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Get ready for the mobile platformer that literally plays like a dream. Bean Dreams is an...
Phillip McSween (751 KP) rated Solo: A Star Wars Story (2018) in Movies
Oct 27, 2020
Fun Ride
Solo: A Star Wars Story is the origin story of Han Solo before his life with the Rebel Alliance. What I expected to be a cheesy and lame attempt to cash in on a successful series actually turned out to be a pretty fun romp.
Acting: 10
Solid cast here with Alden Ehrenreich playing the leading man Han. He captures the vibe and feel of the character perfectly and has a charisma perfect for the screen. The rest of the cast carries their weight as well. I especially loved the voice performance of Phoebe Waller-Bridge lending her voice to the awesome droid L3-37. Her comedic timing is spot-on.
Beginning: 10
The story jumps in with a harrowing escape from the sewers of an alien planet. You are quickly thrown into the adventure at a moment’s notice and things continue to ramp up from there. My worry of this being a bad movie started to dissipate after the first ten minutes.
Characters: 10
L3-37 aside, other great characters help carry the movie as well. Paul Bettany’s Dryden Vos is a dashing antagonist, a madman who definitely puts off infinite creepy vibes. He adds flare to the story for sure. It’s also refreshing to meet a young Lando Calrissian (Donald Glover) who seems to be just as suave now as he is in the future. The creative characters fill the story with more depth than I was expecting.
Cinematography/Visuals: 10
Conflict: 10
The action is nonstop and very entertaining, never letting up for longer than a few moments. Between the numerous chase scenes and blaster battles there is always something to keep you entertained. I especially loved the train heist, so fun and heartracing at the same time.
Entertainment Value: 9
Memorability: 5
Pace: 10
Plot: 7
Outside of a couple twists and turns, the story is pretty straightforward. Don’t get me wrong, it’s still a fun ride, there was just nothing storywise that blew my mind. I do appreciate Han’s journey and his maturation as the story progresses. It makes the story worth telling. My biggest gripe was with one major coincidence in the story thrown in for the sake of advancing the plot. I won’t give anything away, I’ll just say there were better ways they could have made that connection.
Resolution: 7
Decent ending. Not in love with how it ended, but I knew things had to transpire this way in order to pave the way for future happenings in other movies. Still, I was hoping for a bit more.
Overall: 88
If you’re facing Star Wars overload and still wondering as to whether or not you want to add more movies into the mix, Solo: A Star Wars Story is a blast. I was pleasantly surprised by how well done it was done. A fun adventure from beginning to end.
Acting: 10
Solid cast here with Alden Ehrenreich playing the leading man Han. He captures the vibe and feel of the character perfectly and has a charisma perfect for the screen. The rest of the cast carries their weight as well. I especially loved the voice performance of Phoebe Waller-Bridge lending her voice to the awesome droid L3-37. Her comedic timing is spot-on.
Beginning: 10
The story jumps in with a harrowing escape from the sewers of an alien planet. You are quickly thrown into the adventure at a moment’s notice and things continue to ramp up from there. My worry of this being a bad movie started to dissipate after the first ten minutes.
Characters: 10
L3-37 aside, other great characters help carry the movie as well. Paul Bettany’s Dryden Vos is a dashing antagonist, a madman who definitely puts off infinite creepy vibes. He adds flare to the story for sure. It’s also refreshing to meet a young Lando Calrissian (Donald Glover) who seems to be just as suave now as he is in the future. The creative characters fill the story with more depth than I was expecting.
Cinematography/Visuals: 10
Conflict: 10
The action is nonstop and very entertaining, never letting up for longer than a few moments. Between the numerous chase scenes and blaster battles there is always something to keep you entertained. I especially loved the train heist, so fun and heartracing at the same time.
Entertainment Value: 9
Memorability: 5
Pace: 10
Plot: 7
Outside of a couple twists and turns, the story is pretty straightforward. Don’t get me wrong, it’s still a fun ride, there was just nothing storywise that blew my mind. I do appreciate Han’s journey and his maturation as the story progresses. It makes the story worth telling. My biggest gripe was with one major coincidence in the story thrown in for the sake of advancing the plot. I won’t give anything away, I’ll just say there were better ways they could have made that connection.
Resolution: 7
Decent ending. Not in love with how it ended, but I knew things had to transpire this way in order to pave the way for future happenings in other movies. Still, I was hoping for a bit more.
Overall: 88
If you’re facing Star Wars overload and still wondering as to whether or not you want to add more movies into the mix, Solo: A Star Wars Story is a blast. I was pleasantly surprised by how well done it was done. A fun adventure from beginning to end.
