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Lindsay (1779 KP) rated No Name Baby in Books
Aug 30, 2018
I thought to myself when I started reading this. What is this story about. It starts out with Sophie's dream. She was dreaming about three gravestones by a fence. Her mother was calling her from downstairs.
There this big family secret. Sophie blame herself for her mama premature labor. For her mama had loss lots of babies. The new baby is Sophie new living sibling. You could tell their was some secret that the adult were trying to cover up and not tell her. Her Aunt Rae act strange to Sophie though out the book. If you want to find out what this secret is I suggest you read the book. For I am not tell you any spoilers. I thought that Aunt Rae was a bitter woman and could not believe what see did to her niece Sophie.
Several chapter were all about chores and watch the baby. I understand that they were to be Italian-American. Sophie is like the first or second generation to be born in america. You would think that her grandmother, Aunt, Papa, Mamma would teach her about her homeland. Though some Italian word were metion though out book here and there.
I will tell you this I though it was one I could put down and leave down. I though okay what on tv and glance it and then I turn my nook off for bit and turned back on. I would not recommend this book. It was not my cup of tea though that does not mean it was a bad book or anything to do with the author who wrote. It just was not my cup of tea. I will a good read.. I though though to myself a few questions though I can not remember I was thinking when though questions came.
There this big family secret. Sophie blame herself for her mama premature labor. For her mama had loss lots of babies. The new baby is Sophie new living sibling. You could tell their was some secret that the adult were trying to cover up and not tell her. Her Aunt Rae act strange to Sophie though out the book. If you want to find out what this secret is I suggest you read the book. For I am not tell you any spoilers. I thought that Aunt Rae was a bitter woman and could not believe what see did to her niece Sophie.
Several chapter were all about chores and watch the baby. I understand that they were to be Italian-American. Sophie is like the first or second generation to be born in america. You would think that her grandmother, Aunt, Papa, Mamma would teach her about her homeland. Though some Italian word were metion though out book here and there.
I will tell you this I though it was one I could put down and leave down. I though okay what on tv and glance it and then I turn my nook off for bit and turned back on. I would not recommend this book. It was not my cup of tea though that does not mean it was a bad book or anything to do with the author who wrote. It just was not my cup of tea. I will a good read.. I though though to myself a few questions though I can not remember I was thinking when though questions came.
Sarah (7800 KP) rated A Discovery of Witches - Season 1 in TV
Nov 11, 2018
Dull and cringeworthy
I knew after the first couple of episodes that this series wasn’t for me, but I persevered in the hope it might get better as it went along. Sadly it doesn’t.
The main problem is that witches, vampires etc have all been done before. And most have been done better than this. The vampires are all moody and gloomy looking dressed in black, and all of the different creatures show no potential whatsoever. The witches exhibit some powers but nothing particularly impressive, the vampires don’t do much either and the demons do absolutely nothing and don’t show any powers or supernatural abilities whatsoever. For the most part, this is just a romance with a supernatural backdrop thrown in. And even the romance aspect isn’t very good - this stinks of a slightly more adult version of Twilight. It’s cheesy, cringey and moves so quickly it beggars belief.
There are some talented actors in this, but sadly the script and the plot really lets them down. Matthew Goode’s attempts at making his vampire snarling, bloodthirsty and terrifying are laughable. The only person who really pulls off any menace is Trevor Eve but he’s sidelined in favour of more irritating characters. Even Teresa Palmer doesn’t come across well, playing so much like Bella from Twilight it’s disturbing.
The show itself is very scenic and beautifully shot, unsurprising considering some of the locations like Oxford and Venice. It’s just a shame that i found it very dull and laughable (not in a good way). I also found the cliffhanger ending disappointing, as the likelihood of me ever bothering to watch another series is slim. I only just made it through these 8 episodes.
The main problem is that witches, vampires etc have all been done before. And most have been done better than this. The vampires are all moody and gloomy looking dressed in black, and all of the different creatures show no potential whatsoever. The witches exhibit some powers but nothing particularly impressive, the vampires don’t do much either and the demons do absolutely nothing and don’t show any powers or supernatural abilities whatsoever. For the most part, this is just a romance with a supernatural backdrop thrown in. And even the romance aspect isn’t very good - this stinks of a slightly more adult version of Twilight. It’s cheesy, cringey and moves so quickly it beggars belief.
There are some talented actors in this, but sadly the script and the plot really lets them down. Matthew Goode’s attempts at making his vampire snarling, bloodthirsty and terrifying are laughable. The only person who really pulls off any menace is Trevor Eve but he’s sidelined in favour of more irritating characters. Even Teresa Palmer doesn’t come across well, playing so much like Bella from Twilight it’s disturbing.
