
Hazel (2934 KP) rated Who Did You Tell? in Books
Dec 20, 2019
I was looking forward to reading this after having read and enjoyed Ms Kara's debut novel "The Rumour" and I certainly wasn't disappointed although this was sometimes a difficult read due to the main character, Astrid, being a recovering alcoholic with a chequered history.
Initially, Astrid was a difficult character to like but as the novel moved on, I found myself rooting for her to succeed against the inner voices in her head pulling her back towards the demon drink and although I am not an alcoholic, recovering or current, it does feel authentic. The way Ms Kara describes the impact addiction has not only on the person themselves but also on the family and wider relationships is well captured in this book.
Astrid is trying to rebuild her life - moving back to her childhood home to live with her mum, attending AA meetings, trying to rekindle her gift of painting, rebuilding the trust of her mum but she is full of shame and guilt regarding events she recalls from her past drinking days; events that only she and her ex-boyfriend know about or so she thought ... someone is watching her, someone is sending her notes, someone is going out of their way to try and prevent her from moving on.
The book is told mainly from Astrid's point of view with snippets included from the "stalker's" perspective. This, I think, was genius as it not only immersed me into Astrid's thought processes and daily struggles with addiction but also gave me an idea of what she was up against.
The story starts quite slowly but develops in intensity and pace with twists along the way and although you would think it would be heavy-going given the subject matter, it isn't as there are lighter moments sprinkled throughout. All of the characters are well developed and interesting and the setting of the small coastal town is perfect.
This is a compelling and engrossing read dealing with a difficult subject matter with sensitivity and one I would definitely recommend to readers who like to get their teeth into something a bit different.
Many thanks to RandomHouse UK, Transworld Publishers via NetGalley for my copy in return for an honest and unbiased review.

Christine A. (965 KP) rated Lies in Books
Dec 9, 2018
The author did such a fantastic job at making the characters so realistic I sympathized with them, but was also suspicious of each of them at different parts of the book.
When I realized I was nearly finished the book but the story was not complete, I thought the author was going to rush the ending. Some authors end a story as if they have reached their minimum amount of words needed for an assignment. Rest assured, Logan did not.
In one of the blurbs, Nancy Macfarlane (Fiction Addiction), described “Lies” as “one of the scariest…”. I do not think it was scary but definitely was a page turner. I added T.M. Logan to my list of authors to read.

ClareR (5950 KP) rated The Mars Room: A Novel in Books
Jul 30, 2018
I can see why this book has been nominated for The Man Booker Prize 2018 - it clearly shows how a childhood of poverty and benign neglect can lead to drug addiction and crime. It also shows the awful conditions of the prison that Romy is kept in and the hatred of the guards towards their charges. This isn't an environment of rehabilitation, it's an environment of harsh punishment. Which probably explains the high rates of reoffending.
It's a frustrating book to read, because I think the reader really does start to care about the people that they read about (at least I did), even though the writing doesn't actually invite us to feel for the characters. In fact it's all written in quite a detached way. They are more than just the crime they committed, and this book shows that.

Awix (3310 KP) rated Waves (2019) in Movies
Jan 22, 2020
For the first hour and half or so, this is like watching a car crash in slow motion: it's almost unbearable to watch the main character go off the rails, but you can't look away either. It concludes with the kind of incident you hear about as a brief item on the news, but here the film puts flesh on those bones and the scale of the tragedy is made clear. The third act is a definite change of pace: no less artfully made or moving, but less focused, and the outcome of the film remains in doubt until the very end. I'm hugely surprised this hasn't featured on the Academy Awards shortlist: a tremendous film in so many ways.

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