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Bong Mines Entertainment (15 KP) rated Focused - Single by Lilly Whyte in Music
Jun 17, 2019
Lilly Whyte is an Atlanta-based rapper-singer from Loris, South Carolina. Not too long ago, she released a motivational rap tune, entitled, “Focused”.
“I been working hard, I know its gonna take time. I can’t let down my guard, can’t let nobody take my shine, I need to just focus. Please just let me focus. I been down before and I ain’t never going back. I’m hungry for more so tell me where the money at. I’m just being honest. I’m gonna get it regardless.” – lyrics
‘Focused’ tells an encouraging tale of a determined young woman who is focused on getting what’s hers. But, as she gets closer to accomplishing her goals, there’s a guy in her life who’s trying to get close to her.
Even though she’s not looking for closure with him, she knows deep down she can’t afford to lose her concentration to distractions. Therefore, she chooses to stay motivated and refuses to let him come remotely close to disrupting her grind.
‘Focused’ contains a relatable storyline, harmonious rap vocals, and melodic instrumentation flavored with contemporary R&B and hip-hop elements.
“So excited about this record because it’s the first song I actually recorded all by myself. I literally wrote this song in my head as I was teaching myself how to engineer. FOCUSING on my craft and not letting anything stop me. FOCUSED is the product of me staying up all night in my little at-home-studio and not giving up. This song is very motivational which is why it’s one of my all-time favorites. I’ve always had a hard time focusing on what I’m supposed to be doing because I’m always so easily distracted. It can be really frustrating sometimes. I literally have to tell myself to just FOCUS, but this song is way more than that.” – Lilly Whyte
Lilly Whyte struggled with health and addiction issues, along with becoming a mother at a young age.
With a determination and drive inherent only to single mothers, she overcame her hardships by using music as an outlet for healing and growth.
She represents love, peace, and diversity, writing lyrics that are rich, fiery and full of meaning. Her stories cover themes such as empowerment, positivity, and self-acceptance.
Also, she’s an accomplished dancer, and her love for Lil Wayne’s music has garnered her the nickname, Lil Wheezy.
“I call out a certain someone for trying to come into my life and distract me. I have way too many trust issues from past experiences and I’m sure a few of you can relate. The beat was produced by DrellOnTheTrack and it has a guitar in the melody which is ironic as I also play the guitar. Hope you gain as much from this track as I did and don’t forget to STAY FOCUSED!” – Lilly Whyte
https://www.bongminesentertainment.com/lilly-whyte-focused/
“I been working hard, I know its gonna take time. I can’t let down my guard, can’t let nobody take my shine, I need to just focus. Please just let me focus. I been down before and I ain’t never going back. I’m hungry for more so tell me where the money at. I’m just being honest. I’m gonna get it regardless.” – lyrics
‘Focused’ tells an encouraging tale of a determined young woman who is focused on getting what’s hers. But, as she gets closer to accomplishing her goals, there’s a guy in her life who’s trying to get close to her.
Even though she’s not looking for closure with him, she knows deep down she can’t afford to lose her concentration to distractions. Therefore, she chooses to stay motivated and refuses to let him come remotely close to disrupting her grind.
‘Focused’ contains a relatable storyline, harmonious rap vocals, and melodic instrumentation flavored with contemporary R&B and hip-hop elements.
“So excited about this record because it’s the first song I actually recorded all by myself. I literally wrote this song in my head as I was teaching myself how to engineer. FOCUSING on my craft and not letting anything stop me. FOCUSED is the product of me staying up all night in my little at-home-studio and not giving up. This song is very motivational which is why it’s one of my all-time favorites. I’ve always had a hard time focusing on what I’m supposed to be doing because I’m always so easily distracted. It can be really frustrating sometimes. I literally have to tell myself to just FOCUS, but this song is way more than that.” – Lilly Whyte
Lilly Whyte struggled with health and addiction issues, along with becoming a mother at a young age.
With a determination and drive inherent only to single mothers, she overcame her hardships by using music as an outlet for healing and growth.
She represents love, peace, and diversity, writing lyrics that are rich, fiery and full of meaning. Her stories cover themes such as empowerment, positivity, and self-acceptance.
Also, she’s an accomplished dancer, and her love for Lil Wayne’s music has garnered her the nickname, Lil Wheezy.
