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Gareth von Kallenbach (980 KP) rated the PlayStation 3 version of Deadpool in Video Games
Jun 19, 2019
Marvel comics classic antihero Deadpool has made a jump to the big leagues as the star of his own videogame by high Moon Studios. For those unfamiliar with the character, Deadpool is a mentally unstable mercenary who is deadly efficient with all manner of weaponry and takes delightful glee and dispensing violence. As the game opens, dead pool breaks down the fourth wall and openly speaks to the players often chiding them for their performance as well as cracking several raunchy one-liners and quips in the process. In his rundown apartment, we learn the dead pool has coursed through the use of high explosives the creation of a videogame written by and starring himself.
At numerous times throughout the game Deadpool will open the script to offer his creative input and decide to go off script and make some very creative and often bloody changes to the storyline which often causes the unseen but often heard studio exec complain about the budget of the game being surpassed.
While this is a very interesting set up and does add a lot of unique new wrinkles to a game of this type, at its heart Deadpool is simply an action adventure game in a style that we have seen many times before often in better games.
In pursuit of a contract, Deadpool graphically dispatches waves of enemies using his signature swords and guns which allow him to do all manner of complicated and impressive combat moves. As enemies are dispatched, players can earn the ability to purchase and equip new weapons such as shotguns, bear traps, grenades, dual machine guns, and more as well as have the ability to upgrade some of Dead pools abilities such as his healing speed. Like fellow mutant Wolverine, who briefly shows up the game, Deadpool is capable of regenerating health, so when combat becomes too intense it is often advisable for players to retreat to heal before wading back into the never-ending siege of enemy opponents.
Deadpool can also do some very creative stealth kills such as coming up behind an opponent and decapitating them or dispatching them with a quick shot to the head. This does have its own risks as excessive noise tends to attract large mobs of enemies and even as good as Deadpool is there comes a point where discretion is the better part of valor. Thankfully Deadpool has the ability to teleport away from danger and this comes exceptionally handy during the games numerous and at times frustrating jump sequences when a jump goes wrong.
There are elements of the game that are frustratingly hard but then there are moments that are absolute delight for fans of action games as well as, book heroes. The bawdy and over-the-top humor was excessive at times but was also entertaining and the character animations were true delight especially when Deadpool became a spinning dervish of death and dismemberment courtesy of his bladed weapons and guns.
Many of the enemies though became highly redundant and some did require a considerable amount of effort to dispatch so it is important that players conserve their ammunition as much as possible as running dry often required a hasty retreat rather than staying and finishing the job.
There were several clever cameos in game which I do not want to spoil and it was really nice to step into the bizarre and mayhem filled world in which the title character lives. My biggest issues with the game were that the gameplay became very repetitive after a while and the timed jumps and certain fights became extremely frustrating. If I want to do precision jumps from platform to platform to accomplish a goal, I will fire up the Wii U and play a game of Mario brothers.
I also had issues with some glitches in the game such as weapons animations disappearing and one extremely annoying sequence where the control systems on the PC version of the game went haywire and the character started to move on his own without any input from the controls. There were also some problems with the camera angles which in the heat of pitched battles became highly frustrating as I found myself boxed in and unable to see which way to go.
The graphics and sound in the game were solid but to control systems did have an element of frustration to them. While you are able to customize the controls on the PC version of the game, I did have to wonder how much easier the game would be on a console as it seems as if this wasn’t the intended platform of choice as it is a button mashers dream which is very conducive to a game control but not as friendly to a keyboard and mouse combination.
If you can look past the frustrations of the game, there is a lot to like here. Specifically the character, the action, and the ability to play as a truly demented individual who writes his own rules and does not care what anyone else has to say.
In the end the game is entertaining though nothing spectacular and while it may appeal mainly to hard-core fans of the character, I cannot help but think that the game could’ve been so much more.
http://sknr.net/2013/06/28/deadpool/
At numerous times throughout the game Deadpool will open the script to offer his creative input and decide to go off script and make some very creative and often bloody changes to the storyline which often causes the unseen but often heard studio exec complain about the budget of the game being surpassed.
