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Gareth von Kallenbach (977 KP) rated Beauty and the Beast (2017) in Movies
Jul 12, 2019
Whenever I was asked who my favorite Disney prince was, I’d answer, without hesitation, “The Beast.”
Friends would look at me askance and ask, “The Beast? Really?”
And I’d simply reply, “Have you not seen his library?”
I also claim Belle as my favorite Disney princess. As a bookworm, Beauty and the Beast gave me a princess I could relate to. Sure, I had just graduated from high school the year before the animated film – not really the demographic Disney was catering to. But when I first watched Belle’s introductory scene, as she made her way through the village with her nose buried in a book while the townfolk sang of her “odd” behavior, I felt l the corners of my lips rise on their own, in a smile of recognition.
Sure, it also may have been because of the clever lyrics of the late Howard Ashman and the wondrous melodies of Alan Menken in that first song alone, but Belle quickly me over not only with her joy for stories and spirit of adventure, but also with her brave spirit.
Beauty and the Beast is a fairy tale told many times over and Disney’s live-action version follows the animated classic closely with some variation and additional scenes and few more songs. Like the animated film, it’s sweepingly romantic and just as enchanting. What the audience may struggle with is that Emma Watson’s Belle is not as…well, animated as the animated Belle. She brings a solemnity to the role, and as singing talent goes, while she is no Paige O’Hara, she can sing.
Luke Evans makes a menacingly handsome Gaston and his big number, with his sidekick LeFou (Josh Gad) is an entertaining high point that cements Gaston’s position as my favorite villain. Dan Stevens brought a bit more humanity to Beast, and with a heartbreaking song of his own, his despair is more keenly felt in this movie. But I have to admit, I prefer Josh Groban’s version of Beast’s solo, which you do get to hear if you sit through the credits.
Lumière the candelabra and Cogsworth the clock were brought to life with great voice work Ewan McGregor and Ian McKellen, respectively. Emma Thompson voiced Mrs. Potts perfectly. I don’t know if it was her voice, the theme song or the ballroom dance scene that provoked an overwhelming sense of nostalgia, but the captivating combination literally brought tears to my eyes. Kevin Kline, who played Belle’s father, Maurice, Stanley Tucci, and Broadway great Audra McDonald round out a solid supporting cast.
As a huge fan of the 1991 Beauty and the Beast, I didn’t believe a live-action version could improve on the beloved, timeless classic. But just like with the animated film, it was truly the songs that made the movie, and the music does it again for the live-action film, making it a memorable, magical treat for young and old alike.
Friends would look at me askance and ask, “The Beast? Really?”
And I’d simply reply, “Have you not seen his library?”
I also claim Belle as my favorite Disney princess. As a bookworm, Beauty and the Beast gave me a princess I could relate to. Sure, I had just graduated from high school the year before the animated film – not really the demographic Disney was catering to. But when I first watched Belle’s introductory scene, as she made her way through the village with her nose buried in a book while the townfolk sang of her “odd” behavior, I felt l the corners of my lips rise on their own, in a smile of recognition.
Sure, it also may have been because of the clever lyrics of the late Howard Ashman and the wondrous melodies of Alan Menken in that first song alone, but Belle quickly me over not only with her joy for stories and spirit of adventure, but also with her brave spirit.
Beauty and the Beast is a fairy tale told many times over and Disney’s live-action version follows the animated classic closely with some variation and additional scenes and few more songs. Like the animated film, it’s sweepingly romantic and just as enchanting. What the audience may struggle with is that Emma Watson’s Belle is not as…well, animated as the animated Belle. She brings a solemnity to the role, and as singing talent goes, while she is no Paige O’Hara, she can sing.
Luke Evans makes a menacingly handsome Gaston and his big number, with his sidekick LeFou (Josh Gad) is an entertaining high point that cements Gaston’s position as my favorite villain. Dan Stevens brought a bit more humanity to Beast, and with a heartbreaking song of his own, his despair is more keenly felt in this movie. But I have to admit, I prefer Josh Groban’s version of Beast’s solo, which you do get to hear if you sit through the credits.