Gareth von Kallenbach (980 KP) rated Black Adam (2022) in Movies
Oct 21, 2022
Dwayne Johnson jumps into the DC Universe with “Black Adam” which sees the
star departs from his usual hero roles to play a part that has his
character walking the line between good and bad.
When he is awaked nearly 5,000 years after he helped defeat a tyrant and
free his people, the magically powered Black Adam returns to the modern
world to find his homeland under the occupation of mercenaries with a
shoot first mentality.
Naturally, this does not sit well with Black Adam and him easily and
brutally dispatches the enemies he faces and in doing so comes onto the
radar of Amanda Waller (Viola Davis) who dispatches members of the Justice
Society to bring him in.
Knowing that a 5,000-year-old with god-like powers are not going to go
easily, Waller dispatches Hackman (Aldis Hodge), Doctor Fate (Pierce
Brosnan), Atom Smasher (Noah Centineo), and Cyclone (Maxine Hunkel), to
convince him to say the word which will remove his powers and come along
to detainment.
Knowing this is a bad plan, the group pushes forward with their mission
and this results in some protracted combat with moments of attempting to
reason with Black Adam.
It is learned that the mercenaries are after an ancient crown which a
professor named Shirt (Odelya Halevi), has recovered and this has placed
her and her son in great danger from forces who will stop at nothing to
obtain in.
Fans of comics and adventure movies likely will see where this is heading
as characters must form uneasy alliances to save the day from those
looking to rule the world through chaos and evil and an extended FX-laden
finale follows.
While the film was better than it looked to be from the trailers, the movie dragged in several places and never really offered up much in the way of twists or standout content from the story.
The saving grace was cast which was solid and Johnson seems to be going
all-in on his performance and it was enjoyable to see despite the flaws
with the story and at times pacing of the film.
While it does not reach the heights of many of the MCU films, “Black Adam”
is an enjoyable adventure and a great introduction to the character. As
long as you are willing to work with the issues of the film and simply
enjoy the great cast and action, you will likely have a good time,
It was also refreshing to see a locale and supporting characters who were
not from a glittering urban city and it added a nice change and diversity
to the film.
There were reports that the film had to be edited from an R- rating and some scenes do imply darker and gorier sequences were originally planned.
Make sure to stay through the credits for a bonus scene and here is hoping
that we see Black Adam back soon.
star departs from his usual hero roles to play a part that has his
character walking the line between good and bad.
When he is awaked nearly 5,000 years after he helped defeat a tyrant and
free his people, the magically powered Black Adam returns to the modern
world to find his homeland under the occupation of mercenaries with a
shoot first mentality.
Naturally, this does not sit well with Black Adam and him easily and
brutally dispatches the enemies he faces and in doing so comes onto the
radar of Amanda Waller (Viola Davis) who dispatches members of the Justice
Society to bring him in.
Knowing that a 5,000-year-old with god-like powers are not going to go
easily, Waller dispatches Hackman (Aldis Hodge), Doctor Fate (Pierce
Brosnan), Atom Smasher (Noah Centineo), and Cyclone (Maxine Hunkel), to
convince him to say the word which will remove his powers and come along
to detainment.
Knowing this is a bad plan, the group pushes forward with their mission
and this results in some protracted combat with moments of attempting to
reason with Black Adam.
It is learned that the mercenaries are after an ancient crown which a
professor named Shirt (Odelya Halevi), has recovered and this has placed
her and her son in great danger from forces who will stop at nothing to
obtain in.
Fans of comics and adventure movies likely will see where this is heading
as characters must form uneasy alliances to save the day from those
looking to rule the world through chaos and evil and an extended FX-laden
finale follows.
While the film was better than it looked to be from the trailers, the movie dragged in several places and never really offered up much in the way of twists or standout content from the story.
The saving grace was cast which was solid and Johnson seems to be going
all-in on his performance and it was enjoyable to see despite the flaws
with the story and at times pacing of the film.
While it does not reach the heights of many of the MCU films, “Black Adam”
is an enjoyable adventure and a great introduction to the character. As
long as you are willing to work with the issues of the film and simply
enjoy the great cast and action, you will likely have a good time,
It was also refreshing to see a locale and supporting characters who were
not from a glittering urban city and it added a nice change and diversity
to the film.
There were reports that the film had to be edited from an R- rating and some scenes do imply darker and gorier sequences were originally planned.
Make sure to stay through the credits for a bonus scene and here is hoping
that we see Black Adam back soon.
