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Taichi Panda 3: Dragon Hunter
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Before the world was populated with taichi masters, there existed two dragons borne from the sun and...
Digimon Heroes!
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Collect and Battle Your Ultimate Digimon Heroes! Digimon Heroes is an exciting free-to-play Card...
Cartoon Network Superstar Soccer: Goal!!! – Multiplayer Sports Game Starring Your Favorite Characters
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Flash Sale! Get Superstar Soccer: Goal!!! for a super low price. Become a soccer superstar with...
graveyardgremlin (7194 KP) rated Bloodshot (Cheshire Red Reports, #1) in Books
Feb 15, 2019
What a truly awesome and fresh take on vampires in the crowded genre of Urban Fantasy! The star of <u><b>Bloodshot</b></u> is vampire Raylene Pendle, a top thief of priceless artifacts, who takes on a case from another vampire. This vampire, Ian Stott, was blinded by a top-secret government program and wants Raylene to steal back papers dealing with those experiments. What follows is a fast-paced, scene-changing adventure filled with unique characters that fulfills everything the book promised and more.
Raylene is your typical vampire in a lot of ways: the sun gives her a nasty sunburn to the extent of death, there's no awakening to dusk after decapitation or going up in flames, and of course, she's preternaturally fast and strong. However, she differs in that she's paranoid, self-deprecating, neurotic, and a tad OCD. So while Raylene can kick some major ass and make sarcastic remarks like the rest of the UF heroines, she also second- (and third and fourth) guesses herself a lot and is always prepared for the worst, usually thanks to her quick wits and sometimes even to the helpful contents of her "go-bag". I found Raylene to be a terrific protagonist, and for someone who claims to be anti-social, she sure picks up a lot of "pet people" throughout the duration of the book, which makes her a big, warm, gooey marshmallow inside (even if she doesn't own up to the fact).
What did surprise me was how funny the book was. I laughed, giggled, chortled, snorted, and smiled (usually rather goofily) quite often (there was many a line that left me in hysterics -- good thing I was reading in the privacy of my own home). Judging by the cover, I expected a more serious and suspenseful read, but while I wouldn't say this was exactly light, it wasn't as heavy as I imagined either. The plot moves swiftly each step of the way and kept me glued to the pages; there wasn't one dull moment to be had. Every character that popped up in the book was interesting and fully fleshed out, no bores within these covers, and helped move the story along. The writing was great, from Raylene's first-person inner dialogue to the action scenes, not one thing bothered me overly much.
While there is a sense of closure to the book as a whole, the story is really just beginning and I am left eager (and impatient beyond belief) for the next installment, [b:Hellbent|9842559|Hellbent (Cheshire Red Reports, #2)|Cherie Priest|http://www.goodreads.com/images/nocover-60x80.jpg|14733361] (set to come out August 30, 2011). If one book can make you a fan of an author, surely this one did it for me. Cherie Priest created a great intro to a character whose very vitality is evident every page of this book and has made Raylene one of my new favorites in the UF field.
Raylene is your typical vampire in a lot of ways: the sun gives her a nasty sunburn to the extent of death, there's no awakening to dusk after decapitation or going up in flames, and of course, she's preternaturally fast and strong. However, she differs in that she's paranoid, self-deprecating, neurotic, and a tad OCD. So while Raylene can kick some major ass and make sarcastic remarks like the rest of the UF heroines, she also second- (and third and fourth) guesses herself a lot and is always prepared for the worst, usually thanks to her quick wits and sometimes even to the helpful contents of her "go-bag". I found Raylene to be a terrific protagonist, and for someone who claims to be anti-social, she sure picks up a lot of "pet people" throughout the duration of the book, which makes her a big, warm, gooey marshmallow inside (even if she doesn't own up to the fact).
