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Kevin Phillipson (10018 KP) rated Zombieland: Double Tap (2019) in Movies
Oct 24, 2019
Woody harrelson (4 more)
Jesse eisenberg
Emma stone
Abigail bresslin
Stay to the end credits
Just finished watching movie was it the wait of ten years Definitely worth the wait. Loved the sequel loved the first zombieland and the sequel delivers the same humor plus new zombie types. The gangs all back plus new characters like Madison who's my favourite of the characters made me know end. Plus stay to the end credits won't spoil it there's a extra scene that calls back to the first film
Erika (17788 KP) rated The Favourite (2018) in Movies
Dec 29, 2018
Costumes (2 more)
Olivia Colman
Rachel Wiesz
This is definitely not the typical period piece, but I really enjoyed every minute of it. It was a little crude and a bit off in some places, but it was all effective. The costumes were all beautiful, and the wigs on the men were so outrageous but period accurate.
The devious little plots were hilarious to watch play out, though, I have to admit, I was rooting for Sarah (Wiesz) the whole time. As soon as Abigail (Stone) messed with the bunny, she was dead to me. I really felt for Queen Anne (Colman), she was all over the place, but it was understandable due to the emotional trauma she'd suffered. Overall, it showed an interesting dichotomy of female friendship, and it was fun to watch on screen.
The devious little plots were hilarious to watch play out, though, I have to admit, I was rooting for Sarah (Wiesz) the whole time. As soon as Abigail (Stone) messed with the bunny, she was dead to me. I really felt for Queen Anne (Colman), she was all over the place, but it was understandable due to the emotional trauma she'd suffered. Overall, it showed an interesting dichotomy of female friendship, and it was fun to watch on screen.
LeftSideCut (3778 KP) rated Zombieland: Double Tap (2019) in Movies
May 16, 2020
Contains spoilers, click to show
Not going to lie, Zombieland: Double Tap had me from it's opening minutes, where the four familiar main characters storm the White House in search for a new home, smacking the shit out zombies in slow motion, all whilst Metallica's "Master of Puppets" blares out of the screen. Well played Zombieland, well played.
The four main characters - Columbus (Jesse Rosenberg), Tallahassee (Woody Harrelson), Wichita (Emma Stone), and Little Rock (Abigail Breslin) - are a huge part of what made the first film work so well, and thankfully, the chemistry between them all is still intact.
It takes a minute to show though.
After the gratuitous opening scene, Double Tap struggles to find its feet somewhat.
It's not until the main plot kicks off that things get rolling again, and from there, it's great gory fun.
Zoey Deutch is great as Madison, a stereotypical blonde bimbo character who didn't really grab me in the trailers, but is actually pretty damn funny in the finished product.
Rosario Dawson is also here this time around and I'm pretty much guaranteed to love her in anything she's in, so thumbs up there.
The climax to the film feels a little out of nowhere by the time it's rolls around, but it's pretty spectacular to say the least, not too unlike the first film.
Honestly, Double tap is best explained as more of the same, and that's not a bad thing.
On a final note, I found the film to be a solid 7/10 throughout, but Bill Murray battling zombies during the initial outbreak whilst promoting the fictional Garfield 3: Flabby Tabby pushed it to a well deserved 8/10. Well played Zombieland, well played.
The four main characters - Columbus (Jesse Rosenberg), Tallahassee (Woody Harrelson), Wichita (Emma Stone), and Little Rock (Abigail Breslin) - are a huge part of what made the first film work so well, and thankfully, the chemistry between them all is still intact.
It takes a minute to show though.
After the gratuitous opening scene, Double Tap struggles to find its feet somewhat.
It's not until the main plot kicks off that things get rolling again, and from there, it's great gory fun.
Zoey Deutch is great as Madison, a stereotypical blonde bimbo character who didn't really grab me in the trailers, but is actually pretty damn funny in the finished product.
Rosario Dawson is also here this time around and I'm pretty much guaranteed to love her in anything she's in, so thumbs up there.
The climax to the film feels a little out of nowhere by the time it's rolls around, but it's pretty spectacular to say the least, not too unlike the first film.
Honestly, Double tap is best explained as more of the same, and that's not a bad thing.
On a final note, I found the film to be a solid 7/10 throughout, but Bill Murray battling zombies during the initial outbreak whilst promoting the fictional Garfield 3: Flabby Tabby pushed it to a well deserved 8/10. Well played Zombieland, well played.
BankofMarquis (1832 KP) rated Zombieland: Double Tap (2019) in Movies
Nov 1, 2019
I ended up enjoying this film
I really enjoyed the 2009 Horror/Comedy ZOMBIELAND - a truly unique and original film that blends the trendy (at the time) Zombie genre with really smart comedy populated by some truly charismatic comedic performers and a GREAT surprise cameo.
So...I greeted the news that there would be a sequel - 10 years later - with a shrug. Why would they want to revisit this tired (at this time) genre with performers that have (for the most part) gone on to "bigger and better" things (including a few Oscar nominations and 1 Oscar win). But...I enjoyed the first, so I figured I'd check it out. And...for the first 20 minutes or so of this film, I sat there with my arms folded across my chest thinking "they are just trying too hard to replicate the first film". And then an interesting thing happened...