Gareth von Kallenbach (980 KP) rated Snow White and the Huntsman (2012) in Movies
Aug 7, 2019
It is easy to be cynical or dismissive regarding the trend in Hollywood to take up beloved gems of the past – namely our childhoods – and adapt them to the big screen with all of the flare and clichés of a summer blockbuster. Yet, what happens when it actually ends up winning you over? There’s a moment in movies like “Snow White and the Huntsman” in which you realize you have let go of those prejudices and notions of incorruptible nostalgia and you’ve actually started to enjoy a new rendition of something old. It’s the directorial debut for the film’s helmer, Rupert Sanders; and to be honest he’s the star of the show. As shallow as it is to say, the visual effects and action overshadow most flaws with characters, acting, or uneven pacing. Not only because his directing ability is well done, but because any flaws with the movie are relatively minor.
The movie retells the familiar story of Snow White (Kristen Stewart), likely popularized by Disney’s adaptation for most of us. Yet, the film takes more influence from the original fairy tale with the additional focus on the Huntsman (Chris Hemsworth). Snow White grows up in a kingdom under the rule of her wicked step-mother, Queen Ravenna (Charlize Theron). The Queen is a narcissistic tyrant obsessed with preserving her physical beauty – at the behest of the entire land and its people. One day, the Queen’s mirror warns that Snow White is fairer than her which leads her to order Snow White’s death. Snow White escapes, and goes on an adventure to save herself and her kingdom with the help of the Huntsman, seven dwarves, and other fantastical allies.
The movie’s framework holds up fairly well. To be honest it was my biggest worry going into the movie – that its plot would break under bloating or simply feeling uninspired. Neither was the case, yet if it were to tip in one side or the other it definitely tips in the direction of a bloated plot. Some characters simply do not get the screentime they require, and with so many characters already it feels like some of them could have been taken out entirely without much effect. Trimming down of characters and irrelevant plot threads could have benefitted the movie greatly. It does, however, do a serviceable job establishing its own identity among fantasy epics. It’s refreshing to see a movie fully embrace two extremes – full-on hard fantasy and the more gritty, realistic and perhaps minimalist fantasy. It strikes a balance with both, so you will see great effects for trolls and fairies while still maintaining a gothic medieval feel. The plot moves forward at a mostly well-paced format, but unfortunately wavers here and there. Sometimes I wished the movie would linger on certain scenes longer – as it can help to have us dwell on great character moments or moments of visual beauty – an unfortunate side effect of a bloated script. While not a problem for the overall plot, the uneven pacing in some scenes can feel a bit rushed. Some questions in the plot went unanswered, but fortunately they aren’t important to the overall understanding of the story.
The only other major issue with the movie is acting. Kristen Stewart as Snow White was an odd choice. Not to say her performance is bad in this film, but it is awkward at points. In some moments she does very well but in others she seems uninspired. It is hard to see her as the titular character instead of just Kristen Stewart in those instances; and in those scenes it feels like she’s as much part of the audience as we are – just with more of a one-note “concerned” facial expression for every instance. While not a breaking element, it leaves more to be desired from her, especially in interactions with others. Chris Hemsworth was much more enjoyable as the Huntsman, and honestly I think his performance along with Theron’s far outbalance any flaws in Kristen Stewart’s acting. The chemistry between the two protagonists seems one sided, as Chris Hemsworth acts well on his side of the equation, but Stewart unfortunately does not reciprocate. Essentially this makes a potential major relationship fall flat. However, Theron completely inhibits the role as the evil Queen. While she may overact in some scenes, she does an excellent job playing a sinister, abusive, powerful and surprisingly tragic villain.
The highlight of the movie is definitely its visual design, cinematography, and action. The only downside in this area is that this movie will definitely remind you of other great movies from long ago. Obvious inspiration from “The Lord of the Rings” echoes while watching, as it even features the same faraway montage shots of the group traversing grand vistas. If you can get passed these obvious influences, it does establish a vibrant and inspired design. That is one of the greatest aspects of the movie – the fact that the director can do so much in a single scene to really draw you in. He does an excellent job using color and pattern contrasts to a striking and awesome effect. There are some great moments that have no action yet are just as enthralling to watch, something difficult to do with just visual style. A great use of color really brings out the themes of the movie – the grey monotones and gothic style bring out a sense of dread and annihilation throughout the Queen’s empire. She truly is a force of parasitism – entirely vampiric in the way she sucks the life out of the entire land around her. She is the embodiment of self-obsession with physical beauty – a force so vain and narcissistic that she acts as a black hole absorbing all beauty around her. Sanders plays this against the vibrant designs of the forest in which Snow White spends most of her time. Alive, colorful, and natural – she embodies natural beauty – and in doing so she seemingly commands nature itself.