What did surprise me was how funny the book was. I laughed, giggled, chortled, snorted, and smiled (usually rather goofily) quite often (there was many a line that left me in hysterics -- good thing I was reading in the privacy of my own home). Judging by the cover, I expected a more serious and suspenseful read, but while I wouldn't say this was exactly light, it wasn't as heavy as I imagined either. The plot moves swiftly each step of the way and kept me glued to the pages; there wasn't one dull moment to be had. Every character that popped up in the book was interesting and fully fleshed out, no bores within these covers, and helped move the story along. The writing was great, from Raylene's first-person inner dialogue to the action scenes, not one thing bothered me overly much.
While there is a sense of closure to the book as a whole, the story is really just beginning and I am left eager (and impatient beyond belief) for the next installment, [b:Hellbent|9842559|Hellbent (Cheshire Red Reports, #2)|Cherie Priest|http://www.goodreads.com/images/nocover-60x80.jpg|14733361] (set to come out August 30, 2011). If one book can make you a fan of an author, surely this one did it for me. Cherie Priest created a great intro to a character whose very vitality is evident every page of this book and has made Raylene one of my new favorites in the UF field.
Draw Along with Stella and Sam
Education and Games
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(Description en français plus bas.) Draw along with Stella and Sam in this fun new art app. Pick a...
Merissa (13958 KP) rated Blue Blood (Series of Blood #3) in Books
Aug 14, 2017
Blue Blood (Series of Blood #3) by Emma Hamm
Blue Blood is the third book in the Series of Blood, and this time it is Jasper's story. We reunite with him after the battle that took place at the end of Red Blood (Lyra's story), and he is locked in an iron cage. This doesn't sit with well with our 6ft plus hero, and he is determined not to show any fear to his captors. Kudos to him, because I would have! He finds out that he is caged next to a lovely young woman called Ella, who houses a Unicorn. Ella helps him every way she can, but she can do nothing when Malachi shows up with a job for Jasper to do. You know things won't go according to Jasper's plan, but he has to try. He ends up rescuing Mercy, although he is not sure what sort of rescue it is when she simply gets transferred from one cage to another. Along their adventure, you meet a multitude of amazing characters that will tug at your heart strings and provide some lighthearted moments that are needed in contrast to the torment that Mercy is going through. No one ever said love was easy, but this is ridiculous!
I would say that this is definitely the darkest book so far, and it is certainly a HFN ending. I don't even know if Jasper will get his HEA, given the circumstances! I won't say anything else, as I don't want to spoil it, but I really can't wait to see where this story is going to go! With cameos from previous characters, plus meeting the new ones, there is plenty going on. Plus Pitch makes his usual appearance (still love this dude!) and helps in his own inimitable way.
With plenty of action and a storyline darker than the previous books, this was the complete page-turner. Both Jasper and Mercy are amazing characters, fully rounded and intriguing. There were no editing or grammatical errors that disrupted my reading flow, the pace was smooth, the story excellent. All in all, I have no hesitation in highly recommending this book, and the series.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
I would say that this is definitely the darkest book so far, and it is certainly a HFN ending. I don't even know if Jasper will get his HEA, given the circumstances! I won't say anything else, as I don't want to spoil it, but I really can't wait to see where this story is going to go! With cameos from previous characters, plus meeting the new ones, there is plenty going on. Plus Pitch makes his usual appearance (still love this dude!) and helps in his own inimitable way.
With plenty of action and a storyline darker than the previous books, this was the complete page-turner. Both Jasper and Mercy are amazing characters, fully rounded and intriguing. There were no editing or grammatical errors that disrupted my reading flow, the pace was smooth, the story excellent. All in all, I have no hesitation in highly recommending this book, and the series.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Gareth von Kallenbach (980 KP) rated In the Heart of the Sea (2015) in Movies
Aug 6, 2019
Based on a novel by Nathaniel Philbrick, “In the Heart of the Sea,” is the tale that inspired “Moby Dick.” Set in 1820, the whaling ship Essex is taken out by a gigantic bull sperm whale and the crew finds themselves at the mercy of the sea.
Director Ron Howard strikes a fine balance between drama and action. The film doesn’t linger too long on building up the background story before plunging into an enthralling adventure. The character development is rapid, yet still manages to create depth and give the audience a chance to connect to the personalities.