The show itself is very scenic and beautifully shot, unsurprising considering some of the locations like Oxford and Venice. It’s just a shame that i found it very dull and laughable (not in a good way). I also found the cliffhanger ending disappointing, as the likelihood of me ever bothering to watch another series is slim. I only just made it through these 8 episodes.
Mark @ Carstairs Considers (2464 KP) rated The Coloring Crook in Books
Dec 2, 2018
Coloring Can Be Profitable…and Deadly
The Georgetown bookstore Florrie Fox manages has added a weekly coloring group, and Florrie has enjoyed getting to know the regulars. One of them, Dolly Cavanaugh, also enjoys bargain hunting at estate sales, and one week she comes in excited about her latest find, a copy of The Florist, a rare adult coloring book from the 1700's. However, later that night, Florrie finds Dolly dead with a corner of a piece of paper in her hand. That's all that can be found of book Dolly just bought. As secrets begin to come to light, Florrie is left to wonder how well she really knew Dolly. Was the book the motive for Dolly's murder? Or did a secret from her past catch up with her?
I was charmed by the first in the series, and I enjoyed this one just as much. The setting may be a neighborhood in the Washington DC area, but by sticking to the neighborhood, it still feels like a traditional cozy setting. And what a setting! I'd love to spend hours browsing in this bookstore. Florrie is a great lead character, and she heads up a cast of equally fun characters. It's hard to picture most of them as killers, in fact. The plot is filled with twists and complications. I began to suspect a few things, but I still had huge gaps I hadn’t figured out before I got to the end. I do feel the ending was a bit rushed, and a few things got glossed over as a result, but that's my only issue with the book. As with the first, the cover can be colored, and there are five recipes at the end.
I was charmed by the first in the series, and I enjoyed this one just as much. The setting may be a neighborhood in the Washington DC area, but by sticking to the neighborhood, it still feels like a traditional cozy setting. And what a setting! I'd love to spend hours browsing in this bookstore. Florrie is a great lead character, and she heads up a cast of equally fun characters. It's hard to picture most of them as killers, in fact. The plot is filled with twists and complications. I began to suspect a few things, but I still had huge gaps I hadn’t figured out before I got to the end. I do feel the ending was a bit rushed, and a few things got glossed over as a result, but that's my only issue with the book. As with the first, the cover can be colored, and there are five recipes at the end.
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review</i>
<i>Captive</i> is the debut young adult thriller by British author A. J. Grainger. Set in contemporary Britain, sixteen-year-old Robyn, the daughter of the Prime Minister, is kidnapped and held hostage by three animal rights activists. Until the government agrees to release the person accused of the attempted assassination of the PM four month previously, they refuse to free Robyn from captivity. It soon becomes clear that a lot of lies and cover-ups have been occurring and it is difficult to know whom to trust.
The novel gets off to a great start with a lot of action as Robyn and her family is ambushed on their way to visit grandparents. The first half of the book is really exciting as the reader slowly gets to grips with what is going on.
Grainger writes really well with great use of descriptive words and phrases. To keep the reader engaged and to lengthen the story she includes other interesting details that are educational in a way – for example, knowledge about birds.
Unfortunately the second half of the book is not as exciting as the first. A relationship starts developing between Robyn and one of the captors, which is rather unoriginal and predictable.
One thing that I particularly liked about this novel was Robyn’s character. Naturally people may expect daughters of prime ministers to be snobbish and spoilt but Robyn was the complete opposite. She did not care about where her clothes came from or whether or not she went to parties. Robyn was the representation of the average teenage girl preparing for her GCSEs.
Despite the clichéd captor/hostage situation <i>Captive</i> is a very enjoyable novel with a few exhilarating twists in the plot.
<i>Captive</i> is the debut young adult thriller by British author A. J. Grainger. Set in contemporary Britain, sixteen-year-old Robyn, the daughter of the Prime Minister, is kidnapped and held hostage by three animal rights activists. Until the government agrees to release the person accused of the attempted assassination of the PM four month previously, they refuse to free Robyn from captivity. It soon becomes clear that a lot of lies and cover-ups have been occurring and it is difficult to know whom to trust.
The novel gets off to a great start with a lot of action as Robyn and her family is ambushed on their way to visit grandparents. The first half of the book is really exciting as the reader slowly gets to grips with what is going on.
Grainger writes really well with great use of descriptive words and phrases. To keep the reader engaged and to lengthen the story she includes other interesting details that are educational in a way – for example, knowledge about birds.
