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The Courtesan and the Gigolo: The Murders in the Rue Montaigne and the Dark Side of Empire in Nineteenth-Century Paris
Book
The intrigue began with a triple homicide in a luxury apartment building just steps from the...
HarperCollins Bible Dictionary
Book
The HarperCollins Bible Dictionary, revised and updated edition, is the most complete, up-to-date,...
The Civilized Guide to Tabletop Gaming: Rules Every Gamer Must Live by
Book
Don't Be a Beardy Gamer "A very funny and useful read on its own, but it also makes a great gift for...
CL
Cognitive Literary Studies: Current Themes and New Directions
Isabel Jaen and Julien Jacques Simon
Book
Over the past decade, our understanding of the cognition of literature has been transformed by...
The World of Lore: Dreadful Places (The World of Lore #3)
7.0
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Book
Captivating stories of the places where human evil has left a nefarious mark, featuring stories from...
Merissa (11950 KP) rated A Siren's Finale: Part Three (Aria & the Seven Seas #3) in Books
Dec 5, 2022
What a finale!
A SIREN'S FINALE concludes Aria's story. And what a story it has been! Aria finally has her Pod together when the sea witch makes an appearance. Come on, we've all been waiting for it! Will Aaron get what he deserves? Will Aria get her HEA?
I have LOVED this trilogy. It is full of action and adventure, with plenty of connection between the main characters, and smut in between the sheets. Just what I needed! I will say though, at one point near the end, my heart was in my mouth and it wasn't for any in the Pod but Aria's papa. Good grief, Ms Blythe, I thought you were killing me then!
Fast-paced, with a great supporting cast, this was a fitting end to the trilogy. I'm hoping for more as I really want to find out what's going on with Ariella. And, of course, anytime I get to return to Wildeward is a good thing by me. I need to check in on the Alpha's Lodge, after all.
If you like things spicy and don't want to choose, then I HIGHLY recommend any book by Gwyneira Blythe!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
I have LOVED this trilogy. It is full of action and adventure, with plenty of connection between the main characters, and smut in between the sheets. Just what I needed! I will say though, at one point near the end, my heart was in my mouth and it wasn't for any in the Pod but Aria's papa. Good grief, Ms Blythe, I thought you were killing me then!
Fast-paced, with a great supporting cast, this was a fitting end to the trilogy. I'm hoping for more as I really want to find out what's going on with Ariella. And, of course, anytime I get to return to Wildeward is a good thing by me. I need to check in on the Alpha's Lodge, after all.
If you like things spicy and don't want to choose, then I HIGHLY recommend any book by Gwyneira Blythe!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Exodus (Valen's Pack #2)
9.0
Rate It
Book
Survival of the fittest? Not when chaos rules. Rivvie does his best as beta, but he’s lonely...
MM Paranormal Romance BDSM Dystopian
Ryan Hill (152 KP) rated Godzilla (2014) in Movies
Jun 28, 2019
"let them fight"
This film is an absolute masterpiece. Not once did I find myself getting bored or losing track of the plot - something that happens commonly when I watch longer movies - and I was gutted when it was over. Not because I was disappointed, but because I desperately wanted more. Gareth Edwards' film takes monster movies to a whole new level, with some nice twists to the usual "Godzilla" story lines, a fantastic cast and some of the best action sequences I have ever had the pleasure of seeing.
The first thing to mention about this film is its cast and its focus on the human characters, played mainly by Aaron Taylor-Johnson (Lieutenant Ford Brody), Elizabeth Olsen (Elle Brody, Ford's wife), and Bryan Cranston (Joe Brody, Ford's estranged father). Bryan Cranston is only really in the first half, portraying his character as a very outcast, yet very determined former nuclear engineer who is searching for the truth about his wife's tragic death. He was fantastic in the role delivering each line with emotion and conviction he was the best character in the film and I wish he was in the film longer. His theories beautifully foreshadow the events to come, and he drags his son, Ford, right into the heart of the trouble. Thankfully, this means that we get to see lots of the brilliant Aaron Taylor- Johnson, a courageous explosive ordnance disposal technician who comes face-to-face with Godzilla several times. Literally. Aaron Taylor-Johnson really is the star here, and the scenes with his wife, Elle, and son, Sam, before any of the action starts makes his actions later on all the more respectable and courageous as he risks his life to save them and the entire city. Elizabeth Olsen isn't used as much as I would have liked, as she is fantastic in the scenes in which we see her. Having said that, she does appear a fair amount, as the strong wife and mother holding back her terror in order to stay and help. Her scenes with Aaron Taylor- Johnson are great too, and make for some very believable characters. The other main character is Dr Serizawa (played by Ken Watanabe), a scientist monitoring Godzilla and the MUTOs. He doesn't really do much apart from look very worried in every shot and say tense or shocking one-liners, but Ken Watanabe makes sure that it's never cringe-worthy or boring.
