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Gareth von Kallenbach (980 KP) rated The Maze Runner (2014) in Movies
Aug 6, 2019
Kids have one heck of an imagination, and “The Maze Runner” gives off the impression that is exactly where its plot came from. The film is an adaption of the first book in the young adult sci-fi series written by James Dashner.
In the film, the action starts right out of the gate with a boy in a cage being delivered up to a strange place. Upon his arrival, he encounters a group of boys, each of which arrived in the same way. The boys created a sort of primitive community in a beautiful green glade. Each boy is assigned a specific role in order to contribute to their survival. None of them are able to remember where they came from or their life before arriving.
The plot quickly begins to revolve around the boys who have been deemed maze runners. The glade in which the community resides is surrounded, or I should say enclosed, by a gigantic stone maze. The maze runners run through the maze trying to find out more about it in order to eventually escape. But, the maze is unsolvable because it changes shape each day and is too dangerous to stay in overnight.
The main protagonist Thomas (Dylan O’Brien) quickly interjects himself into the maze runner role, against the wishes of the community. But it isn’t long until he proves himself capable of the role when he becomes the first boy to kill what they call a “griever.” His arrival marks the beginning of new hope for the boys’ escape. At this point, one must wonder why none of the boys had ever killed a “griever” before the arrival of Thomas.
The “grievers” are cyborg spiders residing within the maze. They are the main threat keeping the boys confined to the glade, and they come off as an incredibly hokey aspect of the film. However, this may be really enjoyable for fans of corny science fiction.
I have not had a chance to read the series myself, but something tells me details were left out of the film which would have brought the quality of the plot up a level.
Unfortunately, the plot is poorly developed in crucial areas which could have made the film great, had they been further developed. For example, the creators of the strange place and the robotic spiders are not given much depth. The lack of detail in this area is what gives the execution of the plot a make-believe feel. Perhaps this part of the plot is purposefully left open to lay the ground work for the rest of the series to be made into film.
All criticism aside, what makes “The Maze Runner” enjoyable is that it stems from a unique idea. It takes the audience on a new adventure. However, I would hardly say the film aims to please a young adult audience. Its execution seems tailored for tweens. It lacks any real graphic violence, staying well within its PG rating.
I give “Maze Runner” 3 out of 5 stars.
In the film, the action starts right out of the gate with a boy in a cage being delivered up to a strange place. Upon his arrival, he encounters a group of boys, each of which arrived in the same way. The boys created a sort of primitive community in a beautiful green glade. Each boy is assigned a specific role in order to contribute to their survival. None of them are able to remember where they came from or their life before arriving.
The plot quickly begins to revolve around the boys who have been deemed maze runners. The glade in which the community resides is surrounded, or I should say enclosed, by a gigantic stone maze. The maze runners run through the maze trying to find out more about it in order to eventually escape. But, the maze is unsolvable because it changes shape each day and is too dangerous to stay in overnight.
The main protagonist Thomas (Dylan O’Brien) quickly interjects himself into the maze runner role, against the wishes of the community. But it isn’t long until he proves himself capable of the role when he becomes the first boy to kill what they call a “griever.” His arrival marks the beginning of new hope for the boys’ escape. At this point, one must wonder why none of the boys had ever killed a “griever” before the arrival of Thomas.
The “grievers” are cyborg spiders residing within the maze. They are the main threat keeping the boys confined to the glade, and they come off as an incredibly hokey aspect of the film. However, this may be really enjoyable for fans of corny science fiction.
I have not had a chance to read the series myself, but something tells me details were left out of the film which would have brought the quality of the plot up a level.
Unfortunately, the plot is poorly developed in crucial areas which could have made the film great, had they been further developed. For example, the creators of the strange place and the robotic spiders are not given much depth. The lack of detail in this area is what gives the execution of the plot a make-believe feel. Perhaps this part of the plot is purposefully left open to lay the ground work for the rest of the series to be made into film.
All criticism aside, what makes “The Maze Runner” enjoyable is that it stems from a unique idea. It takes the audience on a new adventure. However, I would hardly say the film aims to please a young adult audience. Its execution seems tailored for tweens. It lacks any real graphic violence, staying well within its PG rating.