While this is a very interesting set up and does add a lot of unique new wrinkles to a game of this type, at its heart Deadpool is simply an action adventure game in a style that we have seen many times before often in better games.
In pursuit of a contract, Deadpool graphically dispatches waves of enemies using his signature swords and guns which allow him to do all manner of complicated and impressive combat moves. As enemies are dispatched, players can earn the ability to purchase and equip new weapons such as shotguns, bear traps, grenades, dual machine guns, and more as well as have the ability to upgrade some of Dead pools abilities such as his healing speed. Like fellow mutant Wolverine, who briefly shows up the game, Deadpool is capable of regenerating health, so when combat becomes too intense it is often advisable for players to retreat to heal before wading back into the never-ending siege of enemy opponents.
Deadpool can also do some very creative stealth kills such as coming up behind an opponent and decapitating them or dispatching them with a quick shot to the head. This does have its own risks as excessive noise tends to attract large mobs of enemies and even as good as Deadpool is there comes a point where discretion is the better part of valor. Thankfully Deadpool has the ability to teleport away from danger and this comes exceptionally handy during the games numerous and at times frustrating jump sequences when a jump goes wrong.
There are elements of the game that are frustratingly hard but then there are moments that are absolute delight for fans of action games as well as, book heroes. The bawdy and over-the-top humor was excessive at times but was also entertaining and the character animations were true delight especially when Deadpool became a spinning dervish of death and dismemberment courtesy of his bladed weapons and guns.
Many of the enemies though became highly redundant and some did require a considerable amount of effort to dispatch so it is important that players conserve their ammunition as much as possible as running dry often required a hasty retreat rather than staying and finishing the job.
There were several clever cameos in game which I do not want to spoil and it was really nice to step into the bizarre and mayhem filled world in which the title character lives. My biggest issues with the game were that the gameplay became very repetitive after a while and the timed jumps and certain fights became extremely frustrating. If I want to do precision jumps from platform to platform to accomplish a goal, I will fire up the Wii U and play a game of Mario brothers.
I also had issues with some glitches in the game such as weapons animations disappearing and one extremely annoying sequence where the control systems on the PC version of the game went haywire and the character started to move on his own without any input from the controls. There were also some problems with the camera angles which in the heat of pitched battles became highly frustrating as I found myself boxed in and unable to see which way to go.
The graphics and sound in the game were solid but to control systems did have an element of frustration to them. While you are able to customize the controls on the PC version of the game, I did have to wonder how much easier the game would be on a console as it seems as if this wasn’t the intended platform of choice as it is a button mashers dream which is very conducive to a game control but not as friendly to a keyboard and mouse combination.
If you can look past the frustrations of the game, there is a lot to like here. Specifically the character, the action, and the ability to play as a truly demented individual who writes his own rules and does not care what anyone else has to say.
In the end the game is entertaining though nothing spectacular and while it may appeal mainly to hard-core fans of the character, I cannot help but think that the game could’ve been so much more.
http://sknr.net/2013/06/28/deadpool/
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Lyndsey Gollogly (2893 KP) rated Taste the Dark ( Elwood Legacy book 1) in Books
Mar 2, 2022
38 of 230
Kindle
Taste the Dark ( Elwood Legacy book 1)
By Nicola Rose
⭐️⭐️⭐️⭐️
I never meant to fall for another bad boy... let alone two.
My name is Jess. I don't know what I am, with my random magical outbursts, but I do know that getting tangled up with deliciously deadly vampire brothers is going to get me in trouble.
There’s Zac — brooding and mesmerizing. Tormented by an ancient legacy he refuses to fulfill. Fighting the darkness within, balancing on the line between light and dark, living in the grey of morality. Drawn to my blood with ravenous need thanks to a fated sanguine bond.
Then there’s Alex —disarmingly playful, evil wrapped up in a pretty package. Zero boundaries. Takes what he wants, when he wants. Crawling under my skin like an unwelcome itch that I need to scratch.
Never one to shy from adventure, I find myself right in the middle of their century-long feud. Zac’s touch feels like the very thing I’ve spent my life chasing. But if he’s so right for me, what is this haunting desire that burns inside for Alex?
