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EmersonRose (320 KP) rated Knight of The Dead III: Fortress in Books
Nov 20, 2019
Knight of the Dead III: Fortress continues the adventures of Ronan and his family as they struggle to survive in the Zombie Apocalypse. The third book is a non-stop action-packed adventure as Ronan really starts to build up his fortress in a school building, slowly growing his kingdom. He has finally saved enough people that there really starts to be some interesting dynamics between the survivors and a look to the future can begin to happen. In this book, the stakes are raised as the zombies continue to change and seemingly become smarter and more dangerous. With the stakes raised, his family finally in a stable situation, Ronan sets out full force to save as many others as he can.
Without a doubt, my favorite part if this series is the unique take at apocalypse fiction by throwing in medieval fighting. This book does not disappoint as there are thrilling action scenes, plenty of training sequences, and the knight continuing to become a legend in the modern world. This unique touch simultaneously gives the story a fun and engaging layer while also somehow adding to the believability of the world that author Ron Smorynski has created. With the detailed fighting knowledge, and the time spent on gathering food, training, getting water, and fortifying the school, as a reader you can believe that they would have survived this long.518hheXuwoL._SY346_
This book focuses more on rescue then the previous books and as the cast of characters continues to grow there is less time spent one on one with people. This decreases the amount of individual tension between characters, but there is still tension as Ronan is the dictator and continues to push his Christian values on everyone within his fortress. This dynamic makes sense in the situation, but I like the moments when Ronan gets to be humanized more in small moments. A hug with his wife or children, a cute moment with him and the children, his appreciated a moment of laughter. These moments are very sweet in the otherwise horror-filled world they live in, and Ronan gets to relax the least as a leader.
Pet peeve of mine in apocalypse fiction is the idea that you are completely alone in the world. That although you survived no one else on the planet could have. Smorynski does not fall into this trap. He acknowledges the bigger world, although his characters have very little contact with it. And there is a good balance between the characters feeling alone and being alone. Many people have died in the month of the apocalypse, but they are still finding survivors. There are other people who are holding on. This makes the series more exciting for me and also keeps me excited for the books to come as I enjoy watching the growing community of survivors.
This series is exciting and gripping from beginning to end. Smorynski does a good job of justifying the risks that his characters take and ups the stakes and consequences as the book progresses, making the danger feel read from beginning to end. If you like zombie stories or apocalypse fiction, then I would highly recommend checking this series out. I cannot wait to see where the story goes from here!
Without a doubt, my favorite part if this series is the unique take at apocalypse fiction by throwing in medieval fighting. This book does not disappoint as there are thrilling action scenes, plenty of training sequences, and the knight continuing to become a legend in the modern world. This unique touch simultaneously gives the story a fun and engaging layer while also somehow adding to the believability of the world that author Ron Smorynski has created. With the detailed fighting knowledge, and the time spent on gathering food, training, getting water, and fortifying the school, as a reader you can believe that they would have survived this long.518hheXuwoL._SY346_
This book focuses more on rescue then the previous books and as the cast of characters continues to grow there is less time spent one on one with people. This decreases the amount of individual tension between characters, but there is still tension as Ronan is the dictator and continues to push his Christian values on everyone within his fortress. This dynamic makes sense in the situation, but I like the moments when Ronan gets to be humanized more in small moments. A hug with his wife or children, a cute moment with him and the children, his appreciated a moment of laughter. These moments are very sweet in the otherwise horror-filled world they live in, and Ronan gets to relax the least as a leader.
Pet peeve of mine in apocalypse fiction is the idea that you are completely alone in the world. That although you survived no one else on the planet could have. Smorynski does not fall into this trap. He acknowledges the bigger world, although his characters have very little contact with it. And there is a good balance between the characters feeling alone and being alone. Many people have died in the month of the apocalypse, but they are still finding survivors. There are other people who are holding on. This makes the series more exciting for me and also keeps me excited for the books to come as I enjoy watching the growing community of survivors.
This series is exciting and gripping from beginning to end. Smorynski does a good job of justifying the risks that his characters take and ups the stakes and consequences as the book progresses, making the danger feel read from beginning to end. If you like zombie stories or apocalypse fiction, then I would highly recommend checking this series out. I cannot wait to see where the story goes from here!
