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Haley Mathiot (9 KP) rated The Eternal Hourglass (Magickeepers, #1) in Books
Apr 27, 2018
Series Review:
I really enjoyed the Magickeeper series! It's written for ages 8-14, but even I got really into it and enjoyed it a lot.
The stories were both woven well, with plenty of mystery and suspense to keep you reading. Once I started to read, it was hard to put it down. I never knew what to expect and was always surprised. It was like walking through a fun-house: you never knew what was going to be around the corner.
My favorite characters had to be Nick and Isabella, followed closely by Isabella's pet tiger, Sascha. Sascha was just a really cool tiger. Vladimir, the hedgehog, was pretty cool, too. It was fun to watch Nick and Isabella together: they balanced each other well and would be fun people to be around. I wish they were real so we could hang out. Haley why would you want to hang out with thirteen-year-olds? Because they're magician thirteen-year-olds who can disappear and fly and look into crystal balls, and have more adventure in a day that I have in a month.
The writing was good and easy to read and easy to follow, but some of the structure was a little confusing at times. It didn't take away form the action and adventure, though.
I really liked the Russian culture incorporated into the stories. It wasn't overdone, but it was really fun to read the descriptions of the foods and the clothes and the decorations, and learn about some of the traditions. In the second book, The Pyramid of Souls, there was a lot of other cultures incorporated into it as well, because there were Magickeepers from Egypt and Nigeria and a Parisian clan, and Australians… so there were a lot of cool things that went on that we wouldn't normally think about—even in the world of magic.
I look forward to the next book in the Magickeeper series! The Eternal Hourglass came out in paperback on March 31, 2010 and The Pyramid of Souls was just published in hardback on May 1st, 2010.
Content/Recommendation: clean, and suitable for ages 8-16(-ish). I'm 18 and I enjoyed it, and parents would enjoy reading the books out loud to their kids as well!
I really enjoyed the Magickeeper series! It's written for ages 8-14, but even I got really into it and enjoyed it a lot.
The stories were both woven well, with plenty of mystery and suspense to keep you reading. Once I started to read, it was hard to put it down. I never knew what to expect and was always surprised. It was like walking through a fun-house: you never knew what was going to be around the corner.
My favorite characters had to be Nick and Isabella, followed closely by Isabella's pet tiger, Sascha. Sascha was just a really cool tiger. Vladimir, the hedgehog, was pretty cool, too. It was fun to watch Nick and Isabella together: they balanced each other well and would be fun people to be around. I wish they were real so we could hang out. Haley why would you want to hang out with thirteen-year-olds? Because they're magician thirteen-year-olds who can disappear and fly and look into crystal balls, and have more adventure in a day that I have in a month.
The writing was good and easy to read and easy to follow, but some of the structure was a little confusing at times. It didn't take away form the action and adventure, though.
I really liked the Russian culture incorporated into the stories. It wasn't overdone, but it was really fun to read the descriptions of the foods and the clothes and the decorations, and learn about some of the traditions. In the second book, The Pyramid of Souls, there was a lot of other cultures incorporated into it as well, because there were Magickeepers from Egypt and Nigeria and a Parisian clan, and Australians… so there were a lot of cool things that went on that we wouldn't normally think about—even in the world of magic.
I look forward to the next book in the Magickeeper series! The Eternal Hourglass came out in paperback on March 31, 2010 and The Pyramid of Souls was just published in hardback on May 1st, 2010.
Content/Recommendation: clean, and suitable for ages 8-16(-ish). I'm 18 and I enjoyed it, and parents would enjoy reading the books out loud to their kids as well!
Haley Mathiot (9 KP) rated The Pyramid of Souls (Magickeepers, #2) in Books
Apr 27, 2018
Series Review:
I really enjoyed the Magickeeper series! It's written for ages 8-14, but even I got really into it and enjoyed it a lot.
The stories were both woven well, with plenty of mystery and suspense to keep you reading. Once I started to read, it was hard to put it down. I never knew what to expect and was always surprised. It was like walking through a fun-house: you never knew what was going to be around the corner.