Lumière the candelabra and Cogsworth the clock were brought to life with great voice work Ewan McGregor and Ian McKellen, respectively. Emma Thompson voiced Mrs. Potts perfectly. I don’t know if it was her voice, the theme song or the ballroom dance scene that provoked an overwhelming sense of nostalgia, but the captivating combination literally brought tears to my eyes. Kevin Kline, who played Belle’s father, Maurice, Stanley Tucci, and Broadway great Audra McDonald round out a solid supporting cast.
As a huge fan of the 1991 Beauty and the Beast, I didn’t believe a live-action version could improve on the beloved, timeless classic. But just like with the animated film, it was truly the songs that made the movie, and the music does it again for the live-action film, making it a memorable, magical treat for young and old alike.
Purple Phoenix Games (2266 KP) rated Questeros in Tabletop Games
Jan 21, 2021
You know that messed up deal when you are just chillin’ in the forest doing goblin-y things when you are caught and forced into a life of servitude by the king of the realm, and then when he needs someone to go on a dangerous quest he calls upon you, the now court jester, to fulfill said quest? Doesn’t that just chap your hide? Such is exactly the setting in which our hero(?) finds themselves in Questeros, or more fitting, Ero’s Quest (the solo adventure variant).
Ero is the goblin court jester from the open who has been “chosen” to quest about the land to rid it of the ne’er-do-wells of the realm. In this solo adventure mode of Questeros the player will be donning the visage and character of Ero as they travel about developing their skills and having encounters with powerful beings. It is up to the player to guide Ero through the kingdom and rid it of the foul that is plaguing it.
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. These are preview copy components, and I do not know for sure if the final components will be any different from these shown. Also, it is not my intention to detail every rule in the game, as there are just too many. You are invited to download the rulebook, back the game through the Kickstarter campaign, or through any retailers stocking it after fulfillment. -T
To setup the solo game, fondly and ingeniously-named “Ero’s Quest,” follow the rulebook to divide the tarot cards into their specific stacks and splays so that it roughly imitates the photo below. Draw a hand of five cards from the deck and the game may begin.
On a turn the player has a choice of seven actions that may be performed in any order. Each action may only be performed once per turn and when the turn is over the final action is Rest. To use the Develop action the player will place a card from their hand onto the Blades, Staves, or Orbs stacks in next-numerical order. This increases Ero’s attack and spending power. To Puchase cards Ero will spend Orb cards to look at the spent Orb value worth of cards from the draw deck, add one to their hand, and place the others at the bottom of the draw deck. At times Ero will need to Forget cards from hand in order to make room for more cards to enter it via the Learn action. Forgetting simply discards cards from hand while learning draws cards into hand from the draw deck. Recover is used to stand any kneeling/turned/rotated cards into an unused state by destroying cards of higher value from hand. As stated previously, to Rest is to end the turn by discarding the top card of the draw deck to setup the next turn.
I purposely left out the final action choice, Encounter, for a specific reason. Ero’s Quest is won when the entire deck of 21 Encounter cards is defeated. Each of these cards depicts a person or persons that Ero meets in his travels. Some require Ero to give them cards in order to pass. Some require Ero to succeed in battle against them in order to progress. In either case, Ero will need to get through the entire deck before his draw deck runs out in order to win the game.
Battle in Ero’s Quest is turn-based, where the Encounter persona attacks first, thus handing Ero wounds immediately. Wounds are suffered by spending Cups cards in value of the wound taken. For example, the Assassin is a value of 12, so they immediately wound Ero for 12 damage at the start of the encounter. Ero will spend a value of 12 Cups cards to simulate damage taken. Ero may then attack with a combination of available Blades, Staves, and any Ally cards obtained – one of each per attack turn. If the Encounter is defeated, Ero lives on. If the Encounter is not yet defeated, the battle continues with the Encounter card dealing damage and Ero responding with damage until one is defeated.
As mentioned earlier, the Encounter deck contains 21 cards with six of these being combat encounters. Ero has a ton of work to do and when each turn requires a card to be discarded before a new round may begin, they also have an in-game clock ticking and ticking each turn. However, if Ero is able to Develop their skills and overcome all the Encounters, the game is won and Ero becomes a Hero.
