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Bob Mann (459 KP) rated Central Intelligence (2016) in Movies
Sep 29, 2021
Great poster. So-so film.
“Saving the World Takes a Little Hart and a Big Johnson”. I doubt I have ever passed a film poster before and dissolved into paroxysms of mirth, so this film at least wins one award with me.
The story is pretty inconsequential, and used as a framework to build set pieces around. Kevin Hart (“Ride Along”) plays Calvin Joyner – the life and soul of his high school and the guy voted ‘Most likely to succeed’. He’s also a nice guy, sensitively covering the modesty of overweight loser Robbie Wheirdicht (a good Dwayne Johnson lookalike actually played by internet wedding-dance sensation Sione Kelepi) after he’s been ridiculed by bullies in front of the whole school.
But sometimes life doesn’t go to plan and twenty year’s later Calvin may have married his high school sweetheart Maggie (Danielle Nicolet) but has ended up in a low-level forensic accountancy job and not where he wants to be.
Robbie on the other hand has transformed his life and physique to become Bob Stone (Dwayne Johnson), a man with a ‘certain set of skills’ and, as it turns out, a rogue CIA operative. Bob is on the trail of financial codes to help identify the location of the traitorous ‘Black Badger’ who killed his long-term partner Stanton (Aaron Paul). But the Black Badger could be anyone, and the CIA lead (Amy Ryan) suspects it might actually be Stone. With the stakes rising the inept Joyner needs to make a decision on who to trust and who to fear.
The comedy lead Kevin Hart previously impressed with “Get Hard” and raises a few laughs in this one, notably with his attempt at his signature flip twenty years later than he should have attempted it! Johnson’s character is written to be just plain weird and with Johnson’s limited acting range (think Arnie in “Jingle All The Way”) it’s a performance that is on the outlandish side of bizarre. Together the duo make for a likeable pair but this is a very lightweight comedy and is generally a smile-along rather than a laugh-along. It is also uneven in tone, occasionally straying into highly un-comedic territory: a throat-ripping out scene anyone?
The director is Rawson Marshall Thurber who previously directed the better comedy “Dodgeball” and the far worse “We’re the Millers”. So that should set your expectations.
A fairly ho-hum comedy which might entertain you on a long plane flight but is not worth forking out much cash to rent.
The story is pretty inconsequential, and used as a framework to build set pieces around. Kevin Hart (“Ride Along”) plays Calvin Joyner – the life and soul of his high school and the guy voted ‘Most likely to succeed’. He’s also a nice guy, sensitively covering the modesty of overweight loser Robbie Wheirdicht (a good Dwayne Johnson lookalike actually played by internet wedding-dance sensation Sione Kelepi) after he’s been ridiculed by bullies in front of the whole school.
But sometimes life doesn’t go to plan and twenty year’s later Calvin may have married his high school sweetheart Maggie (Danielle Nicolet) but has ended up in a low-level forensic accountancy job and not where he wants to be.
Robbie on the other hand has transformed his life and physique to become Bob Stone (Dwayne Johnson), a man with a ‘certain set of skills’ and, as it turns out, a rogue CIA operative. Bob is on the trail of financial codes to help identify the location of the traitorous ‘Black Badger’ who killed his long-term partner Stanton (Aaron Paul). But the Black Badger could be anyone, and the CIA lead (Amy Ryan) suspects it might actually be Stone. With the stakes rising the inept Joyner needs to make a decision on who to trust and who to fear.
The comedy lead Kevin Hart previously impressed with “Get Hard” and raises a few laughs in this one, notably with his attempt at his signature flip twenty years later than he should have attempted it! Johnson’s character is written to be just plain weird and with Johnson’s limited acting range (think Arnie in “Jingle All The Way”) it’s a performance that is on the outlandish side of bizarre. Together the duo make for a likeable pair but this is a very lightweight comedy and is generally a smile-along rather than a laugh-along. It is also uneven in tone, occasionally straying into highly un-comedic territory: a throat-ripping out scene anyone?
The director is Rawson Marshall Thurber who previously directed the better comedy “Dodgeball” and the far worse “We’re the Millers”. So that should set your expectations.