I give “Maze Runner” 3 out of 5 stars.
Gareth von Kallenbach (980 KP) rated Turning Red (2022) in Movies
Mar 7, 2022
The digital animation geniuses at Pixar are back with “Turning Red” and it marks a departure for the studio known for the “Toy Story” and “Cars”, franchises.
Set in 1990s Toronto, the film centers around 8th grader Mei (Rosalie Chiang), who considers herself an adult at 13 and eagerly applies herself to school when she is not helping her family tour business at a local Temple or hanging with her friends.
Life comes crashing to a halt when after a traumatic day of embarrassment; Mei awakens in the form of a large Red Panda. In a panic, Mei attempts to hide her situation which causes her over-protective mother to assume it is Puberty related and that her hormones are kicking in.
Mei desperately wants to get her life back to normal and learns that as long as she is calm her Panda is under control. However, this proves to be harder than expected and soon Mei learns that the Panda is the result of a family bloodline but there is a way to end it during a Lunar ceremony in a couple of weeks.
Chaos soon follows as Mei struggles with her situation and must find a way to cope with the changes that are going on and make some very important decisions about her life and her future.
The film is a difficult one to review for me as never having been a teenage girl dealing with puberty, raging estrogen, and the issues that go with it. That being said the film struggles to find a balance as it tacks on the capers of Mei in Panda form without being overly funny or charming and keeps the focus on Teen Angst, puberty-related issues and becoming an adult.
The film lacks the interesting characters, charm, and appeal that have set the foundation for so many Pixar films and it is surprising that a company that can elicit a range of emotions in an animated short fail to really connect with their latest feature. There were some amusing parts but the film as a whole was rather dull and lacked much in the way of humor and was very predictable.
The decision to put the film directly on Disney+ as the studio’s recent “Soul” and “Luca” was raised some controversy but in the end, I do believe it was the right decision as “Turning Red” is not likely to be a film that draws people to the cinema beyond the opening weekend.
It is a film that is a bold step for the company, but one that lacks the charm and humor of previous films as not everyone is going to want to sit through a feature-length film on teenage angst and dealing with changing bodies and the emotional turmoil that follows. However, the target audience is likely to connect with the characters and it will be interesting to see what the reaction to the film is long-term.
3 stars out of 5
“Turning Red” will debut on Disney+ on March 11th
Set in 1990s Toronto, the film centers around 8th grader Mei (Rosalie Chiang), who considers herself an adult at 13 and eagerly applies herself to school when she is not helping her family tour business at a local Temple or hanging with her friends.
Life comes crashing to a halt when after a traumatic day of embarrassment; Mei awakens in the form of a large Red Panda. In a panic, Mei attempts to hide her situation which causes her over-protective mother to assume it is Puberty related and that her hormones are kicking in.
Mei desperately wants to get her life back to normal and learns that as long as she is calm her Panda is under control. However, this proves to be harder than expected and soon Mei learns that the Panda is the result of a family bloodline but there is a way to end it during a Lunar ceremony in a couple of weeks.
Chaos soon follows as Mei struggles with her situation and must find a way to cope with the changes that are going on and make some very important decisions about her life and her future.
The film is a difficult one to review for me as never having been a teenage girl dealing with puberty, raging estrogen, and the issues that go with it. That being said the film struggles to find a balance as it tacks on the capers of Mei in Panda form without being overly funny or charming and keeps the focus on Teen Angst, puberty-related issues and becoming an adult.
The film lacks the interesting characters, charm, and appeal that have set the foundation for so many Pixar films and it is surprising that a company that can elicit a range of emotions in an animated short fail to really connect with their latest feature. There were some amusing parts but the film as a whole was rather dull and lacked much in the way of humor and was very predictable.
The decision to put the film directly on Disney+ as the studio’s recent “Soul” and “Luca” was raised some controversy but in the end, I do believe it was the right decision as “Turning Red” is not likely to be a film that draws people to the cinema beyond the opening weekend.