With everyone against us, from the ruthless vampire government, vampire hunters, and even our own friends — will I even come out of this alive? Just how far will my insatiable appetite for all things dark and dangerous take me?
2 vampire brothers at war enter a human girl and a new toy to fight over! Sound familiar? The big difference between them and this was Jess and omg she is one sassy,bitchy,slutty, crazy bitch and absolutely brilliant! I did wander at half way whether the story was going down a road of whinny relationship crap but nope! It was pulled back. I always measure a book on how it makes me feel at the time and this had me caught up in all the emotions at one point or another. One of the better vampire books I’ve read in a while. If you’re looking for smutty vampire action this is the book for you.
Kindle
Taste the Dark ( Elwood Legacy book 1)
By Nicola Rose
⭐️⭐️⭐️⭐️
I never meant to fall for another bad boy... let alone two.
My name is Jess. I don't know what I am, with my random magical outbursts, but I do know that getting tangled up with deliciously deadly vampire brothers is going to get me in trouble.
There’s Zac — brooding and mesmerizing. Tormented by an ancient legacy he refuses to fulfill. Fighting the darkness within, balancing on the line between light and dark, living in the grey of morality. Drawn to my blood with ravenous need thanks to a fated sanguine bond.
Then there’s Alex —disarmingly playful, evil wrapped up in a pretty package. Zero boundaries. Takes what he wants, when he wants. Crawling under my skin like an unwelcome itch that I need to scratch.
Never one to shy from adventure, I find myself right in the middle of their century-long feud. Zac’s touch feels like the very thing I’ve spent my life chasing. But if he’s so right for me, what is this haunting desire that burns inside for Alex?
With everyone against us, from the ruthless vampire government, vampire hunters, and even our own friends — will I even come out of this alive? Just how far will my insatiable appetite for all things dark and dangerous take me?
2 vampire brothers at war enter a human girl and a new toy to fight over! Sound familiar? The big difference between them and this was Jess and omg she is one sassy,bitchy,slutty, crazy bitch and absolutely brilliant! I did wander at half way whether the story was going down a road of whinny relationship crap but nope! It was pulled back. I always measure a book on how it makes me feel at the time and this had me caught up in all the emotions at one point or another. One of the better vampire books I’ve read in a while. If you’re looking for smutty vampire action this is the book for you.
Ryan Hill (152 KP) rated Spider-Man (2002) in Movies
Jun 30, 2019
" With great power comes great responsibility"
One of the first movies to pave the groundwork for modern superhero flicks, Spider-Man is an incredibly fun & endlessly entertaining action-adventure that brings its web-slinging hero to life on the silver screen in a truly fascinating manner after spending nearly a quarter of a century in development hell and, with its record-breaking box office performance, acts as a precursor to an era when superheroes would dominate the summer box-office.
Based on the Marvel Comics character of the same name, the story of Spider-Man follows Peter Parker; a high-school kid who after being bitten by a radioactive spider at a genetic laboratory begins to develop spider-like abilities and puts his new powers to good use by turning to crimefighting. Meanwhile, Norman Osborn experiments a power-enhancing drug on himself as a desperate attempt to preserve a military contract critical for his company's survival.
Directed by Sam Raimi, Spider-Man has all the ingredients of a summer blockbuster plus it benefits a lot from Raimi's dynamic filmmaking style that doesn't dwell on a single moment for far too long, keeps the story fresh, light-hearted & action-packed for the most part, plus never loses its initially-gained momentum. David Koepp's screenplay is no slouch either for it packs in a compelling plot & few interesting characters and the whole story is cheesy but well humoured.
The technical aspects are all brilliantly executed. Camerawork is excellent for the most part for the chosen angles, swift movements, slow-mo shots & warm colour palette are correctly employed. Editing provides a frenetic pace to its narrative, each moment has a role to play, and its 121 minutes of runtime simply flies by. Visual effects team makes use of both CGI & practical stuntwork and it's amazing just how well it has aged when compared to other effects-laden movies released back then.