Sanders’ directing ability really shines in scenes of action. Instead of lazy overuse of “shaky-cam” to get the effect, he balances it with just enough on-screen choreography so you get intensity without confusion. The movie is truly action packed with familiar medieval-esque battles throughout, but highlighted by truly amazing shots of action and use of fantastical effects. There were a couple instances of eye-rolling wonder at battlefield tactics, but that gets into too much of an area of nitpicking. The action really is one of the best aspects of the movie, and these scenes by themselves outweigh many already mentioned issues.
Overall, “Snow White and the Huntsman” has proven to be a great initial outing for director Rupert Sanders. There are some issues in the flick – namely some instances of uneven pacing and acting issues which leaves some potential to be desired. But even these seemingly huge issues are overshadowed by an excellent use of visual design, cinematography, and action. The plot may be merely serviceable overall, and the movie will remind you of great films long past; yet it still happens to triumph in its main goal – to retell the classic fairly tale of Snow White in the modern Blockbuster sense. In a summer packed with science fiction and superheroes, an entertaining fantasy movie fits in quite nicely.
The movie retells the familiar story of Snow White (Kristen Stewart), likely popularized by Disney’s adaptation for most of us. Yet, the film takes more influence from the original fairy tale with the additional focus on the Huntsman (Chris Hemsworth). Snow White grows up in a kingdom under the rule of her wicked step-mother, Queen Ravenna (Charlize Theron). The Queen is a narcissistic tyrant obsessed with preserving her physical beauty – at the behest of the entire land and its people. One day, the Queen’s mirror warns that Snow White is fairer than her which leads her to order Snow White’s death. Snow White escapes, and goes on an adventure to save herself and her kingdom with the help of the Huntsman, seven dwarves, and other fantastical allies.
The movie’s framework holds up fairly well. To be honest it was my biggest worry going into the movie – that its plot would break under bloating or simply feeling uninspired. Neither was the case, yet if it were to tip in one side or the other it definitely tips in the direction of a bloated plot. Some characters simply do not get the screentime they require, and with so many characters already it feels like some of them could have been taken out entirely without much effect. Trimming down of characters and irrelevant plot threads could have benefitted the movie greatly. It does, however, do a serviceable job establishing its own identity among fantasy epics. It’s refreshing to see a movie fully embrace two extremes – full-on hard fantasy and the more gritty, realistic and perhaps minimalist fantasy. It strikes a balance with both, so you will see great effects for trolls and fairies while still maintaining a gothic medieval feel. The plot moves forward at a mostly well-paced format, but unfortunately wavers here and there. Sometimes I wished the movie would linger on certain scenes longer – as it can help to have us dwell on great character moments or moments of visual beauty – an unfortunate side effect of a bloated script. While not a problem for the overall plot, the uneven pacing in some scenes can feel a bit rushed. Some questions in the plot went unanswered, but fortunately they aren’t important to the overall understanding of the story.
The only other major issue with the movie is acting. Kristen Stewart as Snow White was an odd choice. Not to say her performance is bad in this film, but it is awkward at points. In some moments she does very well but in others she seems uninspired. It is hard to see her as the titular character instead of just Kristen Stewart in those instances; and in those scenes it feels like she’s as much part of the audience as we are – just with more of a one-note “concerned” facial expression for every instance. While not a breaking element, it leaves more to be desired from her, especially in interactions with others. Chris Hemsworth was much more enjoyable as the Huntsman, and honestly I think his performance along with Theron’s far outbalance any flaws in Kristen Stewart’s acting. The chemistry between the two protagonists seems one sided, as Chris Hemsworth acts well on his side of the equation, but Stewart unfortunately does not reciprocate. Essentially this makes a potential major relationship fall flat. However, Theron completely inhibits the role as the evil Queen. While she may overact in some scenes, she does an excellent job playing a sinister, abusive, powerful and surprisingly tragic villain.
The highlight of the movie is definitely its visual design, cinematography, and action. The only downside in this area is that this movie will definitely remind you of other great movies from long ago. Obvious inspiration from “The Lord of the Rings” echoes while watching, as it even features the same faraway montage shots of the group traversing grand vistas. If you can get passed these obvious influences, it does establish a vibrant and inspired design. That is one of the greatest aspects of the movie – the fact that the director can do so much in a single scene to really draw you in. He does an excellent job using color and pattern contrasts to a striking and awesome effect. There are some great moments that have no action yet are just as enthralling to watch, something difficult to do with just visual style. A great use of color really brings out the themes of the movie – the grey monotones and gothic style bring out a sense of dread and annihilation throughout the Queen’s empire. She truly is a force of parasitism – entirely vampiric in the way she sucks the life out of the entire land around her. She is the embodiment of self-obsession with physical beauty – a force so vain and narcissistic that she acts as a black hole absorbing all beauty around her. Sanders plays this against the vibrant designs of the forest in which Snow White spends most of her time. Alive, colorful, and natural – she embodies natural beauty – and in doing so she seemingly commands nature itself.