It is a film that is a bold step for the company, but one that lacks the charm and humor of previous films as not everyone is going to want to sit through a feature-length film on teenage angst and dealing with changing bodies and the emotional turmoil that follows. However, the target audience is likely to connect with the characters and it will be interesting to see what the reaction to the film is long-term.
3 stars out of 5
“Turning Red” will debut on Disney+ on March 11th
Alison Pink (7 KP) rated The Casual Vacancy in Books
Jan 15, 2018
This book is another prime example of why I wish Goodreads would allow half stars...it wasn't a 4 but it wasn't a 3 either.
J.K. Rowlings's first forray into the adult book world is well written, don't get me wrong. She has a true gift in her ability to craft the written word and describes things in a way few other authors can. I just had a very hard time getting in to this book until the last 50 or so pages.
This book tells the tales of several families of all varities in the parrish of Pagford. It is a small town where it seems that evryone has their noses in each other's business and that they know who is who & what is what. The plot flows along following the lives of the various families & showing you how they are all connected, as much as 1 family or person may think they are better than the rest. Of course, the story twists & turns & eventually lets you in to the fact that no really knows what is going on in their neighbor's lives. It is all centered around the sudden death of parrish councillor Berry Fairbrother & the political wranglings around who will fill his seat.
On 1 jand it speaks to the impact that 1 man can have on the people around him. On the other it is a flat lesson on minding your own business. I hope Rowling will attempt more books targeted at an older audience but this one, for me, fell abit short of expectations.
J.K. Rowlings's first forray into the adult book world is well written, don't get me wrong. She has a true gift in her ability to craft the written word and describes things in a way few other authors can. I just had a very hard time getting in to this book until the last 50 or so pages.
This book tells the tales of several families of all varities in the parrish of Pagford. It is a small town where it seems that evryone has their noses in each other's business and that they know who is who & what is what. The plot flows along following the lives of the various families & showing you how they are all connected, as much as 1 family or person may think they are better than the rest. Of course, the story twists & turns & eventually lets you in to the fact that no really knows what is going on in their neighbor's lives. It is all centered around the sudden death of parrish councillor Berry Fairbrother & the political wranglings around who will fill his seat.
On 1 jand it speaks to the impact that 1 man can have on the people around him. On the other it is a flat lesson on minding your own business. I hope Rowling will attempt more books targeted at an older audience but this one, for me, fell abit short of expectations.
Acanthea Grimscythe (300 KP) rated A Court of Wings and Ruin in Books
May 15, 2018
Contains spoilers, click to show
A Court of Wings and Ruin by Sarah J. Maas doesn’t quite live up to A Court of Mist and Fury, but it’s still a surprisingly fun jaunt through war-torn Prythian. Brimming with dangerous deals and unlikely allies, I actually enjoyed reading this – for the most part. It should be made clear, once again, that though Maas’s books are found in the young adult section, they contain material not suitable for some young readers.
Like sex. Lots and lots of detailed sex. The few times it popped up in the Mist and Fury, it was alright. Wings and Ruin, on the other hand, really hones in on the sexual relationship between Feyre and Rhysand. A bit too much for my taste, anyway.
Sex aside, the plot moves along at a fairly quick pace and, for the most part, kept me hooked. (As in, I legit stayed up waaay too late one night reading.) I also love that there was a bit more focus on Feyre’s sisters this time around, rather than Feyre’s own self interests. It’s nice to see her grow as a… person, I guess you could say.
Overall, this isn’t my favorite book of the bunch, but I don’t find it (or its ending, which I feel is approached with the same logic I would have used) to be near as horrid as I was told to expect. I look forward to the next in the series, as ACOTAR is, undoubtedly, a guilty pleasure of mine.
Like sex. Lots and lots of detailed sex. The few times it popped up in the Mist and Fury, it was alright. Wings and Ruin, on the other hand, really hones in on the sexual relationship between Feyre and Rhysand. A bit too much for my taste, anyway.
Sex aside, the plot moves along at a fairly quick pace and, for the most part, kept me hooked. (As in, I legit stayed up waaay too late one night reading.) I also love that there was a bit more focus on Feyre’s sisters this time around, rather than Feyre’s own self interests. It’s nice to see her grow as a… person, I guess you could say.