My favorite characters had to be Nick and Isabella, followed closely by Isabella's pet tiger, Sascha. Sascha was just a really cool tiger. Vladimir, the hedgehog, was pretty cool, too. It was fun to watch Nick and Isabella together: they balanced each other well and would be fun people to be around. I wish they were real so we could hang out. Haley why would you want to hang out with thirteen-year-olds? Because they're magician thirteen-year-olds who can disappear and fly and look into crystal balls, and have more adventure in a day that I have in a month.
The writing was good and easy to read and easy to follow, but some of the structure was a little confusing at times. It didn't take away form the action and adventure, though.
I really liked the Russian culture incorporated into the stories. It wasn't overdone, but it was really fun to read the descriptions of the foods and the clothes and the decorations, and learn about some of the traditions. In the second book, The Pyramid of Souls, there was a lot of other cultures incorporated into it as well, because there were Magickeepers from Egypt and Nigeria and a Parisian clan, and Australians… so there were a lot of cool things that went on that we wouldn't normally think about—even in the world of magic.
I look forward to the next book in the Magickeeper series! The Eternal Hourglass came out in paperback on March 31, 2010 and The Pyramid of Souls was just published in hardback on May 1st, 2010.
Content/Recommendation: clean, and suitable for ages 8-16(-ish). I'm 18 and I enjoyed it, and parents would enjoy reading the books out loud to their kids as well!
I really enjoyed the Magickeeper series! It's written for ages 8-14, but even I got really into it and enjoyed it a lot.
The stories were both woven well, with plenty of mystery and suspense to keep you reading. Once I started to read, it was hard to put it down. I never knew what to expect and was always surprised. It was like walking through a fun-house: you never knew what was going to be around the corner.
My favorite characters had to be Nick and Isabella, followed closely by Isabella's pet tiger, Sascha. Sascha was just a really cool tiger. Vladimir, the hedgehog, was pretty cool, too. It was fun to watch Nick and Isabella together: they balanced each other well and would be fun people to be around. I wish they were real so we could hang out. Haley why would you want to hang out with thirteen-year-olds? Because they're magician thirteen-year-olds who can disappear and fly and look into crystal balls, and have more adventure in a day that I have in a month.
The writing was good and easy to read and easy to follow, but some of the structure was a little confusing at times. It didn't take away form the action and adventure, though.
I really liked the Russian culture incorporated into the stories. It wasn't overdone, but it was really fun to read the descriptions of the foods and the clothes and the decorations, and learn about some of the traditions. In the second book, The Pyramid of Souls, there was a lot of other cultures incorporated into it as well, because there were Magickeepers from Egypt and Nigeria and a Parisian clan, and Australians… so there were a lot of cool things that went on that we wouldn't normally think about—even in the world of magic.
I look forward to the next book in the Magickeeper series! The Eternal Hourglass came out in paperback on March 31, 2010 and The Pyramid of Souls was just published in hardback on May 1st, 2010.
Content/Recommendation: clean, and suitable for ages 8-16(-ish). I'm 18 and I enjoyed it, and parents would enjoy reading the books out loud to their kids as well!
Gareth von Kallenbach (980 KP) rated The Hobbit: The Desolation of Smaug (2013) in Movies
Jun 19, 2019
The much anticipated second film in Peter Jackson’s Hobbit Trilogy has arrived in time to reap box office gold much the way the previous films based on Tolkien’s works have. The film continues the adventure started in the previous film and finds the band of adventurers chased by a pack of Orcs and faced with the deadly and dark Mirkwood Forest as they attempt to reach The Lonely Mountain in time.
The journey is long and filled with peril as everything from Orcs to giant spiders stand in the way and should the group be successful in reaching their destination, there is the little matter of a giant and very nasty dragon named Smaug to contend with.
Undaunted the group press on despite finding danger a constant companion and once again give us a series staples of endless shots of them walking and walking in locales lifted from the Tourism New Zealand film room in between the amazing visual work that makes up the battle sequence and other-worldly visuals of the film.
Bilbo (Martin Freeman), is becoming more and more under the spell of the ring he obtained in the previous film and Gandalf (Sir Ian McKellen), suspects that darker forces are growing and sets off to confirm his suspicions. This divides the film into two quest centric storylines that are sure to cause some division amongst fans of the series.