“I call out a certain someone for trying to come into my life and distract me. I have way too many trust issues from past experiences and I’m sure a few of you can relate. The beat was produced by DrellOnTheTrack and it has a guitar in the melody which is ironic as I also play the guitar. Hope you gain as much from this track as I did and don’t forget to STAY FOCUSED!” – Lilly Whyte
https://www.bongminesentertainment.com/lilly-whyte-focused/
Kristy H (1252 KP) rated Burying the Honeysuckle Girls in Books
Jun 21, 2019
Althea Bell returns home after (another) stint in rehab to find her father further stricken by Alzheimer's and her older brother--who is running for political office--fully entrenched in the seat of power in the family. Wynn doesn't want Althea and her sketchy past to ruin his chances at political fame and fortune. Even worse, Althea is shocked when she learns that the women in her family have a history of mental illness, which seems to come on around age 30--and Althea is just a few weeks away from her own birthday. Althea's mother passed away at that age, and Althea is determined to discover what happened to her. But doing so will dredge up family secrets that it seems Wynn wants hidden--and he'll do anything to keep Althea from shaming the family name
This won't be a very long review, because I listened to this book on audiobook (technically the audio that comes with my Kindle Unlimited subscription), and I couldn't take any notes or do any highlighting as I listened, as I was in the car. But I do want to point out that this is the *first ever* audiobook that I've ever listened to from start to finish! I'm not very good with verbal listening--even in college lectures, I had to take copious notes to retain the information, and I could just never keep up with audiobooks: my brain always wandered off. But I was commuting a lot for work and gave this one a try. It stuck!
This book felt a little slow in places, but now I'll never know if it was because it was an audiobook or what. I felt bad for Althea, who really seems to have received a bum rap: mother dies when she's a kid, a pretty awful brother, drug addiction, and more. She's a rather compelling narrator, and her family's backstory is interesting. The whole "I'm going to go crazy when I'm 30" thing seemed a little overblown and histrionic at times--seriously, you can't truly think the moment you turn 30, everything changes. But, I still found myself caught up in Althea's story, and I really loved hearing about her grandmother and her own struggles in the '30s. There were pieces of this book that were really touching and heartbreaking and the last half, especially, really got to me.
Overall, it was fun to explore an audiobook. It sure made my two-hour (each way) commute more palatable, and I found myself fascinated that one-person could do the voices of so many people. I found this story pretty compelling and liked the fact that it spanned several generations. The points it made about mental illness--especially the way women were treated in the past (and even now, really)--were very illuminating and well-done. 3.5 stars.
This won't be a very long review, because I listened to this book on audiobook (technically the audio that comes with my Kindle Unlimited subscription), and I couldn't take any notes or do any highlighting as I listened, as I was in the car. But I do want to point out that this is the *first ever* audiobook that I've ever listened to from start to finish! I'm not very good with verbal listening--even in college lectures, I had to take copious notes to retain the information, and I could just never keep up with audiobooks: my brain always wandered off. But I was commuting a lot for work and gave this one a try. It stuck!
This book felt a little slow in places, but now I'll never know if it was because it was an audiobook or what. I felt bad for Althea, who really seems to have received a bum rap: mother dies when she's a kid, a pretty awful brother, drug addiction, and more. She's a rather compelling narrator, and her family's backstory is interesting. The whole "I'm going to go crazy when I'm 30" thing seemed a little overblown and histrionic at times--seriously, you can't truly think the moment you turn 30, everything changes. But, I still found myself caught up in Althea's story, and I really loved hearing about her grandmother and her own struggles in the '30s. There were pieces of this book that were really touching and heartbreaking and the last half, especially, really got to me.
Overall, it was fun to explore an audiobook. It sure made my two-hour (each way) commute more palatable, and I found myself fascinated that one-person could do the voices of so many people. I found this story pretty compelling and liked the fact that it spanned several generations. The points it made about mental illness--especially the way women were treated in the past (and even now, really)--were very illuminating and well-done. 3.5 stars.
Kristy H (1252 KP) rated Two Kinds of Truth (Harry Bosch #20) in Books
Jan 10, 2018
Another wonderful mystery novel featuring Connelly's excellently developed lead detective
Michael Connelly's iconic detective, Harry Bosch, is back again. Harry's basically a volunteer for the San Fernando police department, working cold cases for the tiny force and mentoring their three young detectives. When they are called out for a murder of a father and son at a local pharmacy, Harry assists the inexperienced team in trying to track down the killers. The case leads Harry and his detectives into the dark world of opiates--both the big money of pill mills and the sad, cold side of addiction. Meanwhile, Harry hears from his former employer, the LAPD, when one of his thirty-year-old cases is reopened based on new evidence. Even worse, the killer is claiming Harry framed him. The case threatens Harry's most prized possession: his reputation as a cop, and he knows that no one will fight to clear his name like himself. The two unrelated cases pull at different sides of Bosch as he works to discover all different facets of the truth.
I love Harry Bosch so much, and there will be a hole in my heart when Connelly no longer writes about him. I actually moved this book up in my rotation (something I rarely ever do!) so I could read it on a weekend trip to Chicago, and my only regret is that it meant I finished it in about 48 hours, and now it's over. Per usual, Connelly gives us yet another wonderful mystery novel featuring his excellently developed lead detective. This one covers the timely topic of the opiate crisis, which looms fairly large in America today. It's well-researched, as always.
Reading a Bosch novel is like picking up with an old friend, and this one is no different. Our Bosch is aging, which this book acknowledges well. We see Bosch still grappling with having left the LAPD--who can he trust, what can he do with his life now. We even get some appearances from previous characters in earlier novels. Perhaps the best thing is a fairly large role for Bosch's half brother Mickey Haller, the famed "Lincoln Lawyer." These two are still figuring out their own relationship, but it's a treat for us readers to get a glimpse of Mickey; we even get to see some of his enjoyable courtroom antics. There's even an appearance from Mickey's investigator, Cisco! (See, it's like being old friends!)
