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Andy K (10821 KP) rated Marriage Story (2019) in Movies
Dec 7, 2019
A bad movie disguised as a good movie
Wow what a disappointment.
I would say for a movie without out of the ordinary cinematography, art direction, costumes, lighting locations, sets or soundtrack; it had better have a good screenplay. And it didn't. I found the dialogue to be unbelievable, corny and not the way real people talk. I'll forgive this on occasion if I am listening to screenplay prose, like Tarantino maybe, where I don't care if his characters go on and on about nothing because the way they say it is so interesting. Here there is none of that.
Divorce is not a pleasant subject and the portrayal of their profession in this film makes them out to be all scum sucking horrible people. I know acting in the best interest of their clients is what they are supposed to do, but the way they twist every conversation or nonchalant occurrence between two people into something that happens to their client's advantage is just horrible.
While watching I was trying to decide if these reasons were why I was not enjoying and that was just not the case.
It's poor writing. The scene that everyone is talking about where Scarlett Johansson and Adam Driver yell at each other and become increasingly emotional at the same time is all right, but honestly I felt overacting. I kind of felt that way through the entire film to be honest.
Not sure why this is getting all the accolades it is and am hoping it gets snubbed during awards season (but not likely).
What a disappointment...
I would say for a movie without out of the ordinary cinematography, art direction, costumes, lighting locations, sets or soundtrack; it had better have a good screenplay. And it didn't. I found the dialogue to be unbelievable, corny and not the way real people talk. I'll forgive this on occasion if I am listening to screenplay prose, like Tarantino maybe, where I don't care if his characters go on and on about nothing because the way they say it is so interesting. Here there is none of that.
Divorce is not a pleasant subject and the portrayal of their profession in this film makes them out to be all scum sucking horrible people. I know acting in the best interest of their clients is what they are supposed to do, but the way they twist every conversation or nonchalant occurrence between two people into something that happens to their client's advantage is just horrible.
While watching I was trying to decide if these reasons were why I was not enjoying and that was just not the case.
It's poor writing. The scene that everyone is talking about where Scarlett Johansson and Adam Driver yell at each other and become increasingly emotional at the same time is all right, but honestly I felt overacting. I kind of felt that way through the entire film to be honest.
Not sure why this is getting all the accolades it is and am hoping it gets snubbed during awards season (but not likely).
What a disappointment...
Gareth von Kallenbach (971 KP) rated Midnight Special (2016) in Movies
Aug 6, 2019
As children, we often fantasize about what it would be like to possess superpowers or some trait that sets us further apart from our peers. We imagine ourselves as being able to become invisible, fly, or command animals. The film Midnight Special introduces us to a young boy who is blessed with a special gift that no one can quite comprehend. A religious cult seeks the boy as their savior. The government wants to use him as a weapon. His father wants to protect him.
The film gives the audience enough suspense and relevant issues to keep them fully engrossed in the story. The opening of the film leaves us with very little background of the events that have taken place which for many films would be a grand weakness in the storytelling, however, for this film it is essential in shaping the dramatic moments as it builds to the climax. Midnight Special features strong performances from Adam Driver and Michael Shannon. Director Jeff Nichols does a superb job in weaving a story that is both original and imaginative. The film itself is a journey involving various elements that drive the story. For some, it will make them more skeptical of the government and religious fanaticism. For others, they will have a new take on the road film genre which is filled with peril, tension, friendship, and love.
Midnight Special is one of those rare movies that allows the viewers to become fully involved in the story and characters involved. With the suspense, humor, and interactions, the actors and director have made a complete film. It stays with you and makes you want more.
The film gives the audience enough suspense and relevant issues to keep them fully engrossed in the story. The opening of the film leaves us with very little background of the events that have taken place which for many films would be a grand weakness in the storytelling, however, for this film it is essential in shaping the dramatic moments as it builds to the climax. Midnight Special features strong performances from Adam Driver and Michael Shannon. Director Jeff Nichols does a superb job in weaving a story that is both original and imaginative. The film itself is a journey involving various elements that drive the story. For some, it will make them more skeptical of the government and religious fanaticism. For others, they will have a new take on the road film genre which is filled with peril, tension, friendship, and love.