Sanders’ directing ability really shines in scenes of action. Instead of lazy overuse of “shaky-cam” to get the effect, he balances it with just enough on-screen choreography so you get intensity without confusion. The movie is truly action packed with familiar medieval-esque battles throughout, but highlighted by truly amazing shots of action and use of fantastical effects. There were a couple instances of eye-rolling wonder at battlefield tactics, but that gets into too much of an area of nitpicking. The action really is one of the best aspects of the movie, and these scenes by themselves outweigh many already mentioned issues.
Overall, “Snow White and the Huntsman” has proven to be a great initial outing for director Rupert Sanders. There are some issues in the flick – namely some instances of uneven pacing and acting issues which leaves some potential to be desired. But even these seemingly huge issues are overshadowed by an excellent use of visual design, cinematography, and action. The plot may be merely serviceable overall, and the movie will remind you of great films long past; yet it still happens to triumph in its main goal – to retell the classic fairly tale of Snow White in the modern Blockbuster sense. In a summer packed with science fiction and superheroes, an entertaining fantasy movie fits in quite nicely.
Ryan Hill (152 KP) rated Spider-Man: Homecoming (2017) in Movies
May 11, 2019
"if you are nothing without the suit then you shouldn't have it."
A John Hughes-esque coming-of-age movie, disguised as a friendly neighborhood adventure from the MCU; Spider-Man: Homecoming is more about growing up, and less about saving the world.
Tom Holland is great as Spider-man. His Spidey is different, and in a way, refreshing. I like how the origin story is skipped, and instead, we dive head into the day-to-day adventures of a semi-awkward, fifteen-year-old. I'm more interested in the growth of Peter Parker, than the development of Holland's Spider-Man Spidey-Powers. I'm still undecided about the way Spidey looks in his costume. To me, he looks more like a CGI goofnut, than an Avenger. But, how many kids get to have Jennifer Connelly on standby, whenever they need a helpful voice?
Homecoming might not feel and act like your typical MCU movie, but it does prove we still need Tony Stark, Happy Hogan and Pepper Potts in our lives. I smiled with all the screen time Happy has. He's truly an underrated character in the MCU. Plus, Tony plays the "cool uncle" spot-on.
One of the biggest criticisms with the MCU people have is the boring villain. Not in this case. Michael Keaton plays reverse-Batman, and his character actually has depth, an interesting storyline and a surprise twist. Bookem Woodbine plays a fun henchman, and all movies benefit from the presence of Donald Glover. The bad guys are not a snore nor a bore at this Homecoming Dance with the Devil.
I hope I wasn't the only one laughing at the casting of Tony Revolori as Flash the Bully. He's about as intimidating as a can of ravioli. Zendaya is way underused, but she shines in her scenes. I wish Ned was my best friend, but the poor fella will probably be typecast for life. However, he's a hilarious guy. How can you not like him?
Did you think I forgot about Aunt May? Of course not! Marisa Tomei is smokin' and brings honest energy to her supporting role.
The final boss battle is fun. So are the scenes on a ferry and a national monument. There's action, and there's a lot of growing up for Peter Parker and his friends. I'm not MCU fatigued after watching, but I do have a sudden urge to revisit Pretty in Pink.
Tom Holland is great as Spider-man. His Spidey is different, and in a way, refreshing. I like how the origin story is skipped, and instead, we dive head into the day-to-day adventures of a semi-awkward, fifteen-year-old. I'm more interested in the growth of Peter Parker, than the development of Holland's Spider-Man Spidey-Powers. I'm still undecided about the way Spidey looks in his costume. To me, he looks more like a CGI goofnut, than an Avenger. But, how many kids get to have Jennifer Connelly on standby, whenever they need a helpful voice?
Homecoming might not feel and act like your typical MCU movie, but it does prove we still need Tony Stark, Happy Hogan and Pepper Potts in our lives. I smiled with all the screen time Happy has. He's truly an underrated character in the MCU. Plus, Tony plays the "cool uncle" spot-on.
One of the biggest criticisms with the MCU people have is the boring villain. Not in this case. Michael Keaton plays reverse-Batman, and his character actually has depth, an interesting storyline and a surprise twist. Bookem Woodbine plays a fun henchman, and all movies benefit from the presence of Donald Glover. The bad guys are not a snore nor a bore at this Homecoming Dance with the Devil.
I hope I wasn't the only one laughing at the casting of Tony Revolori as Flash the Bully. He's about as intimidating as a can of ravioli. Zendaya is way underused, but she shines in her scenes. I wish Ned was my best friend, but the poor fella will probably be typecast for life. However, he's a hilarious guy. How can you not like him?
