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The Last Night
6.0
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Humans first knew the era of survival. Then they knew the era of work. Now they live in the era of...
adventure
Bob Mann (459 KP) rated Deepwater Horizon (2016) in Movies
Sep 29, 2021
“Full of sound and fury, Signifying nothing” could be a summary of this modern-age disaster movie. In 2010 the “Deepwater Horizon” drilling rig off the coast of Louisiana failed in spectacular fashion, bursting into flames and spewing millions of barrels of crude oil into the Gulf of Mexico in what was the worst oil-spill in American history. Mark Wahlberg plays the well-respected electrical ‘Mr fixit’ Mike Williams on the rig, reporting to the Operations Manager Jimmy Harrell (Kurt Russell).
The exploratory project is way-behind and BP are not happy. Big-wigs from the company add support to Donald Vidrine, the BP site leader, in applying mounting pressure on Harrell to press on regardless without all the necessary and time-consuming tests by Schlumberger being completed. Rogue numbers in further tests are waved away as ‘glitches’. A familiar story of corporate greed and pressure overriding the expert’s better judgment.
When disaster strikes it strikes quickly, with some spectacular and exciting special effects that leave the audience especially hot under the collar. Female support is provided by the comely Andrea Fleytas (Gina Rodriguez), given the almost impossible job of keeping the floating bomb on station as chaos reigns about her. As an audience we are back on familiar ground here from classic Irwin Allen disaster movies such as “The Towering Inferno” and “The Poseidon Adventure”. Who will make it, and who won’t?
A more telling question here is “Do we care?” and unfortunately for the film, the answer is “Not really”. This feels a callous thing to say when this was a real and recent event and eleven people and – as touchingly illustrated at the end of the film in tribute – many of them family men with young kids, never went home again. But film-wise, we only really get bought into the fate of Williams, whose back-story, with cute wife (Kate Hudson) and cute daughter (Stella Allen) we get to meet and sympathize with.
We get a minimalist view of Fleytas’s backstory, but only enough to provide a recurring “Mustang” reference. And that’s it. All the other characters are just two-dimensional “rig crew”: cannon-fodder for the special effects team. The screenplay by Matthew Sand and Matthew Carnahan really doesn’t deliver enough heft to get us bought in.
While the special effects are good, the sound design isn’t, with much of the dialogue being incomprehensible.
All the acting is fine, with the ever-watchable John Malkovich nicely portraying the corporate head you love to hate. Wahlberg as well delivers enough range to make you forget in this “action mode” that he was also in “Ted”. And Rodriguez as a junior lead holds her own against the big guns in what is a creditable performance in a big film role for her.
While “Lone Survivor”/”Battleship” director Peter Berg neatly provides an insight into life on and around rigs, and (via subtitles) descriptions of the drilling process which I found interesting, this comes down to the sum of a tense build up, an hour of frenetic disaster, and then a whimper of an ending. Where were some of the dramatic scenes of conflict in the congressional hearing that the film’s opening implies might come? Where are the scenes of ecological disaster and local financial ruin to add emotional angles to the story? None of this is really exploited and the whole concoction comes across a bit “meh” as a result. Not a bad film by any means. But not one I will remember in a month or two’s time.
The exploratory project is way-behind and BP are not happy. Big-wigs from the company add support to Donald Vidrine, the BP site leader, in applying mounting pressure on Harrell to press on regardless without all the necessary and time-consuming tests by Schlumberger being completed. Rogue numbers in further tests are waved away as ‘glitches’. A familiar story of corporate greed and pressure overriding the expert’s better judgment.
When disaster strikes it strikes quickly, with some spectacular and exciting special effects that leave the audience especially hot under the collar. Female support is provided by the comely Andrea Fleytas (Gina Rodriguez), given the almost impossible job of keeping the floating bomb on station as chaos reigns about her. As an audience we are back on familiar ground here from classic Irwin Allen disaster movies such as “The Towering Inferno” and “The Poseidon Adventure”. Who will make it, and who won’t?