Sophia (Bookwyrming Thoughts) (530 KP) rated Last of Her Name in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<h2><em><strong>Last of Her Name</strong></em><strong> hits the ground running.</strong></h2>
Khoury's takes us on an adventure through the Belt of Jewels when the Direktor and the Union shows up on Stacia's planet and she is accused of being Princess Anya Leonova, a member of the royal family supposedly killed years ago by the Direktor. With the help of Pol, Stacia escapes from the home planet she's known throughout her life, leaving Clio behind with the others to be taken away.
<h2><strong>Friendships!</strong></h2>
I love the childhood friendship between Pol, Clio and Stacia told throughout the book with various memories as Stacia makes it her one mission to rescue Clio from the Direktor no matter what it takes among the chaos her life becomes. I enjoyed the backstory and learning more about them, and felt the memories were a great balance with the fast-paced action of the book in addition to being a driving force for Stacia.
While <em>Last of Her Name</em> primarily focuses on the strong friendship already developed in Stacia's childhood, Stacia and Pol create new friendships on the run as well. The two cross paths with Riyan shortly after escaping, a tensor from a distant planet who is also searching for someone he cares about. Although the three of them have a rough start, they develop a bond throughout the book.
<h2><strong>Identity!</strong></h2>
Stacia goes about her life normally until the Direktor shows up, forcing her to run away from all she knows. As she and Pol get chased across the galaxy, Stacia is trying to figure out who she <em>really</em> is as a person: is she Anya or is she Stacia? How can she accept a new part of herself without losing the self that she has always known about? In addition to figuring out who she is, Stacia is also battling her growing feelings for Pol, and those two are simply adorable as they circle around their feelings.
<s>This is why I have a soft spot for friends to lovers tropes I'm just saying.</s>
<h2><strong>Family and Community!</strong></h2>
There's not much I can say about family and community without giving spoilers away (can't have that!), but I really appreciated some of the gestures from Stacia's family and community. But there is so much different family drama, I would have had one too many popcorns if I could just watching the whole story unfold and come together. SO. MUCH. TEA. 🍵
<h2><b>Everything seemed a little too easy.</b></h2>
The only issue I had with this one is how everything seems a little too easy for Stacia and her companions. While there is a lot of tension throughout and much action, they get out of trouble with few hiccups. But overall, I enjoyed <em>Last of Her Name</em>. We've got royalty, family, friendship - all set in space with a rebellion.
<a href="http://bookwyrmingthoughts.com/last-of-her-name-by-jessica-khoury/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<h2><em><strong>Last of Her Name</strong></em><strong> hits the ground running.</strong></h2>
Khoury's takes us on an adventure through the Belt of Jewels when the Direktor and the Union shows up on Stacia's planet and she is accused of being Princess Anya Leonova, a member of the royal family supposedly killed years ago by the Direktor. With the help of Pol, Stacia escapes from the home planet she's known throughout her life, leaving Clio behind with the others to be taken away.
<h2><strong>Friendships!</strong></h2>
I love the childhood friendship between Pol, Clio and Stacia told throughout the book with various memories as Stacia makes it her one mission to rescue Clio from the Direktor no matter what it takes among the chaos her life becomes. I enjoyed the backstory and learning more about them, and felt the memories were a great balance with the fast-paced action of the book in addition to being a driving force for Stacia.
While <em>Last of Her Name</em> primarily focuses on the strong friendship already developed in Stacia's childhood, Stacia and Pol create new friendships on the run as well. The two cross paths with Riyan shortly after escaping, a tensor from a distant planet who is also searching for someone he cares about. Although the three of them have a rough start, they develop a bond throughout the book.
<h2><strong>Identity!</strong></h2>
Stacia goes about her life normally until the Direktor shows up, forcing her to run away from all she knows. As she and Pol get chased across the galaxy, Stacia is trying to figure out who she <em>really</em> is as a person: is she Anya or is she Stacia? How can she accept a new part of herself without losing the self that she has always known about? In addition to figuring out who she is, Stacia is also battling her growing feelings for Pol, and those two are simply adorable as they circle around their feelings.
<s>This is why I have a soft spot for friends to lovers tropes I'm just saying.</s>
<h2><strong>Family and Community!</strong></h2>
There's not much I can say about family and community without giving spoilers away (can't have that!), but I really appreciated some of the gestures from Stacia's family and community. But there is so much different family drama, I would have had one too many popcorns if I could just watching the whole story unfold and come together. SO. MUCH. TEA. 🍵
<h2><b>Everything seemed a little too easy.</b></h2>
The only issue I had with this one is how everything seems a little too easy for Stacia and her companions. While there is a lot of tension throughout and much action, they get out of trouble with few hiccups. But overall, I enjoyed <em>Last of Her Name</em>. We've got royalty, family, friendship - all set in space with a rebellion.
