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Hazel (1853 KP) rated The Face in the Mountain in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review
The Face in the Mountain </i>is a children’s picture book written by Tolulope Okudolo as part of the publishing company <i>Magnifying Children’s Horizons</i> vision of developing a world in which children learn about and appreciate nature.
The story is set in the fictional world of Vomper Creek where there is always an abundance of natural activity – that is if tree elves, giants and fairies count as “natural”. Papa and Boma are the only giants living in this area and are responsible for making sure nature does everything it is supposed to do. In fact it was Papa who built the mountains in this region to begin with. However Papa is old, frail and tired after working for over two hundred years. He needs to sleep for a century to regain his energy, thus leaving Boma, at a mere seven years of age, to take on all the important tasks.
So begins the main part of the story: Boma is scared and convinced he is unable to remember Papa’s instructions and tries to hide from all his duties. Without his help nature will not be able to function properly. Inspired by an artist he spies in the woods, Boma carves his father’s face into the side of one of the mountains so that he can always see it. This makes him feel less alone and he is able to complete all his jobs to perfection.
The purpose of this book is to help children discover the inner workings of nature and recognize that many things are connected together. For example the wind is needed to blow the seeds into places where they can sprout, then the rain, sun and soil provide the nutrients the plant needs to grow.
At the end of the story is <i>A Children’s Guide to Natural Beings</i>. This is essentially a glossary of the mythical beings featured in the book. The only issue with this is that calling them “natural beings” implies that they are real whereas there is no concrete evidence of their existence. This could give children the wrong impression about the way nature works.
The final pages of the book include a list of learning activities and discussion questions. These could be attempted in schools, in book clubs or at home with parents as a way for children to experience nature for themselves and examine the meaning of the story and the ways in which they can relate it to their own lives.
Eric Scott Fisher beautifully illustrates the book with realistic drawings that are appropriate for children of all ages. Yet there is a slight publishing issue in that the illustrations and body text do not work together. In some instances the text is overlaid on a picture, which makes it difficult to read.
The reading age of this book is approximately seven to ten year olds however younger children will be able to understand it if it is read to them by an adult. The storyline is not that strong but hopefully its purpose – to educate children about nature – will shine through the narrative.
The Face in the Mountain </i>is a children’s picture book written by Tolulope Okudolo as part of the publishing company <i>Magnifying Children’s Horizons</i> vision of developing a world in which children learn about and appreciate nature.
The story is set in the fictional world of Vomper Creek where there is always an abundance of natural activity – that is if tree elves, giants and fairies count as “natural”. Papa and Boma are the only giants living in this area and are responsible for making sure nature does everything it is supposed to do. In fact it was Papa who built the mountains in this region to begin with. However Papa is old, frail and tired after working for over two hundred years. He needs to sleep for a century to regain his energy, thus leaving Boma, at a mere seven years of age, to take on all the important tasks.
So begins the main part of the story: Boma is scared and convinced he is unable to remember Papa’s instructions and tries to hide from all his duties. Without his help nature will not be able to function properly. Inspired by an artist he spies in the woods, Boma carves his father’s face into the side of one of the mountains so that he can always see it. This makes him feel less alone and he is able to complete all his jobs to perfection.
The purpose of this book is to help children discover the inner workings of nature and recognize that many things are connected together. For example the wind is needed to blow the seeds into places where they can sprout, then the rain, sun and soil provide the nutrients the plant needs to grow.
At the end of the story is <i>A Children’s Guide to Natural Beings</i>. This is essentially a glossary of the mythical beings featured in the book. The only issue with this is that calling them “natural beings” implies that they are real whereas there is no concrete evidence of their existence. This could give children the wrong impression about the way nature works.
The final pages of the book include a list of learning activities and discussion questions. These could be attempted in schools, in book clubs or at home with parents as a way for children to experience nature for themselves and examine the meaning of the story and the ways in which they can relate it to their own lives.
Eric Scott Fisher beautifully illustrates the book with realistic drawings that are appropriate for children of all ages. Yet there is a slight publishing issue in that the illustrations and body text do not work together. In some instances the text is overlaid on a picture, which makes it difficult to read.
The reading age of this book is approximately seven to ten year olds however younger children will be able to understand it if it is read to them by an adult. The storyline is not that strong but hopefully its purpose – to educate children about nature – will shine through the narrative.
Kristin (149 KP) rated Killer Rumors (Frank Rinelli, #1) in Books
Dec 7, 2018
Disclaimer: I received an e-copy from the author in exchange for an honest review.
Two priests are very publicly and horrifically murdered, their bodies left in front of their church bearing strange markings and objects. It's up to Frank Rinelli and his partner to solve the case before more bodies turn up, but that's easier said than done.
Honestly, I really liked the premise of this story. The action was there, and tension was included throughout as the reader learns more about the who/what/when/where/why of the murders before the police do. However, there were so many errors in grammar and proofreading that I just couldn't ignore them after the first few pages. A few examples: five sentences in a row with the word "scene"; five out of six in a row with the word "bodies"; direct quote -- "It connected unto Branchard's chest activity." There was so much redundancy and other issues in the writing that I found myself having to take a break from reading because it was making my head hurt. All-in-all, it's a pretty good book; it just definitely needs a thorough proofreading and editing before I'd give it a higher rating.
3 stars
Two priests are very publicly and horrifically murdered, their bodies left in front of their church bearing strange markings and objects. It's up to Frank Rinelli and his partner to solve the case before more bodies turn up, but that's easier said than done.
