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Gareth von Kallenbach (980 KP) rated Valentine's Day (2010) in Movies
Aug 8, 2019
Ashton Kutcher has put down his pranks and camera to return to the big screen leading in this star packed Los Angeles romantic comedy. This feature ties together stories of love, truth, and romance, all taking place within the span of a single Valentine’s Day. The film considers relationships from multiple angles and does a fantastic job intertwining individual stories into a single plotline. Yet before preparing for another “Love Actually” let it be know that the tone of “Valentine’s Day” is entirely its own.
As previously mentioned the cast is comprised of film and television stars including but not limited to Julia Roberts, Anne Hathaway, Hector Elizondo, Queen Latifah and not one but two Jessicas (Biel and Alba). As if that were not enough to drawn in big numbers at the box office, “Valentine’s Day” also stars Jennifer Garner, Jamie Foxx, as well as the Mc-actors from Grey’s Anatomy (Patrick Dempsey and Eric Dane). Still not convinced? Then add in Shirley MacLaine, George Lopez and both Taylors (Swift and Lautner) and you’ve got yourself a guaranteed hit, but does the film actually utilize this outstandingly one of a kind cast? Actually it does.
The film is unexpectedly scattered with all the ups and downs of Valentine’s Day from pink and red color schemes to an anti-Valentine’s piñata beat down. All of the scenes are either engaging and honest or delightful and light covering romantic scenarios that truly run the gauntlet. Seriously where else are you going to see Julia Roberts in fatigues and Anne Hathaway as an adult phone entertainer?
I honestly wish there was more to gripe about considering that this film is just a fun romantic comedy, but “Valentine’s Day” is fresh and enjoyable for every minute of the film. Much funnier than I ‘d expected and not insultingly mushy, Valentine’s Day is a perfect date movie which will be a surprise hit even for those romance cynics.
As previously mentioned the cast is comprised of film and television stars including but not limited to Julia Roberts, Anne Hathaway, Hector Elizondo, Queen Latifah and not one but two Jessicas (Biel and Alba). As if that were not enough to drawn in big numbers at the box office, “Valentine’s Day” also stars Jennifer Garner, Jamie Foxx, as well as the Mc-actors from Grey’s Anatomy (Patrick Dempsey and Eric Dane). Still not convinced? Then add in Shirley MacLaine, George Lopez and both Taylors (Swift and Lautner) and you’ve got yourself a guaranteed hit, but does the film actually utilize this outstandingly one of a kind cast? Actually it does.
The film is unexpectedly scattered with all the ups and downs of Valentine’s Day from pink and red color schemes to an anti-Valentine’s piñata beat down. All of the scenes are either engaging and honest or delightful and light covering romantic scenarios that truly run the gauntlet. Seriously where else are you going to see Julia Roberts in fatigues and Anne Hathaway as an adult phone entertainer?
I honestly wish there was more to gripe about considering that this film is just a fun romantic comedy, but “Valentine’s Day” is fresh and enjoyable for every minute of the film. Much funnier than I ‘d expected and not insultingly mushy, Valentine’s Day is a perfect date movie which will be a surprise hit even for those romance cynics.
Gareth von Kallenbach (980 KP) rated Inglourious Basterds (2009) in Movies
Aug 9, 2019
Should we be allowed to laugh at brutality? Is there room for comedy in a film about the Second World War? These are just some of the questions Quentin Tarantino’s latest film “Inglorious Bastards” is sure to bring to mind.
“Inglorious Bastards” is composed of two intertwined stories broken into chapters combining fictitious and factual historic events. The two stories, the tragic tale of orphaned Jewish girl Shosanna (Mélanie Laurent) and that of an oddly funny group of American soldiers, called “the Bastards”, create introspections into the meaning of glory, destruction, and propaganda.
Familiar faces are scattered throughout the film from creator of “the Office” B.J. Norvak to “Austin Powers“ star Mike Myers. The standout performance of Lieutenant Aldo Raine, played by the always-evolving Brad Pitt, is both comical and clever and the role of Nazi Colonel Hans Landa, Christoph Waltz, is so evil that, within the scope of the film, he some how manages to overshadow Hitler.