Coming to the performances, Spider-Man packs in a very interesting cast in Tobey Maguire, Kirsten Dunst, James Franco, Willem Dafoe, J.K. Simmons & others, and many of them are pretty convincing in their given roles. Maguire does a terrific job under Raimi's supervision, Dafoe plays Norman Osborn with finesse but that Green Goblin suit is extremely off-putting, Simmons is a near-perfect rendition of J. Jonah Jameson from the comics while both Dunst & Franco do a fine job as Mary Jane Watson & Harry Osborn, respectively.
Also worthy of admiration is Danny Elfman's outstanding score that captures just the right tone & feel of your friendly neighbourhood Spider-Man's universe and brims with tracks that seamlessly integrate into the story. On an overall scale, Spider-Man may not seem as impressive today as it did back when it made its debut on the silver screen but it still remains one of the best offerings of its category and delivers a roller-coasted ride that's enjoyable, entertaining & highly satisfying. Spider-Man is a summer popcorn extravaganza right on the money.
Based on the Marvel Comics character of the same name, the story of Spider-Man follows Peter Parker; a high-school kid who after being bitten by a radioactive spider at a genetic laboratory begins to develop spider-like abilities and puts his new powers to good use by turning to crimefighting. Meanwhile, Norman Osborn experiments a power-enhancing drug on himself as a desperate attempt to preserve a military contract critical for his company's survival.
Directed by Sam Raimi, Spider-Man has all the ingredients of a summer blockbuster plus it benefits a lot from Raimi's dynamic filmmaking style that doesn't dwell on a single moment for far too long, keeps the story fresh, light-hearted & action-packed for the most part, plus never loses its initially-gained momentum. David Koepp's screenplay is no slouch either for it packs in a compelling plot & few interesting characters and the whole story is cheesy but well humoured.
The technical aspects are all brilliantly executed. Camerawork is excellent for the most part for the chosen angles, swift movements, slow-mo shots & warm colour palette are correctly employed. Editing provides a frenetic pace to its narrative, each moment has a role to play, and its 121 minutes of runtime simply flies by. Visual effects team makes use of both CGI & practical stuntwork and it's amazing just how well it has aged when compared to other effects-laden movies released back then.
Coming to the performances, Spider-Man packs in a very interesting cast in Tobey Maguire, Kirsten Dunst, James Franco, Willem Dafoe, J.K. Simmons & others, and many of them are pretty convincing in their given roles. Maguire does a terrific job under Raimi's supervision, Dafoe plays Norman Osborn with finesse but that Green Goblin suit is extremely off-putting, Simmons is a near-perfect rendition of J. Jonah Jameson from the comics while both Dunst & Franco do a fine job as Mary Jane Watson & Harry Osborn, respectively.
Also worthy of admiration is Danny Elfman's outstanding score that captures just the right tone & feel of your friendly neighbourhood Spider-Man's universe and brims with tracks that seamlessly integrate into the story. On an overall scale, Spider-Man may not seem as impressive today as it did back when it made its debut on the silver screen but it still remains one of the best offerings of its category and delivers a roller-coasted ride that's enjoyable, entertaining & highly satisfying. Spider-Man is a summer popcorn extravaganza right on the money.
BankofMarquis (1832 KP) rated The Lion King (2019) in Movies
Jul 21, 2019
Middle of the Road
I have to give the Walt Disney Company credit, with their Live Action remakes of their classic animated movies, they have developed a very lucrative profit stream with properties that they already own - and are well known to audiences. Some are successful (THE JUNGLE BOOK, ALADDIN), some are not quite so successful (DUMBO, ALICE IN WONDERLAND).
And...somewhere in the middle...is the LION KING.
Directed by Jon Favreau (THE JUNGLE BOOK, IRON MAN), this Lion King is a fairly faithful reproduction of the animated movie - and that is a blessing and a curse - and it, ultimately, keeps this remake squarely in the middle in terms of quality, interest and achievement.
What works: the CGI animation of the animals and scenery. Favreau shot CGI-fest films like THE JUNGLE BOOK and IRON MAN, so he knows how to do these things and they work here in a very workmanlike way. The are all professionally done - there's not a bad shot in the film. But the "wow" moments are few and far between in this film as well
The story is a timeless classic (kind of an "animal adventure Hamlet") and that works as do OME of the voice cast (more on that later)...and...of course...the songs - especially the faithful recreation of the CIRCLE OF LIFE opening - one of the best opening musical numbers in movie history.