Components. Again, this is a prototype copy of the game, and many items are not fully completed in this version. That said, what we were provided is a large stack of tarot-sized cards, a first player Ero token (for multiplayer games), and a large pad of scoring sheets (also for multiplayer use). The cards are great quality and feature some really excellent artwork (on the cards that have the completed artwork on them). I do like the art style employed here, as I am a fan of fantasy themes, and I know that the game will probably ship with similar iconography, but may also be color-coded for ease of reference. All in all I believe Questeros is headed in the right direction for components, and a successful Kickstarter campaign may improve that even further.
The gameplay for the solo adventure of Ero’s Quest is really decent and engaging. So often I have found myself crunching numbers in my head and attempting to utilize my horrible card-counting “skills” to determine my next actions to take. Turns can be very intense and fruitful, or very frustrating and minimal, especially when you are waiting to draw that 3 of Blades so you can place it on the 2 of Blades sitting there, but it just won’t come up. And here you are sitting with the 4, 5, and 6 of Blades in hand and a Necromancer staring right at you awaiting combat. That is the definition of frustrating, but games usually take less than an hour, so even if an entire game is chock full of these turns, you can always setup a new game quickly and hope for better luck.
I like this one. I really do. It is interesting, has a great theme, so many delicious choices, and multiple ways to use the cards for game modes or tarot decks or even RPG FATE decks! On versatility alone I would rate this one high. If you are looking for a little card game to satisfy your mid-weight solo thirst, then check out Questeros. If you need a tarot game in your collection (as I look at mine and see no others), consider this one. It takes up very little shelf space, but looks great on the table and offers a great little solo experience. I have yet to beat the solo adventure, but Ero is calling my name for another go, and I might just have to give in. Again. And again.
Ero is the goblin court jester from the open who has been “chosen” to quest about the land to rid it of the ne’er-do-wells of the realm. In this solo adventure mode of Questeros the player will be donning the visage and character of Ero as they travel about developing their skills and having encounters with powerful beings. It is up to the player to guide Ero through the kingdom and rid it of the foul that is plaguing it.
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. These are preview copy components, and I do not know for sure if the final components will be any different from these shown. Also, it is not my intention to detail every rule in the game, as there are just too many. You are invited to download the rulebook, back the game through the Kickstarter campaign, or through any retailers stocking it after fulfillment. -T
To setup the solo game, fondly and ingeniously-named “Ero’s Quest,” follow the rulebook to divide the tarot cards into their specific stacks and splays so that it roughly imitates the photo below. Draw a hand of five cards from the deck and the game may begin.
On a turn the player has a choice of seven actions that may be performed in any order. Each action may only be performed once per turn and when the turn is over the final action is Rest. To use the Develop action the player will place a card from their hand onto the Blades, Staves, or Orbs stacks in next-numerical order. This increases Ero’s attack and spending power. To Puchase cards Ero will spend Orb cards to look at the spent Orb value worth of cards from the draw deck, add one to their hand, and place the others at the bottom of the draw deck. At times Ero will need to Forget cards from hand in order to make room for more cards to enter it via the Learn action. Forgetting simply discards cards from hand while learning draws cards into hand from the draw deck. Recover is used to stand any kneeling/turned/rotated cards into an unused state by destroying cards of higher value from hand. As stated previously, to Rest is to end the turn by discarding the top card of the draw deck to setup the next turn.
I purposely left out the final action choice, Encounter, for a specific reason. Ero’s Quest is won when the entire deck of 21 Encounter cards is defeated. Each of these cards depicts a person or persons that Ero meets in his travels. Some require Ero to give them cards in order to pass. Some require Ero to succeed in battle against them in order to progress. In either case, Ero will need to get through the entire deck before his draw deck runs out in order to win the game.
Battle in Ero’s Quest is turn-based, where the Encounter persona attacks first, thus handing Ero wounds immediately. Wounds are suffered by spending Cups cards in value of the wound taken. For example, the Assassin is a value of 12, so they immediately wound Ero for 12 damage at the start of the encounter. Ero will spend a value of 12 Cups cards to simulate damage taken. Ero may then attack with a combination of available Blades, Staves, and any Ally cards obtained – one of each per attack turn. If the Encounter is defeated, Ero lives on. If the Encounter is not yet defeated, the battle continues with the Encounter card dealing damage and Ero responding with damage until one is defeated.
As mentioned earlier, the Encounter deck contains 21 cards with six of these being combat encounters. Ero has a ton of work to do and when each turn requires a card to be discarded before a new round may begin, they also have an in-game clock ticking and ticking each turn. However, if Ero is able to Develop their skills and overcome all the Encounters, the game is won and Ero becomes a Hero.