Secondly we have Gareth Edwards' directing - wow! I need to see more of this guy! Every shot looks as good as it could possibly be, and the first reveal of Godzilla is brilliant. There's a MUTO smashing up an airport. Cue plane exploding, followed by the one to the right, and then the one to the right, and then… a foot. Silence. Another foot. Cut to a shot of the MUTO roaring, and then back to the feet. Up the camera pans (for quite a long time!), leaving us with a beautiful high-angle shot of the beast himself. And then comes the roar. There's another great shot of Godzilla making his way across the Pacific to San Francisco, and another in the city itself of… well, there's no other way of putting it – Godzilla and a MUTO having a good old' fashioned fistfight, which culminates in a pretty fantastic and well-timed tail slam from the big guy. The skyscrapers don't really bother them. It's just a long shot, and in it we see two giant monsters ripping each other to shreds and obliviously destroying the city below. Another great shot (or shots) is during the HALO jump, as we see the city in flames, the men falling through the clouds and the burning skyline and a close-up of a Godzilla vs MUTO fight.
Now I'll move on to the plot and the headline acts – the MUTOs and the big guy himself, Godzilla. The plot is very straightforward. A MUTO hatches in Japan, one hatches in Nevada next to Las Vegas, and this is all because they've been feeding on humanity's nuclear waste and radiation. Oh, and by the way, the MUTOs look brilliant. Imagine a metal praying mantis crossed with a four-legged spider, as tall as a skyscraper. That's a MUTO. Anyway, Ford joins the fight to stop the creatures, and as they make their way to San Francisco the military plan to destroy them with their most powerful nuclear weapon. Godzilla is closing in too, and when the pesky MUTOs steal the nuke and build their nest around it, Ford and a group of soldiers must go into the city to detonate it. However, Godzilla and the MUTOs are also in the city, smashing everything (including each other) to bits. It's very odd that, for once, we end up cheering Godzilla on, as the two MUTOs begin to overwhelm him as he is seemingly hurt. And then he is actually made out to be the good guy (a twist I enjoyed), as he saves Ford in a spectacular way from a MUTO and the media call him " the saviour of our city?". 'Zilla looks amazing too. "Massive" is probably an understatement, but the spikes on his back, the battle scars on his body and his terrifying face make him look awesome. Also, his roar had me jumping up and down with excitement, as did his surprise for the MUTOs: his atomic fire breath.
All in all, "Godzilla" is one fantastic movie. No longer a mockery, but terrifying, tense, and, unlike many monster movies, it is complex. Complex in that it has multiple characters with interesting back-stories (that are all explored) and gives Godzilla a new personality and purpose. Everything looks great, it feels epic, and I enjoyed every moment. This is a movie that would appeal to anyone.
The first thing to mention about this film is its cast and its focus on the human characters, played mainly by Aaron Taylor-Johnson (Lieutenant Ford Brody), Elizabeth Olsen (Elle Brody, Ford's wife), and Bryan Cranston (Joe Brody, Ford's estranged father). Bryan Cranston is only really in the first half, portraying his character as a very outcast, yet very determined former nuclear engineer who is searching for the truth about his wife's tragic death. He was fantastic in the role delivering each line with emotion and conviction he was the best character in the film and I wish he was in the film longer. His theories beautifully foreshadow the events to come, and he drags his son, Ford, right into the heart of the trouble. Thankfully, this means that we get to see lots of the brilliant Aaron Taylor- Johnson, a courageous explosive ordnance disposal technician who comes face-to-face with Godzilla several times. Literally. Aaron Taylor-Johnson really is the star here, and the scenes with his wife, Elle, and son, Sam, before any of the action starts makes his actions later on all the more respectable and courageous as he risks his life to save them and the entire city. Elizabeth Olsen isn't used as much as I would have liked, as she is fantastic in the scenes in which we see her. Having said that, she does appear a fair amount, as the strong wife and mother holding back her terror in order to stay and help. Her scenes with Aaron Taylor- Johnson are great too, and make for some very believable characters. The other main character is Dr Serizawa (played by Ken Watanabe), a scientist monitoring Godzilla and the MUTOs. He doesn't really do much apart from look very worried in every shot and say tense or shocking one-liners, but Ken Watanabe makes sure that it's never cringe-worthy or boring.