Midnight Special is one of those rare movies that allows the viewers to become fully involved in the story and characters involved. With the suspense, humor, and interactions, the actors and director have made a complete film. It stays with you and makes you want more.
Amy Norman (1042 KP) rated The Dead Don't Die (2019) in Movies
Oct 2, 2020 (Updated Oct 3, 2020)
This film won't be for everyone, it is a very niche humour; if you have watched any of Jarmusch's other films you will understand how unique this film is, and how he doesn't bow down to 'conventional' film making.
I lifted the below directly from Wikipedia:
Jarmusch has been characterized as a minimalist filmmaker whose idiosyncratic films are unhurried. His films often eschew traditional narrative structure, lacking clear plot progression and focus more on mood and character development. In an interview early in his career, he stated that his goal was "to approximate real time for the audience."
This pretty much sums up the film. It is an unhurried take on a zombie film, in a small American town.
The characters are uncomplicated by the fact that they are very much one thing, and fall into strict stereotyoes i.e. straightforward, rude, weird, the nerd, the unbothered teens etc.
The cast was also huge, it was a true who's who, and each of them played to their strengths perfectly.
Bill Murray and Adam Driver were a fantastic pairing, as the slack jawed police chief, and main officer, that were undertaking the investigation of the towns unusual disturbances, and quite contentedly bumble through to the films conclusion.
The humour was painfully matter of fact, and delivered flawlessly dead pan. A style of humour I have always appreciated.
This isn't a straight up horror/zombie film, so if you are looking for a more mellow and laid back film then you may be able to appreciate this one, but it is certainly not one for the traditional horror fan.
I lifted the below directly from Wikipedia:
Jarmusch has been characterized as a minimalist filmmaker whose idiosyncratic films are unhurried. His films often eschew traditional narrative structure, lacking clear plot progression and focus more on mood and character development. In an interview early in his career, he stated that his goal was "to approximate real time for the audience."
This pretty much sums up the film. It is an unhurried take on a zombie film, in a small American town.
The characters are uncomplicated by the fact that they are very much one thing, and fall into strict stereotyoes i.e. straightforward, rude, weird, the nerd, the unbothered teens etc.
The cast was also huge, it was a true who's who, and each of them played to their strengths perfectly.
Bill Murray and Adam Driver were a fantastic pairing, as the slack jawed police chief, and main officer, that were undertaking the investigation of the towns unusual disturbances, and quite contentedly bumble through to the films conclusion.
The humour was painfully matter of fact, and delivered flawlessly dead pan. A style of humour I have always appreciated.
This isn't a straight up horror/zombie film, so if you are looking for a more mellow and laid back film then you may be able to appreciate this one, but it is certainly not one for the traditional horror fan.
BankofMarquis (1832 KP) rated The Last Duel (2021) in Movies
Oct 30, 2021
Doesn't Really Work
With films such as GLADIATOR, KINGDOM OF HEAVEN, ROBIN HOOD, EXODUS: GODS AND MONSTERS and the current THE LAST DUEL, Director Ridley Scott is single-handedly trying to keep alive the “Sword and Sandals” genre that was so much en vogue in the Golden Age of Hollywood.
However, he’ll have to do better than THE LAST DUEL to keep the genre going.
Starring Matt Damon, Ben Affleck, Adam Driver and Jodi Comer, THE LAST DUEL tells the tale of the…well…Last Duel in France in the 1300’s. The story tells the tale of 2 noblemen, their ups & downs and the accusation of the wife of one of them that the other raped her. The only way to solve the dispute is a duel to the death.
Following the format of such films as RASHOMON (1950) and, more recently, WRATH OF MAN (2021), THE LAST DUEL is told in 4 parts - telling the same story from different perspectives. But, unlike RASHOMON and (surprisingly) WRATH OF MAN which peeled the onion back during each different telling, adding a deeper and richer layer to the story each time, THE LAST DUEL pretty much tells the same story over and over, not really telling it differently and not really adding any layers to the story. You pretty much know before THE LAST DUEL who is innocent, who is guilty and how the duel is going to play out.