A more telling question here is “Do we care?” and unfortunately for the film, the answer is “Not really”. This feels a callous thing to say when this was a real and recent event and eleven people and – as touchingly illustrated at the end of the film in tribute – many of them family men with young kids, never went home again. But film-wise, we only really get bought into the fate of Williams, whose back-story, with cute wife (Kate Hudson) and cute daughter (Stella Allen) we get to meet and sympathize with.
We get a minimalist view of Fleytas’s backstory, but only enough to provide a recurring “Mustang” reference. And that’s it. All the other characters are just two-dimensional “rig crew”: cannon-fodder for the special effects team. The screenplay by Matthew Sand and Matthew Carnahan really doesn’t deliver enough heft to get us bought in.
While the special effects are good, the sound design isn’t, with much of the dialogue being incomprehensible.
All the acting is fine, with the ever-watchable John Malkovich nicely portraying the corporate head you love to hate. Wahlberg as well delivers enough range to make you forget in this “action mode” that he was also in “Ted”. And Rodriguez as a junior lead holds her own against the big guns in what is a creditable performance in a big film role for her.
While “Lone Survivor”/”Battleship” director Peter Berg neatly provides an insight into life on and around rigs, and (via subtitles) descriptions of the drilling process which I found interesting, this comes down to the sum of a tense build up, an hour of frenetic disaster, and then a whimper of an ending. Where were some of the dramatic scenes of conflict in the congressional hearing that the film’s opening implies might come? Where are the scenes of ecological disaster and local financial ruin to add emotional angles to the story? None of this is really exploited and the whole concoction comes across a bit “meh” as a result. Not a bad film by any means. But not one I will remember in a month or two’s time.
Gareth von Kallenbach (980 KP) rated Cars 2 (2011) in Movies
Aug 7, 2019
Producer Brad Lewis (Ratatouille)steps into the director’s chair for this sequel that follows racing legend Lightning McQueen (Owen Wilson) and his trusty sidekick, Mater (Larry the Cable Guy).
Passports are secured and ready to take part in the biggest race on the planet, Lightning and his freinds prepare to take on the best racers in the world. As the first-ever World Grand Prix approaches, cars from every continent prepare for the ultimate competition. But who will have what it takes to become the fastest car on the planet? Just as Lightning McQueen edges up to the starting line, however, his old pal Mater gets sidetracked on a top-secret spy mission that takes him from Japan to Europe. Thankfully Mater’s friends are always willing to lend a helping wheel, and as the race gets under way, everyone shifts into high gear to help out an old friend.
“Cars 2” It’s James Bond meets “Fast and the Furious” and Full of ACTION! None of the characters from the first film are forgotten Of course Tow Mater stands out the most for his hilarious ways of a small town country tow truck who isn’t afraid to do or say anything! Mater is as FUNNY as can be and shares a range of emotions with Lightning . The bond between Lightning McQueen and Tow mater “Mater” are classic as for Mater he encounters a reality check when he’s able to understand how others view him for the first time out of Radiator Springs. When Mater is mistaken for someone else a whole new world of adventure is opened up for him which causes him to grow.
I saw the film with an all ages group in the theater and I observed that everybody was enjoying it as well.
Watching this movie in 3D really made you feel like you were there! It’s funny when computer graphics of animation are realistic enough to make you become part of the story. It is amazing how much technology has changed from when I first encountered Disney animation in the 1970’s.
If you enjoyed the first Cars movie your sure to enjoy this one too! It is a must see! Never a dull moment. A Wonderful start to the Summer of family Movies.
Passports are secured and ready to take part in the biggest race on the planet, Lightning and his freinds prepare to take on the best racers in the world. As the first-ever World Grand Prix approaches, cars from every continent prepare for the ultimate competition. But who will have what it takes to become the fastest car on the planet? Just as Lightning McQueen edges up to the starting line, however, his old pal Mater gets sidetracked on a top-secret spy mission that takes him from Japan to Europe. Thankfully Mater’s friends are always willing to lend a helping wheel, and as the race gets under way, everyone shifts into high gear to help out an old friend.