Components. Again, this is a prototype copy of the game, and many items are not fully completed in this version. That said, what we were provided is a large stack of tarot-sized cards, a first player Ero token (for multiplayer games), and a large pad of scoring sheets (also for multiplayer use). The cards are great quality and feature some really excellent artwork (on the cards that have the completed artwork on them). I do like the art style employed here, as I am a fan of fantasy themes, and I know that the game will probably ship with similar iconography, but may also be color-coded for ease of reference. All in all I believe Questeros is headed in the right direction for components, and a successful Kickstarter campaign may improve that even further.
The gameplay for the solo adventure of Ero’s Quest is really decent and engaging. So often I have found myself crunching numbers in my head and attempting to utilize my horrible card-counting “skills” to determine my next actions to take. Turns can be very intense and fruitful, or very frustrating and minimal, especially when you are waiting to draw that 3 of Blades so you can place it on the 2 of Blades sitting there, but it just won’t come up. And here you are sitting with the 4, 5, and 6 of Blades in hand and a Necromancer staring right at you awaiting combat. That is the definition of frustrating, but games usually take less than an hour, so even if an entire game is chock full of these turns, you can always setup a new game quickly and hope for better luck.
I like this one. I really do. It is interesting, has a great theme, so many delicious choices, and multiple ways to use the cards for game modes or tarot decks or even RPG FATE decks! On versatility alone I would rate this one high. If you are looking for a little card game to satisfy your mid-weight solo thirst, then check out Questeros. If you need a tarot game in your collection (as I look at mine and see no others), consider this one. It takes up very little shelf space, but looks great on the table and offers a great little solo experience. I have yet to beat the solo adventure, but Ero is calling my name for another go, and I might just have to give in. Again. And again.
Gareth von Kallenbach (977 KP) rated Indiana Jones and the Kingdom of the Crystal Skull (2008) in Movies
Aug 14, 2019
After 17 years away from the big screen, Indiana Jones has dusted off his trusty fedora and bullwhip in one of the most eagerly awaited returns to the screen in cinema history. Harrison Ford once again plays the rough and rugged archeologist who is as equally adept in the classroom as he is in the depths of an ancient trap laden chamber.
In “Indiana Jones and the Kingdom of the Crystal Skull”, audience are re-introduced to Jones, who is by now an older, and wiser man who spent the years of WWII as a special operative which earned him not only the rank of Colonel, but numerous medals and citations.
The film opens with a group of bad guys forcing Indiana to locate an object from a gigantic storage area in the infamous Area 51. Since Jones was part of a team that examined said object nearly a decade earlier, his services are greatly desired, and he is forced to play along with his captors.
Of course Indiana Jones is still a man of action, and soon turns the tables on his captors in a daring and humor filled action sequence that quickly answers those that doubted Ford could pull off his charismatic character in his 60’s.
The events of the situation do not go unnoticed by the U.S. government who suspect Jones of collaborating with the enemy, and in the Red Scare America of the 1950’s Jones soon finds himself suspended from his teaching position and looking to head overseas.
As Indy’s train heads out of town, he is approached by a motorcycle riding messenger who says his name is Mutt (Shia LaBeouf), and he has been sent to find Indy by a former college of Indy’s Professor Oxle (John Hurt). Intrigued, Jones listens to the tale Mutt tells him that people have kidnapped Oxley and his mother, and he shows him a letter that Oxley instructed him to pass along to Indy should anything happen to him.
Before Indy can dig further into the mystery, he and Mutt are accosted by thugs and after a daring race through traffic on Mutt’s motorcycle, find themselves on a plane to South America in search of Oxley and Mutt’s mother as well as the fabled Crystal Skull that legend says will grant amazing powers to anyone who returns it to the fabled Golden City.
Thinking that his old friend Oxley may have succeeded where Indy was unable to many years earlier, Jones takes up the cause of locating the fabled artifact and the city as he believes that they are also the keys to locating his missing friend. The film really slows down here and devotes a good amount of time to advancing the story and characters and thanks to the amazingly detailed sets and enjoyable characters; you may find yourself not minding the change of pace.