So, Director Scott will need to rely on the performances and the look and feel of the film to get the audience hooked and intrigued during this 2 hour and 32 minute epic, but the script (by Nicole Holofcener, Affleck & Damon just isn’t up to the task.
The acting is…fine. Driver fares the best out of the 4 leads - probably because he is the actor most suited for this type of film than the others. Comer’s part is underwritten and she has surprisingly little to do - which brings us to Affleck and Damon. Affleck has the showier role and provides a spark of interest in his limited time on the screen while Damon is dour and serious and trudges through the film - as does the audience.
Director Scott (ALIEN) brings professionalism to the proceedings and accurately depicts the look and feel of the time and stages the duel (and battle scenes) with a trained eye, but the characters/performances did not leave me with anyone to truly root for (or care about) and by the time we got to THE LAST DUEL, I just wanted it to be over.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
However, he’ll have to do better than THE LAST DUEL to keep the genre going.
Starring Matt Damon, Ben Affleck, Adam Driver and Jodi Comer, THE LAST DUEL tells the tale of the…well…Last Duel in France in the 1300’s. The story tells the tale of 2 noblemen, their ups & downs and the accusation of the wife of one of them that the other raped her. The only way to solve the dispute is a duel to the death.
Following the format of such films as RASHOMON (1950) and, more recently, WRATH OF MAN (2021), THE LAST DUEL is told in 4 parts - telling the same story from different perspectives. But, unlike RASHOMON and (surprisingly) WRATH OF MAN which peeled the onion back during each different telling, adding a deeper and richer layer to the story each time, THE LAST DUEL pretty much tells the same story over and over, not really telling it differently and not really adding any layers to the story. You pretty much know before THE LAST DUEL who is innocent, who is guilty and how the duel is going to play out.
So, Director Scott will need to rely on the performances and the look and feel of the film to get the audience hooked and intrigued during this 2 hour and 32 minute epic, but the script (by Nicole Holofcener, Affleck & Damon just isn’t up to the task.
The acting is…fine. Driver fares the best out of the 4 leads - probably because he is the actor most suited for this type of film than the others. Comer’s part is underwritten and she has surprisingly little to do - which brings us to Affleck and Damon. Affleck has the showier role and provides a spark of interest in his limited time on the screen while Damon is dour and serious and trudges through the film - as does the audience.
Director Scott (ALIEN) brings professionalism to the proceedings and accurately depicts the look and feel of the time and stages the duel (and battle scenes) with a trained eye, but the characters/performances did not leave me with anyone to truly root for (or care about) and by the time we got to THE LAST DUEL, I just wanted it to be over.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Andy K (10821 KP) rated The Man Who Killed Don Quixote (2018) in Movies
Jul 1, 2019
25+ years in the making!
Up until its release, "The Man Who Killed Don Quixote" would have been at the top of any movie list featuring movies in development hell never to actually make it to the big screen. Those who are interested should read the lengthy details of the various derailed productions of the film including its original incarnation starring Johnny Depp and the late Jean Rochefort. The film chronicles can even be viewed on their own in the 2002 documentary film "Lost in La Mancha".
To say director Terry Gilliam has had a hard time getting some of his quirky films made, financed and released is an understatement for sure. Films like "Brazil", "The Adventures of Baron Munchausen" or "Tideland" had their difficulties making it to the big screen. How about having the main star of your film die in the middle of production? He had that issue as well during filming of "The Imaginarium of Doctor Parnassus" when Heath Ledger passed away. Thanks to the help of Johnny Depp, Collin Farrell and Jude Law stepping in, the film was able to be released eventually.
Over the years I had kept up with Gilliam's repeated attempts to get the film financed and made including another time where he had cast fellow Python vet Michael Palin in the lead or even Robert Duvall was attached at one point.
The movie itself is a marvel of tenacity for Gilliam and I am very glad he was finally able to make it.
This final version of the film stars Adam Driver as troubled film director, Toby, and Jonathan Pryce as Don Quixote.