Overall, this isn’t my favorite book of the bunch, but I don’t find it (or its ending, which I feel is approached with the same logic I would have used) to be near as horrid as I was told to expect. I look forward to the next in the series, as ACOTAR is, undoubtedly, a guilty pleasure of mine.
Goddess in the Stacks (553 KP) rated Dividing Eden in Books
Apr 15, 2018
Dividing Eden is a little trite - it's the typical teens must compete for the throne kind of fantasy, but this time it's twins who are both guarding each other's terrible secrets. You don't LEARN their terrible secrets until almost 100 pages in, which was frustrating because they were alluded to multiple times before finally revealed to the reader. I almost stopped reading, I was so frustrated at the mention - AGAIN - of Andreus' DARK SECRET THAT NO ONE MUST EVER KNOW. Seriously. Don't do that to your readers.
The fact that they were protecting each other's secret while competing against each other for the throne was rather unique, and while I don't like Andreus much, I did enjoy Carys and her friends enough that I'll probably pick up the sequel when it comes out this June.
Everything happened very quickly, but that tends to be the case in YA. Adult fantasy seems to take its time and develop its characters more fully, which I enjoy.
The windmills and electricity was surprising, and I'd really like to know more about their religion of Virtues, and the Wind and Seeing Magic. I wish she had described her forest monsters a little earlier; they were only referred to by name for most of the book and I was left wondering if they were monsters or human raiders of some sort!
Verdict is - it's typical YA fantasy. If you're looking for a quick read, you might enjoy it.
The fact that they were protecting each other's secret while competing against each other for the throne was rather unique, and while I don't like Andreus much, I did enjoy Carys and her friends enough that I'll probably pick up the sequel when it comes out this June.
Everything happened very quickly, but that tends to be the case in YA. Adult fantasy seems to take its time and develop its characters more fully, which I enjoy.
The windmills and electricity was surprising, and I'd really like to know more about their religion of Virtues, and the Wind and Seeing Magic. I wish she had described her forest monsters a little earlier; they were only referred to by name for most of the book and I was left wondering if they were monsters or human raiders of some sort!
Verdict is - it's typical YA fantasy. If you're looking for a quick read, you might enjoy it.
Rachel King (13 KP) rated Storm Born (Dark Swan #1) in Books
Feb 11, 2019
I'm a huge fan of Richelle Mead's Vampire Academy series, so I had to see what her adult books were like, and she did not disappoint. Eugenie Markham is a shaman, but unlike another shaman series I've read, she knows what she is doing and has been trained at it since she was a child by her step-father. What she never bothered to do in all that time, though, was question who her real dad was or how she could do the things she did - which I found a little unrealistic.
Her latest case forces her into entering the Otherworld for a longer-than-usual stay, which results in a few discoveries about herself, as well as some rather interesting situations with the fey, or gentry. She acquires a sort-of boyfriend in Kiyo, but I prefer her with Dorian, as he challenges her defenses and can match her in strength and abilities.
The prophecy means that just about everything male in the fey world wants to jump her bones, which gets old pretty fast. Rape is a traumatic experience for anyone, but the few close calls that Mead writes with Eugenie seemed to fall short of the mark. Eugenie's fear and defeat were there, but were understated.
On the flip side, I loved how Dorian was able to teach Eugenie about her powers, as well as play a very convenient trick on her at the end - Eugenie may not have liked it, but it was certainly better than the alternative. Now on to Thorn Queen!
Her latest case forces her into entering the Otherworld for a longer-than-usual stay, which results in a few discoveries about herself, as well as some rather interesting situations with the fey, or gentry. She acquires a sort-of boyfriend in Kiyo, but I prefer her with Dorian, as he challenges her defenses and can match her in strength and abilities.
The prophecy means that just about everything male in the fey world wants to jump her bones, which gets old pretty fast. Rape is a traumatic experience for anyone, but the few close calls that Mead writes with Eugenie seemed to fall short of the mark. Eugenie's fear and defeat were there, but were understated.
On the flip side, I loved how Dorian was able to teach Eugenie about her powers, as well as play a very convenient trick on her at the end - Eugenie may not have liked it, but it was certainly better than the alternative. Now on to Thorn Queen!