Of course there are plenty of bad guys to add to the mix, including the evil Irinia Spalko (Cate Blanchett), who is leading a team of Russian soldiers who also have designs on the skull, as it would give them the power to read and control the minds of the leaders the world over, amongst other powers that would be used for their aggressive agendas.
What follows is an effects-laden adventure leading to a grand finale that is not as spectacular as past films in the series, but enjoyable nonetheless. When the action comes it is solid, and while some of it seems to be a retread of some of the classic moments of the series, it does deliver enough thrills to keep fans happy. There are some very welcome moments in the film such as a nice tribute to Sean Connery and the Late Denholm Elliot as well as a cleverly placed cameo early in the film during the warehouse fight.
Shia LaBeouf is an interesting addition to the series and his scenes with Ford are very enjoyable. They have a natural chemistry and do not seem forced like the Short Round character from “Indiana Jones and the Temple of Doom”. I was also very happy to see Karen Allen return to the series as Marion Ravenwood. She has truly proven to be the only love interest in the series that truly measures up to Indy, and her fiery temper with a girl next door charm is the perfect foil for Jones.
The effects in the film are not groundbreaking, but solid, however some may find that the films plot is a bit to complex and takes too long to setup. There were funny moments in the film to go along with the action and viewers who pay close attention will catch some very subtle nods to other moments in the series.
I was pleased with the sets in the film as Director Steven Speilberg and Producer George Lucas clearly paid attention to details in the look of the film. The tombs and exotic chambers depicted in the film had a very immersive nature to them much the same way that classic Disneyland rides like Pirates of the Caribbean and The Haunted Mansion place guests right in the middle of the spooky and exotic locales. From cobwebs, skeletons, and insects and well as treasures galore, it was like being in on the adventure with Indy.
The series does have some life in it and while the film does not measure up with the first film in the series, I would say it is on par with “Temple of Doom” and was for me, more enjoyable than “The Last Crusade.” The film leaves the door open for yet another adventure, and if comments from Speilberg and Lucas are to be taken seriously, we may see the beloved archeologist back on the big screen in the not too distant future.
In “Indiana Jones and the Kingdom of the Crystal Skull”, audience are re-introduced to Jones, who is by now an older, and wiser man who spent the years of WWII as a special operative which earned him not only the rank of Colonel, but numerous medals and citations.
The film opens with a group of bad guys forcing Indiana to locate an object from a gigantic storage area in the infamous Area 51. Since Jones was part of a team that examined said object nearly a decade earlier, his services are greatly desired, and he is forced to play along with his captors.
Of course Indiana Jones is still a man of action, and soon turns the tables on his captors in a daring and humor filled action sequence that quickly answers those that doubted Ford could pull off his charismatic character in his 60’s.
The events of the situation do not go unnoticed by the U.S. government who suspect Jones of collaborating with the enemy, and in the Red Scare America of the 1950’s Jones soon finds himself suspended from his teaching position and looking to head overseas.
As Indy’s train heads out of town, he is approached by a motorcycle riding messenger who says his name is Mutt (Shia LaBeouf), and he has been sent to find Indy by a former college of Indy’s Professor Oxle (John Hurt). Intrigued, Jones listens to the tale Mutt tells him that people have kidnapped Oxley and his mother, and he shows him a letter that Oxley instructed him to pass along to Indy should anything happen to him.
Before Indy can dig further into the mystery, he and Mutt are accosted by thugs and after a daring race through traffic on Mutt’s motorcycle, find themselves on a plane to South America in search of Oxley and Mutt’s mother as well as the fabled Crystal Skull that legend says will grant amazing powers to anyone who returns it to the fabled Golden City.
Thinking that his old friend Oxley may have succeeded where Indy was unable to many years earlier, Jones takes up the cause of locating the fabled artifact and the city as he believes that they are also the keys to locating his missing friend. The film really slows down here and devotes a good amount of time to advancing the story and characters and thanks to the amazingly detailed sets and enjoyable characters; you may find yourself not minding the change of pace.
Of course there are plenty of bad guys to add to the mix, including the evil Irinia Spalko (Cate Blanchett), who is leading a team of Russian soldiers who also have designs on the skull, as it would give them the power to read and control the minds of the leaders the world over, amongst other powers that would be used for their aggressive agendas.