The film does manage to hold your attention throughout its 2.5 hr plus run time and does have a very enjoyable finale act as the arrival of Smug (Benedict Cumberbatch), for me has been honestly the most enjoyable of any of the four prior films in the series to date. His interactions with Bilbo and the group flesh him out to be more than a creation of CGI, but rather infuse him with a evil and complexity that make him a very compelling and dynamic character.
Despite the strong cast and amazing visual FX in the film that is captured very well by the 3D filming Jackson used, the movie does have it’s share of frustrations.
Jackson has once again loaded the film with tons of characters, scenarios, and padding that easily make up more than half of the film. The idea seems to be to show a greater connection to the original LOTR films and the inclusion of Orlando Bloom as Legolas and Evangeline Lilly as Tauriel is bound to cause controversy. On one hand it was great to see the two characters and the great amounts of action they brought to the film, but the entire time I kept thinking that there was no need for most of this extra stuff as it was included simply to stretch out the film in order to justify a third movie and ensure another big box office.
When the film reaches it’s conclusion it was very clear to me that they could have completed the film in two films had the removed all of the padding and fluff and stuck to the source material. Segments are drawn out or included that really do not need to be there no matter how exciting and visually appealing they may be.
When the film was first announced it was planned to be two films but was later expanded to three when Jackson took over as Director following the departure of Guillermo del Toro. If one film was sufficient to capture each book in the original series than three films for this one book is simply overkill to me and it undermines the source material.
That being said, I did enjoy the film as it works best for me if I look at it as “inspired by’ rather than a cinematic translation of the book and in doing so I was able to get caught up in the action of the film and the character’s.
In the end the film is a true delight filled with plenty of action and adventure and will keep fans old and new entertained as despite the issues I had with it, it was one of the better action/fantasy films of the year and is a great technological achievement.
http://sknr.net/2013/12/13/the-hobbit-the-desolation-of-smaug/
The journey is long and filled with peril as everything from Orcs to giant spiders stand in the way and should the group be successful in reaching their destination, there is the little matter of a giant and very nasty dragon named Smaug to contend with.
Undaunted the group press on despite finding danger a constant companion and once again give us a series staples of endless shots of them walking and walking in locales lifted from the Tourism New Zealand film room in between the amazing visual work that makes up the battle sequence and other-worldly visuals of the film.
Bilbo (Martin Freeman), is becoming more and more under the spell of the ring he obtained in the previous film and Gandalf (Sir Ian McKellen), suspects that darker forces are growing and sets off to confirm his suspicions. This divides the film into two quest centric storylines that are sure to cause some division amongst fans of the series.
The film does manage to hold your attention throughout its 2.5 hr plus run time and does have a very enjoyable finale act as the arrival of Smug (Benedict Cumberbatch), for me has been honestly the most enjoyable of any of the four prior films in the series to date. His interactions with Bilbo and the group flesh him out to be more than a creation of CGI, but rather infuse him with a evil and complexity that make him a very compelling and dynamic character.
Despite the strong cast and amazing visual FX in the film that is captured very well by the 3D filming Jackson used, the movie does have it’s share of frustrations.
Jackson has once again loaded the film with tons of characters, scenarios, and padding that easily make up more than half of the film. The idea seems to be to show a greater connection to the original LOTR films and the inclusion of Orlando Bloom as Legolas and Evangeline Lilly as Tauriel is bound to cause controversy. On one hand it was great to see the two characters and the great amounts of action they brought to the film, but the entire time I kept thinking that there was no need for most of this extra stuff as it was included simply to stretch out the film in order to justify a third movie and ensure another big box office.
When the film reaches it’s conclusion it was very clear to me that they could have completed the film in two films had the removed all of the padding and fluff and stuck to the source material. Segments are drawn out or included that really do not need to be there no matter how exciting and visually appealing they may be.
When the film was first announced it was planned to be two films but was later expanded to three when Jackson took over as Director following the departure of Guillermo del Toro. If one film was sufficient to capture each book in the original series than three films for this one book is simply overkill to me and it undermines the source material.
That being said, I did enjoy the film as it works best for me if I look at it as “inspired by’ rather than a cinematic translation of the book and in doing so I was able to get caught up in the action of the film and the character’s.