Rachel King (13 KP) rated Extras (Uglies, #4) in Books
Feb 11, 2019
I enjoyed this book as an epilogue to the Ugly Trilogy. It resolved the one aspect that I thought was left hanging in Specials, the fate of the planet Earth itself in regards to how the current human race treated it, as opposed to how the Rusties were notorious for destroying it. I liked that I got to see how Tally and the other Cutters were viewed from an outsider with the viewpoint of Aya Fuse. In addition, the reputation economy that Aya lived in was unnervingly familiar to our own Western society of blogging, social networking, computer and television-centered lifestyles. Of the four books, I found this one the most enlightening and original, in the same genre as other dystopian literature. It seeks to reveal the truth through a piece of fiction, or as one character in the book proclaims, "I guess you sometimes have to lie to find the truth."
I did find the resolution that the Extras came up with regarding the protection of the wild to be a bit far-fetched and lacking detail and explanation - it takes much, much more to train for life in outer space than just floating around on zero-gravity attachments. The lightness with which this topic is approached in the novel does not do it justice by any means, but I had to remind myself that this is still a Young Adult novel. At the same time, this concept opens up a whole new plotline that Westerfeld could pursue in the Ugly series, should he want to, which I do appreciate.
I did find the resolution that the Extras came up with regarding the protection of the wild to be a bit far-fetched and lacking detail and explanation - it takes much, much more to train for life in outer space than just floating around on zero-gravity attachments. The lightness with which this topic is approached in the novel does not do it justice by any means, but I had to remind myself that this is still a Young Adult novel. At the same time, this concept opens up a whole new plotline that Westerfeld could pursue in the Ugly series, should he want to, which I do appreciate.
graveyardgremlin (7194 KP) rated The Vanishing of Katharina Linden in Books
Feb 15, 2019
One word to describe <b><i>The Vanishing of Katharina Linden</i></b>: Engrossing.
My interest in this book was <i>piqued</i> when I saw it described as a "charming horror novel," and while that isn't totally accurate, charming it is, horror it isn't, I very much enjoyed the book. Helen Grant has such an ease about her writing that I find it hard to believe this is her first novel. Her descriptions of Bad Münstereifel and its inhabitants are key to the book and provided most of the atmosphere; I could quite easily visualize everything and everyone in this little town. Pia was a realistic and relatable narrator who kept the story going at a fairly brisk pace. Sometimes she used words that I don't think an eleven-year-old would, but since the book is told by adult Pia reminiscing back, I'm willing to let that pass. The legends of this small town are wonderfully interwoven through the story and add an extra element of childhood innocence to the book. Some may find the mystery obvious or weak, but I don't think the mystery is reason for this book, it's Pia at a major point in her life, with major events happening that affect her and in turn, how she deals with them. Parts of the book are chilling, light, quiet, humorous, thoughtful, predictable, surprising, absorbing, and more, but altogether it is a book that impressed me.
4.5 stars
Received for review through the Amazon Vine program.
http://en.wikipedia.org/wiki/Bad_M%C3%BCnstereifel
My interest in this book was <i>piqued</i> when I saw it described as a "charming horror novel," and while that isn't totally accurate, charming it is, horror it isn't, I very much enjoyed the book. Helen Grant has such an ease about her writing that I find it hard to believe this is her first novel. Her descriptions of Bad Münstereifel and its inhabitants are key to the book and provided most of the atmosphere; I could quite easily visualize everything and everyone in this little town. Pia was a realistic and relatable narrator who kept the story going at a fairly brisk pace. Sometimes she used words that I don't think an eleven-year-old would, but since the book is told by adult Pia reminiscing back, I'm willing to let that pass. The legends of this small town are wonderfully interwoven through the story and add an extra element of childhood innocence to the book. Some may find the mystery obvious or weak, but I don't think the mystery is reason for this book, it's Pia at a major point in her life, with major events happening that affect her and in turn, how she deals with them. Parts of the book are chilling, light, quiet, humorous, thoughtful, predictable, surprising, absorbing, and more, but altogether it is a book that impressed me.