Honestly, I really liked the premise of this story. The action was there, and tension was included throughout as the reader learns more about the who/what/when/where/why of the murders before the police do. However, there were so many errors in grammar and proofreading that I just couldn't ignore them after the first few pages. A few examples: five sentences in a row with the word "scene"; five out of six in a row with the word "bodies"; direct quote -- "It connected unto Branchard's chest activity." There was so much redundancy and other issues in the writing that I found myself having to take a break from reading because it was making my head hurt. All-in-all, it's a pretty good book; it just definitely needs a thorough proofreading and editing before I'd give it a higher rating.
3 stars
Kristy H (1252 KP) rated The Dreamers in Books
Apr 4, 2019 (Updated Apr 8, 2019)
Beautiful, fascinating read
In Santa Lora, California, it all begins at the college. It precisely originates with Kara, who climbs into her bed and never wakes up. Her roommate, Mei, finds her, panicking when nothing rouses the girl. Then another girl falls asleep. And another. And then more. Soon classes are canceled. The kids on the floor are quarantined. And before you know it, things escalate from there. A mapping of brain activity shows that the sleepers are dreaming--dreaming extraordinarily active dreams in fact. But what are they dreaming of? And can anything stop "the sickness" from spreading?
"Whatever this is, it comes over them quietly; a sudden drowsiness, a closing of the eyes. Most of the victims are found in their beds."
I found this book to be utterly fascinating and such a wonderful change of pace. It was almost like reading a horror film at some points (and I'm not the type who likes scary movies). It was compulsively readable--I read it in five settings, completely drawn into the creepy, amazing, and sometimes horrifying story.
The book is told from the point of view of a variety of characters--all in short snippets--and through an often impassive narration style. Still, you grow to care for the few characters you do get to know: Mei and some of the other college students; kids Libby and Sara and their apocalyptic-fearing father; professors Ben and Annie and their new baby, Grace; a biology professor, Nathaniel, and his partner, Henry; and Dr. Catherine Cohen, a psychiatrist called in after the sickness starts.
There's really no way to describe this book, and I do not want to reveal too much about the plot. It's beautifully written, which is amazing, considering it's mostly a book about a near plague spreading through a town. The characters, even though their chapters are often short and sparse, are fully-formed. It's easy to get attached to them and pulled into their lives, which are so quickly altered by the sickness. And it's amazing how quickly the sickness changes life in Santa Lora: how a town can nearly become a war-zone due to illness. It was really intriguing to read about, especially when the narration style is so mesmerizing and presents such a creepy helplessness (I wish I could describe it better).
Overall, I really, really enjoyed this book. The subject matter was not what I usually read, but it was a fascinating, captivating read. I was drawn to the characters and the narration style. The book presented such an interesting scenario to think about too--what would happen if this occurred in real-life society? Walker's writing is beautiful, and I've already tracked down her novel, The Age of Miracles, on Paperbackswap.com, and look forward to reading it soon.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
"Whatever this is, it comes over them quietly; a sudden drowsiness, a closing of the eyes. Most of the victims are found in their beds."
I found this book to be utterly fascinating and such a wonderful change of pace. It was almost like reading a horror film at some points (and I'm not the type who likes scary movies). It was compulsively readable--I read it in five settings, completely drawn into the creepy, amazing, and sometimes horrifying story.
The book is told from the point of view of a variety of characters--all in short snippets--and through an often impassive narration style. Still, you grow to care for the few characters you do get to know: Mei and some of the other college students; kids Libby and Sara and their apocalyptic-fearing father; professors Ben and Annie and their new baby, Grace; a biology professor, Nathaniel, and his partner, Henry; and Dr. Catherine Cohen, a psychiatrist called in after the sickness starts.
There's really no way to describe this book, and I do not want to reveal too much about the plot. It's beautifully written, which is amazing, considering it's mostly a book about a near plague spreading through a town. The characters, even though their chapters are often short and sparse, are fully-formed. It's easy to get attached to them and pulled into their lives, which are so quickly altered by the sickness. And it's amazing how quickly the sickness changes life in Santa Lora: how a town can nearly become a war-zone due to illness. It was really intriguing to read about, especially when the narration style is so mesmerizing and presents such a creepy helplessness (I wish I could describe it better).
Overall, I really, really enjoyed this book. The subject matter was not what I usually read, but it was a fascinating, captivating read. I was drawn to the characters and the narration style. The book presented such an interesting scenario to think about too--what would happen if this occurred in real-life society? Walker's writing is beautiful, and I've already tracked down her novel, The Age of Miracles, on Paperbackswap.com, and look forward to reading it soon.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
Heather Cranmer (2721 KP) rated Creatrix Rising: Unlocking the Power of Midlife Women in Books
Aug 21, 2021
There was something about the synopsis of Creatrix Rising by Stephanie Raffelock that really sucked me in. When I read it, I knew that it was a book I would fall in love with. I wasn't wrong!
Creatrix Rising is full of great anecdotes. Reading them, I really felt like I was getting to know the author. Stephanie Raffelock does not hold back in some of the stories which helps to make her book all the more real. While reading, I felt as if Stephanie stripped herself down to her soul for me to see and bared it all especially while reading about her time as a teenager in Los Angeles. Reading Creatrix Rising made me want to actually meet Stephanie Raffelock because she just seems like such an inspiration and an amazing woman! In fact, reading some of what happened in Stephanie's life sort of paralleled mine.