What doesn't work: The first 1/2 of the film's pacing. It drags pretty badly early on and the songs in that part of the film (like I CAN'T WAIT TO BE KING) just don't have the energy and pizzazz that is needed. And SOME of the voice work is just plain bland and boring and (in one case) I found irritating.
So...let's talk about the voice cast. James Earl Jones (reprising Mufasa) is terrific (of course) as is John Oliver's Zazu (a much bigger presence in this film than the animated film), Chiwetel Ejiofor's Scar is appropriately menacing, if a bit bland, but "good enough" as is Beyonce's grown up Nala. I would have liked to see/feel a bit more of her "presence" in this character's voice, but that might be a Director choice and not an actress choice. John Kani's Rafiki is quite good as is the always steady/credible Alfre Woodward as Sarabi.
What doesn't work is the two voice actors cast to play Simba. Donald Glover (TV's ATLANTA) is just too bland and boring as the adult Simba. He doesn't really bring anything interesting to his voice work of this character (but does hold his own in the musical duet "Can You Feel The Love Tonight" opposite the great Beyonce).
I usually don't comment on child performances that I don't like (they are kids after all), so I won't really comment much on JD McCrary's voice performance as the young Simba except to say I didn't really how much MORE the young Simba is in this film as opposed to the older Simba - or at least it felt to me that the weakest voice performance in this film was on screen for far longer than I remembered from the animated film.
As for the best voice performances in this film - that is easy - Billy Eichner and Seth Rogan's performance as Simba's pals Timon and Pumbaa. They had big shoes to fill in comparison to the voice work in the animated film from Nathan Lane and Ernie Sabella, so they did the smart thing - they didn't even try. Much like Will Smith not trying to imitate Robin Williams in the live action ALADDIN earlier this year (another voice performance that worked well) Eichner and Rogan make these characters their own and succeeded well - these two characters/performances are the high point in the film and bring much needed life and energy to a movie that was sagging under it's own weight by the time they show up.
This Lion King will be THE Lion King for this generation - and that is "fine" - if the youngsters in my life want to watch this, I won't complain. But... I will try to steer them towards the much better animated version of this film from the 1990's.
Letter Grade: a solid B
7 stars (out of 10) and you can take that to the Bank(OfMarquis)
And...somewhere in the middle...is the LION KING.
Directed by Jon Favreau (THE JUNGLE BOOK, IRON MAN), this Lion King is a fairly faithful reproduction of the animated movie - and that is a blessing and a curse - and it, ultimately, keeps this remake squarely in the middle in terms of quality, interest and achievement.
What works: the CGI animation of the animals and scenery. Favreau shot CGI-fest films like THE JUNGLE BOOK and IRON MAN, so he knows how to do these things and they work here in a very workmanlike way. The are all professionally done - there's not a bad shot in the film. But the "wow" moments are few and far between in this film as well
The story is a timeless classic (kind of an "animal adventure Hamlet") and that works as do OME of the voice cast (more on that later)...and...of course...the songs - especially the faithful recreation of the CIRCLE OF LIFE opening - one of the best opening musical numbers in movie history.
What doesn't work: The first 1/2 of the film's pacing. It drags pretty badly early on and the songs in that part of the film (like I CAN'T WAIT TO BE KING) just don't have the energy and pizzazz that is needed. And SOME of the voice work is just plain bland and boring and (in one case) I found irritating.
So...let's talk about the voice cast. James Earl Jones (reprising Mufasa) is terrific (of course) as is John Oliver's Zazu (a much bigger presence in this film than the animated film), Chiwetel Ejiofor's Scar is appropriately menacing, if a bit bland, but "good enough" as is Beyonce's grown up Nala. I would have liked to see/feel a bit more of her "presence" in this character's voice, but that might be a Director choice and not an actress choice. John Kani's Rafiki is quite good as is the always steady/credible Alfre Woodward as Sarabi.