And, of course, we can't forget the actual story, which, in usual Connelly style is excellent and tracks along flawlessly along Bosch's own journey. The opiate tale is both fascinating and depressing, while Bosch's unraveling of the backstory behind the reopened cold case will certainly keep you reading. There's never really any crazy twists or turns, but the novel moves along steadily and easily. There's both growth and angst with Bosch--I have to admit, I worry about the end of his arc, but I will still enjoy every moment I get with him until them.
Another enjoyable one for the Bosch canon--certainly recommend!
I love Harry Bosch so much, and there will be a hole in my heart when Connelly no longer writes about him. I actually moved this book up in my rotation (something I rarely ever do!) so I could read it on a weekend trip to Chicago, and my only regret is that it meant I finished it in about 48 hours, and now it's over. Per usual, Connelly gives us yet another wonderful mystery novel featuring his excellently developed lead detective. This one covers the timely topic of the opiate crisis, which looms fairly large in America today. It's well-researched, as always.
Reading a Bosch novel is like picking up with an old friend, and this one is no different. Our Bosch is aging, which this book acknowledges well. We see Bosch still grappling with having left the LAPD--who can he trust, what can he do with his life now. We even get some appearances from previous characters in earlier novels. Perhaps the best thing is a fairly large role for Bosch's half brother Mickey Haller, the famed "Lincoln Lawyer." These two are still figuring out their own relationship, but it's a treat for us readers to get a glimpse of Mickey; we even get to see some of his enjoyable courtroom antics. There's even an appearance from Mickey's investigator, Cisco! (See, it's like being old friends!)
And, of course, we can't forget the actual story, which, in usual Connelly style is excellent and tracks along flawlessly along Bosch's own journey. The opiate tale is both fascinating and depressing, while Bosch's unraveling of the backstory behind the reopened cold case will certainly keep you reading. There's never really any crazy twists or turns, but the novel moves along steadily and easily. There's both growth and angst with Bosch--I have to admit, I worry about the end of his arc, but I will still enjoy every moment I get with him until them.
Another enjoyable one for the Bosch canon--certainly recommend!
Heather Cranmer (2721 KP) rated End of Faith in Books
Jun 7, 2018
Review taken from my blog <a href="http://themisadventuresofatwentysomething.blogspot.co.uk/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>
You know when you read a book and you don't want it to end because it feels as if it's become a part of you? End of Faith:A Novel by Rena Willemin was definitely one of those books! From page one, I was hooked!
This book is a apocalyptic/post-apocalyptic thriller. We mostly hear the story from Valentina's perspective although every now and then, we get to hear what the Prophet is thinking. Valentina is one of the few people to survive a major pandemic. One day she sees a pregnant woman in trouble, so she does what most people do. She helps her. Little does she know how important the woman was and how that action will change her life for the worse. We follow Valentina as she struggles to survive in a fight for her life.
The character of Valentina was amazing! She really felt like someone I (and probably a lot of women) could relate to. She's a very strong character, but not too strong that she doesn't seem real. Val goes from being just a normal loving wife to a hard core woman determined to fight to stay alive. I definitely felt what she was feeling at all stages throughout the book. It didn't take me long to love Val.
I loved the world building in this book. This is another element which made the book seem more real. The description of an post-apocalyptic world seemed to be bang on, well, I've never been in an post-apocalyptic world or even an apocalyptic world for that matter, but the setting in the book is what I'd imagine it to be.
The pacing of the book was done really well as well. It read brilliantly! It definitely held my attention throughout the whole book.
There wasn't one chapter where the pacing was off.
The cover definitely suits the book. A woman (I assume to be Valentina) running through a tunnel of some sort, looking behind her shoulder like she's really afraid. The colouring of the cover also has a post-apocalyptic feel to it as it gives a feeling of despair.
The title definitely suits this book especially as there is a prophet involved and what feels like a religious cult.
End of Faith:A Novel definitely made me realise just how something like this could happen especially after the scare with Bird Flu. It paints a very realistic portrait of what life could possibly be like if a pandemic of epic proportions were to happen. In fact, this book probably will have me thinking about "what if" long after this review. I'd definitely recommend this book to anyone and everyone regardless of if their a fan of post-apocalyptic fiction or not.
I was so happy to see that this book is part of a series. This means that I'll be able to feed my addiction of Valentina again!!!
You know when you read a book and you don't want it to end because it feels as if it's become a part of you? End of Faith:A Novel by Rena Willemin was definitely one of those books! From page one, I was hooked!
This book is a apocalyptic/post-apocalyptic thriller. We mostly hear the story from Valentina's perspective although every now and then, we get to hear what the Prophet is thinking. Valentina is one of the few people to survive a major pandemic. One day she sees a pregnant woman in trouble, so she does what most people do. She helps her. Little does she know how important the woman was and how that action will change her life for the worse. We follow Valentina as she struggles to survive in a fight for her life.