Toby is not thrilled about his current production and wanders back to the small Spanish town where he had met some of the locals and made a student film about Quixote 10 years earlier. He finds his "Quixote" living out a sideshow fantasy having lost his grip on reality thinking he is still Quixote today. Toby decides to launch an adventure with him through the Spanish countryside as his "Sancho Panza". Through their quests they encounter a multitude of interesting, wacky and outlandish characters who feed into the Quixote fantasy.
I have to say the film's look left me breathless. As with Gilliam's entire library of films, the production design, art direction and cinematography were astonishing really delving you into this larger than life world and helped move along some of the weaker elements.
Gilliam's goal with the screenplay was to adapt the classic Quixote story to be told under up to date circumstances and I'm not sure he completely succeeded. Some of the scenes and dialogue were boring and the movie's plot dragged at times. The mixing of world's was a little confusing and not sure the payoff entirely wrapped the story to conclusion.
Besides playing Kylo Wren, I am not sure Adam Driver will end up having a long career in film as I thought he was flat and not entertaining to watch as I am sure Depp would have been in the role. Jonathan Pryce was a joy to watch and every scene he was in he really stole the show.
It was fun to watch some elements from some of Gilliam's other work on display including the red knight from "The Fisher King", the sprawling landscapes from "Baron Munchausen" or "Time Bandits" and even the sideshow from "Parnassus".
Overall, I am glad I finally got to watch it as I am sure Gilliam was to finally film and release his long-awaited project. I guess I would say I was entertained, but felt like it fell short of being a true classic.
To say director Terry Gilliam has had a hard time getting some of his quirky films made, financed and released is an understatement for sure. Films like "Brazil", "The Adventures of Baron Munchausen" or "Tideland" had their difficulties making it to the big screen. How about having the main star of your film die in the middle of production? He had that issue as well during filming of "The Imaginarium of Doctor Parnassus" when Heath Ledger passed away. Thanks to the help of Johnny Depp, Collin Farrell and Jude Law stepping in, the film was able to be released eventually.
Over the years I had kept up with Gilliam's repeated attempts to get the film financed and made including another time where he had cast fellow Python vet Michael Palin in the lead or even Robert Duvall was attached at one point.
The movie itself is a marvel of tenacity for Gilliam and I am very glad he was finally able to make it.
This final version of the film stars Adam Driver as troubled film director, Toby, and Jonathan Pryce as Don Quixote.
Toby is not thrilled about his current production and wanders back to the small Spanish town where he had met some of the locals and made a student film about Quixote 10 years earlier. He finds his "Quixote" living out a sideshow fantasy having lost his grip on reality thinking he is still Quixote today. Toby decides to launch an adventure with him through the Spanish countryside as his "Sancho Panza". Through their quests they encounter a multitude of interesting, wacky and outlandish characters who feed into the Quixote fantasy.
I have to say the film's look left me breathless. As with Gilliam's entire library of films, the production design, art direction and cinematography were astonishing really delving you into this larger than life world and helped move along some of the weaker elements.
Gilliam's goal with the screenplay was to adapt the classic Quixote story to be told under up to date circumstances and I'm not sure he completely succeeded. Some of the scenes and dialogue were boring and the movie's plot dragged at times. The mixing of world's was a little confusing and not sure the payoff entirely wrapped the story to conclusion.
Besides playing Kylo Wren, I am not sure Adam Driver will end up having a long career in film as I thought he was flat and not entertaining to watch as I am sure Depp would have been in the role. Jonathan Pryce was a joy to watch and every scene he was in he really stole the show.
It was fun to watch some elements from some of Gilliam's other work on display including the red knight from "The Fisher King", the sprawling landscapes from "Baron Munchausen" or "Time Bandits" and even the sideshow from "Parnassus".
Overall, I am glad I finally got to watch it as I am sure Gilliam was to finally film and release his long-awaited project. I guess I would say I was entertained, but felt like it fell short of being a true classic.
BankofMarquis (1832 KP) rated BlacKkKlansman (2018) in Movies
Aug 20, 2018
The first real Oscar contender of 2018
The first shot of the 2018 Oscar race has been fired and it is Spike Lee's BLACKkKLANSMAN. If you are an "Oscar completest" I highly recommend you check this film out as you will be hearing it's name called (probably many times) when the Oscar nominations are revealed.
But...is it a good film?