What doesn't work is the two voice actors cast to play Simba. Donald Glover (TV's ATLANTA) is just too bland and boring as the adult Simba. He doesn't really bring anything interesting to his voice work of this character (but does hold his own in the musical duet "Can You Feel The Love Tonight" opposite the great Beyonce).
I usually don't comment on child performances that I don't like (they are kids after all), so I won't really comment much on JD McCrary's voice performance as the young Simba except to say I didn't really how much MORE the young Simba is in this film as opposed to the older Simba - or at least it felt to me that the weakest voice performance in this film was on screen for far longer than I remembered from the animated film.
As for the best voice performances in this film - that is easy - Billy Eichner and Seth Rogan's performance as Simba's pals Timon and Pumbaa. They had big shoes to fill in comparison to the voice work in the animated film from Nathan Lane and Ernie Sabella, so they did the smart thing - they didn't even try. Much like Will Smith not trying to imitate Robin Williams in the live action ALADDIN earlier this year (another voice performance that worked well) Eichner and Rogan make these characters their own and succeeded well - these two characters/performances are the high point in the film and bring much needed life and energy to a movie that was sagging under it's own weight by the time they show up.
This Lion King will be THE Lion King for this generation - and that is "fine" - if the youngsters in my life want to watch this, I won't complain. But... I will try to steer them towards the much better animated version of this film from the 1990's.
Letter Grade: a solid B
7 stars (out of 10) and you can take that to the Bank(OfMarquis)
Gareth von Kallenbach (980 KP) rated The Hobbit: The Battle of the Five Armies (2014) in Movies
Aug 6, 2019
It’s been thirteen years since Director Peter Jackson first took us to middle earth and showed movie
audiences that large scale fantasy could be done right on film with The Lord of the Rings Trilogy. And
now the final trek through middle earth is here with the third and final film in the Hobbit series.
Picking up at the climatic conclusion of 2013’s The Desolation of Smaug, The Battle of the Five Armies is
less about the journey and more about the war between the various armies of middles earth over the
massive riches in the mountain home they journeyed to reclaim. After the exciting beginning that serves
to tie up the previous film and sets to table for this one, we begin to see the brotherhood between the
dwarfs, a wizard, a few elves and a Hobbit that focuses on the bonds of friendship and loyalty. This
builds on itself as it leads to the climactic battle of the five armies. The battle is on the grand scale you
would come to expect from these middle earth films, only at times this battle seems to rely on a bit too
much CGI and thus almost plays out cartoonish. Granted, this is a fantasy world were Dwarfs, Elves and
Men are fighting Orcs so it is really not that hard to suspend disbelief in the first place. Thus the film is
entertaining in its own right as it wraps up one trilogy and bridges to another.
This bridge is what surprised me most. We received a bit more insight to some of the higher beings and
their understanding that villain in the Lord of the Rings trilogy is slowly returning to power. These
sequences are entertaining and great for fan service, but they seem to be handled a bit to simply as it
makes us wonder, if they knew this dark figure was alive, why did they wait so long (The Lord of the
Rings Trilogy) to do something about it. Still, it is nice to see the story wrapped up into one complete
adventure that viewer could connect all the way through.
In the end, those fans of the books and previous films will be pleased with the action, pace and way this
film wraps everything up. Other than the sequence of Bilbo’s interaction with Smaug in the last film, The
Hobbit: The Battle of the Five Armies is the best film in the Hobbit Series.
audiences that large scale fantasy could be done right on film with The Lord of the Rings Trilogy. And
now the final trek through middle earth is here with the third and final film in the Hobbit series.
Picking up at the climatic conclusion of 2013’s The Desolation of Smaug, The Battle of the Five Armies is
less about the journey and more about the war between the various armies of middles earth over the
massive riches in the mountain home they journeyed to reclaim. After the exciting beginning that serves
to tie up the previous film and sets to table for this one, we begin to see the brotherhood between the
dwarfs, a wizard, a few elves and a Hobbit that focuses on the bonds of friendship and loyalty. This
builds on itself as it leads to the climactic battle of the five armies. The battle is on the grand scale you
would come to expect from these middle earth films, only at times this battle seems to rely on a bit too
much CGI and thus almost plays out cartoonish. Granted, this is a fantasy world were Dwarfs, Elves and
Men are fighting Orcs so it is really not that hard to suspend disbelief in the first place. Thus the film is
entertaining in its own right as it wraps up one trilogy and bridges to another.