Stephanie Raffelock does a fantastic job at describing what a "creatrix" is. She writes "Creatrix is a distinctly feminine word that simply means a woman who makes things." Raffelock says the world creatrix should replace crone which has such a negative connotation, and I agree! From there, Raffelock gives us plenty of personal stories about different women she has come across in her life that fit the creatrix characteristics. In each story, I felt like I was getting to know these women. I wanted to know these women. Stephanie Raffelock's writing is so beautiful and descriptive. It's hard not to feel like her stories are yours. In fact, it was difficult to not picture different women in my life that fit the bill of a creatrix. I put this down to Raffelock's wonderful writing. She definitely knows how to get her point across in such a sweet and beautiful way. Raffelock also teaches us that there is no shame in getting older and how we really should embrace aging as it's not a bad thing at all but quite the opposite.
Another thing I really loved about Creatrix Rising is at the end of each chapter, there is a section entitled "For Reflection, Activity, and Journaling." This section summarizes the main point of each chapter and asks a few in depth questions for the reader to ponder on. Be prepared to have a journal next to you because you will want to answer these questions. They will really make you think long and hard and look deeper into yourself and others. It's such a great and relaxing mental exercise. At the end of the book, if you decide to write down your answers to Stephanie Raffelock's questions, you will have your own little mini book either to keep for yourself or to share with others. If you need a little bit of help, Raffelock lists some fantastic resources to help you on your journey. I also feel that these questions would be great for a book group's discussion if this was a book picked for a book group which I would totally recommend that!
If you decide to read Creatrix Rising (which you really should), here's my personal advice. Do NOT skip the epilogue. Stephanie Raffelock says that she wrote this book in 2020 when the Corona Virus had just really taken off. Raffelock's epilogue for Creatrix Rising is all about the Corona Virus, but she uses symbolism painting the Corona Virus as a beautiful woman that takes everyone by surprise. My jaw was on the floor the whole time I was reading the epilogue. Again, Raffelock's talent for writing really did shine through in her epilogue. I would have never thought to compare Corona Virus to a beautiful woman, but reading Stephanie's story, I realized just how right she was.
Trigger warnings for Creatrix Rising include profanity, some drug use, death, some violence, and some politics.
All in all, Creatrix Rising is a beautiful masterpiece of a book that will leave its reader thinking of all the women in their life that they have come across and how these women have affected them. Although this book mentions unlocking the power of midlife women, I really think men would enjoy it just as much as they also think about the women that have touched their lives. I would definitely recommend Creatrix Rising by Stephanie Raffelock to everyone aged 18+ who are after a beautifully written book that will really make them think.
--
(A special thank you to Lone Star Literary Life and Stephanie Raffelock for providing me with a hardcover of Creatrix Rising in exchange for an honest and unbiased review.)
Creatrix Rising is full of great anecdotes. Reading them, I really felt like I was getting to know the author. Stephanie Raffelock does not hold back in some of the stories which helps to make her book all the more real. While reading, I felt as if Stephanie stripped herself down to her soul for me to see and bared it all especially while reading about her time as a teenager in Los Angeles. Reading Creatrix Rising made me want to actually meet Stephanie Raffelock because she just seems like such an inspiration and an amazing woman! In fact, reading some of what happened in Stephanie's life sort of paralleled mine.
Stephanie Raffelock does a fantastic job at describing what a "creatrix" is. She writes "Creatrix is a distinctly feminine word that simply means a woman who makes things." Raffelock says the world creatrix should replace crone which has such a negative connotation, and I agree! From there, Raffelock gives us plenty of personal stories about different women she has come across in her life that fit the creatrix characteristics. In each story, I felt like I was getting to know these women. I wanted to know these women. Stephanie Raffelock's writing is so beautiful and descriptive. It's hard not to feel like her stories are yours. In fact, it was difficult to not picture different women in my life that fit the bill of a creatrix. I put this down to Raffelock's wonderful writing. She definitely knows how to get her point across in such a sweet and beautiful way. Raffelock also teaches us that there is no shame in getting older and how we really should embrace aging as it's not a bad thing at all but quite the opposite.
Another thing I really loved about Creatrix Rising is at the end of each chapter, there is a section entitled "For Reflection, Activity, and Journaling." This section summarizes the main point of each chapter and asks a few in depth questions for the reader to ponder on. Be prepared to have a journal next to you because you will want to answer these questions. They will really make you think long and hard and look deeper into yourself and others. It's such a great and relaxing mental exercise. At the end of the book, if you decide to write down your answers to Stephanie Raffelock's questions, you will have your own little mini book either to keep for yourself or to share with others. If you need a little bit of help, Raffelock lists some fantastic resources to help you on your journey. I also feel that these questions would be great for a book group's discussion if this was a book picked for a book group which I would totally recommend that!
If you decide to read Creatrix Rising (which you really should), here's my personal advice. Do NOT skip the epilogue. Stephanie Raffelock says that she wrote this book in 2020 when the Corona Virus had just really taken off. Raffelock's epilogue for Creatrix Rising is all about the Corona Virus, but she uses symbolism painting the Corona Virus as a beautiful woman that takes everyone by surprise. My jaw was on the floor the whole time I was reading the epilogue. Again, Raffelock's talent for writing really did shine through in her epilogue. I would have never thought to compare Corona Virus to a beautiful woman, but reading Stephanie's story, I realized just how right she was.
Trigger warnings for Creatrix Rising include profanity, some drug use, death, some violence, and some politics.
All in all, Creatrix Rising is a beautiful masterpiece of a book that will leave its reader thinking of all the women in their life that they have come across and how these women have affected them. Although this book mentions unlocking the power of midlife women, I really think men would enjoy it just as much as they also think about the women that have touched their lives. I would definitely recommend Creatrix Rising by Stephanie Raffelock to everyone aged 18+ who are after a beautifully written book that will really make them think.