What follows is an effects-laden adventure leading to a grand finale that is not as spectacular as past films in the series, but enjoyable nonetheless. When the action comes it is solid, and while some of it seems to be a retread of some of the classic moments of the series, it does deliver enough thrills to keep fans happy. There are some very welcome moments in the film such as a nice tribute to Sean Connery and the Late Denholm Elliot as well as a cleverly placed cameo early in the film during the warehouse fight.
Shia LaBeouf is an interesting addition to the series and his scenes with Ford are very enjoyable. They have a natural chemistry and do not seem forced like the Short Round character from “Indiana Jones and the Temple of Doom”. I was also very happy to see Karen Allen return to the series as Marion Ravenwood. She has truly proven to be the only love interest in the series that truly measures up to Indy, and her fiery temper with a girl next door charm is the perfect foil for Jones.
The effects in the film are not groundbreaking, but solid, however some may find that the films plot is a bit to complex and takes too long to setup. There were funny moments in the film to go along with the action and viewers who pay close attention will catch some very subtle nods to other moments in the series.
I was pleased with the sets in the film as Director Steven Speilberg and Producer George Lucas clearly paid attention to details in the look of the film. The tombs and exotic chambers depicted in the film had a very immersive nature to them much the same way that classic Disneyland rides like Pirates of the Caribbean and The Haunted Mansion place guests right in the middle of the spooky and exotic locales. From cobwebs, skeletons, and insects and well as treasures galore, it was like being in on the adventure with Indy.
The series does have some life in it and while the film does not measure up with the first film in the series, I would say it is on par with “Temple of Doom” and was for me, more enjoyable than “The Last Crusade.” The film leaves the door open for yet another adventure, and if comments from Speilberg and Lucas are to be taken seriously, we may see the beloved archeologist back on the big screen in the not too distant future.
EmersonRose (320 KP) rated Alfred: The Boy Who Would Be King in Books
Nov 20, 2019
Alfred is a mostly ordinary boy, going to school, playing video games, and reading books about medieval history. His mother is a bit eccentric but all in all, he is living the regular life of an 11-year-old. That is until a mysterious man shows up one night and Alfred suddenly finds himself in a fantastical, medieval kingdom. What is even more strange, Alfred soon discovers he has families ties to this strange land and is the only heir left to the kingdom’s throne. Thrust in the middle of a country cursed by a witch, a dark lord, terrible creatures, and famine, Alfred has his work cut out for him. But thanks to the help of a few new friends, his medieval video game, and book knowledge, he is up for the challenge.
Alfred is a determined, hopeful, excited kid living out a child’s fantasy. He manages to stay strong through horrible circumstances and uses his knowledge of the period along with that of his own time to try and make things better for his people. The mashing together of periods offers plenty of hilarious moments as Alfred tries to explain things like TV and pro-wrestlers. His knowledge of things like agriculture and battle defenses quickly become lifesavers for the peasants who have accepted the return of the king.
This fantastical adventure is a beautiful story that balances the dark, harsh realities of 6997428survival against both enemies and natural, the struggle of the weight thrust upon Alfred’s shoulders, while also remaining lighthearted, funny, and fun. The story unfolds like a puzzle before the reader, much like it does for Alfred, as you discover more about his family, magic, and the politics of this magical world. Author Ron Smorynski has done an incredible job of creating an extraordinary world and characters that you can become invested it. The story captures the pure adventure and action so longed for in fantasy adventures while also tackling growing up, history, and family struggles. To me, it brings to mind such classics as Narnia and The Castle in the Attic.
The book is an excellent beginning. While the story itself is well rounded in itself, the real magic is in the story that it has left to tell. Throughout the book, we get the beginnings of magical rules, political struggle, villains powers, and the complicated history of Alfred’s family and those that knew them. The book leaves you with as many secrets as it answers and simply begs for a sequel. I am excited to see more from this author and continue my journey with Alfred and his friends, hopefully soon!
Alfred is a determined, hopeful, excited kid living out a child’s fantasy. He manages to stay strong through horrible circumstances and uses his knowledge of the period along with that of his own time to try and make things better for his people. The mashing together of periods offers plenty of hilarious moments as Alfred tries to explain things like TV and pro-wrestlers. His knowledge of things like agriculture and battle defenses quickly become lifesavers for the peasants who have accepted the return of the king.