I chuckled to myself. Then I chuckled some more, and then I started laughing out loud and at about the 1 hour mark, I realized, "I'm really enjoying myself".
Credit, I think, has to go the charm, charisma and chemistry between the 4 returning leads - Emma Stone, Jesse Eisenberg, Abigail Breslin and Woody Harrelson. It was like running into 4 old friends and old, comfortable, patterns re-emerge (kind of liking eating comfort food). These are ably assisted by good, fun turns by the likes of Rosario Dawson, Luke Wilson and Thomas Middleditch. Special mention has to be made of Zoey Deutsch's turn as blonde air-head, Madison. This could have easily been a one-note, annoyance. but she brings something more to role that makes her endearing, not cloying.
The original creative team - Director Ruben Fleischer and Writers Rhett Reese and Paul Wernick - are back as well, so the style and humor are similar to the first film - not really bringing much new to the proceedings, but not just "getting a paycheck" either.
This film is "nothing new", but I enjoyed it anyway - so if you liked the first Zombieland, you'll like this one as well. ONE NOTE - there is a "credits scene" as well as a "button scene" at the end of the credits that are MUST WATCH. So stick around for those, you'll be glad you did.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
So...I greeted the news that there would be a sequel - 10 years later - with a shrug. Why would they want to revisit this tired (at this time) genre with performers that have (for the most part) gone on to "bigger and better" things (including a few Oscar nominations and 1 Oscar win). But...I enjoyed the first, so I figured I'd check it out. And...for the first 20 minutes or so of this film, I sat there with my arms folded across my chest thinking "they are just trying too hard to replicate the first film". And then an interesting thing happened...
I chuckled to myself. Then I chuckled some more, and then I started laughing out loud and at about the 1 hour mark, I realized, "I'm really enjoying myself".
Credit, I think, has to go the charm, charisma and chemistry between the 4 returning leads - Emma Stone, Jesse Eisenberg, Abigail Breslin and Woody Harrelson. It was like running into 4 old friends and old, comfortable, patterns re-emerge (kind of liking eating comfort food). These are ably assisted by good, fun turns by the likes of Rosario Dawson, Luke Wilson and Thomas Middleditch. Special mention has to be made of Zoey Deutsch's turn as blonde air-head, Madison. This could have easily been a one-note, annoyance. but she brings something more to role that makes her endearing, not cloying.
The original creative team - Director Ruben Fleischer and Writers Rhett Reese and Paul Wernick - are back as well, so the style and humor are similar to the first film - not really bringing much new to the proceedings, but not just "getting a paycheck" either.
This film is "nothing new", but I enjoyed it anyway - so if you liked the first Zombieland, you'll like this one as well. ONE NOTE - there is a "credits scene" as well as a "button scene" at the end of the credits that are MUST WATCH. So stick around for those, you'll be glad you did.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
Phillip McSween (751 KP) rated Zombieland (2009) in Movies
Nov 12, 2019
Great Cast Makes For the Perfect Movie
Four strangers have to learn to survive together during a zombie apocalypse. Talk about a movie that checks all the boxes, Zombieland does just that! It’s got a little something for everyone.
Acting: 10
Beginning: 10
The first ten minutes is a perfect setup for what you can expect throughout the movie. This isn’t your typical zombie-survival romp and I thought writer Rhett Reese did an amazing job of establishing that early. You meet and fall in love with the main character as he tries to survive a simple trip to the bathroom. You also learn how his “rules” have kept him alive so long.
Characters: 10
His name is Columbus, played by Jesse Eisenberg. He’s such an unlikely hero that you can’t help but root for the poor guy as he moves from one scene to the next. Many of the scenes would have played out much differently if it weren’t for his quirky personality.
The other three mains, Tallahassee (Woody Harrelson), Wichita (Emma Stone), and Little Rock (Abigail Breslin) add their own flare to the film as well. Tallahassee is a badass to the point where it gets extremely comical. His character motivation of searching for a Twinkie (literally!) is priceless. The ladies share a fun backstory that make them an intriguing pair. You throw all four together and you have a perfect combination.
Cinematography/Visuals: 10
Conflict: 10
Entertainment Value: 10
This apocalyptic adventure is a blast across the board from beginning to end. Even the backstories are exciting to watch. The characters help drive the story as you can somehow manage to get on board with each of their motivations for survival. The action is a blast and the slower moments are underrated gems.
Memorability: 10
Pace: 10
Plot: 10
Zombie movies have been done over…and over…and over…It’s a rare treat when they get it right and try to think outside of the box. I love that the film manages to take a familiar theme and make it fresh. Not only is the movie original, but it harbors some of the most memorable scenes in film.
Resolution: 10
Always nice when a movie doesn’t overstay it’s welcome. Zombieland ties up its story in tidy fashion, ending with a heartfelt bang. It immediately makes you want to watch it again.
Overall: 100
I have the utmost respect for the sheer creativity in Zombieland. Sometimes movies try too hard while others don’t try hard enough. This movie never feels forced and always feels in control of its own destiny. Even the small scenes are impactful, like the night scene where they are taking turns driving and getting to know each other in the car. Zombieland is a cinematic treat.