--
(A special thank you to Lone Star Literary Life and Stephanie Raffelock for providing me with a hardcover of Creatrix Rising in exchange for an honest and unbiased review.)
Melanie Caldicott (6 KP) rated 10 Minutes 38 Seconds in This Strange World in Books
Apr 29, 2021
You can also read my review at my blog - https://roamingthroughbooks.wordpress.com
I saw this book reviewed on The Sky Arts Book Club and Shafak was interviewed and I think I fell a little in love. Shafak is a beautiful human being who is currently self-exiled from Turkey to the content of her novels being subject to investigation as part of a legal movement in which writers are frequently prosecuted. A passionate storyteller, who writes openly about human rights, her protagonists are often the fallen, forgotten and marginalised. Needless to say I have been looking forward to reading this ever since.
10 Minutes 38 Seconds in this Strange World is a novel about a murdered street walker, Tequila Leila and the last moments of brain activity that is said to occur after the heart has stopped beating. The memories of her life flood back, often related to taste and smell and we start to learn about the story of her life.
Central to her memories and providing a backbone to her life were The Five, – five people with which she formed close, integral friendships and in the absence of her blood relatives, are Leila’s “family”.
The book is structured around three parts – the first, The Mind telling the stories of her post-mortem memories, the second, The Body about how she was murdered and the impact it has on The Five, and finally, The Soul which is a touching finale in which The Five determine to give Leila the send-off she deserves.
Shafak is such a clever storyteller and is able to illuminate aspects of humanity which is often avoided or ignored, which make us feel uncomfortable, and yet her tenderness and compassion shine through the portrayal of all her characters enabling the reader to walk a mile in the shoes of those who are often forgotten.
For a book centred around death, an issue that rarely sits comfortably with human beings, 10 Minutes 38 Seconds in this Strange World confronts it without fear. She skilfully takes a sex worker’s body which is disregarded in its anonymity by those that are responsible for sweeping up the detritus of the Istanbul streets, and reveals a story of a life, full of tragedy, joy and love.
I love how Elif Shafak takes the stories of all of The Five and transforms the insignificant to the significant through the love they have for Leila and each other. In a society which elevates the rich and famous and makes their voices the loudest and most significant in the world, I loved the truth which was affirmed in this book about what a life of substance really means.
I saw this book reviewed on The Sky Arts Book Club and Shafak was interviewed and I think I fell a little in love. Shafak is a beautiful human being who is currently self-exiled from Turkey to the content of her novels being subject to investigation as part of a legal movement in which writers are frequently prosecuted. A passionate storyteller, who writes openly about human rights, her protagonists are often the fallen, forgotten and marginalised. Needless to say I have been looking forward to reading this ever since.
10 Minutes 38 Seconds in this Strange World is a novel about a murdered street walker, Tequila Leila and the last moments of brain activity that is said to occur after the heart has stopped beating. The memories of her life flood back, often related to taste and smell and we start to learn about the story of her life.
Central to her memories and providing a backbone to her life were The Five, – five people with which she formed close, integral friendships and in the absence of her blood relatives, are Leila’s “family”.
The book is structured around three parts – the first, The Mind telling the stories of her post-mortem memories, the second, The Body about how she was murdered and the impact it has on The Five, and finally, The Soul which is a touching finale in which The Five determine to give Leila the send-off she deserves.
Shafak is such a clever storyteller and is able to illuminate aspects of humanity which is often avoided or ignored, which make us feel uncomfortable, and yet her tenderness and compassion shine through the portrayal of all her characters enabling the reader to walk a mile in the shoes of those who are often forgotten.
For a book centred around death, an issue that rarely sits comfortably with human beings, 10 Minutes 38 Seconds in this Strange World confronts it without fear. She skilfully takes a sex worker’s body which is disregarded in its anonymity by those that are responsible for sweeping up the detritus of the Istanbul streets, and reveals a story of a life, full of tragedy, joy and love.
I love how Elif Shafak takes the stories of all of The Five and transforms the insignificant to the significant through the love they have for Leila and each other. In a society which elevates the rich and famous and makes their voices the loudest and most significant in the world, I loved the truth which was affirmed in this book about what a life of substance really means.
Acanthea Grimscythe (300 KP) rated The Amityville Horror in Books
May 20, 2019
Jay Anson’s The Amityville Horror sparked a lot of attention when it was first published in 1977 and soon after became the basis for the famed horror movie of the same title–but the question often remains: is it a true story? Originally published as such, The Amityville Horror now resides among fiction titles, largely due to the fact that besides the Lutzes, very little activity has been reported in the DeFeo house. (There were also several lawsuits.) For the purpose of this review, I will be treating The Amityville Horror as a fiction novel.
Normally, this paragraph is used to describe the characters and how I felt about them. Because The Amityville Horror was meant to be regarded as non-fiction, the characters, based on real people, are rather flat. There are too many questions about how they behave and react to different events in their lives. Part of this may be attributed to the style of Anson’s writing, which comes across to me as rather basic. In some places, there’s no flow and things appear forced.
Plotwise, I found the story to be engaging enough that I did, admittedly, devour it. Anson lays out events one after another, with little to no space in between. He also writes from several perspectives, and switches frequently–which can be rather distracting.
Overall, The Amityville Horror garners a lot of fame. The DeFeo murders were monstrous, but the addition of the Lutzes’ stories adds fuel to a fire that, for many skeptics, has long since stopped burning. If you’re a franchise fan, the book will likely interest you, but other than that, is neither spectacular or horrible.
http://theghastlygrimoire.com/2019/05/02/book-review-the-amityville-horror-by-jay-anson/
Normally, this paragraph is used to describe the characters and how I felt about them. Because The Amityville Horror was meant to be regarded as non-fiction, the characters, based on real people, are rather flat. There are too many questions about how they behave and react to different events in their lives. Part of this may be attributed to the style of Anson’s writing, which comes across to me as rather basic. In some places, there’s no flow and things appear forced.