Unfortunately the second half of the book is not as exciting as the first. A relationship starts developing between Robyn and one of the captors, which is rather unoriginal and predictable.
One thing that I particularly liked about this novel was Robyn’s character. Naturally people may expect daughters of prime ministers to be snobbish and spoilt but Robyn was the complete opposite. She did not care about where her clothes came from or whether or not she went to parties. Robyn was the representation of the average teenage girl preparing for her GCSEs.
Despite the clichéd captor/hostage situation <i>Captive</i> is a very enjoyable novel with a few exhilarating twists in the plot.
Hazel (1853 KP) rated Love Hurts in Books
Dec 17, 2018
This ARC was provided by the publisher via NetGalley in return for an honest review.
Love Hurts is a young adult book containing several stories compiled together by the well-known Malorie Blackman. There are a few new short stories however most are extracts from pre-existing novels. The short stories are written by a variety of different authors such as Susie Day, Lauren Dockrill, Lauren Kate, Catherine Johnson and James Dawson. Many readers will be familiar with these authors as well as some of the books that the extracts are from, for example: More Than This, If I Stay, I Am The Messenger and Northern Lights.
The aim of this anthology is to explore what love means. Love is not a simple, straightforward concept. There is love lost and love found, bitter love and sweet love. Each story focuses on a different perspective. Some are about teenagers, some are about adults. Some are about homosexuality and others are not.
Love Hurts is an interesting concept and it is interesting to see different authors' understanding on the term "love". The biggest problem with this book however is due to most of the entries being snippets of other stories as it is often difficult to understand what was going on and who the characters were.
Another issue for me was I found some of the stories uninteresting and difficult to get into; and as they were short there was not a lot of time to appreciate the different concepts and styles of writing.
Although it would have been a challenge, it would have been better for all the stories to be brand new and unique. On he other hand, Malorie Blackman has done an excellent job at sourcing all the content.
Love Hurts is a young adult book containing several stories compiled together by the well-known Malorie Blackman. There are a few new short stories however most are extracts from pre-existing novels. The short stories are written by a variety of different authors such as Susie Day, Lauren Dockrill, Lauren Kate, Catherine Johnson and James Dawson. Many readers will be familiar with these authors as well as some of the books that the extracts are from, for example: More Than This, If I Stay, I Am The Messenger and Northern Lights.
The aim of this anthology is to explore what love means. Love is not a simple, straightforward concept. There is love lost and love found, bitter love and sweet love. Each story focuses on a different perspective. Some are about teenagers, some are about adults. Some are about homosexuality and others are not.
Love Hurts is an interesting concept and it is interesting to see different authors' understanding on the term "love". The biggest problem with this book however is due to most of the entries being snippets of other stories as it is often difficult to understand what was going on and who the characters were.
Another issue for me was I found some of the stories uninteresting and difficult to get into; and as they were short there was not a lot of time to appreciate the different concepts and styles of writing.
Although it would have been a challenge, it would have been better for all the stories to be brand new and unique. On he other hand, Malorie Blackman has done an excellent job at sourcing all the content.
David McK (3663 KP) rated Norse Mythology in Books
Jan 28, 2019
I have to be honest: I'm not really sure how to classify this (based on my classification system).
Mainly since I don't have a shelf for 'mythology'.
Which is what this is: a straight re-telling of various of the Norse myths by [a:Neil Gaiman|1221698|Neil Gaiman|https://images.gr-assets.com/authors/1234150163p2/1221698.jpg], an author who is most familiar to me through his colloboration (and friendship) with the late, great, Sir [a:Terry Pratchett|1654|Terry Pratchett|https://images.gr-assets.com/authors/1235562205p2/1654.jpg] in [b:Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch|12067|Good Omens The Nice and Accurate Prophecies of Agnes Nutter, Witch|Terry Pratchett|https://images.gr-assets.com/books/1392528568s/12067.jpg|4110990], but who I am aware is famous in his own right and has written many other tales - some of which I have read (such as [b:Stardust|16793|Stardust|Neil Gaiman|https://images.gr-assets.com/books/1459127484s/16793.jpg|3166179], [b:American Gods|30165203|American Gods|Neil Gaiman|https://images.gr-assets.com/books/1462924585s/30165203.jpg|1970226] and [b:Neverwhere|14497|Neverwhere|Neil Gaiman|https://images.gr-assets.com/books/1348747943s/14497.jpg|16534] all spring to mind), others of which I haven't (such as his Sandman series) .
As a straight re-telling, some of these myths are already familioar as they are ingrained in our popular culture (such as Ragnarok), whereas others have become more 'popular' and familiar over the years since the inclusion of Thor (and Loki) in the Marvel Cinematic Universe.