Acting: 10
Beginning: 10
The first ten minutes is a perfect setup for what you can expect throughout the movie. This isn’t your typical zombie-survival romp and I thought writer Rhett Reese did an amazing job of establishing that early. You meet and fall in love with the main character as he tries to survive a simple trip to the bathroom. You also learn how his “rules” have kept him alive so long.
Characters: 10
His name is Columbus, played by Jesse Eisenberg. He’s such an unlikely hero that you can’t help but root for the poor guy as he moves from one scene to the next. Many of the scenes would have played out much differently if it weren’t for his quirky personality.
The other three mains, Tallahassee (Woody Harrelson), Wichita (Emma Stone), and Little Rock (Abigail Breslin) add their own flare to the film as well. Tallahassee is a badass to the point where it gets extremely comical. His character motivation of searching for a Twinkie (literally!) is priceless. The ladies share a fun backstory that make them an intriguing pair. You throw all four together and you have a perfect combination.
Cinematography/Visuals: 10
Conflict: 10
Entertainment Value: 10
This apocalyptic adventure is a blast across the board from beginning to end. Even the backstories are exciting to watch. The characters help drive the story as you can somehow manage to get on board with each of their motivations for survival. The action is a blast and the slower moments are underrated gems.
Memorability: 10
Pace: 10
Plot: 10
Zombie movies have been done over…and over…and over…It’s a rare treat when they get it right and try to think outside of the box. I love that the film manages to take a familiar theme and make it fresh. Not only is the movie original, but it harbors some of the most memorable scenes in film.
Resolution: 10
Always nice when a movie doesn’t overstay it’s welcome. Zombieland ties up its story in tidy fashion, ending with a heartfelt bang. It immediately makes you want to watch it again.
Overall: 100
I have the utmost respect for the sheer creativity in Zombieland. Sometimes movies try too hard while others don’t try hard enough. This movie never feels forced and always feels in control of its own destiny. Even the small scenes are impactful, like the night scene where they are taking turns driving and getting to know each other in the car. Zombieland is a cinematic treat.
Movie Metropolis (309 KP) rated Zombieland: Double Tap (2019) in Movies
Oct 24, 2019
Ten years is a long time in Hollywood. Ten years ago, to this day Avatar was yet to be released to the unsuspecting masses, with Titanic still reigning supreme over the global box-office and debutant director Ruben Fleischer surprised the cinema-going public with Zombieland.
Made on a tiny budget of just over $20million, it went on to gross over $100million globally and received unanimous praise. A sequel was widely expected in the years that followed but never materialised. That’s probably down to a few things; one being Emma Stone’s meteoric rise to fame, Jesse Eisenberg starring in some of the biggest and most celebrated films of the decade that followed and Woody Harrelson, well, being Woody Harrelson (that’s not a dig, we love you Woody).
Fleischer meanwhile went on to direct 30 Minutes or Less, Gangster Squad and Venom among a couple of other projects. The time for a Zombieland sequel came and went with the film’s core fanbase hoping that one day they’d get what they desired.
That day is now here with the release of Zombieland: Double Tap. With a cast of returning characters and the original director at the helm, things certainly look promising from a technical point of view, but has the ship sailed on getting this franchise off the ground?
Zombie slayers Tallahassee (Harrelson), Columbus (Eisenberg), Wichita (Stone), and Little Rock (Abigail Breslin) square off against a newly evolved strain of the undead as well as combatting their own personal demons in an effort to survive the ongoing zombie apocalypse.
Despite the popularity of the film’s actors since its predecessor, it’s nice to see all of the lead cast slot back into their roles seamlessly. Granted they’re a little older than we last remember them, and a little wiser too, but these characters still retain the charm and humour that made the last movie such a success.
Harrelson remains the standout and that’s mainly down to a nicely written script, penned by Rhett Reese, Paul Wernick and Dave Callaham. Between them they’ve worked on films like Gareth Edwards’ Godzilla, Ant-Man, Deadpool and its sequel and Life. That’s a pretty impressive roster of films it has to be said.
Eisenberg and Stone are also nicely written with a good character arc that means we get to see opposing sides to their roles. Unfortunately, Breslin is underused throughout, reduced to a part that feels much more like a support role. Of the new characters introduced, Rosario Dawson and Zoey Deutch are thinly written but reasonably entertaining.
The movie makes a big deal out of introducing some new breeds of zombie flesh-eaters, but doesn’t really do anything with them
Thankfully, the script remains a real highlight over the brisk 99-minute run-time with some genuine hilarity. The screenplay’s attempts at emotion work reasonably well but fall flat on a couple of occasions – the basis of the previous film was its humour and no surprises, this is where the sequel excels.
It’s a nice film to look at too. While some of the landscapes look a little too artificial, the sweeping shots of desolate buildings and roads add a sense of scale that was sometimes lacking last time around. The opening sequence inside the White House is great to watch and sets up the rest of the film well.