Plotwise, I found the story to be engaging enough that I did, admittedly, devour it. Anson lays out events one after another, with little to no space in between. He also writes from several perspectives, and switches frequently–which can be rather distracting.
Overall, The Amityville Horror garners a lot of fame. The DeFeo murders were monstrous, but the addition of the Lutzes’ stories adds fuel to a fire that, for many skeptics, has long since stopped burning. If you’re a franchise fan, the book will likely interest you, but other than that, is neither spectacular or horrible.
http://theghastlygrimoire.com/2019/05/02/book-review-the-amityville-horror-by-jay-anson/
Samantha Hemsley (2 KP) rated The Reader on the 6.27 in Books
Jun 30, 2019
Feel-good (4 more)
Simple easy-to read style
A celebration of the power of reading
Lovable characters
Brilliant translation from French
I'm so glad to have come across this little hidden gem.
The unfortunately named (apparently -- I think you have to be a French speaker to really understand the reasoning) Guylain Vignolles is 36, lives alone with his beloved goldfish and works in a job he detests -- operating a book-pulping machine in a publishing factory. Guylain alleviates his resultant mental anguish by rescuing the occasional surviving pages at the end of each shift and reading them aloud to his fellow commuters on the 6.27 train each morning much to their mingled bewilderment and joy. Featuring some wonderful larger-than-life characters such as the classical theatre loving security guard who only speaks in Verse and the reformed alcoholic engaged in a quest to be reunited with his missing limbs and the toilet attendant with a secret talent for writing, this book is quirky and a bit ridiculous in the very best way.
As a fellow book lover, I empathised with Guylain's heartbreak over destroying so many books day in and day out. I can't even bear to write in a book or fold the corner of a page never mind reduce them to a pulp! I absolutely loved the way he attempted to do the books justice by giving what pages he could save an audience. This book is a real testament to the power and pleasure of reading aloud which is something I'm hugely passionate about -- I even wrote one of my university dissertations about the benefits of reading aloud with children.
I also loved its message of how reading can unite people, despite it being seen as a generally quite solitary or even introverted activity. Through his reading, Guylain finds himself being invited to do regular readings at a care home, much to the delight of the residents and when he finds a USB stick on his usual train seat containing over 70 diary entries, the lonely Guylain might just find that it leads to true love.
As well as being very charming and quaint, the novel manages to avoid becoming trite with its very astute observations and brilliant humour -- often laugh-out-loud funny. The prose is simple but very skillful -- especially the verses concocted by Yvon the security guard. Huge credit must also be given to the translator here. (The book was originally written in French) To translate rhyme into a different language so that it still rhymes and still makes perfect sense in the context can't be an easy feat!
My only criticism is that the book is very short -- fewer than 200 pages. Apparently the author is usually a writer of short stories and this is his first novel. This definitely shows as the ending feels very abrupt and definitely as if it could have done with another 50 pages or so; perhaps even more. I wasn't ready to say goodbye yet! Having said that, the ending was very sweet and it was only its abruptness that prevented it from being 100% satisfactory. I wouldn't quite say that there are any loose ends but it would have been nice to find out a little more about some of the characters and their stories.
Overall though this was a really lovely feel-good read that will appeal to anyone who loves literature and zany but endearing characters. I read one review that said the plot was "outlandish" and the characters "unbelievable" but I believe this reviewer was missing the point. This book champions the escapist qualities of reading and to have a story and characters who perhaps just slightly transcend reality can only elevate the escapism just that bit more. Feasibility be damned, I loved Guylain and his supporting cast members and I think I could easily read this short but sweet little story again and again!
The unfortunately named (apparently -- I think you have to be a French speaker to really understand the reasoning) Guylain Vignolles is 36, lives alone with his beloved goldfish and works in a job he detests -- operating a book-pulping machine in a publishing factory. Guylain alleviates his resultant mental anguish by rescuing the occasional surviving pages at the end of each shift and reading them aloud to his fellow commuters on the 6.27 train each morning much to their mingled bewilderment and joy. Featuring some wonderful larger-than-life characters such as the classical theatre loving security guard who only speaks in Verse and the reformed alcoholic engaged in a quest to be reunited with his missing limbs and the toilet attendant with a secret talent for writing, this book is quirky and a bit ridiculous in the very best way.
As a fellow book lover, I empathised with Guylain's heartbreak over destroying so many books day in and day out. I can't even bear to write in a book or fold the corner of a page never mind reduce them to a pulp! I absolutely loved the way he attempted to do the books justice by giving what pages he could save an audience. This book is a real testament to the power and pleasure of reading aloud which is something I'm hugely passionate about -- I even wrote one of my university dissertations about the benefits of reading aloud with children.
I also loved its message of how reading can unite people, despite it being seen as a generally quite solitary or even introverted activity. Through his reading, Guylain finds himself being invited to do regular readings at a care home, much to the delight of the residents and when he finds a USB stick on his usual train seat containing over 70 diary entries, the lonely Guylain might just find that it leads to true love.
As well as being very charming and quaint, the novel manages to avoid becoming trite with its very astute observations and brilliant humour -- often laugh-out-loud funny. The prose is simple but very skillful -- especially the verses concocted by Yvon the security guard. Huge credit must also be given to the translator here. (The book was originally written in French) To translate rhyme into a different language so that it still rhymes and still makes perfect sense in the context can't be an easy feat!