This fantastical adventure is a beautiful story that balances the dark, harsh realities of 6997428survival against both enemies and natural, the struggle of the weight thrust upon Alfred’s shoulders, while also remaining lighthearted, funny, and fun. The story unfolds like a puzzle before the reader, much like it does for Alfred, as you discover more about his family, magic, and the politics of this magical world. Author Ron Smorynski has done an incredible job of creating an extraordinary world and characters that you can become invested it. The story captures the pure adventure and action so longed for in fantasy adventures while also tackling growing up, history, and family struggles. To me, it brings to mind such classics as Narnia and The Castle in the Attic.
The book is an excellent beginning. While the story itself is well rounded in itself, the real magic is in the story that it has left to tell. Throughout the book, we get the beginnings of magical rules, political struggle, villains powers, and the complicated history of Alfred’s family and those that knew them. The book leaves you with as many secrets as it answers and simply begs for a sequel. I am excited to see more from this author and continue my journey with Alfred and his friends, hopefully soon!
Minimon: Adventure of Minions
Games, Entertainment and Stickers
App
A LEGEND AWAKENS… The once peaceful and harmonious homeland of Minimons is being threatened by...
My Little Pony: Twilight Sparkle, Teacher for a Day
Book and Education
7.0
Rate It
App
“Friendship is Magic!” MY LITTLE PONY is now available as an interactive storybook to read...
Gareth von Kallenbach (977 KP) rated Sharknado: The 4th Awakens (2016) in Movies
Jun 19, 2019
In what is become an annual event for Sy the latest in the Sharknado series titles “Sharknado: The 4th Awakens”, delivers more of the cheesy one-liners, highly improbable situations, bad acting, celebrity cameos, and chintzy visual effects that have made the series a pop culture mainstay.
The latest installment picks up five years after the events of the previous film with star Fin Sheppard (Ian Ziering), in Las Vegas to meet his son. Thanks to a new technological breakthrough that dissipates the storms, there has not been a Sharknado in over five years which is causing fin great concern as he believes they are long overdue.
When the storm mysteriously emerges despite numerous attempts dissipated, the Las Vegas strip and several high-end hotels are subjected to the bloody carnage that is caused by a storm filled with all manner of sharks.
Fin and his crew naturally leapt into action to save the day and using all manner of material that is at hand from tourist attractions to fireworks attempts to save the day.
As the situation unfolds there appears to be more than just a random storm behind the latest outbreak which sets Fin on a breakneck mission to save the day.
If you have followed any the previous films in the series you know what to expect. There will be one outrageous scenario after another with multiple celebrity cameos popping up rapidly throughout the film.
The action sequences trip more cheese than the Stadium Nacho Bar and many of the one-liners and acting performances are so bad the groan inducing. The thing about the series is that director and series stalwart Anthony C, Ferrante knows what the audience expects and delivers it with a big wink and smile that lets them know that he’s in on the game.
While from a technical standpoint there’s much that somebody could find fault with in films, that would be missing the point of the series as it is an over-the-top and ludicrous adventure series that does not take itself too seriously and instead attempts to have fun in the most outrageous ways possible.
The film sets the next film in the series very well and don’t be surprised if next summer you find yourself glued in front of the television watching the next installment in what has become an absolute ratings gold mine for the network.
http://sknr.net/2016/07/31/skarknado-4th-awakens/
The latest installment picks up five years after the events of the previous film with star Fin Sheppard (Ian Ziering), in Las Vegas to meet his son. Thanks to a new technological breakthrough that dissipates the storms, there has not been a Sharknado in over five years which is causing fin great concern as he believes they are long overdue.
When the storm mysteriously emerges despite numerous attempts dissipated, the Las Vegas strip and several high-end hotels are subjected to the bloody carnage that is caused by a storm filled with all manner of sharks.
Fin and his crew naturally leapt into action to save the day and using all manner of material that is at hand from tourist attractions to fireworks attempts to save the day.
As the situation unfolds there appears to be more than just a random storm behind the latest outbreak which sets Fin on a breakneck mission to save the day.
If you have followed any the previous films in the series you know what to expect. There will be one outrageous scenario after another with multiple celebrity cameos popping up rapidly throughout the film.