Zombieland: Double Tap works best when our band of characters is bouncing off each other and it’s a good job as the zombie action is fleeting. Some action pieces are well choregraphed but for a film about the world being overrun by the undead, there’s a distinct lack of them. The movie makes a big deal out of introducing some new breeds of zombie flesh-eaters, but doesn’t really do anything with them until the final act and that’s a bit of a shame.
Nevertheless, Zombieland: Double Tap remains easy-to-watch and likeable throughout with a cracking cast of characters. Unfortunately, the world has moved on from 2009 and zombie films, TV shows and books are ten-a-penny nowadays (something nicely referenced at the beginning of the film) and while Zombieland 2 does an awful lot right, in the end it’s a decent sequel to a great film, and nothing more than that.
Stick around for a post-credits sequence that follows on from the predecessors “greatest cameo ever”.
Made on a tiny budget of just over $20million, it went on to gross over $100million globally and received unanimous praise. A sequel was widely expected in the years that followed but never materialised. That’s probably down to a few things; one being Emma Stone’s meteoric rise to fame, Jesse Eisenberg starring in some of the biggest and most celebrated films of the decade that followed and Woody Harrelson, well, being Woody Harrelson (that’s not a dig, we love you Woody).
Fleischer meanwhile went on to direct 30 Minutes or Less, Gangster Squad and Venom among a couple of other projects. The time for a Zombieland sequel came and went with the film’s core fanbase hoping that one day they’d get what they desired.
That day is now here with the release of Zombieland: Double Tap. With a cast of returning characters and the original director at the helm, things certainly look promising from a technical point of view, but has the ship sailed on getting this franchise off the ground?
Zombie slayers Tallahassee (Harrelson), Columbus (Eisenberg), Wichita (Stone), and Little Rock (Abigail Breslin) square off against a newly evolved strain of the undead as well as combatting their own personal demons in an effort to survive the ongoing zombie apocalypse.
Despite the popularity of the film’s actors since its predecessor, it’s nice to see all of the lead cast slot back into their roles seamlessly. Granted they’re a little older than we last remember them, and a little wiser too, but these characters still retain the charm and humour that made the last movie such a success.
Harrelson remains the standout and that’s mainly down to a nicely written script, penned by Rhett Reese, Paul Wernick and Dave Callaham. Between them they’ve worked on films like Gareth Edwards’ Godzilla, Ant-Man, Deadpool and its sequel and Life. That’s a pretty impressive roster of films it has to be said.
Eisenberg and Stone are also nicely written with a good character arc that means we get to see opposing sides to their roles. Unfortunately, Breslin is underused throughout, reduced to a part that feels much more like a support role. Of the new characters introduced, Rosario Dawson and Zoey Deutch are thinly written but reasonably entertaining.
The movie makes a big deal out of introducing some new breeds of zombie flesh-eaters, but doesn’t really do anything with them
Thankfully, the script remains a real highlight over the brisk 99-minute run-time with some genuine hilarity. The screenplay’s attempts at emotion work reasonably well but fall flat on a couple of occasions – the basis of the previous film was its humour and no surprises, this is where the sequel excels.
It’s a nice film to look at too. While some of the landscapes look a little too artificial, the sweeping shots of desolate buildings and roads add a sense of scale that was sometimes lacking last time around. The opening sequence inside the White House is great to watch and sets up the rest of the film well.
Zombieland: Double Tap works best when our band of characters is bouncing off each other and it’s a good job as the zombie action is fleeting. Some action pieces are well choregraphed but for a film about the world being overrun by the undead, there’s a distinct lack of them. The movie makes a big deal out of introducing some new breeds of zombie flesh-eaters, but doesn’t really do anything with them until the final act and that’s a bit of a shame.
Nevertheless, Zombieland: Double Tap remains easy-to-watch and likeable throughout with a cracking cast of characters. Unfortunately, the world has moved on from 2009 and zombie films, TV shows and books are ten-a-penny nowadays (something nicely referenced at the beginning of the film) and while Zombieland 2 does an awful lot right, in the end it’s a decent sequel to a great film, and nothing more than that.
Stick around for a post-credits sequence that follows on from the predecessors “greatest cameo ever”.
Lee (2222 KP) rated Zombieland: Double Tap (2019) in Movies
Oct 22, 2019
Not quite as good as the original
It's been 10 years since we last saw Columbus (Jesse Eisenberg), Tallahassee (Woody Harrelson), Wichita (Emma Stone), and Little Rock (Abigail Breslin) and our TV and movie screens have since become even more saturated with zombie content. It's something which even gets acknowledged by Columbus during his opening narration to Zombieland: Double Tap as he thanks the audience for choosing this movie, now that there are "many choices in zombie entertainment."
The opening narration also hilariously introduces us to some of the specific variations of zombies currently being encountered - the Homer, the Hawking and the Ninja - before continuing the comic book violence that we know and love from the first movie. A hugely entertaining slo-mo zombie battle on the overgrown grounds in front of The White House while the opening credits roll. But after that, the foursome setup residence in the presidential home, making good use of the space available and even celebrating Christmas there (even though it's only November!).