My only criticism is that the book is very short -- fewer than 200 pages. Apparently the author is usually a writer of short stories and this is his first novel. This definitely shows as the ending feels very abrupt and definitely as if it could have done with another 50 pages or so; perhaps even more. I wasn't ready to say goodbye yet! Having said that, the ending was very sweet and it was only its abruptness that prevented it from being 100% satisfactory. I wouldn't quite say that there are any loose ends but it would have been nice to find out a little more about some of the characters and their stories.
Overall though this was a really lovely feel-good read that will appeal to anyone who loves literature and zany but endearing characters. I read one review that said the plot was "outlandish" and the characters "unbelievable" but I believe this reviewer was missing the point. This book champions the escapist qualities of reading and to have a story and characters who perhaps just slightly transcend reality can only elevate the escapism just that bit more. Feasibility be damned, I loved Guylain and his supporting cast members and I think I could easily read this short but sweet little story again and again!
Phil Leader (619 KP) rated A Clockwork Orange in Books
Nov 11, 2019
Grab a moloko or hot chai and peet it with your rot while you viddy my malenky review with your glazzies, real horrorshow.
Welcome to the world of Alex, a 15 year old boy living in some unspecified country in an unspecified future time. What Alex enjoys is classical music and ultraviolence. Every night he and his gang terrorise the streets looking for any kind of criminal activity, the more violent the better. They steal, burgle, assault and rape, all for fun.
When Alex is caught he is put in prison and then rehabilitated using an experimental procedure. But what effect will this have on Alex? And will it produce the desired results of preventing the youth turning every night into a time of danger for all.
The first thing any reader notices about the book is that, told from Alex's point of view, he uses street slang throughout. This makes it clear that the young have their own culture and are quite separate from the adults in terms of outlook and thinking. It also makes the reading quite immersive, like learning a foreign language particularly as only a very few of the words are ever explained and must be learned from context. This makes for a steep learning curve at the start of the book but it is worth the effort. The use of slang terms for the violent acts also helps to soften them a little - clearly what Alex does is horrendous but as it is described using these terms it is perhaps not so graphic as it would be otherwise.
Like critics of the film, it would be unfair to focus purely on the violence. The book is divided neatly into three parts. In the first we follow Alex as he perpetrates a number of terrible crimes. The second part describes his experiences in prison and is rehabilitation. The third what happens when he returns to society.
Burgess is clearly trying to make a number of points about individuality and state control of its citizens, and a fairly heavy handed job he makes of it too. But this is a slight volume - the paperback I read ran to a mere 140 pages - so there is little time for subtlety.
I would say the first two sections of the book were the best. The third section suffers a little from being rushed - it would have been better to have more insight into the world of the 'new' Alex - and also of the story being driven by coincidence after coincidence. This really did make the book seem like a sort of dream sequence where previous characters appeared and suddenly took on new meanings. In fact what it reminded me most of was the interrogation sequence in Alfred Bester's The Demolished Man. This did detract from the story for me but not enough to do much damage to the tale. The ending is particularly strong and positive, in a book full of desperation it strikes the perfect counternote.
For anyone interested in the social side of 'science fiction' this is definitely worth reading. A morality tale for the future.
Rated: Frequent and extreme violence
Welcome to the world of Alex, a 15 year old boy living in some unspecified country in an unspecified future time. What Alex enjoys is classical music and ultraviolence. Every night he and his gang terrorise the streets looking for any kind of criminal activity, the more violent the better. They steal, burgle, assault and rape, all for fun.
When Alex is caught he is put in prison and then rehabilitated using an experimental procedure. But what effect will this have on Alex? And will it produce the desired results of preventing the youth turning every night into a time of danger for all.
The first thing any reader notices about the book is that, told from Alex's point of view, he uses street slang throughout. This makes it clear that the young have their own culture and are quite separate from the adults in terms of outlook and thinking. It also makes the reading quite immersive, like learning a foreign language particularly as only a very few of the words are ever explained and must be learned from context. This makes for a steep learning curve at the start of the book but it is worth the effort. The use of slang terms for the violent acts also helps to soften them a little - clearly what Alex does is horrendous but as it is described using these terms it is perhaps not so graphic as it would be otherwise.
Like critics of the film, it would be unfair to focus purely on the violence. The book is divided neatly into three parts. In the first we follow Alex as he perpetrates a number of terrible crimes. The second part describes his experiences in prison and is rehabilitation. The third what happens when he returns to society.
Burgess is clearly trying to make a number of points about individuality and state control of its citizens, and a fairly heavy handed job he makes of it too. But this is a slight volume - the paperback I read ran to a mere 140 pages - so there is little time for subtlety.
I would say the first two sections of the book were the best. The third section suffers a little from being rushed - it would have been better to have more insight into the world of the 'new' Alex - and also of the story being driven by coincidence after coincidence. This really did make the book seem like a sort of dream sequence where previous characters appeared and suddenly took on new meanings. In fact what it reminded me most of was the interrogation sequence in Alfred Bester's The Demolished Man. This did detract from the story for me but not enough to do much damage to the tale. The ending is particularly strong and positive, in a book full of desperation it strikes the perfect counternote.
For anyone interested in the social side of 'science fiction' this is definitely worth reading. A morality tale for the future.