<a href="http://bookwyrmingthoughts.com/last-of-her-name-by-jessica-khoury/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Gareth von Kallenbach (980 KP) rated Source Code (2011) in Movies
Aug 7, 2019
Following upon his breakout success with the film Moon director Duncan Jones has returned with Source Code and has proven that he is not a one-hit wonder but also a talent on the rise.
The film stars Jake Gyllenhaal as Colter Stevens who, after waking up on a train, finds himself disoriented and unable to identify his travel companion, the attractive Christina Warren (Michelle Monaghan), who sits across from him eagerly discussing things they appear to have spoken about previously.
Taking a quick survey of his surroundings, Colter finds out that he is on a train heading to Chicago and that he cannot explain how he ended up where he currently is. Colter is not given much time to ponder his situation as the train is suddenly rocked by a massive explosion and he finds himself engulfed in a wall of flame. Shortly thereafter Colter awakens and finds himself upside down and strapped into what appears to be a cockpit of some sort.
A voice soon fills the cockpit, followed by the face of the woman he can’t identify on a video monitor. Unable to ascertain what is going on, a frantic Colter only recalls that he was a helicopter pilot on mission in Afghanistan. The mystery woman (Vera Farmiga) tells him that he is now part of a top-secret project that is attempting to unravel the mystery behind the bombing of the train.
Before he can ask too many questions, Colter once again finds himself back on the train with Christina and the same sequence of events occur before the train is engulfed by devastating fireball. When he once again awakens in his cockpit, Colter learns that the project he’s involved with can send him back in time 8 minutes into the body of someone on the train. He will be sent back time and time again to relive those final 8 min. in an effort to determine who is responsible for the bombing.
Despite his protests, Colter relives the events each time looking for new clues and each time ending up engulfed in the fireball and awakening in his cockpit. Eventually after numerous trips to the past Colter becomes obsessed with not only getting to the bottom of the mystery but with saving Christina to whom he is becoming attached through their numerous 8 minute interactions. Colter is also desperate to determine his exact situation as he has no memory of how he ended up in the program and finds himself not only trying to solve the mystery of the bombing, save Christina, but also fill in the gaps in his memory.
What follows is a fast-paced, character-driven adventure film that relies on the interaction’s between the two leads rather than special effects to carry the film. Gyllenhaal and Monaghan have good chemistry with each other and the film has some nice twists and turns that will keep the audience engrossed even if the concepts of time travel and temporal mechanics escape them.
Jones keeps the film moving at a brisk pace and it does not drag or overstay its welcome. Like Moon, Jones has based the film around a leading man who is facing isolation and questioning his mental state. With what could’ve been a dumbed-down action film, Jones has exceeded expectations and produced a smart and innovative action thriller with a touch of science fiction and romance thrown in, a winning combination that makes for a very enjoyable film.
The film stars Jake Gyllenhaal as Colter Stevens who, after waking up on a train, finds himself disoriented and unable to identify his travel companion, the attractive Christina Warren (Michelle Monaghan), who sits across from him eagerly discussing things they appear to have spoken about previously.
Taking a quick survey of his surroundings, Colter finds out that he is on a train heading to Chicago and that he cannot explain how he ended up where he currently is. Colter is not given much time to ponder his situation as the train is suddenly rocked by a massive explosion and he finds himself engulfed in a wall of flame. Shortly thereafter Colter awakens and finds himself upside down and strapped into what appears to be a cockpit of some sort.
A voice soon fills the cockpit, followed by the face of the woman he can’t identify on a video monitor. Unable to ascertain what is going on, a frantic Colter only recalls that he was a helicopter pilot on mission in Afghanistan. The mystery woman (Vera Farmiga) tells him that he is now part of a top-secret project that is attempting to unravel the mystery behind the bombing of the train.
Before he can ask too many questions, Colter once again finds himself back on the train with Christina and the same sequence of events occur before the train is engulfed by devastating fireball. When he once again awakens in his cockpit, Colter learns that the project he’s involved with can send him back in time 8 minutes into the body of someone on the train. He will be sent back time and time again to relive those final 8 min. in an effort to determine who is responsible for the bombing.