Secondly we have Gareth Edwards' directing - wow! I need to see more of this guy! Every shot looks as good as it could possibly be, and the first reveal of Godzilla is brilliant. There's a MUTO smashing up an airport. Cue plane exploding, followed by the one to the right, and then the one to the right, and then… a foot. Silence. Another foot. Cut to a shot of the MUTO roaring, and then back to the feet. Up the camera pans (for quite a long time!), leaving us with a beautiful high-angle shot of the beast himself. And then comes the roar. There's another great shot of Godzilla making his way across the Pacific to San Francisco, and another in the city itself of… well, there's no other way of putting it – Godzilla and a MUTO having a good old' fashioned fistfight, which culminates in a pretty fantastic and well-timed tail slam from the big guy. The skyscrapers don't really bother them. It's just a long shot, and in it we see two giant monsters ripping each other to shreds and obliviously destroying the city below. Another great shot (or shots) is during the HALO jump, as we see the city in flames, the men falling through the clouds and the burning skyline and a close-up of a Godzilla vs MUTO fight.
Now I'll move on to the plot and the headline acts – the MUTOs and the big guy himself, Godzilla. The plot is very straightforward. A MUTO hatches in Japan, one hatches in Nevada next to Las Vegas, and this is all because they've been feeding on humanity's nuclear waste and radiation. Oh, and by the way, the MUTOs look brilliant. Imagine a metal praying mantis crossed with a four-legged spider, as tall as a skyscraper. That's a MUTO. Anyway, Ford joins the fight to stop the creatures, and as they make their way to San Francisco the military plan to destroy them with their most powerful nuclear weapon. Godzilla is closing in too, and when the pesky MUTOs steal the nuke and build their nest around it, Ford and a group of soldiers must go into the city to detonate it. However, Godzilla and the MUTOs are also in the city, smashing everything (including each other) to bits. It's very odd that, for once, we end up cheering Godzilla on, as the two MUTOs begin to overwhelm him as he is seemingly hurt. And then he is actually made out to be the good guy (a twist I enjoyed), as he saves Ford in a spectacular way from a MUTO and the media call him " the saviour of our city?". 'Zilla looks amazing too. "Massive" is probably an understatement, but the spikes on his back, the battle scars on his body and his terrifying face make him look awesome. Also, his roar had me jumping up and down with excitement, as did his surprise for the MUTOs: his atomic fire breath.
All in all, "Godzilla" is one fantastic movie. No longer a mockery, but terrifying, tense, and, unlike many monster movies, it is complex. Complex in that it has multiple characters with interesting back-stories (that are all explored) and gives Godzilla a new personality and purpose. Everything looks great, it feels epic, and I enjoyed every moment. This is a movie that would appeal to anyone.
Movie Metropolis (309 KP) rated Eye In The Sky (2016) in Movies
Jun 10, 2019
An exceptional look at warfare
Warfare is incredibly hard to depict well on screen. The brutality of conflict as well as the accuracy of technologies used is something very rarely achieved in the cinema due to the constant need to turn a profit and please audiences.
After American Sniper rocked the early part of 2015, there were numerous films in the genre greenlit soon after. Gavin Hood’s Eye in the Sky is one. But is it as good as American Sniper? And, more importantly, does it show an accurate depiction of modern conflict?
Eye in the Sky follows the tough choices that have to be made by politicians and military personnel in the fight against modern-day terrorism. Starring an arresting Helen Mirren as Colonel Powell, who leads a group of soldiers in their efforts to thwart a terrorist attack in Nairobi, Kenya.