While the film is visually graphic, it is the ideas of violence rather than explicit visuals that litter the film. These violent scenes, from scalping to strangulation, are more dramatic than visually accurate.
The film did drag in parts such, as the dark Cinderella-like bar scene, and there was definitely room for further character development for “the Bastards”, yet the sly structure of the film shatters these minor faults but keeping viewers completely invested in the plotline.
“Inglorious Bastards” mixes classic film elements with techniques hauntingly David Lynch in style. From elements of television westerns to the hauntingly familiar sound of David Bowie, Tarintino has created a new way of looking at the past, all while using a time generally perceived as too awful to mention as a background for laughter.
Twisted, tortured, glorious and not “Inglorious Bastards” delivers as a film bound to become classic Tarantino. Fans will be elated and those who oppose the film’s adult themes will not walk away without at least thinking about the meaning of this one-of-kind feature.
“Inglorious Bastards” is composed of two intertwined stories broken into chapters combining fictitious and factual historic events. The two stories, the tragic tale of orphaned Jewish girl Shosanna (Mélanie Laurent) and that of an oddly funny group of American soldiers, called “the Bastards”, create introspections into the meaning of glory, destruction, and propaganda.
Familiar faces are scattered throughout the film from creator of “the Office” B.J. Norvak to “Austin Powers“ star Mike Myers. The standout performance of Lieutenant Aldo Raine, played by the always-evolving Brad Pitt, is both comical and clever and the role of Nazi Colonel Hans Landa, Christoph Waltz, is so evil that, within the scope of the film, he some how manages to overshadow Hitler.
While the film is visually graphic, it is the ideas of violence rather than explicit visuals that litter the film. These violent scenes, from scalping to strangulation, are more dramatic than visually accurate.
The film did drag in parts such, as the dark Cinderella-like bar scene, and there was definitely room for further character development for “the Bastards”, yet the sly structure of the film shatters these minor faults but keeping viewers completely invested in the plotline.
“Inglorious Bastards” mixes classic film elements with techniques hauntingly David Lynch in style. From elements of television westerns to the hauntingly familiar sound of David Bowie, Tarintino has created a new way of looking at the past, all while using a time generally perceived as too awful to mention as a background for laughter.
Twisted, tortured, glorious and not “Inglorious Bastards” delivers as a film bound to become classic Tarantino. Fans will be elated and those who oppose the film’s adult themes will not walk away without at least thinking about the meaning of this one-of-kind feature.
Gareth von Kallenbach (980 KP) rated Sherlock Gnomes (2018) in Movies
Jul 8, 2019
The original "Gnomeo & Juliet" movie was a sweet spin on the Shakespeare
inspired story of Romeo and Juliet, but with two clans of gnomes at war
with the main destruction being to each other's gardens. Two star-crossed
lovers, Gnomeo & Juliet fall in love and after all the chaos, hate, and
near death experiences, both "gnomes houses" seek a truce and learn to
co-exist.
In the sequel, the gnomes move to London. Juliet (Emily Blunt) is so
preoccupied with rebuilding the garden, she fails to notice Gnomeo's (James
MacAvoy) needs and feelings. In other parts of London, Sherlock Gnomes
(Johnny Depp) and his faithful companion Watson (Chiwetel Eljiofor) are
investigating the disappearance of several gnomes throughout London. One
day, Gnomeo attempts at a romantic gesture goes awry when he tries to steal
an orchid for Juliet from a flower shop. Juliet ends up saving Gnomeo,
causing them to bicker and squabble and not realize all their gnome friends
and family were kidnapped. One thing leads to another and they find
themselves teaming up with Sherlock and Watson to track down all the clues
in hopes of saving their loved ones.
From the director who brought us "Kung Fu Panda," this was a major misstep
for John Stevenson. The movie was fast paced, but the story line was very
disjointed. I understand what angle they were attempting to hit here:
Don't take your loved ones for granted, but I just could not connect with
the characters. In the first film, they really focused on the
relationships between Gnomeo and his mother, Juliet and her father, and both
Gnomeo and Juliet. Those relationships were lost in this film. From the
adult perspective, the movie lacked depth, but was still entertaining.