Early in the film an entertaining power struggle takes place between Captain George Pollard, Jr. (Benjamin Walker) and First Officer Owen Chase (Chris Hemsworth). Captain Pollard was born into a prestigious whaling family and though not the most experienced, is placed in the position of Captain. Chase on the other hand was an orphan who grew up putting in hard work on whaling ships. The conflict between the two men dooms the crew and the ship from the outset.
The first scenes of whaling are hard to watch, bringing to light the aspect of humans as beasts themselves hunting peaceful creatures for oil.
After the ship has had a bit of success, they move on to take more. Greed and anger backfire and nature fights back. When the ship is taken out by the enraged bull sperm whale, a sheer battle for survival, requiring brute strength and quick thinking ensues.
The ominous seas show no mercy to the men, bringing them to the brink of death. When the men begin to starve they resort to cannibalism. The emotional battle of moral struggle is heart wrenching.
The film has a spiritual quality, incorporating themes of the human experience of survival, ignorance, transcendence. It also has some political undertones dealing with the subject of big oil that, despite being a very old story, are still relevant today.
The graphics are absolutely stunning and the acting is good. But the story and execution is what makes it a truly great film. It is the sum that’s greater than the individual parts in this case, which makes the film an awe inspiring experience.
I give “In the Heart of the Sea” 5 out of 5 stars.
Director Ron Howard strikes a fine balance between drama and action. The film doesn’t linger too long on building up the background story before plunging into an enthralling adventure. The character development is rapid, yet still manages to create depth and give the audience a chance to connect to the personalities.
Early in the film an entertaining power struggle takes place between Captain George Pollard, Jr. (Benjamin Walker) and First Officer Owen Chase (Chris Hemsworth). Captain Pollard was born into a prestigious whaling family and though not the most experienced, is placed in the position of Captain. Chase on the other hand was an orphan who grew up putting in hard work on whaling ships. The conflict between the two men dooms the crew and the ship from the outset.
The first scenes of whaling are hard to watch, bringing to light the aspect of humans as beasts themselves hunting peaceful creatures for oil.
After the ship has had a bit of success, they move on to take more. Greed and anger backfire and nature fights back. When the ship is taken out by the enraged bull sperm whale, a sheer battle for survival, requiring brute strength and quick thinking ensues.
The ominous seas show no mercy to the men, bringing them to the brink of death. When the men begin to starve they resort to cannibalism. The emotional battle of moral struggle is heart wrenching.
The film has a spiritual quality, incorporating themes of the human experience of survival, ignorance, transcendence. It also has some political undertones dealing with the subject of big oil that, despite being a very old story, are still relevant today.
The graphics are absolutely stunning and the acting is good. But the story and execution is what makes it a truly great film. It is the sum that’s greater than the individual parts in this case, which makes the film an awe inspiring experience.
I give “In the Heart of the Sea” 5 out of 5 stars.
Gareth von Kallenbach (980 KP) rated Star Trek (2009) in Movies
Aug 14, 2019
With declining attendance at conventions and a dwindling audience for recent films and the last Star Trek series, Enterprise, Paramount was desperate to find a way to breathe new life into their franchise. So they pinned their hopes on director J.J. Abrams. Even with a string of hit movies and television series under his belt, some believed that Abrams was facing an uphill battle in trying to resuscitate Star Trek, with its legions of rabid fans obsessively protective of the series’ 40-plus years of established history.
While many fans were thrilled with the choice of Abrams, some of the casting choices of its beloved characters were met with doubt and skepticism. Thankfully, the man behind such motion picture hits as “Cloverfield”, “Mission Impossible 3”, and television series LOST, Alias and Fringe, was more than up to the task and has crafted a visually spectacular action film that combines the best of Trek with groundbreaking effects and creative vitality.