A fairly ho-hum comedy which might entertain you on a long plane flight but is not worth forking out much cash to rent.
Movie Metropolis (309 KP) rated London Has Fallen (2016) in Movies
Jun 10, 2019
A disgusting attempt at film making
Executives down at Millennium Films must have been rubbing their hands together after the surprise success of their 2013 blockbuster, Olympus Has Fallen. After amassing a respectable $160million against a relatively small budget, a sequel was greenlit as soon as it rolled out of cinemas.
Fast-forward three years and its successor, London Has Fallen, starts off a busy Spring for the film industry. With much of the original cast reprising their roles, can lightning strike again? Or is this a shameless cash in?
Gerard Butler returns as secret agent Mike Banning, with Butler also in a producing role, assigned to protect President Benjamin Asher, Aaron Eckhart also reprising his role, in London as the pair attend the funeral of the British Prime Minister. Naturally, things taken a turn for the worse and both President Asher and Banning are caught in a deadly terrorist attack on the city.
The plot is downright ridiculous with Butler looking almost Terminator-like as he dispatches hundreds of vicious terrorists on the streets of London. Even the President gets in on the action, instead of you know, fleeing for safety like the leader of one of the biggest nations on Earth would do.
With the current climate, London Has Fallen is downright woeful, playing on our fears of urban terrorism like no film before it and after the shocking attacks in Paris last year, and for those still haunted by the memories of 7/7, it is in incredibly poor taste.
The dialogue and numerous plot holes only add salt to the wounds. If this was a serious drama, looking at the appalling ripples terrorism has across the world, then the central premise could be forgiven somewhat, but it isn’t and the uses of comedy throughout are truly dreadful, not once hitting the mark.
Elsewhere, the special effects are some of the worst ever put to film. A helicopter escape across London is laughable and the use of grainy stock footage is far too obvious. It’s clear that director Babak Najafi couldn’t film certain scenes on his tiny budget, instead deciding that dated archive footage was a reasonable substitute – it isn’t.
But by far the worst part of London Has Fallen is how it wastes its talented cast. Morgan Freeman, who stars as Vice President Allan Trumble, is leagues above the standard of this atrocity, and somehow manages to provide a sense of class throughout.
The cinematography is awful, especially towards the film’s sickly sweet finale, and many in the unsuspecting audience said it looked like a third-person video game as Gerard Butler somersaults his way around a poorly-lit construction site.
Overall, London Has Fallen is an appalling excuse for a film. As well as wasting a great cast, it continuously wields one of the world’s greatest fears like a child who’s found his dad’s gun, and for me, that is unforgivable. It may cram a lot of things into 99 minutes, but not a single one is done with any passion.
https://moviemetropolis.net/2016/03/06/a-disgusting-attempt-at-film-making-london-has-fallen-review/
Fast-forward three years and its successor, London Has Fallen, starts off a busy Spring for the film industry. With much of the original cast reprising their roles, can lightning strike again? Or is this a shameless cash in?
Gerard Butler returns as secret agent Mike Banning, with Butler also in a producing role, assigned to protect President Benjamin Asher, Aaron Eckhart also reprising his role, in London as the pair attend the funeral of the British Prime Minister. Naturally, things taken a turn for the worse and both President Asher and Banning are caught in a deadly terrorist attack on the city.
The plot is downright ridiculous with Butler looking almost Terminator-like as he dispatches hundreds of vicious terrorists on the streets of London. Even the President gets in on the action, instead of you know, fleeing for safety like the leader of one of the biggest nations on Earth would do.
With the current climate, London Has Fallen is downright woeful, playing on our fears of urban terrorism like no film before it and after the shocking attacks in Paris last year, and for those still haunted by the memories of 7/7, it is in incredibly poor taste.
The dialogue and numerous plot holes only add salt to the wounds. If this was a serious drama, looking at the appalling ripples terrorism has across the world, then the central premise could be forgiven somewhat, but it isn’t and the uses of comedy throughout are truly dreadful, not once hitting the mark.
Elsewhere, the special effects are some of the worst ever put to film. A helicopter escape across London is laughable and the use of grainy stock footage is far too obvious. It’s clear that director Babak Najafi couldn’t film certain scenes on his tiny budget, instead deciding that dated archive footage was a reasonable substitute – it isn’t.