Little has changed in the group dynamic, other than the fact that Little Rock is now all grown up, something which forms the basis for the main plot of the movie. Columbus and Wichita are struggling to settle into a routine as a couple, and Tallahassee serves only as an overbearing father figure to Little Rock. Tiring of this setup, and longing for friends her own age, Little Rock runs away with a peace loving boy called Berkeley, to a place called Bablyon, home to a community of pacifists where weapons are not allowed. The others, fearing for her safety, set out on a road trip to go find her.
Something about the humour of Double Tap doesn't seem to work as well as it did in the first movie and much of the bickering and interaction between this makeshift family doesn't feel quite as enjoyable this time around. The constant onscreen reminders of 'the rules' that the group live by becomes tiresome at times and it's therefore up to a number of new characters that the guys meet along the way to try and inject something fresh into it all.
First up is Madison (Zoey Deutch), a young woman that Columbus and Tallahassee meet at a mall early on. Madison is a typical ditzy blonde cliché, forming the butt of many of the jokes, but still managing to be endearing and a lot of fun. Then there's Nevada (Rosario Dawson), along with Tallahassee and Columbus meeting up with their doppelgängers Albuquerque (Luke Wilson) and Flagstaff (Thomas Middleditch). If you've seen the trailer then that manages to cover off a lot of these character meetings and interactions, along with a number of plot beats too unfortunately.
What the trailer doesn't show you though are the hugely satisfying, big action set-pieces, which manage to come along just at the right time in order to inject some serious entertainment into the flagging dialogue. Aside from the slo-mo opening battle that I've already mentioned, there's a wildly fun slapstick zombie fight in an Elvis themed motel and a finale that's packed full of zombie carnage. Not to mention a lengthy credits scene which starts off well, and just keeps on getting better! And the introduction of a more difficult to kill strain of zombie only adds to the fun too.
Overall, Double Tap doesn't quite live up to its predecessor. It's a fun ride though, still boasting some of the best zombie killing action out there, but ultimately doesn't leave much of a lasting impression.
The opening narration also hilariously introduces us to some of the specific variations of zombies currently being encountered - the Homer, the Hawking and the Ninja - before continuing the comic book violence that we know and love from the first movie. A hugely entertaining slo-mo zombie battle on the overgrown grounds in front of The White House while the opening credits roll. But after that, the foursome setup residence in the presidential home, making good use of the space available and even celebrating Christmas there (even though it's only November!).
Little has changed in the group dynamic, other than the fact that Little Rock is now all grown up, something which forms the basis for the main plot of the movie. Columbus and Wichita are struggling to settle into a routine as a couple, and Tallahassee serves only as an overbearing father figure to Little Rock. Tiring of this setup, and longing for friends her own age, Little Rock runs away with a peace loving boy called Berkeley, to a place called Bablyon, home to a community of pacifists where weapons are not allowed. The others, fearing for her safety, set out on a road trip to go find her.
Something about the humour of Double Tap doesn't seem to work as well as it did in the first movie and much of the bickering and interaction between this makeshift family doesn't feel quite as enjoyable this time around. The constant onscreen reminders of 'the rules' that the group live by becomes tiresome at times and it's therefore up to a number of new characters that the guys meet along the way to try and inject something fresh into it all.
First up is Madison (Zoey Deutch), a young woman that Columbus and Tallahassee meet at a mall early on. Madison is a typical ditzy blonde cliché, forming the butt of many of the jokes, but still managing to be endearing and a lot of fun. Then there's Nevada (Rosario Dawson), along with Tallahassee and Columbus meeting up with their doppelgängers Albuquerque (Luke Wilson) and Flagstaff (Thomas Middleditch). If you've seen the trailer then that manages to cover off a lot of these character meetings and interactions, along with a number of plot beats too unfortunately.
What the trailer doesn't show you though are the hugely satisfying, big action set-pieces, which manage to come along just at the right time in order to inject some serious entertainment into the flagging dialogue. Aside from the slo-mo opening battle that I've already mentioned, there's a wildly fun slapstick zombie fight in an Elvis themed motel and a finale that's packed full of zombie carnage. Not to mention a lengthy credits scene which starts off well, and just keeps on getting better! And the introduction of a more difficult to kill strain of zombie only adds to the fun too.
Overall, Double Tap doesn't quite live up to its predecessor. It's a fun ride though, still boasting some of the best zombie killing action out there, but ultimately doesn't leave much of a lasting impression.
Gareth von Kallenbach (980 KP) rated Zombieland: Double Tap (2019) in Movies
Oct 17, 2019
It is hard to believe it has been ten years since audiences were introduced to the hysterical yet violent Post-Apocalypse world of Zombieland; but thankfully the crew is back again with the highly enjoyable “Zombieland: Double Tap”.
The story begins with Columbus (Jesse Eisenberg), bringing the audience up to speed on what has happened since the last film. The Zombies have evolved into different classes of abilities and Columbus and his ersatz family have taken up residence in The White House.
Columbus and Wichita (Emma Stone) are still dating; well at least as best as one can do in a Zombie Apocalypse which is painfully short on options. This situation does not seem to bother Tallahassee (Woody Harrelson), as he is happy to work on his loaded vehicle dubbed “The Beast” but for Little Rock (Abigail Breslin), the situation has become intolerable.