Despite his protests, Colter relives the events each time looking for new clues and each time ending up engulfed in the fireball and awakening in his cockpit. Eventually after numerous trips to the past Colter becomes obsessed with not only getting to the bottom of the mystery but with saving Christina to whom he is becoming attached through their numerous 8 minute interactions. Colter is also desperate to determine his exact situation as he has no memory of how he ended up in the program and finds himself not only trying to solve the mystery of the bombing, save Christina, but also fill in the gaps in his memory.
What follows is a fast-paced, character-driven adventure film that relies on the interaction’s between the two leads rather than special effects to carry the film. Gyllenhaal and Monaghan have good chemistry with each other and the film has some nice twists and turns that will keep the audience engrossed even if the concepts of time travel and temporal mechanics escape them.
Jones keeps the film moving at a brisk pace and it does not drag or overstay its welcome. Like Moon, Jones has based the film around a leading man who is facing isolation and questioning his mental state. With what could’ve been a dumbed-down action film, Jones has exceeded expectations and produced a smart and innovative action thriller with a touch of science fiction and romance thrown in, a winning combination that makes for a very enjoyable film.
Comix Zone Classic
Games, Entertainment and Stickers
App
Enter the Comix Zone, in SEGA's classic arcade-style beat 'em up, now available on mobile for the...
Jesters_folly (230 KP) rated TRON (1982) in Movies
Nov 17, 2020
Before Player One, before Ralph and Neo and even before the Lawnmower Man there was Tron. Tron covers a lot of ground, some of which was quite advanced for a film from 1983, we have hackers, corporate espionage, teleportation experiments, A.I. and what we would now call Cyberspace.
Basically Ed Dillinger is the boss of an evil corporation, Encom, (yes IT corporations were evil as far back as the 1980s) who got to where he was by stealing the programs of five arcade games from Flynn. Ed is being blackmailed by the 'Master Control Program' or 'MCP' for short, a rouge A.I. that believes it can rule the world better than humans.
Alan works at Encom and is trying to create a Data monitoring program called Tron. Alan is also dating Flynn's ex, Lora who also works at Encom, in a department that is developing a way of digitising mater and transporting it down a laser beam to a new destination. The three team up to help Flynn find the proof of the theft but the MCP digitises Flynn who finds himself used as a gladiator in the program. When Flynn meets the Tron program they team up to bring the MCP down.
First off the whole thing could have been stopped if Encom had proper health and safety, the computer that Flynn was using was the same one that operated the digitising laser and the laser was set up right behind the screen with barriers or other safety measures.
Ok in all seriousness the concepts in Tron were quite advanced, baring in mind that this was out in 1983, a time when home P.C.s were just beginning to become popular and the internet wasn't really around (there were networked computers but really only in offices) Tron brought us a concept of Cyberspace (although it wasn't called that in the film), a world where the computer programs live and the games are real. Not only that but everything is linked together, there weren't any networked games back then any you had to go to an arcade to play most of the games that existed.
By todays standards the Cyberspace world wouldn't feel right. It is a lineal landscape with fractural crystals coloured in greys, red and blues, a far cry from Wreck-it Ralph's advert filled, brightly coloured internet. Again this is due to when it was made, no internet, no advertising and, of course the computers of the time had slightly less memory than the ones today, with the ZX81 being released that year with a massive 16 or 48 Kb of memory, yes kiddies that's Kilo-bites, not even one meg so the games that were available were quite basic (compared to what we have today) an, of course, outside of an arcade those games would have been stored on floppy disk or cassette tape.
The action in Tron is muted, mainly kept to bike crashes and people throwing Frisbees at each other but this is because Tron is; 1) a kids film and 2) a Disney film. The muted action doesn't take away from the film though, it's still an enjoyable adventure film whose influence can be seen even now with films like Wreck-it Ralph.
For a film that is mostly early 80's CGI (or even just early CGI) Tron hasn't aged too badly and the story could easily have been written now, especially with the recent advent of LitRGP books and 'Isekai' anime such as 'Sword Art Online'.
Basically Ed Dillinger is the boss of an evil corporation, Encom, (yes IT corporations were evil as far back as the 1980s) who got to where he was by stealing the programs of five arcade games from Flynn. Ed is being blackmailed by the 'Master Control Program' or 'MCP' for short, a rouge A.I. that believes it can rule the world better than humans.