However, the kiddos on hand loved it. They enjoyed all the high flying
suspenseful moments, the potty humor, and over the top one liners.
inspired story of Romeo and Juliet, but with two clans of gnomes at war
with the main destruction being to each other's gardens. Two star-crossed
lovers, Gnomeo & Juliet fall in love and after all the chaos, hate, and
near death experiences, both "gnomes houses" seek a truce and learn to
co-exist.
In the sequel, the gnomes move to London. Juliet (Emily Blunt) is so
preoccupied with rebuilding the garden, she fails to notice Gnomeo's (James
MacAvoy) needs and feelings. In other parts of London, Sherlock Gnomes
(Johnny Depp) and his faithful companion Watson (Chiwetel Eljiofor) are
investigating the disappearance of several gnomes throughout London. One
day, Gnomeo attempts at a romantic gesture goes awry when he tries to steal
an orchid for Juliet from a flower shop. Juliet ends up saving Gnomeo,
causing them to bicker and squabble and not realize all their gnome friends
and family were kidnapped. One thing leads to another and they find
themselves teaming up with Sherlock and Watson to track down all the clues
in hopes of saving their loved ones.
From the director who brought us "Kung Fu Panda," this was a major misstep
for John Stevenson. The movie was fast paced, but the story line was very
disjointed. I understand what angle they were attempting to hit here:
Don't take your loved ones for granted, but I just could not connect with
the characters. In the first film, they really focused on the
relationships between Gnomeo and his mother, Juliet and her father, and both
Gnomeo and Juliet. Those relationships were lost in this film. From the
adult perspective, the movie lacked depth, but was still entertaining.
However, the kiddos on hand loved it. They enjoyed all the high flying
suspenseful moments, the potty humor, and over the top one liners.
Phil Leader (619 KP) rated Eric & the Black Axes (The Sanctum Series #4) in Books
Nov 12, 2019
This is the fourth installment of the Sanctum series of books, squarely aimed at a pre-teen and young adult audience but a good read for adults too.
For anyone unfamiliar with the series, the Sanctum is a special school created by and run by rich philanthropist Avando. He rescues children from a life on the streets and gives them a second chance at the school where they have the opportunity to have a first class education. But Avando also picks the best of the pupils to help in a covert war against terrorism, using surrogate robot bodies to investigate suspect sites, including rival school Ernest College.
Despite his capture at the end of the previous book, Professor Eric Showden is again the villain of the piece. A former teacher at The Sanctum and pupil at Ernest College, he is aided by a company called The Black Axes to escape. This time both schools are in direct danger of attack and must cooperate to survive. But just how far can they trust each other?
This series is rapidly turning into a must-read cyber thriller. Both schools are now in direct conflict with the terrorists, having to defend against direct attack as well as try to stop their plans, all the time keeping one eye on the other and try to give as little information away as possible. There are some excellent set pieces and the way these are set up - essentially robots battling with martial arts - they are very different from the usual gun-toting fare.
Again the characters come to the fore - Jayden and his friends are once again the core for the Sanctum. Liam takes a very central role at Ernest college and his uncertainty as events unfold make a reassuring counterpoint to the main story line.
Once again I cannot recommend these books enough. I'm very much looking forward to the fifth book in the series and have no doubt it will be another excellent read.
For anyone unfamiliar with the series, the Sanctum is a special school created by and run by rich philanthropist Avando. He rescues children from a life on the streets and gives them a second chance at the school where they have the opportunity to have a first class education. But Avando also picks the best of the pupils to help in a covert war against terrorism, using surrogate robot bodies to investigate suspect sites, including rival school Ernest College.
Despite his capture at the end of the previous book, Professor Eric Showden is again the villain of the piece. A former teacher at The Sanctum and pupil at Ernest College, he is aided by a company called The Black Axes to escape. This time both schools are in direct danger of attack and must cooperate to survive. But just how far can they trust each other?
This series is rapidly turning into a must-read cyber thriller. Both schools are now in direct conflict with the terrorists, having to defend against direct attack as well as try to stop their plans, all the time keeping one eye on the other and try to give as little information away as possible. There are some excellent set pieces and the way these are set up - essentially robots battling with martial arts - they are very different from the usual gun-toting fare.