Little Rock is eager to find someone to have a relationship with and when her frustrations combine with Wichita’s insecurities; the girls take off leaving the men to fend for themselves.
While Tallahassee has no issues with this, Columbus is a moping mess and even a trip to the local mall cannot lighten his mood. Things change when they meet the ditzy and clueless Madison (Zoey Deutch); who steals her scenes with her Clueless Pop Culture Princess who is as oblivious to their situation as a person can be.
When Wichita returns to tell them that Little Rock has run off with a guy she met, the crew load up and take to the road to save the day but are blissfully unaware of the new dangers waiting for them.
This is the rare sequel that is as good if not better than the original. The cast works very well with one another and the introduction of new characters brought some additional comedy to the film as well as enhancement to the action sequences.
While the film is at times very gory; it is done in a humorous way that balances the dangers the characters are in with a wink and smile to let the audience know that this is still an Action/Comedy that is light on the darkness and big on the levity.
The film has some great continuity with the original film without repeating itself as Columbus’s rules for survival still pop up when they are used and we also get some hysterical new updates to the coveted Zombie Kill of the Week.
Director Ruben Fleischer knows what audiences want and does a great job giving them more of what he gave them in the first film without being gratuitous or heavy handed with the material.
The new cast works well with the returning players especially Rosario Dawson and the previously mentioned Zoey Deutch who fit seamlessly into the comedic Zombie mayhem.
You will want to make sure to stay into the credits for a fantastic bonus scene which puts a great capper on the film which was one of the best times I have had at the movies in recent years and one of the better movies of 2019.
Hopefully this is not the last outing for the crew as I would love to see further adventures in Zombieland but hopefully we will not have to wait 10 years for the next chapter.
4 stars out of 5
The story begins with Columbus (Jesse Eisenberg), bringing the audience up to speed on what has happened since the last film. The Zombies have evolved into different classes of abilities and Columbus and his ersatz family have taken up residence in The White House.
Columbus and Wichita (Emma Stone) are still dating; well at least as best as one can do in a Zombie Apocalypse which is painfully short on options. This situation does not seem to bother Tallahassee (Woody Harrelson), as he is happy to work on his loaded vehicle dubbed “The Beast” but for Little Rock (Abigail Breslin), the situation has become intolerable.
Little Rock is eager to find someone to have a relationship with and when her frustrations combine with Wichita’s insecurities; the girls take off leaving the men to fend for themselves.
While Tallahassee has no issues with this, Columbus is a moping mess and even a trip to the local mall cannot lighten his mood. Things change when they meet the ditzy and clueless Madison (Zoey Deutch); who steals her scenes with her Clueless Pop Culture Princess who is as oblivious to their situation as a person can be.
When Wichita returns to tell them that Little Rock has run off with a guy she met, the crew load up and take to the road to save the day but are blissfully unaware of the new dangers waiting for them.
This is the rare sequel that is as good if not better than the original. The cast works very well with one another and the introduction of new characters brought some additional comedy to the film as well as enhancement to the action sequences.
While the film is at times very gory; it is done in a humorous way that balances the dangers the characters are in with a wink and smile to let the audience know that this is still an Action/Comedy that is light on the darkness and big on the levity.
The film has some great continuity with the original film without repeating itself as Columbus’s rules for survival still pop up when they are used and we also get some hysterical new updates to the coveted Zombie Kill of the Week.
Director Ruben Fleischer knows what audiences want and does a great job giving them more of what he gave them in the first film without being gratuitous or heavy handed with the material.
The new cast works well with the returning players especially Rosario Dawson and the previously mentioned Zoey Deutch who fit seamlessly into the comedic Zombie mayhem.
You will want to make sure to stay into the credits for a fantastic bonus scene which puts a great capper on the film which was one of the best times I have had at the movies in recent years and one of the better movies of 2019.
Hopefully this is not the last outing for the crew as I would love to see further adventures in Zombieland but hopefully we will not have to wait 10 years for the next chapter.
4 stars out of 5
Gareth von Kallenbach (980 KP) rated Zombieland (2009) in Movies
Aug 9, 2019
Columbus (Jesse Eisenberg) is an unassuming young man who makes his way through life the best way he can despite being plagued by Irritable Bowel Syndrome. This particular affliction is a serious concern for Columbus as according to his rules for survival, bathrooms are a very dangerous place.
In the new horror/comedy “Zombieland”, Columbus finds himself as one of the few remaining people left alive, and is trying to make his way from Texas back to his family in Columbus in the hopes of finding them alive.
Despite being alone, Columbus keeps himself sharp through constant vigilance, and a list of rules he has created for surviving a world gone mad which he has dubbed Zombieland. As the film opens, Columbus establishes some of his most common rules which are then illustrated in very funny examples, which also serve to establish the backdrop of the film.
As he travels, Columbus crosses paths with Tallahassee (Woody Harrelson), who is on a quest to find the last remaining Twinkies in the world. Tallahassee established a no names rule, hence the characters in the film are known by the locales they are from. When he is not cruising the roads in search of his elusive snack cake, Tallahassee is an avid Zombie killer and takes great delight in dispatching as many of them as he can.