Alan works at Encom and is trying to create a Data monitoring program called Tron. Alan is also dating Flynn's ex, Lora who also works at Encom, in a department that is developing a way of digitising mater and transporting it down a laser beam to a new destination. The three team up to help Flynn find the proof of the theft but the MCP digitises Flynn who finds himself used as a gladiator in the program. When Flynn meets the Tron program they team up to bring the MCP down.
First off the whole thing could have been stopped if Encom had proper health and safety, the computer that Flynn was using was the same one that operated the digitising laser and the laser was set up right behind the screen with barriers or other safety measures.
Ok in all seriousness the concepts in Tron were quite advanced, baring in mind that this was out in 1983, a time when home P.C.s were just beginning to become popular and the internet wasn't really around (there were networked computers but really only in offices) Tron brought us a concept of Cyberspace (although it wasn't called that in the film), a world where the computer programs live and the games are real. Not only that but everything is linked together, there weren't any networked games back then any you had to go to an arcade to play most of the games that existed.
By todays standards the Cyberspace world wouldn't feel right. It is a lineal landscape with fractural crystals coloured in greys, red and blues, a far cry from Wreck-it Ralph's advert filled, brightly coloured internet. Again this is due to when it was made, no internet, no advertising and, of course the computers of the time had slightly less memory than the ones today, with the ZX81 being released that year with a massive 16 or 48 Kb of memory, yes kiddies that's Kilo-bites, not even one meg so the games that were available were quite basic (compared to what we have today) an, of course, outside of an arcade those games would have been stored on floppy disk or cassette tape.
The action in Tron is muted, mainly kept to bike crashes and people throwing Frisbees at each other but this is because Tron is; 1) a kids film and 2) a Disney film. The muted action doesn't take away from the film though, it's still an enjoyable adventure film whose influence can be seen even now with films like Wreck-it Ralph.
For a film that is mostly early 80's CGI (or even just early CGI) Tron hasn't aged too badly and the story could easily have been written now, especially with the recent advent of LitRGP books and 'Isekai' anime such as 'Sword Art Online'.
Gareth von Kallenbach (980 KP) rated Black Widow (2021) in Movies
Jun 29, 2021
After a delay lasting 19 months; the Marvel Cinematic Universe (MCU) has returned to the big screen with “Black Widow”. The film takes place between “Captain America: Civil War” and “Avengers: Infinity War”; audiences get more of the backstory of Natasha Romanoff (Scarlett Johansson), as we are introduced to her early life before the Red Room.
This is not to say that the film is an origin story as it uses her backstory through a clever introduction that establishes her “family” as sleeper agents in Ohio before they escape and she and her cover sister are tuned over for conditioning and training.
Since Natasha is on the run from the authorities; she finds a remote location in Norway to bide her time. This does not last as a dangerous adversary known as the Taskmaster arrives and sets a chain of events into motion.
Natasha has been sent a package from her cover sister Yelena (Florence Pugh) who also went through the Red Room and became a top assassin in the years since she and Natasha last saw one another.
Despite her mixed feelings; Natasha ventures to Budapest and confronts Yelena who in turn reveals the package she sent her contains a compound that can free the other Black Widows from the control of the Red Room which despite Natasha’s insistence is still very much alive as is the head of the institute which she is convinced she killed long ago.
With Taskmaster and other Widows hot on their trail, Natasha and Yelena are forced to seek the help of their former “Father” the imprisoned hero Red Guardian (David Harbour), and their cover Mother Melina (Rachel Weisz), to find the location of the new Red Room; free the Widows, and end the program once and for all.
What follows is an engaging story with solid action and effects that remains at its core a character story as Natasha attempts to reconcile her cover family with her new Avengers family and the pain of her upbringing and conditioning.
Marvel resisted calls from some to release the film on Disney+ last year when the Pandemic caused multiple delays to the planned release dates. This decision to me was very wise as this is a film that needs to be seen and heard on the big screen as it is an experience that is best experienced in a cinema with others.
While many attempts were made over the decades to adapt comic heroes to film and television; most of them came up lacking and disappointed fans of the source material. Marvel for over a decade has continued to succeed as they have a clear plan, cast well, and have engaging characters that develop over time.
“Black Widow” fills in a missing gap of time in the MCU well and also sets up future adventures as a scene in the credits clearly links two of the live-action Disney+ series and shows that the long-term plan for the MCU continues and incorporates the film and television series well.
From the moment the Marvel intro and music appeared on the screen until the very end; “Black Widow” was a very enjoyable and engaging blockbuster adventure that shows Marvel at the top of their game; and why they continue to set event-level movies not to miss.