But by far the worst part of London Has Fallen is how it wastes its talented cast. Morgan Freeman, who stars as Vice President Allan Trumble, is leagues above the standard of this atrocity, and somehow manages to provide a sense of class throughout.
The cinematography is awful, especially towards the film’s sickly sweet finale, and many in the unsuspecting audience said it looked like a third-person video game as Gerard Butler somersaults his way around a poorly-lit construction site.
Overall, London Has Fallen is an appalling excuse for a film. As well as wasting a great cast, it continuously wields one of the world’s greatest fears like a child who’s found his dad’s gun, and for me, that is unforgivable. It may cram a lot of things into 99 minutes, but not a single one is done with any passion.
https://moviemetropolis.net/2016/03/06/a-disgusting-attempt-at-film-making-london-has-fallen-review/
Chris Sawin (602 KP) rated The Ice Age Adventures of Buck Wild (2022) in Movies
Jan 30, 2022
The mimicking raptor (1 more)
The, "power of our spleens," line of dialogue.
Horrendously ugly animation. (2 more)
A terribly boring screenplay.
Humor that is so painfully unfunny.
The Ice Age Adventures of Buck Wild is the first Disney produced film of the franchise and the first Ice Age film to go directly to streaming. None of the original cast members return other than Simon Pegg as Buck Wild. Scrat is nowhere to be found and the animation is a noticeable downgrade. This project began with the intention of being a new Ice Age TV series, but was then repurposed into an 81-minute feature-length film.
Crash and Eddie (now voiced by Vincent Tong and Aaron Harris) have gotten the itch to branch out on their own. Being a part of the herd with Manny, Diego, Sid, and Ellie has finally reached a boiling point. After ruining a summer getaway with an ice-alanche, Manny encourages Crash and Eddie to go off on their own adventure. He never thought the death portraying duo would take his words to heart.
The possums venture back deep below the ice and back to The Lost World where they are reunited with Buck Wild (Pegg). However, their reunion is bittersweet as a big-headed and big-brained Protoceratops named Orson (Utkarsh Ambudkar, Free Guy) has just returned from exile where he intends to use his raptor henchmen to rule over every living mammal.
This new Ice Age film is animated by Canadian animation company Bardel Entertainment. Other CGI related works Bardel has had a hand in producing include Angry Birds Blues, Teenage Mutant Ninja Turtles (2012), All Hail King Julien, The Adventures of Puss in Boots, and the Monsters vs. Aliens TV series. The animation in Adventures of Buck Wild is incredibly ugly. Scenery and background characters are minimally detailed and look like poorly colored blobs with a limited color palette.
The film has a very direct-to-video ambiance to it. It’s kind of like watching Reboot or Beast Wars: Transformers today, but what those series lack in animation they make up for with exceptional writing. The Adventures of Buck Wild mostly feels like Disney’s quick attempt at a cash grab after dissolving Blue Sky Studios in 2021. The animation is a bit better when it comes to close-ups of characters as strands of hair have more detail. It still doesn’t help the horrendous character design. Orson is basically the dinosaur version of Yosemite Sam while his raptors look like Wheelie from Transformers: Revenge of the Fallen.
Directed by John C. Donkin (producer of the first three Ice Age films, Rio and Rio 2, and Robots) and written by Ray DeLaurentis (Fairly Oddparents), Jim Hecht (Ice Age: The Meltdown), and William Schifrin (Quest for Camelot), Adventures of Buck Wild has stale writing that has a few noteworthy moments. Most of the attempts at humor are met with eyerolling, severe facepalms, or shaking your head with disgust. The raptor that copies everything Orson does may be the best comedic relief the films has and the, “Power of spleens,” bit is easily the best line of dialogue.
Buck Wild is a seriously bizarre character though. He formed his own team and inadvertently destroyed it since he last met Crash and Eddie. Being alone has obviously taken its toll on him. He now talks to his left hand in a silly voice and has a pumpkin daughter that is babysat by a cucumber. Zee, a former team member and ex-best friend of Buck, is a zorilla/striped polecat. She looks like a raccoon, but is super agile and can spray like a skunk. Her and Buck are incredibly similar other than the fact that Buck likes to rush into battle without any sort of preparation whereas Zee likes to train and plan before facing an enemy.