Using a script by Robert Orci and Alex Kurtzman, the new film focuses on the early days of the crew, and how young James. T. Kirk (Chris Pine) went from being a joy-riding, bar-fighting hothead into captain of the Enterprise. Kirk is challenged by Captain Christopher Pike (Bruce Greenwood) to live up to the legacy of his father and make something of his life in Starfleet. Despite his cocky attitude, the young man is able to thrive at the academy despite his arrogant behavior and his womanizing ways.
At the same time, a threat has arisen in the form of a Romulan named Nero (Eric Bana), who seeks to cause massive death and destruction in his quest for vengeance. With danger looming, Kirk and his fellow classmates are pressed into action, and thanks to some skillful work from his friend Leonard Mc Coy (Karl Urban), Kirk finds himself onboard the new Federation flagship Enterprise.
En route to their destination, Kirk realizes they are heading into a trap and warns Captain Pike of his concerns. Naturally this does not sit well with some of the seasoned officers, especially Spock (Zachary Quinto), who sees the emotional Kirk as an unwanted reminder of his human half, which he tries to hide at all costs.
Eventually the Enterprise is confronted by Nero and in an impressive sequence of events Kirk and Sulu (John Cho), lead an orbital skydive mission to thwart Nero’s plot. Spock finds himself commanding the ship and he and Kirk, two polar opposites, disagree over a course of action. Citing insurbordination and dereliction, Spock expels Kirk from the ship onto a frigid and dangerous planet. What follows is an amazing and thrilling adventure that culminates in an impressive finale, that proves that Trek has got plenty of life left in it.
While I loved the film, I found that I had to detach myself from my love of classic Trek to fully enjoy it. The film covers changes in established cannon by setting events in an alternate timeline. Despite the different eras of the previous series and films, there was always a certain continuity to the ships, planets, and characters that always seemed to fit, which I found myself missing in this new incarnation.
In Abram’s version, the Enterprise engine room is awash in catwalks, pipes, and valves that seemed out of place on a ship set in the 23rd century. I also found myself asking why such strategically valuable planets such as Earth and Vulcan would not have massive defense fleets in orbit, and would task only a handful of ships for their defense. There was a suggestion, that the ships of the fleet were amassed elsewhere on another matter of importance, but that does not explain what would leave the planets relatively unguarded. Defense codes aside, I found it hard to believe that automated defenses would be all that was left behind, and that reinforcements were not available.
I also had an issue with what Nero was supposedly doing for 25 years and how he kept such a low profile while he plotted his revenge. The final issue I had was with product placement as I found it hard to believe that Nokia and its familiar ringtone and Budweiser would be around as Trek lore is based on the planet narrowly surviving a nuclear war in the past that nearly destroyed everything. While this may seem like minor criticism, from the perspective of a long time Star Trek fan, it contradicts much of what had been established.
Thankfully, Abrams and crew take the series in a new direction without totally losing sight of where it came from. There are many nods to the series and Abrams clearly respects the original material enough to let fans know that their beloved Trek is still there in the original timeline, with its history intact. By cleverly establishing a different timeline, Abrams has creative freedom to go in any direction he desires.
The cast is strong, with Chris Pine’s Kirk as cocky and entertaining as his predecessor. I loved Anton Yelchin as Chekov and his struggles with the English language, Simon Pegg’s quick quips as Scotty, and the sassy attitude Zoe Saldana’s injects into her Uhura. The amazing visuals and designs of the film are breathtaking and it was clear that the Industrial Light & Magic (ILM) crew pushed themselves to bring everything they had to the film. In the end, Star Trek is a remarkable film that, despite some issues, has a solid new lease on life. Abrams boldly, and triumphantly, goes where fans, old and new, will gladly follow.
While many fans were thrilled with the choice of Abrams, some of the casting choices of its beloved characters were met with doubt and skepticism. Thankfully, the man behind such motion picture hits as “Cloverfield”, “Mission Impossible 3”, and television series LOST, Alias and Fringe, was more than up to the task and has crafted a visually spectacular action film that combines the best of Trek with groundbreaking effects and creative vitality.