“Cars 2” It’s James Bond meets “Fast and the Furious” and Full of ACTION! None of the characters from the first film are forgotten Of course Tow Mater stands out the most for his hilarious ways of a small town country tow truck who isn’t afraid to do or say anything! Mater is as FUNNY as can be and shares a range of emotions with Lightning . The bond between Lightning McQueen and Tow mater “Mater” are classic as for Mater he encounters a reality check when he’s able to understand how others view him for the first time out of Radiator Springs. When Mater is mistaken for someone else a whole new world of adventure is opened up for him which causes him to grow.
I saw the film with an all ages group in the theater and I observed that everybody was enjoying it as well.
Watching this movie in 3D really made you feel like you were there! It’s funny when computer graphics of animation are realistic enough to make you become part of the story. It is amazing how much technology has changed from when I first encountered Disney animation in the 1970’s.
If you enjoyed the first Cars movie your sure to enjoy this one too! It is a must see! Never a dull moment. A Wonderful start to the Summer of family Movies.
Merissa (13169 KP) rated In Pain and Blood (Spellster #1) in Books
Jun 15, 2018
In Pain and Blood (Spellster #1) by Aldrea Alien
In Pain and Blood is the first book in the Spellster series, and has all the hallmarks of everything I enjoy - epic fantasy, m/m, romance, action, and adventure. Dylan has spent his life in 'the Tower' learning how to be a spellster. Magic comes easily to him, but his guardian keeps on telling him to stay safe in the tower, and not to make waves. However, one event shoves him to the forefront, and he sees more of life than he expected. Trying to make his way back to the Tower, he becomes part of a ragtag group and sees life in a completely different way.
This should have been a good book. I really wanted it to be a good book, but it fell short for me on a number of different levels. First of all, it's long. And I mean REALLY long. Now don't get me wrong, I love epic fantasy, and regularly read books of a thick volume. However, for this book, it felt like it needed some serious editing to get some of the monotonous repetition removed. Also, this land is supposed to be under attack, but they manage to completely miss any and every member of either army on their two month trek across the land - which we hear about in great detail. How this book started actually had me going back to check on the blurb as I thought I was reading a completely different book. It does change and become the story the blurb describes, but only after a long start. It is only the two main characters who we really meet, and I wouldn't say I 'know' them very well. Even their companions, who they spend so much time with, aren't really fleshed out. It didn't help when one of the main characters spoke to everyone as 'my dear hunter/my dear warrior/my dear spellster'. I know this was supposed to be one of his quirks, but I got it after the first dozen times. It really didn't need repeating multiple times on every page. The ending, such as it was, is the only thing in the book that felt rushed. Big events happen, something life-changing happens to a supporting character, opinions change, a lifetime's enduring love is pronounced, and it happens at the speed of light.
I struggled to finish this book. It was only my sheer stubborn nature and optimistic belief that it would get better (and if I finished it before it ended, I would never know) that kept me turning the pages to the very end. I am glad I've read it, but I wouldn't recommend it.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This should have been a good book. I really wanted it to be a good book, but it fell short for me on a number of different levels. First of all, it's long. And I mean REALLY long. Now don't get me wrong, I love epic fantasy, and regularly read books of a thick volume. However, for this book, it felt like it needed some serious editing to get some of the monotonous repetition removed. Also, this land is supposed to be under attack, but they manage to completely miss any and every member of either army on their two month trek across the land - which we hear about in great detail. How this book started actually had me going back to check on the blurb as I thought I was reading a completely different book. It does change and become the story the blurb describes, but only after a long start. It is only the two main characters who we really meet, and I wouldn't say I 'know' them very well. Even their companions, who they spend so much time with, aren't really fleshed out. It didn't help when one of the main characters spoke to everyone as 'my dear hunter/my dear warrior/my dear spellster'. I know this was supposed to be one of his quirks, but I got it after the first dozen times. It really didn't need repeating multiple times on every page. The ending, such as it was, is the only thing in the book that felt rushed. Big events happen, something life-changing happens to a supporting character, opinions change, a lifetime's enduring love is pronounced, and it happens at the speed of light.
I struggled to finish this book. It was only my sheer stubborn nature and optimistic belief that it would get better (and if I finished it before it ended, I would never know) that kept me turning the pages to the very end. I am glad I've read it, but I wouldn't recommend it.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
comiXology - Comics & Manga
Book, Comics and Entertainment
8.8
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