Did you think I forgot about Aunt May? Of course not! Marisa Tomei is smokin' and brings honest energy to her supporting role.
The final boss battle is fun. So are the scenes on a ferry and a national monument. There's action, and there's a lot of growing up for Peter Parker and his friends. I'm not MCU fatigued after watching, but I do have a sudden urge to revisit Pretty in Pink.
BankofMarquis (1832 KP) rated Jumanji: Welcome to the Jungle (2017) in Movies
Jul 18, 2018
A fun, family friendly action comedy
JUMANJI was a fun film from the middle 1990's, starring the late, great ROBIN WILLIAMS. And, when I heard that they were making a sequel to this film 22 years later and starring Dwayne "The Rock" Johnson, I thought "no thanks" and even skipped seeking it out at movie theaters over the winter, even after I heard that it was "pretty fun".
I finally caught up to it on a recent flight and I have to admit - I was wrong for skipping this film JUMANJI: WELCOME TO THE JUNGLE is a fun romp with The Rock ably filling the lead role, aided by a strong supporting cast.
JUMANJI was about a board came come to life. JUMANJI: WELCOME TO THE JUNGLE has the same board game that morphs itself into a video game and when 4 High Schoolers stumble across it while serving detention, well...comedy - and adventure - ensue.
The four high schoolers are typical THE BREAKFAST CLUB stereotypes. The nerdy boy, the hot girl, the jock boy and the dorky girl. When these four are transported into the game they take on the outward appearance - and skills - of their video game characters - the nerdy body becomes the dashing hero (Dwayne "The Rock" Johnson). The hot girl becomes the dumpy (male!) professor (Jack Black). The jock becomes the un-athletic short kid (Kevin Hart) and the dorky girl becomes the kick-ass girl (Karen Gillan). It is the 4 actors playing their high school counterparts in their bodies that is the core of this film - and the center of the charm and fun of this film. All 4 shine. Johnson and Hart (back together after CENTRAL INTELLIGENCE) show that the chemistry they showed with each other in the previous film is no fluke. Gillan (Nebula in the GUARDIANS OF THE GALAXY films) shows that she can do kick-ass well - and with a wink in her eye. But it is the performance of Black that steals things. Someone said to me that Black was made to play a "hot high school girl" and I would have to agree. He almost steals the movie.
Director Jake Kasdan (the TV series NEW GIRL) understands what kind of film that he is making, so keeps the fun and action going at a superficial, almost cartoon level, never really stopping to breathe (or to think). He keeps things light - and family friendly - with just enough "almost" dirty jokes to keep young and old alike interested. It earns - but never crosses the line - of it's PG-13 rating. There is talk of a sequel, and I, for one, am looking forward to it.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis
I finally caught up to it on a recent flight and I have to admit - I was wrong for skipping this film JUMANJI: WELCOME TO THE JUNGLE is a fun romp with The Rock ably filling the lead role, aided by a strong supporting cast.
JUMANJI was about a board came come to life. JUMANJI: WELCOME TO THE JUNGLE has the same board game that morphs itself into a video game and when 4 High Schoolers stumble across it while serving detention, well...comedy - and adventure - ensue.
The four high schoolers are typical THE BREAKFAST CLUB stereotypes. The nerdy boy, the hot girl, the jock boy and the dorky girl. When these four are transported into the game they take on the outward appearance - and skills - of their video game characters - the nerdy body becomes the dashing hero (Dwayne "The Rock" Johnson). The hot girl becomes the dumpy (male!) professor (Jack Black). The jock becomes the un-athletic short kid (Kevin Hart) and the dorky girl becomes the kick-ass girl (Karen Gillan). It is the 4 actors playing their high school counterparts in their bodies that is the core of this film - and the center of the charm and fun of this film. All 4 shine. Johnson and Hart (back together after CENTRAL INTELLIGENCE) show that the chemistry they showed with each other in the previous film is no fluke. Gillan (Nebula in the GUARDIANS OF THE GALAXY films) shows that she can do kick-ass well - and with a wink in her eye. But it is the performance of Black that steals things. Someone said to me that Black was made to play a "hot high school girl" and I would have to agree. He almost steals the movie.
Director Jake Kasdan (the TV series NEW GIRL) understands what kind of film that he is making, so keeps the fun and action going at a superficial, almost cartoon level, never really stopping to breathe (or to think). He keeps things light - and family friendly - with just enough "almost" dirty jokes to keep young and old alike interested. It earns - but never crosses the line - of it's PG-13 rating. There is talk of a sequel, and I, for one, am looking forward to it.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis
Gareth von Kallenbach (980 KP) rated Maleficent: Mistress of Evil (2019) in Movies
Oct 15, 2019
In “Maleficent: Mistress of Evil”; Angelina Jolie returns as the title character to the smash Live-Action film based on the classic Fairy Tale and Animated film.