Again the characters come to the fore - Jayden and his friends are once again the core for the Sanctum. Liam takes a very central role at Ernest college and his uncertainty as events unfold make a reassuring counterpoint to the main story line.
Once again I cannot recommend these books enough. I'm very much looking forward to the fifth book in the series and have no doubt it will be another excellent read.
Dale Lawson (13 KP) rated Missing Link (2019) in Movies
Feb 29, 2020
Animation Style (3 more)
Character development
Voice Acting
Hilarity
An adventurous, family-friendly animation.
After winning the BAFTA for best animated feature, my interest in seeing this film rose. As it is conveniently found on Netflix, we watched it as a family for a ‘movie night’. I was prepared for a mediocre adventure in search of a missing link between man and ape. What you actually get is a heartfelt, quintessentially British, global adventure in search of a home for a lonely Sasquatch. The journey each character goes through is wonderful as they learn about family, friendships and individuality before conquering the villain.
With a high calibre cast, this film is full of seasoned voice actors. So much so that it is actually difficult to identify the owner of each voice until the credits roll. This, for the most part, makes the film even more enjoyable as you aren’t left guessing actors or imagining them in the role.
Beginning with two characters on a quest for the Loch Ness Monster, the story is full of mystery and myth. It then becomes a predictable one, when it gets into its flow. For an adult, this can make the film a little expected. However, for a child this film is filled with hilarity. When watching with my three kids, there was non-stop laughter. From the naming of the Sasquatch to him forgetting swimwear, the room was full of joy.
Animation has always been a passion of mine, since I was young: from hand drawn to computer generated. My favourite had always been stop motion. Missing Link is primarily filmed in stop motion, using new techniques that allow for smoother facial transitions. The film’s adventurous nature encourages for exciting sets and explosive additional CGI that makes the film feel incredibly polished.
Captivating the attention of adults and children, alike, Missing Link provides an animated, family friendly adventure that teaches morals and respect. I can see why it won so many awards and challenges Toy Story 4 for the top place.
With a high calibre cast, this film is full of seasoned voice actors. So much so that it is actually difficult to identify the owner of each voice until the credits roll. This, for the most part, makes the film even more enjoyable as you aren’t left guessing actors or imagining them in the role.
Beginning with two characters on a quest for the Loch Ness Monster, the story is full of mystery and myth. It then becomes a predictable one, when it gets into its flow. For an adult, this can make the film a little expected. However, for a child this film is filled with hilarity. When watching with my three kids, there was non-stop laughter. From the naming of the Sasquatch to him forgetting swimwear, the room was full of joy.
Animation has always been a passion of mine, since I was young: from hand drawn to computer generated. My favourite had always been stop motion. Missing Link is primarily filmed in stop motion, using new techniques that allow for smoother facial transitions. The film’s adventurous nature encourages for exciting sets and explosive additional CGI that makes the film feel incredibly polished.
Captivating the attention of adults and children, alike, Missing Link provides an animated, family friendly adventure that teaches morals and respect. I can see why it won so many awards and challenges Toy Story 4 for the top place.
JT (287 KP) rated Starred Up (2014) in Movies
Mar 16, 2020
Violent and to the point (1 more)
Great acting
Prison Isn't Suppoed To Be A Holiday Camp
Prison dramas don’t get much grittier than this. Not since Scum has there been one with as much brutal tour de force. Eric (Jack O’Connell) is ‘starred up’. A term used to describe violent young offenders moved straight into an adult prison. Once he gets inside he comes face to face with the only person that might be able to control him, his father Neville (Ben Mendelsohn).
It’s a major part of their relationship as Nev’s parental tactics involve the cruel to be kind method. It’s the only way that Eric is going to survive and the only way he will walk out in one piece. Eric finds some solace in Oliver (Rupert Friend) whose anger management sessions are a place to unleash a tirade of resentment. It places him within a group where any other individual might find themselves out of their depth – Eric takes it full on.
The film is written by Jonathan Asser, a former prison psychotherapist who worked in HMP Wandsworth. So he more than anyone can inject the film with a massive sense of realism. The prison violence can be hard to watch but you don’t find yourself turning away from the screen.
It’s not shrouded in Hollywood gloss and is shot with graphic precision. Mendelsohn’s performance is excellent playing the psycho and his delivery is spot on. Friend is also a joy to watch and a real talent. The Homeland star-making imprints into the acting elite.