It is unusual, however, to find such a retelling that is aimed at an adult audience - even if, by reading some of the prose within this, you might think it was aimed at kids (until you realise what's going on)!
Mainly since I don't have a shelf for 'mythology'.
Which is what this is: a straight re-telling of various of the Norse myths by [a:Neil Gaiman|1221698|Neil Gaiman|https://images.gr-assets.com/authors/1234150163p2/1221698.jpg], an author who is most familiar to me through his colloboration (and friendship) with the late, great, Sir [a:Terry Pratchett|1654|Terry Pratchett|https://images.gr-assets.com/authors/1235562205p2/1654.jpg] in [b:Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch|12067|Good Omens The Nice and Accurate Prophecies of Agnes Nutter, Witch|Terry Pratchett|https://images.gr-assets.com/books/1392528568s/12067.jpg|4110990], but who I am aware is famous in his own right and has written many other tales - some of which I have read (such as [b:Stardust|16793|Stardust|Neil Gaiman|https://images.gr-assets.com/books/1459127484s/16793.jpg|3166179], [b:American Gods|30165203|American Gods|Neil Gaiman|https://images.gr-assets.com/books/1462924585s/30165203.jpg|1970226] and [b:Neverwhere|14497|Neverwhere|Neil Gaiman|https://images.gr-assets.com/books/1348747943s/14497.jpg|16534] all spring to mind), others of which I haven't (such as his Sandman series) .
As a straight re-telling, some of these myths are already familioar as they are ingrained in our popular culture (such as Ragnarok), whereas others have become more 'popular' and familiar over the years since the inclusion of Thor (and Loki) in the Marvel Cinematic Universe.
It is unusual, however, to find such a retelling that is aimed at an adult audience - even if, by reading some of the prose within this, you might think it was aimed at kids (until you realise what's going on)!
Sarah (7800 KP) rated Bridget Jones's Diary (2001) in Movies
Dec 29, 2018
Lovable & heartwarming rom-com
Out of all the rom-coms out there, Bridget Jones Diary is one of my favourites. For a start Bridget herself isn’t your usual perfect rom-com lead - she’s not stick thin and drinks and smokes far too much - for me that makes Bridget all the more endearing. I think most women can relate to Bridget in some way. She’s funny, loud mouthed and not very coherent at public speaking, and can’t help but make an idiot out of herself, and this is what makes this film all the more lovable.
It’s a heartwarming story of love, not only for Bridget but for her parents too. And it’s also funny and a little on the adult side with a great soundtrack, and yes the plot is predictable but this is one of those films where it doesn’t matter. Yes we can predict what the ending will be, but it’s the getting there that matters.
It has a great cast. I’ve never been a fan of Renee Zellweger but I couldn’t imagine anyone else playing Bridget. And to have both Colin Firth and Hugh Grant as the male leads was always going to be a winner - the fight the two have us hilarious. It’s an altogether lovely, funny rom-com that despite being 17 years old (which i find so hard to believe) is still so relatable today.
I’ll be honest, I’m virtually the same age as Bridget and I actually feel like so much like Bridget right now it’s scary, some of the scenes in this are exactly how I’ve been behaving these past few months! Albeit sadly without the Mark Darcy, or even a charming, sex-pest boss....
It’s a heartwarming story of love, not only for Bridget but for her parents too. And it’s also funny and a little on the adult side with a great soundtrack, and yes the plot is predictable but this is one of those films where it doesn’t matter. Yes we can predict what the ending will be, but it’s the getting there that matters.
It has a great cast. I’ve never been a fan of Renee Zellweger but I couldn’t imagine anyone else playing Bridget. And to have both Colin Firth and Hugh Grant as the male leads was always going to be a winner - the fight the two have us hilarious. It’s an altogether lovely, funny rom-com that despite being 17 years old (which i find so hard to believe) is still so relatable today.
I’ll be honest, I’m virtually the same age as Bridget and I actually feel like so much like Bridget right now it’s scary, some of the scenes in this are exactly how I’ve been behaving these past few months! Albeit sadly without the Mark Darcy, or even a charming, sex-pest boss....
Hazel (1853 KP) rated Treasure, Darkly in Books
Aug 16, 2019
Jordan Elizabeth tackles steampunk fiction in her new young adult series Treasure Chronicles. In the first book of the series, Treasure, Darkly we are introduced to seventeen-year-old Clark Treasure who pinches a bottle of what he assumes is absinthe from a captain's pocket. After drinking it, however, Clark discovers he has ingested a liquid that gives him the power to awaken the dead. Wanted by the army to be experimented on, Clark goes into hiding and searches for the man he believes to be his father - one of the wealthiest men in the world, Garth Treasure.