Using a script by Robert Orci and Alex Kurtzman, the new film focuses on the early days of the crew, and how young James. T. Kirk (Chris Pine) went from being a joy-riding, bar-fighting hothead into captain of the Enterprise. Kirk is challenged by Captain Christopher Pike (Bruce Greenwood) to live up to the legacy of his father and make something of his life in Starfleet. Despite his cocky attitude, the young man is able to thrive at the academy despite his arrogant behavior and his womanizing ways.
At the same time, a threat has arisen in the form of a Romulan named Nero (Eric Bana), who seeks to cause massive death and destruction in his quest for vengeance. With danger looming, Kirk and his fellow classmates are pressed into action, and thanks to some skillful work from his friend Leonard Mc Coy (Karl Urban), Kirk finds himself onboard the new Federation flagship Enterprise.
En route to their destination, Kirk realizes they are heading into a trap and warns Captain Pike of his concerns. Naturally this does not sit well with some of the seasoned officers, especially Spock (Zachary Quinto), who sees the emotional Kirk as an unwanted reminder of his human half, which he tries to hide at all costs.
Eventually the Enterprise is confronted by Nero and in an impressive sequence of events Kirk and Sulu (John Cho), lead an orbital skydive mission to thwart Nero’s plot. Spock finds himself commanding the ship and he and Kirk, two polar opposites, disagree over a course of action. Citing insurbordination and dereliction, Spock expels Kirk from the ship onto a frigid and dangerous planet. What follows is an amazing and thrilling adventure that culminates in an impressive finale, that proves that Trek has got plenty of life left in it.
While I loved the film, I found that I had to detach myself from my love of classic Trek to fully enjoy it. The film covers changes in established cannon by setting events in an alternate timeline. Despite the different eras of the previous series and films, there was always a certain continuity to the ships, planets, and characters that always seemed to fit, which I found myself missing in this new incarnation.
In Abram’s version, the Enterprise engine room is awash in catwalks, pipes, and valves that seemed out of place on a ship set in the 23rd century. I also found myself asking why such strategically valuable planets such as Earth and Vulcan would not have massive defense fleets in orbit, and would task only a handful of ships for their defense. There was a suggestion, that the ships of the fleet were amassed elsewhere on another matter of importance, but that does not explain what would leave the planets relatively unguarded. Defense codes aside, I found it hard to believe that automated defenses would be all that was left behind, and that reinforcements were not available.
I also had an issue with what Nero was supposedly doing for 25 years and how he kept such a low profile while he plotted his revenge. The final issue I had was with product placement as I found it hard to believe that Nokia and its familiar ringtone and Budweiser would be around as Trek lore is based on the planet narrowly surviving a nuclear war in the past that nearly destroyed everything. While this may seem like minor criticism, from the perspective of a long time Star Trek fan, it contradicts much of what had been established.
Thankfully, Abrams and crew take the series in a new direction without totally losing sight of where it came from. There are many nods to the series and Abrams clearly respects the original material enough to let fans know that their beloved Trek is still there in the original timeline, with its history intact. By cleverly establishing a different timeline, Abrams has creative freedom to go in any direction he desires.
The cast is strong, with Chris Pine’s Kirk as cocky and entertaining as his predecessor. I loved Anton Yelchin as Chekov and his struggles with the English language, Simon Pegg’s quick quips as Scotty, and the sassy attitude Zoe Saldana’s injects into her Uhura. The amazing visuals and designs of the film are breathtaking and it was clear that the Industrial Light & Magic (ILM) crew pushed themselves to bring everything they had to the film. In the end, Star Trek is a remarkable film that, despite some issues, has a solid new lease on life. Abrams boldly, and triumphantly, goes where fans, old and new, will gladly follow.
The Smurfs Movie Storybook - Children's Book
Book and Education
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#1 Children's Book on iPhone and iPad (August, 2011) Featured in New & Noteworthy Books by Apple ...
Betway – Play Live Casino, Roulette & Card Games
Games and Entertainment
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You’re sat in a casino. You know what it's like to have the urge to win. You know what it feels...