The character of Valentina was amazing! She really felt like someone I (and probably a lot of women) could relate to. She's a very strong character, but not too strong that she doesn't seem real. Val goes from being just a normal loving wife to a hard core woman determined to fight to stay alive. I definitely felt what she was feeling at all stages throughout the book. It didn't take me long to love Val.
I loved the world building in this book. This is another element which made the book seem more real. The description of an post-apocalyptic world seemed to be bang on, well, I've never been in an post-apocalyptic world or even an apocalyptic world for that matter, but the setting in the book is what I'd imagine it to be.
The pacing of the book was done really well as well. It read brilliantly! It definitely held my attention throughout the whole book.
There wasn't one chapter where the pacing was off.
The cover definitely suits the book. A woman (I assume to be Valentina) running through a tunnel of some sort, looking behind her shoulder like she's really afraid. The colouring of the cover also has a post-apocalyptic feel to it as it gives a feeling of despair.
The title definitely suits this book especially as there is a prophet involved and what feels like a religious cult.
End of Faith:A Novel definitely made me realise just how something like this could happen especially after the scare with Bird Flu. It paints a very realistic portrait of what life could possibly be like if a pandemic of epic proportions were to happen. In fact, this book probably will have me thinking about "what if" long after this review. I'd definitely recommend this book to anyone and everyone regardless of if their a fan of post-apocalyptic fiction or not.
I was so happy to see that this book is part of a series. This means that I'll be able to feed my addiction of Valentina again!!!
Hazel (1853 KP) rated Dreaming of Antigone in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review
Dreaming of Antigone</i> is a contemporary tragedy about sixteen-year-old Andria in the aftermath of the death of her twin sister Iris. It has been almost six months since Iris overdosed on heroin, and also the same amount of time since Andria last had an epileptic seizure. Feeling overwhelmed by her mother’s overprotectiveness, Andria is counting down the days until she can reapply for her driving license – freedom. Only fourteen days to go; unless she has another seizure…
Although she is not over her sister’s death, Andria is keeping her emotions in check; but then, Iris’ ex-drug addict boyfriend, Alex, comes back to school. Andria feels hatred toward him and angrily blames him for what happened to her sister. She is beyond frustrated to discover that she has to work alongside Alex in the library after school. However their love of poetry begins to bond them together, causing Andria to question how she really feels. When more tragedy strikes in the form of her stepfather, Andria is glad to have Alex by her side.
<i>Dreaming of Antigone</i> is a mix of high culture and pop culture. It is written for the contemporary teenager who enjoys love stories, yet it also contains a few highbrow topics. Firstly, as referenced in the title, is the Greek play <i>Antigone</i>. Andria is studying this tragedy at school and likens herself and Iris to the key characters, Antigone and Ismene. Secondly is astronomy. Andria is passionate about the stars and educates the reader a little about the names of constellations and the position of the stars and planets in the solar system. Thirdly, as already mentioned, there are lots of poetry citations.
I was a little disappointed that there was not more focus on <i>Antigone</i>, as this is what attracted me to the novel in the first place. Robin Bridges gives a brief overview of the play for the benefit of readers who are unfamiliar with it, however for readers, like myself, who have studied Sophocles’ tragedies, there is not much more to gain from this reference.
Bridges tackles quite a number of difficult subjects in <i>Dreaming of Antigone</i>. There is the obvious issue of drug abuse, which killed Iris. In this case, Iris was a victim of the addiction, however Bridges counters this with Alex, the survivor, thus saying that it is possible to recover from such a dangerous habit. Later on in the story other challenging problems crop up, for example suicide and sexual abuse. Thankfully Bridges deals with these in a mature and gentle manner, so as not to distress the reader. Having said this, some readers may struggle with this triggering content.
Overall, whilst this was not a terrible book, it was not exactly what I was expecting, and therefore a bit of a disappointment. It is for this reason that I am not giving <i>Dreaming of Antigone</i> more than three stars. Other readers with fewer expectations may enjoy this novel a lot more.
Dreaming of Antigone</i> is a contemporary tragedy about sixteen-year-old Andria in the aftermath of the death of her twin sister Iris. It has been almost six months since Iris overdosed on heroin, and also the same amount of time since Andria last had an epileptic seizure. Feeling overwhelmed by her mother’s overprotectiveness, Andria is counting down the days until she can reapply for her driving license – freedom. Only fourteen days to go; unless she has another seizure…
Although she is not over her sister’s death, Andria is keeping her emotions in check; but then, Iris’ ex-drug addict boyfriend, Alex, comes back to school. Andria feels hatred toward him and angrily blames him for what happened to her sister. She is beyond frustrated to discover that she has to work alongside Alex in the library after school. However their love of poetry begins to bond them together, causing Andria to question how she really feels. When more tragedy strikes in the form of her stepfather, Andria is glad to have Alex by her side.