In the end the film is a true delight filled with plenty of action and adventure and will keep fans old and new entertained as despite the issues I had with it, it was one of the better action/fantasy films of the year and is a great technological achievement.
http://sknr.net/2013/12/13/the-hobbit-the-desolation-of-smaug/
Gareth von Kallenbach (980 KP) rated A Wrinkle in Time (2018) in Movies
Jun 19, 2019
The classic children’s book A Wrinkle In Time has come to the big screen with a big-budget presentation under the direction of noted Director Ava DuVernay.
The story had been adapted prior in a 2003 television movie but this time out the scope is much larger as are the names associated with it.
The story follows a young girl named Meg (Storm Reid), who has withdrawn following the disappearance of her father (Chris Pine), four years earlier. Her brilliant adopted brother Charles Wallace (Deric McCabe) is very protective of Meg and wants to help ease the suffering she has endured over the loss of their father.
Enter the quirky Mrs. Whatsit (Reese Witherspon), who Charles Wallace has been talking to unbeknownst to his family who in turn seem taken aback by her arrival and strange nature. Charles Wallace soon introduces his sister and schoolmate Calvin (Levi Miller), to Mrs. Who (Mindy Kaling), who also shares some unusual quirks as well. With the arrival of the final piece in Mrs. Which (Oprah Winfrey), the children are whisked away to another planet on a search to find the missing father and help restore light to the universe from a dark threat that endangers the universe.
What follows is a series of adventures, quirky characters, and bright visuals as the children and mysterious strangers embark on a grand adventure.
The cast is very appealing but I would love to know if the three stars filmed their scenes at the same time as it did appear at times if they were added in post-production as they did not seem to have much direct interactions with one another. The film does tackle some deep and at times dark subject matter which may be a bit much for younger viewers. One would think that Quantum Entanglements and folding space would be subjects more likely found in Star Trek vs a family film but the film does have some good messages and themes which are essential for younger viewers to note.
The film moves at a deliberate pace and does not erupt into overblown action sequences so viewers expecting a rousing action/adventure will need to temper their expectations.
For those looking for a film with an empowering message aimed at younger viewers, than “A Wrinkle in Time”, may be just the thing for an enjoyable family outing to the local cinema.
http://sknr.net/2018/03/07/a-wrinkle-in-time/
The story had been adapted prior in a 2003 television movie but this time out the scope is much larger as are the names associated with it.
The story follows a young girl named Meg (Storm Reid), who has withdrawn following the disappearance of her father (Chris Pine), four years earlier. Her brilliant adopted brother Charles Wallace (Deric McCabe) is very protective of Meg and wants to help ease the suffering she has endured over the loss of their father.
Enter the quirky Mrs. Whatsit (Reese Witherspon), who Charles Wallace has been talking to unbeknownst to his family who in turn seem taken aback by her arrival and strange nature. Charles Wallace soon introduces his sister and schoolmate Calvin (Levi Miller), to Mrs. Who (Mindy Kaling), who also shares some unusual quirks as well. With the arrival of the final piece in Mrs. Which (Oprah Winfrey), the children are whisked away to another planet on a search to find the missing father and help restore light to the universe from a dark threat that endangers the universe.
What follows is a series of adventures, quirky characters, and bright visuals as the children and mysterious strangers embark on a grand adventure.
The cast is very appealing but I would love to know if the three stars filmed their scenes at the same time as it did appear at times if they were added in post-production as they did not seem to have much direct interactions with one another. The film does tackle some deep and at times dark subject matter which may be a bit much for younger viewers. One would think that Quantum Entanglements and folding space would be subjects more likely found in Star Trek vs a family film but the film does have some good messages and themes which are essential for younger viewers to note.
The film moves at a deliberate pace and does not erupt into overblown action sequences so viewers expecting a rousing action/adventure will need to temper their expectations.
For those looking for a film with an empowering message aimed at younger viewers, than “A Wrinkle in Time”, may be just the thing for an enjoyable family outing to the local cinema.
http://sknr.net/2018/03/07/a-wrinkle-in-time/
Chris Sawin (602 KP) rated Kingdom (2019) in Movies
Aug 12, 2019
Action sequences. (2 more)
The Mountain Tribe.