In the years since the last film ended; Aurora (Elle Fanning) has relished in her role as Princess over the Moors and all of the enchanted creatures that live within it. When she accepts a proposal from Prince Phillip (Harris Dickinson), this sets off a chain of celebratory events as they all prepare for the big day which will unite the two lands.
Phillip’s parents King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer) are eager for the union while Maleficent strongly opposes it and tells Aurora that there will be no wedding. When Aurora persists; Maleficent reluctantly accepts an invitation to dinner at the Castle where things soon go horribly wrong and Maleficent is accused of putting a curse on the King.
Injured while fleeing, Maleficent is wounded and takin in by others of her kind who are preparing for war against the humans as a dark and dangerous plan is underway and the survival of the enchanted creatures is threatened.
The film then becomes a tense adventure with plenty of action, magic, and fantasy which is a nice framework for the great visual effects of the film.
I had been concerned that the film might be too dark for the usual audience for this type of film and there are moments where my concerns are validated. However there is much more charm, fantasy and wonder in the film and if anyone has ever read the original Grimm Fairy Tales; they will know that this is considerably toned down compared to what they offered.
The film has some great visuals to it but they never overshadow the characters in the film as Jolie seems to be taking gleeful delight in playing the title character but allows herself to have some fun with the character at times which helps her emerge as a well-rounded character versus being a staple Fairy Tale Villain.
The film may take a bit of time getting up to the main events but it does so to give more time for the characters to develop which helps them stand out from the usual good/bad monikers given to many fantasy characters.
The supporting cast is solid especially the performances by Pfeiffer and Chiwetel Ejiofor who add much to the complexity of the film and also invoke many themes of discussion that mirrors what is happening in much of society today.
In the end the film delivers a strong performance by Jolie and plenty of magic to make this a modern Fairy Tale Disney classic in the making.
3.5 stars out of 5.
In the years since the last film ended; Aurora (Elle Fanning) has relished in her role as Princess over the Moors and all of the enchanted creatures that live within it. When she accepts a proposal from Prince Phillip (Harris Dickinson), this sets off a chain of celebratory events as they all prepare for the big day which will unite the two lands.
Phillip’s parents King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer) are eager for the union while Maleficent strongly opposes it and tells Aurora that there will be no wedding. When Aurora persists; Maleficent reluctantly accepts an invitation to dinner at the Castle where things soon go horribly wrong and Maleficent is accused of putting a curse on the King.
Injured while fleeing, Maleficent is wounded and takin in by others of her kind who are preparing for war against the humans as a dark and dangerous plan is underway and the survival of the enchanted creatures is threatened.
The film then becomes a tense adventure with plenty of action, magic, and fantasy which is a nice framework for the great visual effects of the film.
I had been concerned that the film might be too dark for the usual audience for this type of film and there are moments where my concerns are validated. However there is much more charm, fantasy and wonder in the film and if anyone has ever read the original Grimm Fairy Tales; they will know that this is considerably toned down compared to what they offered.
The film has some great visuals to it but they never overshadow the characters in the film as Jolie seems to be taking gleeful delight in playing the title character but allows herself to have some fun with the character at times which helps her emerge as a well-rounded character versus being a staple Fairy Tale Villain.
The film may take a bit of time getting up to the main events but it does so to give more time for the characters to develop which helps them stand out from the usual good/bad monikers given to many fantasy characters.
The supporting cast is solid especially the performances by Pfeiffer and Chiwetel Ejiofor who add much to the complexity of the film and also invoke many themes of discussion that mirrors what is happening in much of society today.
In the end the film delivers a strong performance by Jolie and plenty of magic to make this a modern Fairy Tale Disney classic in the making.
3.5 stars out of 5.
MaryAnn (14 KP) rated Shadows from the Past in Books
Mar 5, 2019
Synopsis: ..."It is the price you pay for choosing to be a cop. Your brother's life..." Those words haunt her dreams and her waking moments. LAPD officer, Aurora Kavvan cannot rest until she finds her brothers killer. Digging into the past always brings back unpleasant things: memories, guilt...the hitman. Now she is in a race against time to find the murderer before he finds her. ͞Kill her. I don͛t care how, and I don͛t care where, but I want her dead now! Someone was trying to kill his dead partner͛s sister. FBI agent, Jordan Reiley will stop at nothing to protect the woman he loves. Even if it means going against her wishes; putting himself between her and the man who murdered her brother. Will God keep them alive long enough for them to find the truth?