<i>Dreaming of Antigone</i> is a mix of high culture and pop culture. It is written for the contemporary teenager who enjoys love stories, yet it also contains a few highbrow topics. Firstly, as referenced in the title, is the Greek play <i>Antigone</i>. Andria is studying this tragedy at school and likens herself and Iris to the key characters, Antigone and Ismene. Secondly is astronomy. Andria is passionate about the stars and educates the reader a little about the names of constellations and the position of the stars and planets in the solar system. Thirdly, as already mentioned, there are lots of poetry citations.
I was a little disappointed that there was not more focus on <i>Antigone</i>, as this is what attracted me to the novel in the first place. Robin Bridges gives a brief overview of the play for the benefit of readers who are unfamiliar with it, however for readers, like myself, who have studied Sophocles’ tragedies, there is not much more to gain from this reference.
Bridges tackles quite a number of difficult subjects in <i>Dreaming of Antigone</i>. There is the obvious issue of drug abuse, which killed Iris. In this case, Iris was a victim of the addiction, however Bridges counters this with Alex, the survivor, thus saying that it is possible to recover from such a dangerous habit. Later on in the story other challenging problems crop up, for example suicide and sexual abuse. Thankfully Bridges deals with these in a mature and gentle manner, so as not to distress the reader. Having said this, some readers may struggle with this triggering content.
Overall, whilst this was not a terrible book, it was not exactly what I was expecting, and therefore a bit of a disappointment. It is for this reason that I am not giving <i>Dreaming of Antigone</i> more than three stars. Other readers with fewer expectations may enjoy this novel a lot more.
Kirk Bage (1775 KP) rated Wheels (2014) in Movies
Mar 3, 2020 (Updated Mar 12, 2020)
According to the film’s IMDb page, this low budget indie production, filmed in Los Angeles is the greatest film of all time! A month ago it sat at 9.3, which is better than The Godfather and The Shawshank Redemption! As I am writing and compiling a book about the best 200 films of the 21st century, up to the end of 2019, I was obliged to check this out. With almost 18,000 votes to its name, there must be something in it being rated that highly, right?
Well, obviously not. Someone smart behind the film, listed variously as a 2014 or 2017 production, depending on where you look, had clearly gone out of their way to manipulate its online presence in the hope of gaining viewers. Look, it worked – I watched it, and now I’m writing about it. Pretty shameful really, as you find that almost no website has a bad review or rating for it out there; it has pretty much been scrubbed clean. How they did it, I do not know, but it is indefensible to be honest. The real shame being that it isn’t a bad film for the budget at all, and may have got more views and respect the old fashioned way.
The story revolves around a recently paralysed man becoming suicidal and finding another guy in a wheelchair to ask if he will blow his brains out with a gun. From there the two go on a rampage of drug addiction, self harm and anti-social misbehaviour. For every cliche in there, there is another moment which is quite well done, and although you can see the cracks here and there it is mostly a watchable and enjoyable film, with some laughs and some genuine emotion. Acting wise, the two leads (writer and co-director Donavon Warren and Patrick Hume) have their moments too; perhaps lacking anything hugely inciteful, but certainly competent enough to compare favourably to some higher profile movies.
Ultimately, it is merely fine. Not something you would recommend or especially remember, but not a complete waste of 2 hours either. It is clearly going for the idea that disabled people are helpless victims on its head, and does largely succeed in not condescending or amping up the pity. That doesn’t stop either of them being unlikable people, however – perhaps that is the point.
More interesting than the film by far is how these guys manipulated the publicity system to get it seen. So many films worth seeing drift into obscurity for lack of money, take the films of Shane Caruth, Primer and Upstream Color. Both incredible, original and intelligent movies that no one saw, and only word of mouth many years later puts them on anyone’s radar. Then there are the endless festival films that do the rounds and can’t pick up distribution, no matter how good. Perhaps a film like Wheels needs to employ these kind of tactics to survive. It is really a question of ethics. I have to say, as an honest reviewer, it does bother me that fake ratings and reviews can exist and slip under the wire. But maybe that is just me…?
Well, obviously not. Someone smart behind the film, listed variously as a 2014 or 2017 production, depending on where you look, had clearly gone out of their way to manipulate its online presence in the hope of gaining viewers. Look, it worked – I watched it, and now I’m writing about it. Pretty shameful really, as you find that almost no website has a bad review or rating for it out there; it has pretty much been scrubbed clean. How they did it, I do not know, but it is indefensible to be honest. The real shame being that it isn’t a bad film for the budget at all, and may have got more views and respect the old fashioned way.
The story revolves around a recently paralysed man becoming suicidal and finding another guy in a wheelchair to ask if he will blow his brains out with a gun. From there the two go on a rampage of drug addiction, self harm and anti-social misbehaviour. For every cliche in there, there is another moment which is quite well done, and although you can see the cracks here and there it is mostly a watchable and enjoyable film, with some laughs and some genuine emotion. Acting wise, the two leads (writer and co-director Donavon Warren and Patrick Hume) have their moments too; perhaps lacking anything hugely inciteful, but certainly competent enough to compare favourably to some higher profile movies.