Zuo Ci.
134-minute duration feels like a marathon. (1 more)
Drags a lot in its first half.
I haven’t read any of the 55 volumes (and counting) of Yasuhisa Hara’s Kingdom manga or watched any of the 77 episodes of the anime adapted by animation studio Pierrot (Bleach, Yu Yu Hakusho, and Tokyo Ghoul among many others). To make matters worse, I haven’t seen any of the films by director and co-screenwriter Shinsuke Sato (the two live-action Gantz films, Death Note: Light Up the New World, the live-action Bleach film for Netflix). I’m going into Kingdom completely blind and I have no idea if that makes the viewing experience any better or worse.
In 255 B.C., Kingdom revolves around the quick-tempered and charge-headfirst-into-battle-without-thinking Xin (Kento Yamazaki) that dreams of being the greatest general of the Qin Kingdom. There’s other stuff going on; a bloody 500 year war between the seven states of China, Xin’s best friend Piao (Ryô Yoshizawa) being enlisted by the King only to turn around and be killed, and King Yin Zheng being a splitting image of Piao, but nothing is emphasized or screamed louder than Xin’s desire to become the greatest general China has ever known.
Kingdom feels like it’s about 45 minutes too long for its own good. The first hour seems to drag as blood spraying into the air every now and then isn’t enough to keep you fully intrigued. The manga is an exaggerated recounting of Zheng actually becoming king in 221 B.C. during the Warring States period and eventually unifying China while the characters are loosely based on actual historical figures. The action adventure film attempts to portray Xin and Piao as worthy and capable swordsman because they clunked stick swords together 10,000 times in an empty field throughout their childhood and teenage years.
The film tries to compensate for its slow first hour with a more eventful second half, but it doesn’t totally succeed. Yang Duan He (Masami Nagasawa) and her mountain tribe are pretty awesome. Their masks remind you of something straight out of Princess Mononoke and you’ll be trying your hardest not to compare Yang Duan He to Xena: Warrior Princess. There’s this competition for the throne that gets a little complicated. Zheng’s brother Cheng Jiao (Kanata Hongo) is nasty and heartless and basically a human version of Salacious Crumb sitting on an even more elaborate version of Jabba the Hutt’s dais. Zheng and Jiao have the same father, but different mothers; Jiao’s is of royal blood and Zheng’s is a dancer or, in other words, a commoner. Jiao viewed peasantry as being bone deep; it isn’t something that can ever go away.
The main theme of Kingdom sounds like a direct ripoff of the main Guardians of the Galaxy theme, which is kind of brain-numbing. The prosthetics in the film are questionable with Li Dian, the original slave owner of Xin and Piao, having this awkwardly orange colored face, inhumanly puffy cheeks, stringy facial hair, and the ugliest facial expressions imaginable. After Xin joins up with Zheng, a girl in a bushy owl costume named He Liao Diao (Kanna Hasimoto) is mostly only around to take everyone to the mountains later. The chemistry Xin, Zheng, and Diao have is reminiscent of what Mugen, Jin, and Foo have in Samurai Champloo. Another observation is that Xin is basically Goku with Vegeta’s short-fuse temper; he lives to fight and eat, he’s dumber than a bag of rocks, and he can’t identify a woman when she’s standing directly in front of him.
Cheng Jiao’s go-to henchman, former general and current hitman for hire Zuo Ci (Tak Sakaguchi) may be the film’s coolest character. He doesn’t care about anybody, tells Xin that all dreams are BS, and is a part of what is arguably the best action sequence in the film. Meanwhile, General Wang Yi (Takao Ohsawa), the most renowned general in all of China and the guy with the status Xin plans on taking in the future, is a bit overrated. He mostly just parades his weird and pointy facial hair around and swings his giant sword as if it won’t remind us of Guts from Berserk.
All in all, Kingdom is a decent action adventure that just takes a while to really get going. The performances aren’t totally satisfying with Kento Yamazaki hamming it up on more than occasion and taking the brainless dolt with a huge mouth thing to uncomfortable levels. The story isn’t exactly hard to follow, but it does feel like it’s trying to be more convoluted than it needs to be. You don’t feel any sort of attachment to any of the characters and any sort of twist can be seen long before the reveal. Kingdom is just an okay way to spend two hours that is probably a justifiable rental on a day when you have nothing better to do, but is not worth paying full price to own.