It would have been so incredibly satisfying if Disney had debuted an Ice Age film with solid animation, laugh out loud humor, a well-written story, and likeable or even downright despicable characters. Having those elements would have at least given fans of the franchise thus far that Disney had a vision of where to take Ice Age in the foreseeable future. Instead we get this lackluster dud of a film that is boring to look at and is mostly massively unfunny while making most of the characters – old and new – forgettable. When Zee first meets Crash and Eddie, Buck says something along the lines of, “What they lack in courage they make up for with bumbling ineptitude.” That is all The Adventures of Buck Wild is; an unnecessary animated excursion into bumbling ineptitude.
Crash and Eddie (now voiced by Vincent Tong and Aaron Harris) have gotten the itch to branch out on their own. Being a part of the herd with Manny, Diego, Sid, and Ellie has finally reached a boiling point. After ruining a summer getaway with an ice-alanche, Manny encourages Crash and Eddie to go off on their own adventure. He never thought the death portraying duo would take his words to heart.
The possums venture back deep below the ice and back to The Lost World where they are reunited with Buck Wild (Pegg). However, their reunion is bittersweet as a big-headed and big-brained Protoceratops named Orson (Utkarsh Ambudkar, Free Guy) has just returned from exile where he intends to use his raptor henchmen to rule over every living mammal.
This new Ice Age film is animated by Canadian animation company Bardel Entertainment. Other CGI related works Bardel has had a hand in producing include Angry Birds Blues, Teenage Mutant Ninja Turtles (2012), All Hail King Julien, The Adventures of Puss in Boots, and the Monsters vs. Aliens TV series. The animation in Adventures of Buck Wild is incredibly ugly. Scenery and background characters are minimally detailed and look like poorly colored blobs with a limited color palette.
The film has a very direct-to-video ambiance to it. It’s kind of like watching Reboot or Beast Wars: Transformers today, but what those series lack in animation they make up for with exceptional writing. The Adventures of Buck Wild mostly feels like Disney’s quick attempt at a cash grab after dissolving Blue Sky Studios in 2021. The animation is a bit better when it comes to close-ups of characters as strands of hair have more detail. It still doesn’t help the horrendous character design. Orson is basically the dinosaur version of Yosemite Sam while his raptors look like Wheelie from Transformers: Revenge of the Fallen.
Directed by John C. Donkin (producer of the first three Ice Age films, Rio and Rio 2, and Robots) and written by Ray DeLaurentis (Fairly Oddparents), Jim Hecht (Ice Age: The Meltdown), and William Schifrin (Quest for Camelot), Adventures of Buck Wild has stale writing that has a few noteworthy moments. Most of the attempts at humor are met with eyerolling, severe facepalms, or shaking your head with disgust. The raptor that copies everything Orson does may be the best comedic relief the films has and the, “Power of spleens,” bit is easily the best line of dialogue.
Buck Wild is a seriously bizarre character though. He formed his own team and inadvertently destroyed it since he last met Crash and Eddie. Being alone has obviously taken its toll on him. He now talks to his left hand in a silly voice and has a pumpkin daughter that is babysat by a cucumber. Zee, a former team member and ex-best friend of Buck, is a zorilla/striped polecat. She looks like a raccoon, but is super agile and can spray like a skunk. Her and Buck are incredibly similar other than the fact that Buck likes to rush into battle without any sort of preparation whereas Zee likes to train and plan before facing an enemy.
It would have been so incredibly satisfying if Disney had debuted an Ice Age film with solid animation, laugh out loud humor, a well-written story, and likeable or even downright despicable characters. Having those elements would have at least given fans of the franchise thus far that Disney had a vision of where to take Ice Age in the foreseeable future. Instead we get this lackluster dud of a film that is boring to look at and is mostly massively unfunny while making most of the characters – old and new – forgettable. When Zee first meets Crash and Eddie, Buck says something along the lines of, “What they lack in courage they make up for with bumbling ineptitude.” That is all The Adventures of Buck Wild is; an unnecessary animated excursion into bumbling ineptitude.