Ultimately, it is merely fine. Not something you would recommend or especially remember, but not a complete waste of 2 hours either. It is clearly going for the idea that disabled people are helpless victims on its head, and does largely succeed in not condescending or amping up the pity. That doesn’t stop either of them being unlikable people, however – perhaps that is the point.
More interesting than the film by far is how these guys manipulated the publicity system to get it seen. So many films worth seeing drift into obscurity for lack of money, take the films of Shane Caruth, Primer and Upstream Color. Both incredible, original and intelligent movies that no one saw, and only word of mouth many years later puts them on anyone’s radar. Then there are the endless festival films that do the rounds and can’t pick up distribution, no matter how good. Perhaps a film like Wheels needs to employ these kind of tactics to survive. It is really a question of ethics. I have to say, as an honest reviewer, it does bother me that fake ratings and reviews can exist and slip under the wire. But maybe that is just me…?
Matthew Krueger (10051 KP) rated Clue (1985) in Movies
Nov 3, 2020
The Multiple Endings (2 more)
The Cast
The Humor
All Time Favorites
Ive seen Clue about nine times now and it has become a tradition to watch Clue every October. I remember watching clue the first time and i laughed my ass off and i still do that. The humor is excellent, the cast is excellent, the multiple endings are excellent. Everything about Clue is excellent.
The plot: Based on the popular board game, this comedy begins at a dinner party hosted by Mr. Boddy (Lee Ving), where he admits to blackmailing his visitors. These guests, who have been given aliases, are Mrs. Peacock (Eileen Brennan), Miss Scarlet (Lesley Ann Warren), Mr. Green (Michael McKean), professor Plum (Christopher Lloyd), Mrs. White (Madeline Kahn) and Col. Mustard (Martin Mull). When Boddy turns up murdered, all are suspects, and together they try to figure out who is the killer.
The film was produced by Debra Hill and the story was by John Landis.
In keeping with the nature of the board game, the theatrical release included three possible endings, with different theaters receiving one of the three endings. In the film's home video release, all three endings were included.
The multiple-ending concept was developed by John Landis, who claimed in an interview to have invited playwright Tom Stoppard, writer and composer Stephen Sondheim, and actor Anthony Perkins to write the screenplay. The script was ultimately finished by director Jonathan Lynn.
A fourth ending was filmed, but Lynn removed it because as he later stated, "It really wasn't very good. I looked at it, and I thought, 'No, no, no, we've got to get rid of that.'" In the unused fourth ending, Wadsworth committed all of the murders. He was motivated by his desire for perfection. Having failed to be either the perfect husband or the perfect butler, he decided to be the perfect murderer instead. Wadsworth reports that he poisoned the champagne the guests had drunk earlier so they would soon die, leaving no witnesses. The police and the FBI arrive and Wadsworth is arrested. He breaks free and steals a police car, but his escape is thwarted when three police dogs lunge from the back seat. This ending is documented in Clue: The Storybook, a tie-in book released in conjunction with the film.
Carrie Fisher was originally contracted to portray Miss Scarlet, but withdrew to enter treatment for drug and alcohol addiction. Jonathan Lynn's first choice for the role of Wadsworth was Leonard Rossiter, but he died before filming commenced. The second choice was Rowan Atkinson, but it was decided that he wasn't well known enough at the time, so Tim Curry was eventually cast.
Mrs. White's famous "Flames" speech was improvised by Madeline Kahn.
A documentary about the movie is being made, including interviews already filmed with the director, writer, and several cast members including Lesley Ann Warren, Michael McKean, Colleen Camp, and Lee Ving.
I love Clue, it is one of my all time favorite films. In my top ten best films of all time at number #3 and just excellent.
Happy Halloween everybody.
The plot: Based on the popular board game, this comedy begins at a dinner party hosted by Mr. Boddy (Lee Ving), where he admits to blackmailing his visitors. These guests, who have been given aliases, are Mrs. Peacock (Eileen Brennan), Miss Scarlet (Lesley Ann Warren), Mr. Green (Michael McKean), professor Plum (Christopher Lloyd), Mrs. White (Madeline Kahn) and Col. Mustard (Martin Mull). When Boddy turns up murdered, all are suspects, and together they try to figure out who is the killer.
The film was produced by Debra Hill and the story was by John Landis.
In keeping with the nature of the board game, the theatrical release included three possible endings, with different theaters receiving one of the three endings. In the film's home video release, all three endings were included.
The multiple-ending concept was developed by John Landis, who claimed in an interview to have invited playwright Tom Stoppard, writer and composer Stephen Sondheim, and actor Anthony Perkins to write the screenplay. The script was ultimately finished by director Jonathan Lynn.
A fourth ending was filmed, but Lynn removed it because as he later stated, "It really wasn't very good. I looked at it, and I thought, 'No, no, no, we've got to get rid of that.'" In the unused fourth ending, Wadsworth committed all of the murders. He was motivated by his desire for perfection. Having failed to be either the perfect husband or the perfect butler, he decided to be the perfect murderer instead. Wadsworth reports that he poisoned the champagne the guests had drunk earlier so they would soon die, leaving no witnesses. The police and the FBI arrive and Wadsworth is arrested. He breaks free and steals a police car, but his escape is thwarted when three police dogs lunge from the back seat. This ending is documented in Clue: The Storybook, a tie-in book released in conjunction with the film.