This bridge is what surprised me most. We received a bit more insight to some of the higher beings and
their understanding that villain in the Lord of the Rings trilogy is slowly returning to power. These
sequences are entertaining and great for fan service, but they seem to be handled a bit to simply as it
makes us wonder, if they knew this dark figure was alive, why did they wait so long (The Lord of the
Rings Trilogy) to do something about it. Still, it is nice to see the story wrapped up into one complete
adventure that viewer could connect all the way through.
In the end, those fans of the books and previous films will be pleased with the action, pace and way this
film wraps everything up. Other than the sequence of Bilbo’s interaction with Smaug in the last film, The
Hobbit: The Battle of the Five Armies is the best film in the Hobbit Series.
Shelle Perry (66 KP) rated Zombies for Everyone: A Jenna Sutton Supernatural Cozy Mystery in Books
Aug 10, 2021
The mystery was well-paced with plenty of clues.
YA Cozy is a new one for me, though I will say this book feels more like a paranormal adventure story than a cozy mystery. The mystery was well-paced with plenty of clues. It was easy to assume why the attacks were happening once it came up in conversation, and from there, very easy to pick out the big bad. Still, the story was an enjoyable one with lots of action and plenty of pop culture references, some of which I am certain are less applicable to the YA crowd than their parents, but fun nonetheless.
In this book we are introduced to Jenna and her partner Kieron, high school students with a little something extra. She is a Hunter. Her job is to investigate and hunt down things that go bump in the night. Kind of a cross between Dean Winchester and Buffy Summers. Kieron provides moral, tech, and info support. They are asked to track down the source of a zombie bite before it leads to a full-on outbreak. It becomes apparent that there is more going on than a simple zombie attack and with several great suspects, it moves at a fair clip.
Despite the extracurriculars they really are just typical seventeen-year-old kids worrying about dating, homework, and mean girls. That is a fun contrast to the uber adult nature of the work they do. Jenna’s mother is missing, presumed dead (a story point that I am certain will be prominent in upcoming books) Leaving Jenna with the job of caring for herself while staying under the radar of adults who would put her in the system.
The magic world built for this story is sound, though it will need some bolstering ahead as it went up fairly quickly. I think another 50 pages of story could have easily softened the info dump feel. There is a lot of information to process about magic and recurring characters, as well as The Consortium and The Covens, but at some point in this series, things are going to get really interesting and my sixth sense is tingling in anticipation. This is a great story for age 12-18 readers and really for anyone who enjoys YA and/or paranormal cozy.
⭐⭐⭐⭐
Rating: 4 out of 5.
I received an advance review copy for free through Great Escapes Virtual Book Tours, and I am leaving this review voluntarily
In this book we are introduced to Jenna and her partner Kieron, high school students with a little something extra. She is a Hunter. Her job is to investigate and hunt down things that go bump in the night. Kind of a cross between Dean Winchester and Buffy Summers. Kieron provides moral, tech, and info support. They are asked to track down the source of a zombie bite before it leads to a full-on outbreak. It becomes apparent that there is more going on than a simple zombie attack and with several great suspects, it moves at a fair clip.
Despite the extracurriculars they really are just typical seventeen-year-old kids worrying about dating, homework, and mean girls. That is a fun contrast to the uber adult nature of the work they do. Jenna’s mother is missing, presumed dead (a story point that I am certain will be prominent in upcoming books) Leaving Jenna with the job of caring for herself while staying under the radar of adults who would put her in the system.
The magic world built for this story is sound, though it will need some bolstering ahead as it went up fairly quickly. I think another 50 pages of story could have easily softened the info dump feel. There is a lot of information to process about magic and recurring characters, as well as The Consortium and The Covens, but at some point in this series, things are going to get really interesting and my sixth sense is tingling in anticipation. This is a great story for age 12-18 readers and really for anyone who enjoys YA and/or paranormal cozy.
⭐⭐⭐⭐
Rating: 4 out of 5.