Alongside her for the journey is the late Alan Rickman, in one of his final screen roles, as General Benson – the man who has to please the more political side of the divide. The film also stars Breaking Bad’s Aaron Paul as a US drone pilot, tasked with delivering a fatal strike on a terrorist cell.
Eye in the Sky, despite its ridiculous name, is one of the freshest and most involving war films in recent times. This is even more astounding considering director Gavin Hood’s recent CV includes the lambasted X-Men Origins: Wolverine and commercial failure Ender’s Game.
This is a taut and well-shot action thriller with an unusually emotional heart at its centre. Our characters continuously grapple with the inevitable “collateral damage” that comes with firing a missile from 22,000ft in the air and we, as the audience share in each of their difficult decisions.
Helen Mirren provides one of her best performances in years and the wonderful Alan Rickman gives us yet more proof of what made him such an exceptional actor – you simply cannot take your eyes of the screen when he is on it. Aaron Paul is also brilliant, with the heart-breaking decisions he is forced to make reflected in his facial expressions. His tears speak louder than any script could ever rustle up.
It’s true that the action is kept to a minimum; this is no Michael Bay picture, but the boardroom setting and confines of the drone pilot room are more than a match for needless explosions as it all feels grounded in reality – despite the fact that some of the intelligence equipment isn’t in the field yet.
Overall, Eye in the Sky is an exceptional piece of film-making with real emotional punch. This is something normally reserved for other genres but it pays of well in this highly intelligent and fantastically acted thriller. Unfortunately, as is the case with many movies in between release schedules of bigger features, it will no doubt slip under the radar slightly.
That’s a shame, as there’s something truly special here and there’s no doubt it is one of the best films released in the last twelve months.
https://moviemetropolis.net/2016/04/23/an-exceptional-look-at-warfare-eye-in-the-sky-review/
After American Sniper rocked the early part of 2015, there were numerous films in the genre greenlit soon after. Gavin Hood’s Eye in the Sky is one. But is it as good as American Sniper? And, more importantly, does it show an accurate depiction of modern conflict?
Eye in the Sky follows the tough choices that have to be made by politicians and military personnel in the fight against modern-day terrorism. Starring an arresting Helen Mirren as Colonel Powell, who leads a group of soldiers in their efforts to thwart a terrorist attack in Nairobi, Kenya.
Alongside her for the journey is the late Alan Rickman, in one of his final screen roles, as General Benson – the man who has to please the more political side of the divide. The film also stars Breaking Bad’s Aaron Paul as a US drone pilot, tasked with delivering a fatal strike on a terrorist cell.
Eye in the Sky, despite its ridiculous name, is one of the freshest and most involving war films in recent times. This is even more astounding considering director Gavin Hood’s recent CV includes the lambasted X-Men Origins: Wolverine and commercial failure Ender’s Game.
This is a taut and well-shot action thriller with an unusually emotional heart at its centre. Our characters continuously grapple with the inevitable “collateral damage” that comes with firing a missile from 22,000ft in the air and we, as the audience share in each of their difficult decisions.
Helen Mirren provides one of her best performances in years and the wonderful Alan Rickman gives us yet more proof of what made him such an exceptional actor – you simply cannot take your eyes of the screen when he is on it. Aaron Paul is also brilliant, with the heart-breaking decisions he is forced to make reflected in his facial expressions. His tears speak louder than any script could ever rustle up.
It’s true that the action is kept to a minimum; this is no Michael Bay picture, but the boardroom setting and confines of the drone pilot room are more than a match for needless explosions as it all feels grounded in reality – despite the fact that some of the intelligence equipment isn’t in the field yet.
Overall, Eye in the Sky is an exceptional piece of film-making with real emotional punch. This is something normally reserved for other genres but it pays of well in this highly intelligent and fantastically acted thriller. Unfortunately, as is the case with many movies in between release schedules of bigger features, it will no doubt slip under the radar slightly.
That’s a shame, as there’s something truly special here and there’s no doubt it is one of the best films released in the last twelve months.
https://moviemetropolis.net/2016/04/23/an-exceptional-look-at-warfare-eye-in-the-sky-review/
365Flicks (235 KP) rated Admins (2017) in Movies
Nov 20, 2019
Glengarry Glen Ross, Clerks, A Few Good Men, The Big Short, Office Space and Waiting, What do these flicks have in common? No matter the genre they fall in they all have great writing, great dialogue and superb execution of both these factors from there core cast. While Admins may be a Low Budget independent movie it has all these key ingredients and deserves your attention.
