"Both the film and the book had a big impact on me when I was a kid. I don’t remember how old I was when I first watched it, but the film was told from the perspective of a young boy who is experiencing the adult world and discovering that it’s horrifying. I remember specific scenes that have an impact on me more than the film does in general. There’s one in which the characters are fishing for eels in the sea—that scene has affected me in such a way that I have never eaten eel since. Not long ago I showed the film to my brother’s young son, and I was looking at his face and his experience watching it, and I realized that it could have the same impact on this generation growing up now—he was horrified! But at the same time, it’s fascinating"

"I edited Scott Pilgrim on Charlotte Street in London. Two key Peeping Tom locations were outside the door of my workplace: the passageway where a doomed prostitute picks up Mark Lewis in the opening sequence, and the newsagent above which he takes adult photographs. I had seen Peeping Tom two or three times before but finally watched it on the big screen when I was working in its locale. Michael Powell’s film had always haunted and intrigued me, but seeing the streets that I traversed every day on-screen from fifty years earlier had a darkly powerful effect on me. Even though the film is a work of fiction, my walk home would never be the same again. I would think about Peeping Tom every day, and beyond that, the ghosts of Fitzrovia: dark doings behind closed doors, grim secrets at the tops of narrow staircases."