When a stop introduces the duo to a pair of sisters named Wichita (Emma Stone), and Little Rock (Abigail Breslin), who are dedicated to survival at all costs, and are not above taking some serious measures of manipulation to get ahead.
After some initial difficulties, the group joins up and head for California where Wichita has convinced Little Rock that a local theme park is a Zombie free area that will provide them a safe haven.
Despite some skepticism but buoyed by his attraction to Wichita, Columbus tags along, and awkwardly attempts to impress her which results in some very touching and funny moments.
The film shifts into high gear when the group arrives in L.A. and takes refuge in a mansion which has tons of laughs as well as a very solid celebrity appearance which is a true gem.
Eventually the subplots of the film all converge in a frantic array of action, humor, and romance that had the audience at the preview screening cheering and laughing.
“Zombieland” is a very enjoyable film that provides plenty of laughs and a good mix of action yet remains a character driven story. The leads all work very well with one another and Eisenberg follows his turn in “Adventureland” with a performance that establishes him as a young actor to watch. His likeable everyman quality combined with his charming sincerity and awkwardness makes Columbus a great foil and companion for the outrageous antics of Tallahassee.
The young love storyline is handled well in the film, and does not resort to any of the usual staples, and unfolds as a very realistic event in a world where Zombies are commonplace.
Director Reuben Fleischer keeps things moving at a brisk pace yet allows time for the characters to shine.
Naturally the film will draw comparison to the classic British film “Shaun of the Dead”, which features normal guys trying to cope with a Zombie invasion. Shaun had plenty of laughs, but at times seemed unsure of what direction it was trying to go in, especially toward the end of the film.
“Zombieland” almost defies you to categorize it as it is great mix of horror, comedy, and action disguised as a romantic comedy. The winning cast and formula makes “Zombieland” one of the most enjoyable films of the summer and a real treat.
In the new horror/comedy “Zombieland”, Columbus finds himself as one of the few remaining people left alive, and is trying to make his way from Texas back to his family in Columbus in the hopes of finding them alive.
Despite being alone, Columbus keeps himself sharp through constant vigilance, and a list of rules he has created for surviving a world gone mad which he has dubbed Zombieland. As the film opens, Columbus establishes some of his most common rules which are then illustrated in very funny examples, which also serve to establish the backdrop of the film.
As he travels, Columbus crosses paths with Tallahassee (Woody Harrelson), who is on a quest to find the last remaining Twinkies in the world. Tallahassee established a no names rule, hence the characters in the film are known by the locales they are from. When he is not cruising the roads in search of his elusive snack cake, Tallahassee is an avid Zombie killer and takes great delight in dispatching as many of them as he can.
When a stop introduces the duo to a pair of sisters named Wichita (Emma Stone), and Little Rock (Abigail Breslin), who are dedicated to survival at all costs, and are not above taking some serious measures of manipulation to get ahead.
After some initial difficulties, the group joins up and head for California where Wichita has convinced Little Rock that a local theme park is a Zombie free area that will provide them a safe haven.
Despite some skepticism but buoyed by his attraction to Wichita, Columbus tags along, and awkwardly attempts to impress her which results in some very touching and funny moments.
The film shifts into high gear when the group arrives in L.A. and takes refuge in a mansion which has tons of laughs as well as a very solid celebrity appearance which is a true gem.
Eventually the subplots of the film all converge in a frantic array of action, humor, and romance that had the audience at the preview screening cheering and laughing.
“Zombieland” is a very enjoyable film that provides plenty of laughs and a good mix of action yet remains a character driven story. The leads all work very well with one another and Eisenberg follows his turn in “Adventureland” with a performance that establishes him as a young actor to watch. His likeable everyman quality combined with his charming sincerity and awkwardness makes Columbus a great foil and companion for the outrageous antics of Tallahassee.
The young love storyline is handled well in the film, and does not resort to any of the usual staples, and unfolds as a very realistic event in a world where Zombies are commonplace.
Director Reuben Fleischer keeps things moving at a brisk pace yet allows time for the characters to shine.
Naturally the film will draw comparison to the classic British film “Shaun of the Dead”, which features normal guys trying to cope with a Zombie invasion. Shaun had plenty of laughs, but at times seemed unsure of what direction it was trying to go in, especially toward the end of the film.
“Zombieland” almost defies you to categorize it as it is great mix of horror, comedy, and action disguised as a romantic comedy. The winning cast and formula makes “Zombieland” one of the most enjoyable films of the summer and a real treat.
Chris Sawin (602 KP) rated Zombieland (2009) in Movies
Jun 22, 2019
Columbus is a loner in every sense of the word. He usually spent his nights indoors playing World of Warcraft, so it's safe to say he probably didn't get out much. He wasn't even all that close to his family. So when the zombie apocalypse finally began to spread across the globe, Columbus already had an advantage over the majority of the population. In addition to that, Columbus had a lot of weird phobias (like clowns and those wet towels they use to wipe down tables at big restaurants). As his experience with the undead grew, so did his list of rules on how to survive in Zombieland. Columbus is on his way to Ohio, where his parents reside, hoping that by some miracle they're still alive. Before he can get very far, he runs into the first human face he's seen since the outbreak, Tallahassee. Tallahassee seems to be fearless, lives life in the moment, and worries about consequences later. His hatred for zombies bleeds through so much that his zombie killing ways are practically down to a fine art. What starts out as a potential ride to get him to his final destination could wind up being everything Columbus has ever wanted and that's a family that he feels comfortable with.