However, this is very much O’Connell’s film and it’s not hard to see why he is fast becoming a standout actor. Grabbing this role in a vice-like grip he battles with his personality, the adoration from his father and a corrupt system who want him eradicated. It doesn’t paint the prison system in a particularly good light but then prison isn’t supposed to be a holiday camp.
It’s a major part of their relationship as Nev’s parental tactics involve the cruel to be kind method. It’s the only way that Eric is going to survive and the only way he will walk out in one piece. Eric finds some solace in Oliver (Rupert Friend) whose anger management sessions are a place to unleash a tirade of resentment. It places him within a group where any other individual might find themselves out of their depth – Eric takes it full on.
The film is written by Jonathan Asser, a former prison psychotherapist who worked in HMP Wandsworth. So he more than anyone can inject the film with a massive sense of realism. The prison violence can be hard to watch but you don’t find yourself turning away from the screen.
It’s not shrouded in Hollywood gloss and is shot with graphic precision. Mendelsohn’s performance is excellent playing the psycho and his delivery is spot on. Friend is also a joy to watch and a real talent. The Homeland star-making imprints into the acting elite.
However, this is very much O’Connell’s film and it’s not hard to see why he is fast becoming a standout actor. Grabbing this role in a vice-like grip he battles with his personality, the adoration from his father and a corrupt system who want him eradicated. It doesn’t paint the prison system in a particularly good light but then prison isn’t supposed to be a holiday camp.
Gareth von Kallenbach (980 KP) rated Ice Age: Collision Course (2016) in Movies
Aug 6, 2019
The fifth installment of the franchise hit Ice Age reunites us with Manny
the mammoth (Ray Romano) and his two best friends, Diego the Sabre-tooth
Tiger (Denis Leary) and Sid the Sloth (John Leguizamo). Over the course of
the first 4 films, the unlikely trio become the best of friends,
introduction of love interests for both Manny and Diego, and the birth of a
Manny’s little girl. In this chapter, Manny and Ellie’s daughter Peaches
(Keke Palmer) is engaged to Julian. Manny’s struggle to let go of his
little girl causes tension with his relationship with Julian (Adam Devine).
The unlikely herd is struck by a meteor shower, that was as usual caused by
Scrat the squirrel, that forces them underground back to to land of
Dinosaurs. The return of hyperactive weasel Buck (Simon Peg) is the
highlight of movie, with his unconventional tactics, outlandish anecdotes
and death defying acrobatics. Buck figures out a large asteroid is headed
towards Earth threatening to destroy the entire planet. The only way to
stop the asteroid from it’s extinction level destruction is to find a way
to divert the asteroid away from the planet using magnetic force. And, so
begins the adventure of the herd trying to find the town of Geotopia and
using its sacred gems to help create the magnetic field needed.
They are definitely trashing the laws of paleontology and geology with this
film. The far fetched plot line leaves little to be desired compared to
the story line of its predecessors. The audience is kept busy dealing with
boring family squabbles and Sid desperate to still find love. If it wasn’t
for the role of Buck, the adult audience would consider this movie to be a
complete flop. The younger generation will be scratching their heads
wondering if this scenario is even plausible. I know, my 8 year old kid
was questioning it! Nonetheless, there was enough slap stick comedy and
antics to keep kids entertained and parents chuckling.
the mammoth (Ray Romano) and his two best friends, Diego the Sabre-tooth
Tiger (Denis Leary) and Sid the Sloth (John Leguizamo). Over the course of
the first 4 films, the unlikely trio become the best of friends,
introduction of love interests for both Manny and Diego, and the birth of a
Manny’s little girl. In this chapter, Manny and Ellie’s daughter Peaches
(Keke Palmer) is engaged to Julian. Manny’s struggle to let go of his
little girl causes tension with his relationship with Julian (Adam Devine).