The action sequences trip more cheese than the Stadium Nacho Bar and many of the one-liners and acting performances are so bad the groan inducing. The thing about the series is that director and series stalwart Anthony C, Ferrante knows what the audience expects and delivers it with a big wink and smile that lets them know that he’s in on the game.
While from a technical standpoint there’s much that somebody could find fault with in films, that would be missing the point of the series as it is an over-the-top and ludicrous adventure series that does not take itself too seriously and instead attempts to have fun in the most outrageous ways possible.
The film sets the next film in the series very well and don’t be surprised if next summer you find yourself glued in front of the television watching the next installment in what has become an absolute ratings gold mine for the network.
http://sknr.net/2016/07/31/skarknado-4th-awakens/
ClareR (5674 KP) rated The Bastille Spy in Books
Aug 1, 2019 (Updated Aug 1, 2019)
A very enjoyable historical spy adventure!
England’s best spy, in this novel set in only just pre-Revolution Paris (1789), is Attica Morgan. Yes, in a time where a woman was deemed to be the fairer, weaker sex, Attica is a ruthless, all-action spy in His Majesty’s Government. And I loved her.
I’ve no idea how likely this would have been, and largely speaking, I don’t actually care. This book is non-stop action, as Attica is asked to investigate the murder of a rebel in the Bastille. She sees how dangerous Paris is becoming, and how the French royal family really don’t care about their poorer subjects. Attica teams up with a Privateer/ Pirate to complete her mission - and I found myself wondering (and hoping - see point 2):
1. When the next book will be coming out*, and
2. Will he be in it!
*for the record, I know that this book has only just released, and I’m firmly of the opinion that authors should take as long as they want/ need to take over writing their books. Can’t help but want to see more of these fabulous characters though!
Attica’s backstory is fascinating: the bastard daughter of a British nobleman who has escaped from slavery, educated and brought up as a Lady, she is expected to marry to her family’s advantage (or to that of the Crown). Attica doesn’t really like playing by the rules though, and trains to be a spy - which sounds brutal, but prepares her for some pretty risky missions.
The French people generally, whether Royalists or Republicans, don’t come off terribly well. The Republicans all seem to be pretty bloodthirsty and immoral, the Royalists are ‘just’ immoral. So, happy days (I should also say here that I know lots of lovely French people who are neither immoral or bloodthirsty. Just to make that clear 😉)!
Have I said how much I liked this book? Because I really did. If you want a fun, exciting, historical fiction novel, then this will be right up your street. I’m definitely putting this in my ‘Look out for the next in the series’ watchlist (yes, I really do have one of those).
Many thanks to Jellybooks who provided me with a copy of this book to read and review all the way back in April 2019! I’ve had to try very hard to keep this under my hat since then!
I’ve no idea how likely this would have been, and largely speaking, I don’t actually care. This book is non-stop action, as Attica is asked to investigate the murder of a rebel in the Bastille. She sees how dangerous Paris is becoming, and how the French royal family really don’t care about their poorer subjects. Attica teams up with a Privateer/ Pirate to complete her mission - and I found myself wondering (and hoping - see point 2):
1. When the next book will be coming out*, and
2. Will he be in it!
*for the record, I know that this book has only just released, and I’m firmly of the opinion that authors should take as long as they want/ need to take over writing their books. Can’t help but want to see more of these fabulous characters though!
Attica’s backstory is fascinating: the bastard daughter of a British nobleman who has escaped from slavery, educated and brought up as a Lady, she is expected to marry to her family’s advantage (or to that of the Crown). Attica doesn’t really like playing by the rules though, and trains to be a spy - which sounds brutal, but prepares her for some pretty risky missions.
The French people generally, whether Royalists or Republicans, don’t come off terribly well. The Republicans all seem to be pretty bloodthirsty and immoral, the Royalists are ‘just’ immoral. So, happy days (I should also say here that I know lots of lovely French people who are neither immoral or bloodthirsty. Just to make that clear 😉)!
Have I said how much I liked this book? Because I really did. If you want a fun, exciting, historical fiction novel, then this will be right up your street. I’m definitely putting this in my ‘Look out for the next in the series’ watchlist (yes, I really do have one of those).
Many thanks to Jellybooks who provided me with a copy of this book to read and review all the way back in April 2019! I’ve had to try very hard to keep this under my hat since then!
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