Carrie Fisher was originally contracted to portray Miss Scarlet, but withdrew to enter treatment for drug and alcohol addiction. Jonathan Lynn's first choice for the role of Wadsworth was Leonard Rossiter, but he died before filming commenced. The second choice was Rowan Atkinson, but it was decided that he wasn't well known enough at the time, so Tim Curry was eventually cast.
Mrs. White's famous "Flames" speech was improvised by Madeline Kahn.
A documentary about the movie is being made, including interviews already filmed with the director, writer, and several cast members including Lesley Ann Warren, Michael McKean, Colleen Camp, and Lee Ving.
I love Clue, it is one of my all time favorite films. In my top ten best films of all time at number #3 and just excellent.
Happy Halloween everybody.
Tom Jones recommended Back to Black by Amy Winehouse in Music (curated)
Darren (1599 KP) rated Buffalo '66 (1998) in Movies
Sep 26, 2019
Characters – Billy Brown has just been released from prison, he has had his own problems which led to him being in prison and it isn’t long before he goes to the extremes to impress his family. He is painted as an aggressive man that believes that woman are just objects and has built his world in lies. Layla is the tap dancer that gets kidnapped, she starts to play along with what Billy wants and even enjoy his company the more time they spend together. Jimmy and Jan are his parents that have both been either distracted or strict in raising Billy, as he wants to impress them now. The Bookie is the man that put Billy in jail as a result of the debts he owed him, he gave him a choice with jail being the only one that didn’t hurt anyone.
Performances – Vincent Gallo doesn’t bring us a very interesting character, it isn’t written well or directed to make us interested in him, he just can’t make this character work. Christina Ricci was trying to break out of the child star roles by now, this is different to what we had seen before, though she does look bored through the film. the rest of the cast struggle too, it is just poorly written to give the actors a chance.
Story – The story follows a gambler that had paid the price for his addiction and now is free, he wants revenge only he spends the time with his kidnap victim as we get to see the difficult life he has had which led him to the life of crime. Well I think that is what we are meant to be seeing, the story does drag along at an awfully slow pace with nothing much happening, trying to make us believe the two could be falling in love, though he is abusive with his actions and spends more time running around looking for a toilet than showing any sort of emotion.
Comedy/Crime/Romance – If this is meant to be a comedy, the jokes miss big time as you will struggle to get a laugh out of this film, while the crime only seems to focus on the kidnapping, which she could have escaped from with ease plenty of times, so that never feels like a threat, the romance just feels awkward for the most part of the film because there is zero chemistry between the two.
Settings – The film is set in the Buffalo area, which is meant to be about the passion of the locals, it could easily be any town with a big American football team.
Scene of the Movie – The first look at the dinner table makes it a clever shot, until it gets boring.
That Moment That Annoyed Me – We spend more time looking for a toilet.
Final Thoughts – This is just a dreadfully dull movie that has no direction in anyway, it fails to capture any attention from the audience with a truly unlikeable main character.
Overall: Dreadfully boring.
Performances – Vincent Gallo doesn’t bring us a very interesting character, it isn’t written well or directed to make us interested in him, he just can’t make this character work. Christina Ricci was trying to break out of the child star roles by now, this is different to what we had seen before, though she does look bored through the film. the rest of the cast struggle too, it is just poorly written to give the actors a chance.
Story – The story follows a gambler that had paid the price for his addiction and now is free, he wants revenge only he spends the time with his kidnap victim as we get to see the difficult life he has had which led him to the life of crime. Well I think that is what we are meant to be seeing, the story does drag along at an awfully slow pace with nothing much happening, trying to make us believe the two could be falling in love, though he is abusive with his actions and spends more time running around looking for a toilet than showing any sort of emotion.
Comedy/Crime/Romance – If this is meant to be a comedy, the jokes miss big time as you will struggle to get a laugh out of this film, while the crime only seems to focus on the kidnapping, which she could have escaped from with ease plenty of times, so that never feels like a threat, the romance just feels awkward for the most part of the film because there is zero chemistry between the two.
Settings – The film is set in the Buffalo area, which is meant to be about the passion of the locals, it could easily be any town with a big American football team.
Scene of the Movie – The first look at the dinner table makes it a clever shot, until it gets boring.
That Moment That Annoyed Me – We spend more time looking for a toilet.
Final Thoughts – This is just a dreadfully dull movie that has no direction in anyway, it fails to capture any attention from the audience with a truly unlikeable main character.
Overall: Dreadfully boring.
Bob Mann (459 KP) rated Beautiful Boy (2018) in Movies
Sep 28, 2021
Trying to climb a slippery pole.
As John Lennon’s lyrics go:
“‘Cause it’s a long way to go,
A hard row to hoe
Yes, it’s a long way to go“
And so it proves for young Nic Sheff (Timothée Chalamet). For – based on a true story – Nic has progressively worked through the encyclopaedia of drugs until he has arrived at “C for Crystal Meth” where he is working through a recurring nightmare of addiction and attempted rehab.