I received an advance review copy for free through Great Escapes Virtual Book Tours, and I am leaving this review voluntarily
Taichi Panda 3: Dragon Hunter
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Before the world was populated with taichi masters, there existed two dragons borne from the sun and...
Phillip McSween (751 KP) rated Zombieland: Double Tap (2019) in Movies
Jan 17, 2020
Implausibility Can't Stop This Fun Movie
The gang from the original are back to deal with new issues and square off against new zombies. Definitely not as good as the first, Zombieland: Double Tap packs enough of an entertaining punch to be worth your while.
Acting: 10
Beginning: 10
Characters: 8
Cinematography/Visuals: 7
Conflict: 10
Between the group’s personal issues and loads beyond loads of zombies, the movie definitely isn’t short of conflict. The film wins ultimately with the originality and variety of the zombie kills. The action is fun and, although lighthearted at times, it keeps you engaged in the movie.
Entertainment Value: 8
There was some implausibility here that made it a challenge at times to enjoy the movie. I also felt like the movie spent more time than needed trying to “chase a ghost” rather than just stand out and be its own thing. In spite of those shortcomings, man was this movie fun to watch!
Memorability: 5
Its been-there-done-that feel keeps this movie out of the classics range. There are quite a few bright spots, but nothing that made me say, “I want to watch this again right now!” Good? Absolutely. Memorable? Meh…
Pace: 10
A quick adventure that moves at a solid clip. I was never bored at any point. In fact, I had to pee extremely bad at one point and was pissed (pun intended) I had to get up. Not surprising, I missed a pretty important part of the movie. Damn you, Alamo Drafthouse, for having bathrooms so far away! What I’m saying is, the story’s flow was extremely smooth.
Plot: 2
The story is so weak it’s maddening at times. I swear, if it wasn’t such an insanely fun movie to watch, I wouldn’t have scored it nearly as high. I say maddening because the first film had so many layers to it while this one seems content on being mediocre in story.
Resolution: 10
Fun ending with a great payoff. If you’re a fan of the original, make sure not to leave right away as the credits are coming up. Cracked me up for sure!
Overall: 80
Despite a plot as strong as Jello, Zombieland: Double Tap will entertain you if you allow yourself a suspension of disbelief. The fun characters and consistent action are enough to carry the movie as a whole. Not as good as the first, but certainly not the first sequel to suffer from that issue. I recommend!
Acting: 10
Beginning: 10
Characters: 8
Cinematography/Visuals: 7
Conflict: 10
Between the group’s personal issues and loads beyond loads of zombies, the movie definitely isn’t short of conflict. The film wins ultimately with the originality and variety of the zombie kills. The action is fun and, although lighthearted at times, it keeps you engaged in the movie.
Entertainment Value: 8
There was some implausibility here that made it a challenge at times to enjoy the movie. I also felt like the movie spent more time than needed trying to “chase a ghost” rather than just stand out and be its own thing. In spite of those shortcomings, man was this movie fun to watch!
Memorability: 5
Its been-there-done-that feel keeps this movie out of the classics range. There are quite a few bright spots, but nothing that made me say, “I want to watch this again right now!” Good? Absolutely. Memorable? Meh…
Pace: 10
A quick adventure that moves at a solid clip. I was never bored at any point. In fact, I had to pee extremely bad at one point and was pissed (pun intended) I had to get up. Not surprising, I missed a pretty important part of the movie. Damn you, Alamo Drafthouse, for having bathrooms so far away! What I’m saying is, the story’s flow was extremely smooth.
Plot: 2
The story is so weak it’s maddening at times. I swear, if it wasn’t such an insanely fun movie to watch, I wouldn’t have scored it nearly as high. I say maddening because the first film had so many layers to it while this one seems content on being mediocre in story.
Resolution: 10
Fun ending with a great payoff. If you’re a fan of the original, make sure not to leave right away as the credits are coming up. Cracked me up for sure!
Overall: 80
Despite a plot as strong as Jello, Zombieland: Double Tap will entertain you if you allow yourself a suspension of disbelief. The fun characters and consistent action are enough to carry the movie as a whole. Not as good as the first, but certainly not the first sequel to suffer from that issue. I recommend!
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