Rated: Frequent and extreme violence
Jamie (131 KP) rated Here and Gone in Books
Jul 26, 2017
Engrossing story line (2 more)
Well-developed characters
Good female relationships
Several plot holes (1 more)
Mildly frustrating main character
A parent's worst nightmare
This book may be one of the most compelling reads that I’ve had in a while. Here and Gone is the story of a woman trying to escape an abusive marriage that finds herself in handcuffs and her children taken away by suspicious cops. It’s every parent’s worst nightmare. The opening chapters reminded me of some terrifying cases that I’ve read about innocent people being pulled over by corrupt or phony police officers.
The narrative swaps between characters throughout the story, sometimes swinging into the main two character’s pasts to flesh out their personalities. I really liked Danny, though I’ll admit that he seemed like a bit of an Asian stereotype to me, and being Asian American myself I wasn’t sure how I felt about it. His role in the story was cool but also seemed a little out of place. Audra I wish I could say that I liked her more, but her attitude in some of the flashback chapters really bothered me. My heart did break for her character, however, stuck in an abusive marriage with an enabler, with several chapters detailing her struggle with drug addiction.
I love the serious amount of woman power in this book that highlights the importance of female relationships. There are just certain things that many women know and understand about each other. This book was a heartfelt reminder about how vital it is for women to lift each other up, rather than tearing each other down. It was almost always female characters that would see what was happening to Audra and helped when she needed it the most. This was a major highlight for me in the story.
On the other hand though, I had to cut the rating down a little bit due to some pretty glaring plot holes that kept making me stop and ask my husband about law or the standard policies that are followed in any investigation. There were little things I noticed that just didn’t seem right and it would pull me out of my immersion in the novel.
Maybe it’s just me, but I would imagine that if a suspect in a missing person’s case were to implicate someone, even if it was a member of law enforcement, of abducting the kids and threatening her into taking the blame, wouldn’t the FBI be at least mildly suspicious? Question the officers involved, perhaps monitor their activity, separate them from the case, or put them on administrative leave? It would only make sense to me that the officers in question are too close to the case and should be taken off of it, but that wasn’t what happened. One cop had full access to the suspect, to police resources, and was still involved in the investigation. The other cop, well, nobody seemed to care about her one bit, or really noticed her absence. In fact, the FBI in general seemed pretty impotent in this book and that just didn’t seem normal to me.
All that aside, I really enjoyed this book. I was completely absorbed in the story from the first page and I couldn’t put it down, devouring it quickly over a period of about two days. I’ll definitely be checking out some more of the author’s work in the future.
The narrative swaps between characters throughout the story, sometimes swinging into the main two character’s pasts to flesh out their personalities. I really liked Danny, though I’ll admit that he seemed like a bit of an Asian stereotype to me, and being Asian American myself I wasn’t sure how I felt about it. His role in the story was cool but also seemed a little out of place. Audra I wish I could say that I liked her more, but her attitude in some of the flashback chapters really bothered me. My heart did break for her character, however, stuck in an abusive marriage with an enabler, with several chapters detailing her struggle with drug addiction.
I love the serious amount of woman power in this book that highlights the importance of female relationships. There are just certain things that many women know and understand about each other. This book was a heartfelt reminder about how vital it is for women to lift each other up, rather than tearing each other down. It was almost always female characters that would see what was happening to Audra and helped when she needed it the most. This was a major highlight for me in the story.
On the other hand though, I had to cut the rating down a little bit due to some pretty glaring plot holes that kept making me stop and ask my husband about law or the standard policies that are followed in any investigation. There were little things I noticed that just didn’t seem right and it would pull me out of my immersion in the novel.
Maybe it’s just me, but I would imagine that if a suspect in a missing person’s case were to implicate someone, even if it was a member of law enforcement, of abducting the kids and threatening her into taking the blame, wouldn’t the FBI be at least mildly suspicious? Question the officers involved, perhaps monitor their activity, separate them from the case, or put them on administrative leave? It would only make sense to me that the officers in question are too close to the case and should be taken off of it, but that wasn’t what happened. One cop had full access to the suspect, to police resources, and was still involved in the investigation. The other cop, well, nobody seemed to care about her one bit, or really noticed her absence. In fact, the FBI in general seemed pretty impotent in this book and that just didn’t seem normal to me.
All that aside, I really enjoyed this book. I was completely absorbed in the story from the first page and I couldn’t put it down, devouring it quickly over a period of about two days. I’ll definitely be checking out some more of the author’s work in the future.
Film tie-in
I received this book for free through Goodreads First Reads.
Nominated for an Oscar, BAFTA and Golden Globe,Trumbo is a recent film based on the original biography Dalton Trumbo written by Bruce Cook in 1977. Its adaptation to film provided the perfect opportunity to republish this extremely well researched book. With a forward written by John McNamara, the screenwriter of the motion picture, the story of Dalton Trumbo’s life is just as intriguing as it was almost forty years ago. But who is Trumbo?
If, like me, you have never heard of Trumbo or even the infamous “Hollywood Ten,” it may take a while for it to become clear as to why it was worth Cook’s time to produce a book about the man. Dalton Trumbo was a well-known screenwriter of films such as Papillon, Lonely Are The Brave and Roman Holiday as well as author of the novel Johnny Got His Gun. However these are not all he is famous for. During his life, Trumbo became a member of the Communist Party, which Hollywood branded as an Un-American Activity and thus blacklisted him, as well as other screenwriters, directors and actors. Ten of these men, Trumbo included, were imprisoned for their political beliefs – yet nothing prevented Trumbo from continuing his fairly successful career.
Interestingly, Cook begins the book with the final stages of Trumbo’s life. At time of writing Trumbo was still alive, although rather poorly. After contracting lung cancer, having a lung removed, and suffering a heart attack, Trumbo was a very sick man; nonetheless he was still enthusiastic about being interviewed and telling his personal story.