In 255 B.C., Kingdom revolves around the quick-tempered and charge-headfirst-into-battle-without-thinking Xin (Kento Yamazaki) that dreams of being the greatest general of the Qin Kingdom. There’s other stuff going on; a bloody 500 year war between the seven states of China, Xin’s best friend Piao (Ryô Yoshizawa) being enlisted by the King only to turn around and be killed, and King Yin Zheng being a splitting image of Piao, but nothing is emphasized or screamed louder than Xin’s desire to become the greatest general China has ever known.
Kingdom feels like it’s about 45 minutes too long for its own good. The first hour seems to drag as blood spraying into the air every now and then isn’t enough to keep you fully intrigued. The manga is an exaggerated recounting of Zheng actually becoming king in 221 B.C. during the Warring States period and eventually unifying China while the characters are loosely based on actual historical figures. The action adventure film attempts to portray Xin and Piao as worthy and capable swordsman because they clunked stick swords together 10,000 times in an empty field throughout their childhood and teenage years.
The film tries to compensate for its slow first hour with a more eventful second half, but it doesn’t totally succeed. Yang Duan He (Masami Nagasawa) and her mountain tribe are pretty awesome. Their masks remind you of something straight out of Princess Mononoke and you’ll be trying your hardest not to compare Yang Duan He to Xena: Warrior Princess. There’s this competition for the throne that gets a little complicated. Zheng’s brother Cheng Jiao (Kanata Hongo) is nasty and heartless and basically a human version of Salacious Crumb sitting on an even more elaborate version of Jabba the Hutt’s dais. Zheng and Jiao have the same father, but different mothers; Jiao’s is of royal blood and Zheng’s is a dancer or, in other words, a commoner. Jiao viewed peasantry as being bone deep; it isn’t something that can ever go away.
The main theme of Kingdom sounds like a direct ripoff of the main Guardians of the Galaxy theme, which is kind of brain-numbing. The prosthetics in the film are questionable with Li Dian, the original slave owner of Xin and Piao, having this awkwardly orange colored face, inhumanly puffy cheeks, stringy facial hair, and the ugliest facial expressions imaginable. After Xin joins up with Zheng, a girl in a bushy owl costume named He Liao Diao (Kanna Hasimoto) is mostly only around to take everyone to the mountains later. The chemistry Xin, Zheng, and Diao have is reminiscent of what Mugen, Jin, and Foo have in Samurai Champloo. Another observation is that Xin is basically Goku with Vegeta’s short-fuse temper; he lives to fight and eat, he’s dumber than a bag of rocks, and he can’t identify a woman when she’s standing directly in front of him.
Cheng Jiao’s go-to henchman, former general and current hitman for hire Zuo Ci (Tak Sakaguchi) may be the film’s coolest character. He doesn’t care about anybody, tells Xin that all dreams are BS, and is a part of what is arguably the best action sequence in the film. Meanwhile, General Wang Yi (Takao Ohsawa), the most renowned general in all of China and the guy with the status Xin plans on taking in the future, is a bit overrated. He mostly just parades his weird and pointy facial hair around and swings his giant sword as if it won’t remind us of Guts from Berserk.
All in all, Kingdom is a decent action adventure that just takes a while to really get going. The performances aren’t totally satisfying with Kento Yamazaki hamming it up on more than occasion and taking the brainless dolt with a huge mouth thing to uncomfortable levels. The story isn’t exactly hard to follow, but it does feel like it’s trying to be more convoluted than it needs to be. You don’t feel any sort of attachment to any of the characters and any sort of twist can be seen long before the reveal. Kingdom is just an okay way to spend two hours that is probably a justifiable rental on a day when you have nothing better to do, but is not worth paying full price to own.
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Hazel (2934 KP) rated Fatal Objective (leine Basso #12) in Books
Jun 21, 2022
DV has, once again, surpassed herself with this latest outing for Leine Basso. I never thought I would still be enthralled by a series of books for this long but they just keep getting better.