On the Treasure ranch, Clark receives a warm welcome from his supposed father and step-mother, however, his half-brothers are not so keen on his arrival. His half-sister Amethyst, on the other hand, is an entirely different battle. Romance blossoms between the two siblings, which Clark has to fight... or perhaps there is a chance he is not really her brother?
Being on a Wanted list and coping with an illicit relationship is only part of Clark's troubles. The liquid he stole also allows him to see the dead and some of them have unfinished business, with which only Clark can help them. Full of adventure, danger, love and science fiction, Treasure, Darkly is a story packed with twists and turns. The characters evoke emotion in readers, causing us to either love or hate them but, ultimately, wish for Clark's success and safety.
Treasure Chronicles promises to be an exciting, engaging series for those who love fantasy, science fiction, romance and historical stories. With never a dull moment, Clark Treasure's plight will attract new and old readers of Jordan Elizabeth.
On the Treasure ranch, Clark receives a warm welcome from his supposed father and step-mother, however, his half-brothers are not so keen on his arrival. His half-sister Amethyst, on the other hand, is an entirely different battle. Romance blossoms between the two siblings, which Clark has to fight... or perhaps there is a chance he is not really her brother?
Being on a Wanted list and coping with an illicit relationship is only part of Clark's troubles. The liquid he stole also allows him to see the dead and some of them have unfinished business, with which only Clark can help them. Full of adventure, danger, love and science fiction, Treasure, Darkly is a story packed with twists and turns. The characters evoke emotion in readers, causing us to either love or hate them but, ultimately, wish for Clark's success and safety.
Treasure Chronicles promises to be an exciting, engaging series for those who love fantasy, science fiction, romance and historical stories. With never a dull moment, Clark Treasure's plight will attract new and old readers of Jordan Elizabeth.
James Koppert (2698 KP) rated Arctic Zoo in Books
Oct 28, 2019
Challenging the world
Even with a good book, 456 pages can start to drag. With Arctic Zoo however, I wanted to continue on Julius and Georgia's story. This is brilliantly paced read with a "one more chapter before bed" level of intrigue on every page to keep you up far too late every night. The story follows Georgia, and relatively unextrordinary English schoolgirl who has lost her sister who becomes the face of the protest counter culture community, and celebrity, completely by accident, who with no choice, is drawn further into that world, and Julius, the son of very rich Nigerian political elite, who is guy and ousted from the family. Both these teenagers stories interweave intermittently and both are engaging on their own. The thing is I really liked Julius and I really liked Georgia and I wanted so much for each of them to succeed despite all the things thrown against them. Whats also brilliant s this book has a lot to say without it ever forcing anything down your throat and doesn't shy away from throwing up hypocrisies either. Muchamore is an absolute master writer who has managed to create an engaging novel that any adult or teenager will enjoy without ever feeling like the pages have been dumbed down to reach a general audience. Yes it was 456 pages long at at the end I said, "ohh, its finished" feeling disappointed rather than the sense of achievement I normally get when completing a book, just because I wanted to stay with these characters in this book and be with them for more of their journeys. But that is what a great artist does, leaves them wanting more, Muchamore.
Olivia Spencer gives a tour de force performance as a "unbalanced" veterinary assistant. I call it "unbalanced" because it is not really clear whether or not she is mentally ill, sociopathic, or just megalomaniacal. In Ma, a teenager moves back to her mom's hometown and makes friends with a group of teenagers who include the son of a prominent businessman. The friends with nothing to do in the town decide to get some booze and go down in the quarry to drink it, like a bunch of teenagers from the 70s. How to get the booze is the problem. Then, Sue Ann whom the teens start to call Ma, out walking one of the canine patients reluctantly agrees. Given how uncool she was in high school, she attempts to be the cool adult to these teenagers. However her social skills need a lot of work and she ends up seeming a little off to everyone. At this point, she goes off the handle and starts to torment the teenagers and all of her former classmates from high school, including Erica (the single mother), Ben (the divorced father), and Mercedes (Ben's slutty lover). She also for no discernible reason other than she just plain dislikes her murders her boss, the town veterinarian which seems irresponsible. In the end, the teenagers are able to save themselves from the twisted Ma, burn down her house, and Ma decides to cuddle up with the "love of her life" Ben who had raped her in high school. Maybe it is a comment on toxic masculinity and the effects it has on weaker women or the bonds formed between a rapist and his victim. Either way the film leaves many questions and is only saved by the performance of Olivia Spencer.