Since Movies like Clerks and Office Space hit our screens and gave us a real good look into work life culture, well many movies have came and went since that tried to capture that magic but more often than not they fail because they lack the witty dialogue or lead cast delivery. Aaron Goodmiller and Eric Espejo have achieved a rare feat and brought us a movie that holds many similarity’s to the movies they (and we) love but also expertly elaborates becoming not only a love letter to the genre but an excellent reminder that there is still life in this genre yet.
Admins is a day in the life story of Dan and Randy. Dan and Randy are a couple of systems admins at a “government company” and much like your normal average Joe, spend most of there days figuring out how exactly to fill there work time. So yeah that’s pretty much all I can say plot wise other than what follows is a string of interesting, candid, funny as hell conversations (most notably the “Rape Card” conversation) as Dan is trying his damned hardest to better his position in the company and Randy just calls it like he sees it.
For me this flick lives in its performances and I don’t just mean from our two leads. Lets for a second talk about them though Jay Saunders as Dan the put upon employee who has the intelligence and the aspirations of making it, well I thought Saunders nailed this. Playing off him was Doug Henderson as Randy, please please please please someone pick this guy up and take him all the way. Henderson is an absolute scene stealing son of a bitch, his effortless delivery of some fairly complex dialogue makes him a joy to watch. I see a bright future for this guy. Just check out this delivery…
Both the leads are utterly brilliant but I cant take anything away from the supporting cast, Rebecca Wahls and Devon Brookshire in particular shine in there scenes as Vera and Kathy respectively, both playing very strongly off the cocky confident leads.
This recommend couldn’t be any stronger, I want you all to go check this flick out. Aaron Goodmiller has done a fantastic job on directing duties considering he was thrown into it at short notice after writer Eric Espejo had to bow out. Yes it is low budget, but this is a movie that knows where it lives and what its strengths are, complex witty dialogue and a brilliant cast that can deliver. Admins uses those strengths to there fullest and truly is a gem of a movie not to be missed.
So with that in mind here is where you can get a hold of it, and I suggest you do…
Since Movies like Clerks and Office Space hit our screens and gave us a real good look into work life culture, well many movies have came and went since that tried to capture that magic but more often than not they fail because they lack the witty dialogue or lead cast delivery. Aaron Goodmiller and Eric Espejo have achieved a rare feat and brought us a movie that holds many similarity’s to the movies they (and we) love but also expertly elaborates becoming not only a love letter to the genre but an excellent reminder that there is still life in this genre yet.
Admins is a day in the life story of Dan and Randy. Dan and Randy are a couple of systems admins at a “government company” and much like your normal average Joe, spend most of there days figuring out how exactly to fill there work time. So yeah that’s pretty much all I can say plot wise other than what follows is a string of interesting, candid, funny as hell conversations (most notably the “Rape Card” conversation) as Dan is trying his damned hardest to better his position in the company and Randy just calls it like he sees it.
For me this flick lives in its performances and I don’t just mean from our two leads. Lets for a second talk about them though Jay Saunders as Dan the put upon employee who has the intelligence and the aspirations of making it, well I thought Saunders nailed this. Playing off him was Doug Henderson as Randy, please please please please someone pick this guy up and take him all the way. Henderson is an absolute scene stealing son of a bitch, his effortless delivery of some fairly complex dialogue makes him a joy to watch. I see a bright future for this guy. Just check out this delivery…
Both the leads are utterly brilliant but I cant take anything away from the supporting cast, Rebecca Wahls and Devon Brookshire in particular shine in there scenes as Vera and Kathy respectively, both playing very strongly off the cocky confident leads.
This recommend couldn’t be any stronger, I want you all to go check this flick out. Aaron Goodmiller has done a fantastic job on directing duties considering he was thrown into it at short notice after writer Eric Espejo had to bow out. Yes it is low budget, but this is a movie that knows where it lives and what its strengths are, complex witty dialogue and a brilliant cast that can deliver. Admins uses those strengths to there fullest and truly is a gem of a movie not to be missed.
So with that in mind here is where you can get a hold of it, and I suggest you do…