What’s harder… being the victim of drugs or being the caring onlookers desperately hoping that this attempt to climb the slippery pole to recovery will be a successful one? This is reflected as a key aspect of the film, and as a parent it makes for a very hard watch. The ‘caring onlookers’ in this case are Nic’s father David (Steve Carell), his girlfriend Karen Barbour (Maura Tierney), the couple’s natural children Jasper (Christian Convery) and Daisy (Oakley Bull), and David’s ex-wife and Nic’s mother Vicki (Amy Ryan).
Flashbacks
This is only the 2nd English-language film from director Felix van Groeningen (after 2012’s ” The Broken Circle Breakdown”) and the film has its fair share of impressive directorial flourishes such that Felix might need to get added to that elusive list of “famous Belgians”! Not least among them is the use of flashbacks. The film starts with a 12 month flashback, but then throughout the story David flashes back to scenes of his boy’s childhood. Many of these reflect the regret in perhaps failing to identify ways he could have done things differently to avoid the current crisis.
While many of these flashbacks are sudden and unexpected, I didn’t find them confusing to follow although I can see how they might annoy some viewers who prefer a more ‘linear’ storytelling approach.
The turns
Above all, it is the acting performances that make this film, and the four key cast members all turn in memorable turns. It’s excruciating watching Carell’s parental anguish and then (like a blast of light) his realization of a truth he’d been avoiding for a long time. It’s Chalamet though who truly shines, delivering fully on the realization of the tortured and self-torturing Nic. Already nominated for a Golden Globe, I would have thought another Oscar nomination is assured for this.
ER’s Maura Tierney also excels in a quieter supporting role: something that generally seems to be her niche at the movies.
Part of the curriculum
This is most definitely a “Father Ted” film…. it’s a gruelling movie from beginning to end and as such it feels a lot longer than it’s 2 hour running time suggests. But it is well worth the effort. A drama that really delivers on its message: “just say no”.
It rather frustrates me that the film is a UK 15 certificate. Not that I’m criticising the BBFC here, since with graphic drug taking, a lot of choice language and one (not overly graphic) sex scene, the rating is appropriate. However this would seem to me to be required viewing by every 13 year old, since if Chalomet’s performance can’t drill the message home to not climb onto that pole in the first place, then noone can.
“‘Cause it’s a long way to go,
A hard row to hoe
Yes, it’s a long way to go“
And so it proves for young Nic Sheff (Timothée Chalamet). For – based on a true story – Nic has progressively worked through the encyclopaedia of drugs until he has arrived at “C for Crystal Meth” where he is working through a recurring nightmare of addiction and attempted rehab.
What’s harder… being the victim of drugs or being the caring onlookers desperately hoping that this attempt to climb the slippery pole to recovery will be a successful one? This is reflected as a key aspect of the film, and as a parent it makes for a very hard watch. The ‘caring onlookers’ in this case are Nic’s father David (Steve Carell), his girlfriend Karen Barbour (Maura Tierney), the couple’s natural children Jasper (Christian Convery) and Daisy (Oakley Bull), and David’s ex-wife and Nic’s mother Vicki (Amy Ryan).
Flashbacks
This is only the 2nd English-language film from director Felix van Groeningen (after 2012’s ” The Broken Circle Breakdown”) and the film has its fair share of impressive directorial flourishes such that Felix might need to get added to that elusive list of “famous Belgians”! Not least among them is the use of flashbacks. The film starts with a 12 month flashback, but then throughout the story David flashes back to scenes of his boy’s childhood. Many of these reflect the regret in perhaps failing to identify ways he could have done things differently to avoid the current crisis.
While many of these flashbacks are sudden and unexpected, I didn’t find them confusing to follow although I can see how they might annoy some viewers who prefer a more ‘linear’ storytelling approach.
The turns
Above all, it is the acting performances that make this film, and the four key cast members all turn in memorable turns. It’s excruciating watching Carell’s parental anguish and then (like a blast of light) his realization of a truth he’d been avoiding for a long time. It’s Chalamet though who truly shines, delivering fully on the realization of the tortured and self-torturing Nic. Already nominated for a Golden Globe, I would have thought another Oscar nomination is assured for this.
ER’s Maura Tierney also excels in a quieter supporting role: something that generally seems to be her niche at the movies.
Part of the curriculum
This is most definitely a “Father Ted” film…. it’s a gruelling movie from beginning to end and as such it feels a lot longer than it’s 2 hour running time suggests. But it is well worth the effort. A drama that really delivers on its message: “just say no”.
It rather frustrates me that the film is a UK 15 certificate. Not that I’m criticising the BBFC here, since with graphic drug taking, a lot of choice language and one (not overly graphic) sex scene, the rating is appropriate. However this would seem to me to be required viewing by every 13 year old, since if Chalomet’s performance can’t drill the message home to not climb onto that pole in the first place, then noone can.