This is another action packed thriller starring the irreplaceable Leine Basso who, once again, has found herself in a bit of a pickle and it will take all her guile and acumen to get herself out of it with a little help from some friends along the way.
With fantastic characters throughout and an intriguing plot, Fatal Objective is a compulsive read that will have your eyes whizzing across the pages (or screen) in a bid to find out what happens next. I didn't want it to end but admit that I felt a little sad after finishing it and I really hope this isn't the last 'adventure' for Leine.
Highly recommended series but please be reassured that this can be read as a standalone although I would advise you to go back and read the others ... you won't be disappointed.
I must thank D.V. Berkom for allowing me to be a member of her Advance Reader Team and for allowing me to read Leine's latest outing and share my thoughts.
This is another action packed thriller starring the irreplaceable Leine Basso who, once again, has found herself in a bit of a pickle and it will take all her guile and acumen to get herself out of it with a little help from some friends along the way.
With fantastic characters throughout and an intriguing plot, Fatal Objective is a compulsive read that will have your eyes whizzing across the pages (or screen) in a bid to find out what happens next. I didn't want it to end but admit that I felt a little sad after finishing it and I really hope this isn't the last 'adventure' for Leine.
Highly recommended series but please be reassured that this can be read as a standalone although I would advise you to go back and read the others ... you won't be disappointed.
I must thank D.V. Berkom for allowing me to be a member of her Advance Reader Team and for allowing me to read Leine's latest outing and share my thoughts.
Sophia (Bookwyrming Thoughts) (530 KP) rated Dragon Pearl in Books
Jan 23, 2020
<b><i>I received this book for free from Disney-Hyperion in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</b></i>
<i>Dragon Pearl</i> by Yoon Ha Lee is the latest in Rick Riordan Presents, an imprint under Disney that “highlights cultures and mythologies from around the world,” selected by author Rick Riordan. An #ownvoices novel based on Korean mythology and folklore, Lee’s novel follows a fox spirit named Min who runs off on a space adventure to find her missing brother and instead finds the highly sought-after Dragon Pearl to save the Thousand Worlds.
I found myself struggling with <i>Dragon Pearl</i> at times. There are moments the novel slows from the pace of the action, which could potentially drag the reader’s attention away from Min’s journey. Min’s quest to find her brother is easy, but it is expected as the novel is aimed at a middle-grade audience.
Ignore the slowness and the ease of the journey, however, and the story is a magical ride through the Thousand Worlds. I loved seeing Min encountering obstacles and working her way around them while figuring out her own magic. Most importantly, I enjoyed seeing how valuable her relationships are, both with her brother and with the developing friendships with the other cadets.
Fans of Rick Riordan’s novels who enjoy a journey through space with touches of mythology will love going on an adventure of their own with Min through Yoon Ha Lee’s <i>Dragon Pearl</i>.
<a href="https://60secondsmag.com/dragon-pearl-review/">This review is originally posted on 60 Seconds Online Magazine</a>
<i>Dragon Pearl</i> by Yoon Ha Lee is the latest in Rick Riordan Presents, an imprint under Disney that “highlights cultures and mythologies from around the world,” selected by author Rick Riordan. An #ownvoices novel based on Korean mythology and folklore, Lee’s novel follows a fox spirit named Min who runs off on a space adventure to find her missing brother and instead finds the highly sought-after Dragon Pearl to save the Thousand Worlds.
I found myself struggling with <i>Dragon Pearl</i> at times. There are moments the novel slows from the pace of the action, which could potentially drag the reader’s attention away from Min’s journey. Min’s quest to find her brother is easy, but it is expected as the novel is aimed at a middle-grade audience.
Ignore the slowness and the ease of the journey, however, and the story is a magical ride through the Thousand Worlds. I loved seeing Min encountering obstacles and working her way around them while figuring out her own magic. Most importantly, I enjoyed seeing how valuable her relationships are, both with her brother and with the developing friendships with the other cadets.
Fans of Rick Riordan’s novels who enjoy a journey through space with touches of mythology will love going on an adventure of their own with Min through Yoon Ha Lee’s <i>Dragon Pearl</i>.
<a href="https://60secondsmag.com/dragon-pearl-review/">This review is originally posted on 60 Seconds Online Magazine</a>