My Thoughts: This is an action-packed thriller! This is the story of Aurora, has some issues from her past that keep coming back in her dreams, but she won't stop looking for the man who killed her brother.
This book has a clear message that God is there for you, especially in the hard times. That we can't do everything on our own, that we do need to give our troubles to God. It's a book about forgiveness, and not rushing into judgments of other people.
I enjoyed this novel, it was full of adventure, romance, and mystery. It was easy to follow along and the characters were wonderful. Some people may not notice quickly, but the main character Aurora suffers from PTSD; the nightmares, pushing people away all are part of it, and I believe that the author did a wonderful job bringing this forward. I did enjoy that she began to trust again, both in her friends and in God.
This was an enjoyable read and I look forward to reading the next books in the series... so look for the upcoming reviews of the shadow series.
My Thoughts: This is an action-packed thriller! This is the story of Aurora, has some issues from her past that keep coming back in her dreams, but she won't stop looking for the man who killed her brother.
This book has a clear message that God is there for you, especially in the hard times. That we can't do everything on our own, that we do need to give our troubles to God. It's a book about forgiveness, and not rushing into judgments of other people.
I enjoyed this novel, it was full of adventure, romance, and mystery. It was easy to follow along and the characters were wonderful. Some people may not notice quickly, but the main character Aurora suffers from PTSD; the nightmares, pushing people away all are part of it, and I believe that the author did a wonderful job bringing this forward. I did enjoy that she began to trust again, both in her friends and in God.
This was an enjoyable read and I look forward to reading the next books in the series... so look for the upcoming reviews of the shadow series.
Kaz (232 KP) rated Library of Souls: The Third Novel of Miss Peregrine's Home for Peculiar Children in Books
May 15, 2019
The Best Book So Far in the Series
The 'Blurb':
'The Peculiar Children are back in the third installment in the bestselling series of YA novels by Ransom Riggs. Time is running out for the Peculiar Children. With a dangerous madman on the loose, and their beloved Miss Peregrine still in danger, it's up to Jacob Portman to channel his newfound abilities and defeat Caul before he loses his friends--and their world--forever. This action-packed adventure features all-new Peculiar photographs from times and places all over the world.'
I've recently finished reading 'Library of Souls' by Ransom Riggs and I thought that this was the best book in the series. I'm not sure if this book was the last in a trilogy or the new book due to come out, follows on from what happened in 'Library of Souls', but I liked the plot of this novel.
Whilst I enjoyed the other two books, I think with 'Library of Souls', the story really gets going and this book was really well-paced and exciting.
I liked the development of the characters and I also thought that the themes running through the book, about how power use others to gain power for themselves, was thought provoking and mature. The teen romance is the only thing that lets this down slightly throughout the other books, but that element was dealt with well in 'Library of Souls'.
Also I think that the writing style is better in this novel. In the first novel, there were a few times where the writing seemed a bit awkward, but I think 'Library of Souls' is well written and at times, funny. At times, the story mirrored 'Harry Potter', but I still thought that it was still quite original.
I hope the new book continues Jacob's story, but even if that's the last thing we hear of this set of characters, this was a fitting end to their adventures.
My Rating **** 1/2 Stars
'The Peculiar Children are back in the third installment in the bestselling series of YA novels by Ransom Riggs. Time is running out for the Peculiar Children. With a dangerous madman on the loose, and their beloved Miss Peregrine still in danger, it's up to Jacob Portman to channel his newfound abilities and defeat Caul before he loses his friends--and their world--forever. This action-packed adventure features all-new Peculiar photographs from times and places all over the world.'
I've recently finished reading 'Library of Souls' by Ransom Riggs and I thought that this was the best book in the series. I'm not sure if this book was the last in a trilogy or the new book due to come out, follows on from what happened in 'Library of Souls', but I liked the plot of this novel.
Whilst I enjoyed the other two books, I think with 'Library of Souls', the story really gets going and this book was really well-paced and exciting.
I liked the development of the characters and I also thought that the themes running through the book, about how power use others to gain power for themselves, was thought provoking and mature. The teen romance is the only thing that lets this down slightly throughout the other books, but that element was dealt with well in 'Library of Souls'.
Also I think that the writing style is better in this novel. In the first novel, there were a few times where the writing seemed a bit awkward, but I think 'Library of Souls' is well written and at times, funny. At times, the story mirrored 'Harry Potter', but I still thought that it was still quite original.
I hope the new book continues Jacob's story, but even if that's the last thing we hear of this set of characters, this was a fitting end to their adventures.
My Rating **** 1/2 Stars