This is not to say that the film is an origin story as it uses her backstory through a clever introduction that establishes her “family” as sleeper agents in Ohio before they escape and she and her cover sister are tuned over for conditioning and training.
Since Natasha is on the run from the authorities; she finds a remote location in Norway to bide her time. This does not last as a dangerous adversary known as the Taskmaster arrives and sets a chain of events into motion.
Natasha has been sent a package from her cover sister Yelena (Florence Pugh) who also went through the Red Room and became a top assassin in the years since she and Natasha last saw one another.
Despite her mixed feelings; Natasha ventures to Budapest and confronts Yelena who in turn reveals the package she sent her contains a compound that can free the other Black Widows from the control of the Red Room which despite Natasha’s insistence is still very much alive as is the head of the institute which she is convinced she killed long ago.
With Taskmaster and other Widows hot on their trail, Natasha and Yelena are forced to seek the help of their former “Father” the imprisoned hero Red Guardian (David Harbour), and their cover Mother Melina (Rachel Weisz), to find the location of the new Red Room; free the Widows, and end the program once and for all.
What follows is an engaging story with solid action and effects that remains at its core a character story as Natasha attempts to reconcile her cover family with her new Avengers family and the pain of her upbringing and conditioning.
Marvel resisted calls from some to release the film on Disney+ last year when the Pandemic caused multiple delays to the planned release dates. This decision to me was very wise as this is a film that needs to be seen and heard on the big screen as it is an experience that is best experienced in a cinema with others.
While many attempts were made over the decades to adapt comic heroes to film and television; most of them came up lacking and disappointed fans of the source material. Marvel for over a decade has continued to succeed as they have a clear plan, cast well, and have engaging characters that develop over time.
“Black Widow” fills in a missing gap of time in the MCU well and also sets up future adventures as a scene in the credits clearly links two of the live-action Disney+ series and shows that the long-term plan for the MCU continues and incorporates the film and television series well.
From the moment the Marvel intro and music appeared on the screen until the very end; “Black Widow” was a very enjoyable and engaging blockbuster adventure that shows Marvel at the top of their game; and why they continue to set event-level movies not to miss.
Siren's Surrender (Dark Tides #2)
7.0
Rate It
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Never embracing her mermaid heritage, Gwen Lonike lives in the human world as the owner of a Maine...
BankofMarquis (1832 KP) rated Morbius (2022) in Movies
Jul 7, 2022
It's Not Bad...It's Stupid
“It’s not as bad as you heard”, is certainly the very definition of damning something with faint praise, but that is exactly the right thing to say about the 2022 Sony Comic Book Film Adaptation of MORBIUS.
Starring Jared Leto, MORBIUS follows the origin story - and first adventure - of Spiderman villain Morbius who, inexplicably, becomes the hero in this story.
While, ultimately, not a good film, there are some good things happening here, so let’s begin there.
The lead performance by Jared Leto as Dr. Michael Morbius is - very surprisingly - somewhat grounded in reality. Leto is not one to be subtle in his character choices (see HOUSE OF GUCCI) but in this one, he is (somewhat) reserved. It would have been easy for Leto to go over the top with this character, but he wisely chooses the opposite route…and it works. The always watchable Jared Harris (CHERNOBYL) is on-board in the “mentor” role while Tyrese Gibson and Al Madrigal bring some humor to the proceedings as “Agents” who are chasing after Morbius. The rest of the cast are benign - neither adding nor detracting from the proceedings - with the exception of Matt Smith (LAST NIGHT IN SOHO) who’s character is so badly written that he flounders under the weight of the absurdity of what his character is tasked with.
Trying to overcome the ridiculousness of the story is the Direction by Daniel Espinosa (the Denzel Washington action flick SAFE HOUSE). He moves the action along quickly, never really lingering on the absurdities of the events going on (and there are PLENTY of absurdities to avoid - more on that later) and Espinosa actually has an artistic vision of what he wanted to accomplish visually in this comic-book film, freezing many frames when the picture on the screen looked like a page from a graphic novel. It’s a smart choice for a film that can only be described as dumb.