Zombieland somehow managed to breathe life into an aspect of horror I thought dried up along with George A. Romero's career and that's zombies. What started out as a fairly fresh idea has been milked dry with every situation going in every possibly way you could think of. You know Zombieland is going to be a bit different as soon as the movie begins. Columbus does a rundown of some of the most important rules he's learned while living in Zombieland leading up to the credits playing over slow-motion scenes of people being chased and eaten by zombies with "For Whom the Bell Tolls" by Metallica playing the entire time. The cinematography and the way the characters on screen interact with the letters in the opening credits is incredible. Blood splattering on the screen, glass shattering, and the way everything seems to be jumping out at you. To be honest, it's probably one of my favorite openings to any film ever.
Jesse Eisenberg's character Columbus immediately made me think of Michael Cera when I first saw the trailer. It's a role that's so similar to the roles he's played in the past and I found it kinda funny that a new trailer of Cera's was attached to this film. After that first reaction though, it didn't really bother me. In fact, the entire cast does an incredible job with the roles they play. Woody Harrelson is fantastic and steals a good portion of scenes as Tallahassee. With everything else going on, Tallahassee is on this quest to find a Twinkie and it's pretty hilarious watching him lose it whenever he can't find them. Emma Stone and Abigail Breslin as Wichita and Little Rock add more to the film when they're acting as a sisterly team rather than when they have scenes separately later on. Their cons are pretty spectacular and priceless in execution.
One of the most interesting factors of the film was something that made its way online two weeks before the film was even released. Zombieland originally started as a TV pilot. Before the cast we're familiar with now was set, Patrick Swayze was going to cameo as a zombie and there were several moments paying homage to Ghost that just sounded amazing and comical. They actually had several people in mind to cameo in the film. The actor they wound up going with is wonderful in their own right, gets plenty of screen time, and manages to steal quite a few laughs, but the Patrick Swayze zombie would've been just as good if not a bit better considering the circumstances.
The finale of the film that takes place in an amusement park is one of the best closing sequences to a zombie film ever. It's surprising no other zombie film has gone that route. The way the rides and carnival attractions are incorporated into zombie execution is marvelous in itself.
Zombieland is witty horror entertainment with a great cast and clever cinematography. A roller coaster ride you immediately want to ride again as soon as its over. What's surprising is it might just wind up being the best all around horror film to come out this year. As the tagline says, I strongly urge each and every one of you to "nut up or shut up."
Zombieland somehow managed to breathe life into an aspect of horror I thought dried up along with George A. Romero's career and that's zombies. What started out as a fairly fresh idea has been milked dry with every situation going in every possibly way you could think of. You know Zombieland is going to be a bit different as soon as the movie begins. Columbus does a rundown of some of the most important rules he's learned while living in Zombieland leading up to the credits playing over slow-motion scenes of people being chased and eaten by zombies with "For Whom the Bell Tolls" by Metallica playing the entire time. The cinematography and the way the characters on screen interact with the letters in the opening credits is incredible. Blood splattering on the screen, glass shattering, and the way everything seems to be jumping out at you. To be honest, it's probably one of my favorite openings to any film ever.
Jesse Eisenberg's character Columbus immediately made me think of Michael Cera when I first saw the trailer. It's a role that's so similar to the roles he's played in the past and I found it kinda funny that a new trailer of Cera's was attached to this film. After that first reaction though, it didn't really bother me. In fact, the entire cast does an incredible job with the roles they play. Woody Harrelson is fantastic and steals a good portion of scenes as Tallahassee. With everything else going on, Tallahassee is on this quest to find a Twinkie and it's pretty hilarious watching him lose it whenever he can't find them. Emma Stone and Abigail Breslin as Wichita and Little Rock add more to the film when they're acting as a sisterly team rather than when they have scenes separately later on. Their cons are pretty spectacular and priceless in execution.
One of the most interesting factors of the film was something that made its way online two weeks before the film was even released. Zombieland originally started as a TV pilot. Before the cast we're familiar with now was set, Patrick Swayze was going to cameo as a zombie and there were several moments paying homage to Ghost that just sounded amazing and comical. They actually had several people in mind to cameo in the film. The actor they wound up going with is wonderful in their own right, gets plenty of screen time, and manages to steal quite a few laughs, but the Patrick Swayze zombie would've been just as good if not a bit better considering the circumstances.
The finale of the film that takes place in an amusement park is one of the best closing sequences to a zombie film ever. It's surprising no other zombie film has gone that route. The way the rides and carnival attractions are incorporated into zombie execution is marvelous in itself.
Zombieland is witty horror entertainment with a great cast and clever cinematography. A roller coaster ride you immediately want to ride again as soon as its over. What's surprising is it might just wind up being the best all around horror film to come out this year. As the tagline says, I strongly urge each and every one of you to "nut up or shut up."