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Chemistry: A Novel

Weike Wang

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Book

Named a “Most Anticipated Novel of 2017” by Entertainment Weekly, The Millions, and Bustle A...

Fiction

Audio Culture: Readings In Modern Music

Cristoph Cox

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Book

The groundbreaking Audio Culture: Readings in Modern Music (Continuum; September 2004; paperback...

Listening Through the Noise: the Aesthetics of Experimental Electronic Music

Joanna Demers

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Book

Contemporary electronic music has splintered into a dizzying assortment of genres and subgenres,...

Evernote - stay organized

Productivity and Utilities

8.3 (14 Ratings) Rate It

App

Let Evernote change the way you organize your personal and professional projects. Dive in: take...

Maps n Trax - Offline Maps, GPS Tracks & Waypoints

Navigation and Productivity

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App

MAPS n TRAX is a VERSATILE and HIGHLY CUSTOMIZABLE offline map viewer, GPS track recording and...

Merissa (12914 KP) rated Stalking the Goddess in Books

Dec 17, 2018

Stalking The Goddess by Mark Carter is not a book to be taken lightly or to be read as a fill-in. This book deserves your attention as Mark Carter has tried to do the near-impossible and unravel a book that has long been thought of as a Pagan Must-Have. The White Goddess by Robert Graves has long been considered as one of the ultimate books for a Pagan to own, with links to the Welsh Celtic path and showing how, through poetry, that paganism lived on through the ages.

Stalking The Goddess is written like a thesis or dissertation from a university so will appeal to any academically-minded out there. This did make it quite hard going at times and I would read some and then take a break to digest what I had read.

Mark Carter has “untangled the woods” of The White Goddess and made it more accessible to the Pagan who would like to know more about it and where Robert Graves got his sources. Mark Carter has made it possible to see who has influenced Robert Graves, both in a positive and also a negative way, by showing whose work was used and which was not.

One of the things that I found most interesting was that although The White Goddess boasts a Welsh Celtic basis, Robert Graves had actually pulled on stories from the whole of Europe, as well as from the Bible, the Jews and used stories from the Saracens to compile his book and it somehow all seemed to fit which is where Mark Carter has excelled. Star Wars even makes an appearance!

In no way is Mark Carter dismissing The White Goddess and even states in the Epilogue that without The White Goddess it is unlikely that paganism would have developed as it did.

Overall, I would recommend this book for anyone who is interested in the history of The White Goddess, or for someone who has an academic “twist”. Thought provoking and a very interesting read.

Kudos

Gareth von Kallenbach (980 KP) rated Straw Dogs (2011) in Movies

Aug 7, 2019

Straw Dogs (2011)

2011 | Mystery

4.5

(2 Ratings)

Movie Rating

Successful actress Amy Sumner (Kate Bosworth) is returning from her big city life to her southern hometown of Blackwater. Along with Amy is her well-educated and wealthy husband, David Sumner (James Marsdon). David quickly finds this vacation is filled with tension, particularly when it comes to Amy’s ex-boyfriend, Charlie (Alexander Skarsgård), who is not ready to be out of her life. So it is up to the weakling Harvard hero to protect his relationship, home, and way of life in a town he doesn’t quite understand.

A remake of the 1971 thriller classic of the same name, “Straw Dogs” has lost a lot of its appeal and logic with time. It still has gory moments and the plot is very similar to the original but many of the base thrills have been lost in the move to a present day setting.

This film asks the viewers to suspend disbelief, ignore a number of unfinished back-stories, and stand behind characters who are not engaging or believable. Details, both big and small miss the mark. James Marsdon is incorrectly suited as the shy bumbling academic. The house is a seeming fortress for no apparent reason. The side stories, interesting detractions from the overly built tension between the two leading males, are left unresolved.

Additionally, the themes are awkward and incomplete. There are literary throwbacks and some blatant social commentary but all of the film’s depth is lost on an audience who has no reason to care. Viewers will be preoccupied wondering what the point of the film is.

Sure, the story is engrossing and it does force self-analysis, but the modern adaptation would have benefitted from serious editorial cuts. Had the film been completed in a quarter of the time it might have actually managed to be thrilling!

Unbalanced, vapid, and pointless as a thriller “Straw Dogs” falls prey to the unnecessary remake trap. For a real psychological thrill it would be better to opt for the original.