And dumb this film is. I kept feeling any sense of common sense and reality slip away as this film - written by Matt Sazama and Burk Sharpless - quickly devolved into the absurd and ridiculous. One does have to suspend belief when watching Comic Book films (how else are we going to believe that a man can turn into a human spider) but in this case, the suspension is mighty - it is one of the dumbest films ever made (in terms of plot and situations) and that is saying something. The makers of this film really stretch the term “go with me here” as Morbius is constantly chasing and evolving and being chased in the most absurd ways throughout this film with special effects that add to the absurdity of the proceedings. To be fair, this film never falls into the “so bad it’s good” range, it hovers just above that line.
The end credits scenes start to setup a “Sinister Six” Spiderman film, so there is some hope for this - it would be interesting to see Leto’s Morbius team up with some other Spiderman villains (who’s names would be a spoiler), provided the script is better. There’s no way that it can be worse.
MORBIUS is not a bad film - it just will insult your intelligence.
Letter Grade: C
4 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Starring Jared Leto, MORBIUS follows the origin story - and first adventure - of Spiderman villain Morbius who, inexplicably, becomes the hero in this story.
While, ultimately, not a good film, there are some good things happening here, so let’s begin there.
The lead performance by Jared Leto as Dr. Michael Morbius is - very surprisingly - somewhat grounded in reality. Leto is not one to be subtle in his character choices (see HOUSE OF GUCCI) but in this one, he is (somewhat) reserved. It would have been easy for Leto to go over the top with this character, but he wisely chooses the opposite route…and it works. The always watchable Jared Harris (CHERNOBYL) is on-board in the “mentor” role while Tyrese Gibson and Al Madrigal bring some humor to the proceedings as “Agents” who are chasing after Morbius. The rest of the cast are benign - neither adding nor detracting from the proceedings - with the exception of Matt Smith (LAST NIGHT IN SOHO) who’s character is so badly written that he flounders under the weight of the absurdity of what his character is tasked with.
Trying to overcome the ridiculousness of the story is the Direction by Daniel Espinosa (the Denzel Washington action flick SAFE HOUSE). He moves the action along quickly, never really lingering on the absurdities of the events going on (and there are PLENTY of absurdities to avoid - more on that later) and Espinosa actually has an artistic vision of what he wanted to accomplish visually in this comic-book film, freezing many frames when the picture on the screen looked like a page from a graphic novel. It’s a smart choice for a film that can only be described as dumb.
And dumb this film is. I kept feeling any sense of common sense and reality slip away as this film - written by Matt Sazama and Burk Sharpless - quickly devolved into the absurd and ridiculous. One does have to suspend belief when watching Comic Book films (how else are we going to believe that a man can turn into a human spider) but in this case, the suspension is mighty - it is one of the dumbest films ever made (in terms of plot and situations) and that is saying something. The makers of this film really stretch the term “go with me here” as Morbius is constantly chasing and evolving and being chased in the most absurd ways throughout this film with special effects that add to the absurdity of the proceedings. To be fair, this film never falls into the “so bad it’s good” range, it hovers just above that line.
The end credits scenes start to setup a “Sinister Six” Spiderman film, so there is some hope for this - it would be interesting to see Leto’s Morbius team up with some other Spiderman villains (who’s names would be a spoiler), provided the script is better. There’s no way that it can be worse.
MORBIUS is not a bad film - it just will insult your intelligence.
Letter Grade: C
4 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Merissa (12061 KP) rated Blue Blood (Series of Blood #3) in Books
Aug 14, 2017
Blue Blood (Series of Blood #3) by Emma Hamm
Blue Blood is the third book in the Series of Blood, and this time it is Jasper's story. We reunite with him after the battle that took place at the end of Red Blood (Lyra's story), and he is locked in an iron cage. This doesn't sit with well with our 6ft plus hero, and he is determined not to show any fear to his captors. Kudos to him, because I would have! He finds out that he is caged next to a lovely young woman called Ella, who houses a Unicorn. Ella helps him every way she can, but she can do nothing when Malachi shows up with a job for Jasper to do. You know things won't go according to Jasper's plan, but he has to try. He ends up rescuing Mercy, although he is not sure what sort of rescue it is when she simply gets transferred from one cage to another. Along their adventure, you meet a multitude of amazing characters that will tug at your heart strings and provide some lighthearted moments that are needed in contrast to the torment that Mercy is going through. No one ever said love was easy, but this is ridiculous!
I would say that this is definitely the darkest book so far, and it is certainly a HFN ending. I don't even know if Jasper will get his HEA, given the circumstances! I won't say anything else, as I don't want to spoil it, but I really can't wait to see where this story is going to go! With cameos from previous characters, plus meeting the new ones, there is plenty going on. Plus Pitch makes his usual appearance (still love this dude!) and helps in his own inimitable way.