For the most part, yes.
Based on the incredible true story of Colorado Springs undercover office, Ron Stallworth, an African-American, who was able to infiltrate the KKK via the phone. He then needs a surrogate to keep the subterfuge up in face to face meetings.
In playing Stallworth, relative newcomer John David Washington (son of Denzel) shows that he has inherited at least some of his famous father's acting chops. His portrayal of Washington shows a conflicted man, determined to do his job while juggling his feelings and responsibilities of being a black man in early 1970's America.
Laura Harrier (Liz in SPIDERMAN: HOMECOMING) matches Washington beat for beat as Black activist - and potential love interest - Patrice Dumas who has razor-sharp focus on changing the plight of African Americans and drives Stallworth to thinking about more than just his job.
Other strong performances comes from Topher Grace (as KKK Head David Duke), Robert John Burke as Chief Bridges and Corey Hawkins in an extended cameo as Kwame Ture (aka 1960's Black Activist Stokely Carmichael). I really liked the passion and furvor Hawkins brought to this part.
But...the standout performance in this film comes from Adam Driver as the "white face" of Ron Stallworth to the KKK. He portrays Flip Zimmerman who has been constantly denying his Jewish heritage to pass as a WASP in this world and when he comes face to face with race hatred, he must confront his own inner feelings towards his own past. This is another strong performance by Driver (who is much, much more than just Kylo Ren) and I expect to hear his name called when Oscar nominations are announced.
But...good acting aside...this is a Spike Lee "joint" in all the ways (good and bad) that Spike Lee directs his films. There is a cleanliness in the way he drives the narrative never losing focus on what the main theme of the proceedings needs to be. He paints interesting pictures on the screen and crafts a strong, message picture that should be seen by all.
But...he does have a tendency to overplay his hand, hitting the audience over the head over and over again with his themes to the point of me wanting to say to the screen "all right already, I get it!". This knocks the film down just a hair.
But...that is the price of admission for a very good Spike Lee film, one that I highly recommend you see.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
But...is it a good film?
For the most part, yes.
Based on the incredible true story of Colorado Springs undercover office, Ron Stallworth, an African-American, who was able to infiltrate the KKK via the phone. He then needs a surrogate to keep the subterfuge up in face to face meetings.
In playing Stallworth, relative newcomer John David Washington (son of Denzel) shows that he has inherited at least some of his famous father's acting chops. His portrayal of Washington shows a conflicted man, determined to do his job while juggling his feelings and responsibilities of being a black man in early 1970's America.
Laura Harrier (Liz in SPIDERMAN: HOMECOMING) matches Washington beat for beat as Black activist - and potential love interest - Patrice Dumas who has razor-sharp focus on changing the plight of African Americans and drives Stallworth to thinking about more than just his job.
Other strong performances comes from Topher Grace (as KKK Head David Duke), Robert John Burke as Chief Bridges and Corey Hawkins in an extended cameo as Kwame Ture (aka 1960's Black Activist Stokely Carmichael). I really liked the passion and furvor Hawkins brought to this part.
But...the standout performance in this film comes from Adam Driver as the "white face" of Ron Stallworth to the KKK. He portrays Flip Zimmerman who has been constantly denying his Jewish heritage to pass as a WASP in this world and when he comes face to face with race hatred, he must confront his own inner feelings towards his own past. This is another strong performance by Driver (who is much, much more than just Kylo Ren) and I expect to hear his name called when Oscar nominations are announced.
But...good acting aside...this is a Spike Lee "joint" in all the ways (good and bad) that Spike Lee directs his films. There is a cleanliness in the way he drives the narrative never losing focus on what the main theme of the proceedings needs to be. He paints interesting pictures on the screen and crafts a strong, message picture that should be seen by all.
But...he does have a tendency to overplay his hand, hitting the audience over the head over and over again with his themes to the point of me wanting to say to the screen "all right already, I get it!". This knocks the film down just a hair.