4.5 stars
Received for review through the Amazon Vine program.
http://en.wikipedia.org/wiki/Bad_M%C3%BCnstereifel
Sam (74 KP) rated The Penultimate Peril (ASOUE #12) in Books
Mar 27, 2019
The Baudelaires are now aboard the Queequeg, a VFD submarine, looking for the sugar dish that Count Olaf is so desperate to find. On the Queequeg they meet Captain Widdershins and his step-daughter Fiona, as well as a return of everybody’s favourite – Phil from the lumber mill!
I loved this one! There’s Lewis Carroll references which is one way to get me really interested in a book, and it also got me thinking as one of his poems was used as a code and I was trying to work out what the message was! For some of the references used in these books, you definitely have to be an adult to fully get them, but when you do they are so clever!
The characters were brilliant in this one. Captain Widdershins was definitely strange but it gave me a laugh how he said ‘aye’ between every sentence. I also loved how Fiona started doing this too.
Even more was revealed about VFD in this one! There wasn’t as much as in the previous book, but I would still love to find out who J.S. is and why they are contacting the Queequeg.
There was yet another big plot twist towards the end of this one and I really want to see where it goes, as I can see it popping up again in the final books.
The books have really reached their best now! I’m reading them so fast because I just NEED to know everything!! I’m really obsessed now and won’t settle until I’ve finished the whole series.
I loved this one! There’s Lewis Carroll references which is one way to get me really interested in a book, and it also got me thinking as one of his poems was used as a code and I was trying to work out what the message was! For some of the references used in these books, you definitely have to be an adult to fully get them, but when you do they are so clever!
The characters were brilliant in this one. Captain Widdershins was definitely strange but it gave me a laugh how he said ‘aye’ between every sentence. I also loved how Fiona started doing this too.
Even more was revealed about VFD in this one! There wasn’t as much as in the previous book, but I would still love to find out who J.S. is and why they are contacting the Queequeg.
There was yet another big plot twist towards the end of this one and I really want to see where it goes, as I can see it popping up again in the final books.
The books have really reached their best now! I’m reading them so fast because I just NEED to know everything!! I’m really obsessed now and won’t settle until I’ve finished the whole series.
ArecRain (8 KP) rated Wolf's Red in Books
Jan 18, 2018
I was excited for this novel because I love adult retellings of fairytales. Unfortunately, it wasnt what I wanted. The description makes it sound steampunk with some fantasy, but it was difficult to place anything because there wasnt much description. All I got out of it was there was a forest. There is really no description of the settings beyond that.
The beginning was the worst part. The writing was mess. Everything seemed all over the place and the writing wasnt consistent at all. The author would write something, realize we dont have the background to understand what she was talking about, and then described past events to bring us up to speed. However, she wouldnt write the whole scenario, she would just give us bits and pieces. The author did this multiple times so the writing came off as choppy and confusing. Once the reading makes it past that, the writing becomes more clear since we now have the whole picture (we just have to piece it together ourselves.) I felt that I was missing a lot, that there should be an prequel that explains everything. Instead, we just have to read and hope we are giving the information to understand the plot.
The story does get better if you can make it past the beginning. It had a lot of potential to be great and is an interesting idea. I just wish the writing had been better. Plus I had a hard time getting past the fact that he essentially sexually abuses her in the beginning.
The beginning was the worst part. The writing was mess. Everything seemed all over the place and the writing wasnt consistent at all. The author would write something, realize we dont have the background to understand what she was talking about, and then described past events to bring us up to speed. However, she wouldnt write the whole scenario, she would just give us bits and pieces. The author did this multiple times so the writing came off as choppy and confusing. Once the reading makes it past that, the writing becomes more clear since we now have the whole picture (we just have to piece it together ourselves.) I felt that I was missing a lot, that there should be an prequel that explains everything. Instead, we just have to read and hope we are giving the information to understand the plot.
The story does get better if you can make it past the beginning. It had a lot of potential to be great and is an interesting idea. I just wish the writing had been better. Plus I had a hard time getting past the fact that he essentially sexually abuses her in the beginning.