With plenty of action and a storyline darker than the previous books, this was the complete page-turner. Both Jasper and Mercy are amazing characters, fully rounded and intriguing. There were no editing or grammatical errors that disrupted my reading flow, the pace was smooth, the story excellent. All in all, I have no hesitation in highly recommending this book, and the series.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
I would say that this is definitely the darkest book so far, and it is certainly a HFN ending. I don't even know if Jasper will get his HEA, given the circumstances! I won't say anything else, as I don't want to spoil it, but I really can't wait to see where this story is going to go! With cameos from previous characters, plus meeting the new ones, there is plenty going on. Plus Pitch makes his usual appearance (still love this dude!) and helps in his own inimitable way.
With plenty of action and a storyline darker than the previous books, this was the complete page-turner. Both Jasper and Mercy are amazing characters, fully rounded and intriguing. There were no editing or grammatical errors that disrupted my reading flow, the pace was smooth, the story excellent. All in all, I have no hesitation in highly recommending this book, and the series.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Gareth von Kallenbach (980 KP) rated King Arthur: Legend Of The Sword (2017) in Movies
Jun 19, 2019
Over countless decades the legend of King Arthur has been depicted across a range of mediums. The timeless tale of love, betrayals, action, and adventure has remained a popular and enduring tale ever since it was first introduced.
Director Guy Ritchie has crafted a very different take on the tale as he even contributed to the screenplay for the film. As such “King Arthur: Legend of the Sword”, is brimming with many of his signature elements ranging from a caper story and characters who are filled with quirks and issues.
Charlie Hunnam plays Arthur who is orphaned at an early age when his family is betrayed by his Uncle Vortigern (Jude Law). Arthur is raised in a London brothel with no knowledge of his true lineage.
Arthur learns combat and life on the streets and quickly learns how to make money through various dealings, some of which are not exactly on the level. This is where Ritchie shows his trademark style as there is a caper element to the early part of the story and a scene of Arthur and his pals walking through the aftermath of an event is complete with his signature, start, stop, and rewind moments that made up his recent “Sherlock Holmes” films.
Naturally events put Arthur and Vortigern against each other when Arthur is able to pull the legendary Excalibur from a stone as part of a test imposed on all young men of a certain age.
With his true identity in place, Arthur is marked by his Uncle as he is the only threat to his power and this forces Arthur into the protection of the resistance where he must embrace his past and find his destiny.
The film does take some liberties with the Arthurian Legend and does go a bit heavy on the FX especially with the inclusion of giant creatures which made me think at times I was watching something from the “Lord of the Rings”. The film does drag in parts but does rebound with a finale that seemed very video game esque, but sets up future films well. The cast is strong and there is plenty to like about the film as long as you are willing to be patient with the pacing of the film.
http://sknr.net/2017/05/10/king-arthur-legend-sword/
Director Guy Ritchie has crafted a very different take on the tale as he even contributed to the screenplay for the film. As such “King Arthur: Legend of the Sword”, is brimming with many of his signature elements ranging from a caper story and characters who are filled with quirks and issues.
Charlie Hunnam plays Arthur who is orphaned at an early age when his family is betrayed by his Uncle Vortigern (Jude Law). Arthur is raised in a London brothel with no knowledge of his true lineage.
Arthur learns combat and life on the streets and quickly learns how to make money through various dealings, some of which are not exactly on the level. This is where Ritchie shows his trademark style as there is a caper element to the early part of the story and a scene of Arthur and his pals walking through the aftermath of an event is complete with his signature, start, stop, and rewind moments that made up his recent “Sherlock Holmes” films.
Naturally events put Arthur and Vortigern against each other when Arthur is able to pull the legendary Excalibur from a stone as part of a test imposed on all young men of a certain age.
With his true identity in place, Arthur is marked by his Uncle as he is the only threat to his power and this forces Arthur into the protection of the resistance where he must embrace his past and find his destiny.
The film does take some liberties with the Arthurian Legend and does go a bit heavy on the FX especially with the inclusion of giant creatures which made me think at times I was watching something from the “Lord of the Rings”. The film does drag in parts but does rebound with a finale that seemed very video game esque, but sets up future films well. The cast is strong and there is plenty to like about the film as long as you are willing to be patient with the pacing of the film.
http://sknr.net/2017/05/10/king-arthur-legend-sword/