. Can't wait to see where it goes!
The Mandalorian is set after the events of Return of the Jedi, where the empire is all but gone, and the titular hero is going about his business, taking bounty jobs for good pay. It's not too long before it's revealed that remnants of the empire remain intact and one unexpected bounty job sets Mando on a different path entirely.
The plot isn't too heavy on dramatics for the most part, and the 8 episode arc concentrates on small stories - mini adventures that are resolved relatively quickly. It's a lot of fun. The final two episodes set up a larger narrative, that has me excited for season 2.
The Mandalorian himself (Pedro Pascal) is a great lead, and considering his face is covered the entire time, that's high praise. He has a cold, precise exterior, and shows off frequently his capabilities as a warrior (every episode has a pretty awesome action set piece at one point). Underneath it all, his humanity is shown when The Child (commonly know as Baby Yoda) is thrown into his care, drawing paraells with his own childhood.
The Child arguably steals the show at intervals, being offensively cute throughout, and showing hints at force powers here and there.
Other cast members include Cara Dune (Gina Carano), a completely badass ex Imperial Shock Trooper. Her character is another highlight, and I sincerely hope to see her return for season 2.
Greef Karga (Carl freaking Weathers), bounty salesman and sometimes ally of Mando. The three of them (plus The Child) make for a damn fine crew.
Some further Star power is provided by IG-11 (Taika Waititi) and Kuiil (Nick Nolte) and these two characters further flesh out a great cast.
The villains of the piece aren't in your face, but are present enough to lay the seeds for bigger things to come. Earlier on we have The Client (Werner Herzog oozing text book evil empire vibes), and a bit later, Moff Gideon (Giancarlo Esposito), who is menacing enough to make an impact with his little screentime.
I also enjoyed the fleshing out of the Mandalorian religion.
There is some great directing talent in display as well, with episode from the likes of the aforementioned Taika Waititi, Deborah Chow, Dave Filoni, Bryce Dallas Howard, and Rick Famuyiwa. They've all down a great job of bringing this particular Star Wars narrative to life, and I genuinely enjoyed every episode.
Except for episode 6. And thats mainly due to the throwaway characters we get given. (It reminded me of that infamous shitty episode in season 2 of Stranger Things.)
The devotion to using practical effects pays off tremendously, as The Mandalorian frequently looks superb. The CGI used is actually pretty subtle, and the mix of the two works.
All in all, it's a strong first season that personally tops any of the recent trilogy in terms of Star Wars material. Can't wait to see where it goes!