From his childhood, to his evening shifts at a bakery, Cook details Trumbo’s early life, emphasizing the hard upbringing he had before he found himself in the world of Hollywood. Although roughly 75% of the book focuses on Trumbo’s career, Cook highlights Trumbo as a family man, with both a wife and three children who he absolutely adores.
Cook constantly refers to the Hollywood Ten as a concept that the reader should already be familiar with. Granted, someone who picks up this book is more likely to do so having a prior interest in the central figure, and thus already know about his background; however those ignorant on the topic eventually gather a better understanding on the topic once reaching the relevant chapters. It also becomes clearer why Trumbo is worth reading/writing about – he may have been blacklisted, but he managed to break through all the barriers and reinstate his name and many others.
Reading this half a century after the event, it seems strange that Trumbo was imprisoned. He had not done anything intrinsically wrong, it was purely prejudice against his political beliefs that got him into the mess he found himself. But when you consider the events of the time: World War Two, the Cold War, the Korean War, and Vietnam; it is understandable why many feared those who claimed to be Communists.
Cook’s narrative does not flow as a story, and much of it is broken up with quotes from various people he interviewed. The timeline jumps about between past and present (1970s), which occasionally gets a bit confusing. A large part of the book is spent analyzing many of Trumbo’s works – both for screen and written formats – which, unless you have a particular interest, can be a little tedious.
It has got to be said that Bruce Cook was an exemplary writer with a great eye for detail. He did not jump to conclusions or only talk about things from his point of view. Instead he interviewed, what seems like, everyone who ever met Trumbo, and based his writing on fact backed up with numerous quotes and citations.
This edition of Trumbo contains a selection of photographs taken on the set of the movie. Disappointingly it does not contain any of Trumbo himself – you would think that some photos could have been tracked down!
Trumbo is not a book that will interest everyone. Most people today – particularly in England – will probably be unaware of who Dalton Trumbo was, and thus would only seek out this publication due to a fascination with film production. I have not seen the film, but after reading this and discovering how books go from novels, to screenplays to moving image, it would be interesting to find out which parts of Trumbo’s life made it onto the big screen.
Nominated for an Oscar, BAFTA and Golden Globe,Trumbo is a recent film based on the original biography Dalton Trumbo written by Bruce Cook in 1977. Its adaptation to film provided the perfect opportunity to republish this extremely well researched book. With a forward written by John McNamara, the screenwriter of the motion picture, the story of Dalton Trumbo’s life is just as intriguing as it was almost forty years ago. But who is Trumbo?
If, like me, you have never heard of Trumbo or even the infamous “Hollywood Ten,” it may take a while for it to become clear as to why it was worth Cook’s time to produce a book about the man. Dalton Trumbo was a well-known screenwriter of films such as Papillon, Lonely Are The Brave and Roman Holiday as well as author of the novel Johnny Got His Gun. However these are not all he is famous for. During his life, Trumbo became a member of the Communist Party, which Hollywood branded as an Un-American Activity and thus blacklisted him, as well as other screenwriters, directors and actors. Ten of these men, Trumbo included, were imprisoned for their political beliefs – yet nothing prevented Trumbo from continuing his fairly successful career.
Interestingly, Cook begins the book with the final stages of Trumbo’s life. At time of writing Trumbo was still alive, although rather poorly. After contracting lung cancer, having a lung removed, and suffering a heart attack, Trumbo was a very sick man; nonetheless he was still enthusiastic about being interviewed and telling his personal story.
From his childhood, to his evening shifts at a bakery, Cook details Trumbo’s early life, emphasizing the hard upbringing he had before he found himself in the world of Hollywood. Although roughly 75% of the book focuses on Trumbo’s career, Cook highlights Trumbo as a family man, with both a wife and three children who he absolutely adores.
Cook constantly refers to the Hollywood Ten as a concept that the reader should already be familiar with. Granted, someone who picks up this book is more likely to do so having a prior interest in the central figure, and thus already know about his background; however those ignorant on the topic eventually gather a better understanding on the topic once reaching the relevant chapters. It also becomes clearer why Trumbo is worth reading/writing about – he may have been blacklisted, but he managed to break through all the barriers and reinstate his name and many others.
Reading this half a century after the event, it seems strange that Trumbo was imprisoned. He had not done anything intrinsically wrong, it was purely prejudice against his political beliefs that got him into the mess he found himself. But when you consider the events of the time: World War Two, the Cold War, the Korean War, and Vietnam; it is understandable why many feared those who claimed to be Communists.
Cook’s narrative does not flow as a story, and much of it is broken up with quotes from various people he interviewed. The timeline jumps about between past and present (1970s), which occasionally gets a bit confusing. A large part of the book is spent analyzing many of Trumbo’s works – both for screen and written formats – which, unless you have a particular interest, can be a little tedious.
It has got to be said that Bruce Cook was an exemplary writer with a great eye for detail. He did not jump to conclusions or only talk about things from his point of view. Instead he interviewed, what seems like, everyone who ever met Trumbo, and based his writing on fact backed up with numerous quotes and citations.
This edition of Trumbo contains a selection of photographs taken on the set of the movie. Disappointingly it does not contain any of Trumbo himself – you would think that some photos could have been tracked down!
Trumbo is not a book that will interest everyone. Most people today – particularly in England – will probably be unaware of who Dalton Trumbo was, and thus would only seek out this publication due to a fascination with film production. I have not seen the film, but after reading this and discovering how books go from novels, to screenplays to moving image, it would be interesting to find out which parts of Trumbo’s life made it onto the big screen.