But...that is the price of admission for a very good Spike Lee film, one that I highly recommend you see.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
Daniel Boyd (1066 KP) rated Midnight Special (2016) in Movies
Jul 21, 2017
A Modern Sci-Fi Classic
This movie really impressed me. Michael Shannon is, as always, fantastic in his performance and he showed a side of character here that we don’t normally get to see from him. He plays a compassionate and loving father on a mission and he will stop at nothing to succeed. Joel Edgerton is also typically brilliant in the film. He plays an old fried of Shannon’s character helping him on his quest and again is different here to any other role we have seen him in so far. Frankly I think these two actors are two of the best working in Hollywood today and this movie showcases their diversity, talent and ability to totally vanish into a role and sell their performance effortlessly. However, the real star of the show is the young actor Jaeden Lieberher, who plays Alton Meyer, the extraordinary boy that the plot revolves around. When I first saw his performance I thought he was extremely good for a child actor, but reflecting on it again, it is just a fantastic performance regardless of his age. His chemistry with the other actors was spot on and he carried this movie flawlessly, which left me very impressed. Kirsten Dunst also makes an appearance as Alton’s mother and again gives a stellar performance, she is tired of having to constantly be on the run and although she sometimes doubts her husband’s plan, she sticks by him until their mission is complete. Adam Driver is the scientist working for the government who are after Alton and he puts in a decent performance as the pseudo antagonist of the movie. I should really stop here though as you are better going into this movie with as little previous knowledge as possible. In summary, this is the movie that Super 8 wishes it was, essentially it’s ET for grown ups and it is definitely worth your time and money.
LeftSideCut (3778 KP) rated The Dead Don't Die (2019) in Movies
Jan 7, 2020 (Updated Jan 29, 2020)
Several Wild Animals
The Dead Don't Die is truly a bizarre experience.
Jim Jarmusch has crafted a gratuitously deadpan and self aware zombie film that tackles tired genre tropes in unique and confusing ways.
Truth be told, I was ready to hate it. I knew that it wasn't the same style of zombie-comedy as Zombieland, or Shaun of the Dead, and I expected to be bogged down in pretentiousness - I'm happy to admit that I was wrong in this case.
A lot of the complaints I've seen about TDDD is precisely that. That, and the fourth wall breaking, but those are two aspects that I actually really liked.
The humour is really subtle for the most part. The dead pan delivery of a lot of the script was quite jarring at first, but it didn't take long for it settle, and I actually ended up finding it pretty funny, just not in-your-face funny (which is a good thing).
The fourth wall stuff verges on being too-clever-for-its-own-good but it just about pulls it off, and gives an interesting alternate thought process to the general narrative.
The cast is brimming with people that I like and love - Bill Murray, Adam Driver (surely a full blown man crush by this point), Chloë Sevigny, Steve Buscemi, Danny Glover, Tilda Swinton... God damn I even love Iggy Pop. It's a great cast list for sure, and the charming and witty script gives them all a lot to do, even if some of the many characters feel under developed at times.
The zombie aspect is a bit if a back seat for me. I was certainly more invested in the aforementioned cast, than any actual zombie action, but I enjoyed the 'classic' shuffling zombies in a small town setting for what it's worth.
I'm not sure what I expected from The Dead Don't Die, but it certainly wasn't what I got, and that precisely why it stands out.
Jim Jarmusch has crafted a gratuitously deadpan and self aware zombie film that tackles tired genre tropes in unique and confusing ways.
Truth be told, I was ready to hate it. I knew that it wasn't the same style of zombie-comedy as Zombieland, or Shaun of the Dead, and I expected to be bogged down in pretentiousness - I'm happy to admit that I was wrong in this case.
A lot of the complaints I've seen about TDDD is precisely that. That, and the fourth wall breaking, but those are two aspects that I actually really liked.
The humour is really subtle for the most part. The dead pan delivery of a lot of the script was quite jarring at first, but it didn't take long for it settle, and I actually ended up finding it pretty funny, just not in-your-face funny (which is a good thing).
The fourth wall stuff verges on being too-clever-for-its-own-good but it just about pulls it off, and gives an interesting alternate thought process to the general narrative.
The cast is brimming with people that I like and love - Bill Murray, Adam Driver (surely a full blown man crush by this point), Chloë Sevigny, Steve Buscemi, Danny Glover, Tilda Swinton... God damn I even love Iggy Pop. It's a great cast list for sure, and the charming and witty script gives them all a lot to do, even if some of the many characters feel under developed at times.
The zombie aspect is a bit if a back seat for me. I was certainly more invested in the aforementioned cast, than any actual zombie action, but I enjoyed the 'classic' shuffling zombies in a small town setting for what it's worth.
I'm not sure what I expected from The Dead Don't Die, but it certainly wasn't what I got, and that precisely why it stands out.
Gareth von Kallenbach (971 KP) rated Logan Lucky (2017) in Movies
Jul 11, 2019
Jimmy Logan (Channing Tatum) just got fired from his job and found out that his ex-wife is moving his daughter to another state. He lives for his daughter and needs to get money fast to pay for a lawyer to fight the move. He decides that the best way to get this fast cash is to rob his previous employer, the Charlotte Motor Speedway. He enlist the help of his brother Clyde Logan (Adam Driver), his fast driving sister Millie Logan (Riley Keough), and explosives expert Joe Bang (Daniel Craig). Together they hatch a plan to rob the cash vault under the NASCAR track during the biggest race of the year. It won’t be easy for the crew as they must overcome many obstacles along the way. For one they only one of them who can blow the massive safe, Bang, is currently in prison. Bang also insists that his two inept brothers be included in the heist. There is also the matter of a large private police force patrolling the track. But the biggest hurdle may be the Logan family curse. Something bad is seemingly always happening to the family. Jimmy was destine to go to the NFL before a freak accident ruined his knee and ended his football career. Clyde was on his way back home from deployment in the Army and was hit by a roadside bomb and lost his arm. If they can overcome all of this they can walk away with a fortune.
This Steven Soderbergh (Ocean’s 11, Ocean’s 12, Ocean’s 13) directed film is a fun and fast paced heist film. It definitely fits into the Ocean’s film model, with a large cast, twists that keep the audience guessing and well thought out ending. This films stands apart from those by being more hillbilly than the sleek well put together Ocean’s crew. The film dialog is well done and written expertly by Rebecca Blunt, this is the first screen writing credit for Rebecca. There are plenty of cameos by West Virginia Natives, NASCAR drivers and commentators, and others. I had heard beforehand that there were several cameos and made for a fun exercise in spotting the NASCAR drivers in various roles. The ensemble cast is stellar led by Tatum, Driver and Craig. The cast includes fun performances by a barely recognizable Seth MacFarlane along with Dwight Yoakam, Katie Holmes, and Hilary Swank. There were times thought that the various accents that the cast were attempting to use felt forced and/or missing from particular scenes. The pace of the film is good but does get a little slow during the heist set up and the two hour run time was a tad too long for me.
Overall this is a fun film that fits the heist movie genre perfectly. One news report in the film characterized the robbery as Ocean’s 7/11 and that pretty well sums up the film. The characters are original and if you are a fan of these types of movies you will not be disappointed.
This Steven Soderbergh (Ocean’s 11, Ocean’s 12, Ocean’s 13) directed film is a fun and fast paced heist film. It definitely fits into the Ocean’s film model, with a large cast, twists that keep the audience guessing and well thought out ending. This films stands apart from those by being more hillbilly than the sleek well put together Ocean’s crew. The film dialog is well done and written expertly by Rebecca Blunt, this is the first screen writing credit for Rebecca. There are plenty of cameos by West Virginia Natives, NASCAR drivers and commentators, and others. I had heard beforehand that there were several cameos and made for a fun exercise in spotting the NASCAR drivers in various roles. The ensemble cast is stellar led by Tatum, Driver and Craig. The cast includes fun performances by a barely recognizable Seth MacFarlane along with Dwight Yoakam, Katie Holmes, and Hilary Swank. There were times thought that the various accents that the cast were attempting to use felt forced and/or missing from particular scenes. The pace of the film is good but does get a little slow during the heist set up and the two hour run time was a tad too long for me.
Overall this is a fun film that fits the heist movie genre perfectly. One news report in the film characterized the robbery as Ocean’s 7/11 and that pretty well sums up the film. The characters are original and if you are a fan of these types of movies you will not be disappointed.