The unlikely herd is struck by a meteor shower, that was as usual caused by
Scrat the squirrel, that forces them underground back to to land of
Dinosaurs. The return of hyperactive weasel Buck (Simon Peg) is the
highlight of movie, with his unconventional tactics, outlandish anecdotes
and death defying acrobatics. Buck figures out a large asteroid is headed
towards Earth threatening to destroy the entire planet. The only way to
stop the asteroid from it’s extinction level destruction is to find a way
to divert the asteroid away from the planet using magnetic force. And, so
begins the adventure of the herd trying to find the town of Geotopia and
using its sacred gems to help create the magnetic field needed.
They are definitely trashing the laws of paleontology and geology with this
film. The far fetched plot line leaves little to be desired compared to
the story line of its predecessors. The audience is kept busy dealing with
boring family squabbles and Sid desperate to still find love. If it wasn’t
for the role of Buck, the adult audience would consider this movie to be a
complete flop. The younger generation will be scratching their heads
wondering if this scenario is even plausible. I know, my 8 year old kid
was questioning it! Nonetheless, there was enough slap stick comedy and
antics to keep kids entertained and parents chuckling.
Night Reader Reviews (683 KP) rated NOS4A2 in Books
Apr 26, 2020
Just Because Review
While I imagine a few already know this it is important to note that Joe Hill is Stephen King's son, which is actually what made me interested in his work. This book reflects the works of Stephen King so much that I almost thought he was the actual author. It is very clear that this book resides in the same universe as Stephen King's works. It mentions things like the Pennywise Circus and True Knot (Doctor Sleep). It also reminded me of Christine and multiple people in the book have "a touch of the shinning" and if readers pay attention they may notice elements from Dreamcatcher and Finders Keepers as well.
As a child, Vic discovers a bike that gives her the ability to cross the Shorter Way Bridge to locate lost things, so long as they are in a fixed position. The bad thing about this is that using the ability has its cost and the price she must pay is the risk of losing part of her mind each time she goes across. One day after fighting with her mother she takes off across the bridge looking for trouble and finds just that in Charles Manx. Luckily she manages to escape but Charles Manx will forever hold a grudge against her and she will see him again after she is an adult and has convinced herself that the Shorter Way Bridge was just a fantasy from a delusional mind.
I highly recommend this book. The only reason why it did not get a 5 out of 5 was that while the story was original the world felt to firmly set in the Stephen King universe and I am not sure if that was intentional or if it was just a by-product of the household that Joe Hill grew up in.
For more reviews check out Night Reader on Smashbomb.com or Night Reader Reviews on Facebook
As a child, Vic discovers a bike that gives her the ability to cross the Shorter Way Bridge to locate lost things, so long as they are in a fixed position. The bad thing about this is that using the ability has its cost and the price she must pay is the risk of losing part of her mind each time she goes across. One day after fighting with her mother she takes off across the bridge looking for trouble and finds just that in Charles Manx. Luckily she manages to escape but Charles Manx will forever hold a grudge against her and she will see him again after she is an adult and has convinced herself that the Shorter Way Bridge was just a fantasy from a delusional mind.
I highly recommend this book. The only reason why it did not get a 5 out of 5 was that while the story was original the world felt to firmly set in the Stephen King universe and I am not sure if that was intentional or if it was just a by-product of the household that Joe Hill grew up in.
For more reviews check out Night Reader on Smashbomb.com or Night Reader Reviews on Facebook
Sarah (7800 KP) rated Dolittle (2020) in Movies
Feb 26, 2020 (Updated Feb 26, 2020)
Perfect... for kids
The trailer for this didn't fill me with much confidence, and I was even more concerned after hearing about the troubles even getting it to the screen, and I'm afraid to say it lived up to my rather low expectations.
Right from the opening scene, its obvious this film has been made solely for children. The plot is basic and predictable and a lot of the action and gags are very childish and puerile. Even Emma Thompson's narration made me feel like I was watching a kids educational show. I appreciate it's difficult to make a film suitable for kids and adults alike, but Disney and Pixar have proved it's possible without being infantile - sadly Dolittle doesn't. There are a few moments that I did have a small giggle at, but most of the gags I found either too obvious or childish to be funny. Weirdly enough I found Kevin the squirrel and his logs hilarious.
The cast themselves I found underused, or rather odd choices - some of the voice actors of the animals to me seemed a little out of place. That probably wasn't helped by how distractingly odd the animals looked when they were talking, and with the CGI ranging from pretty good to decidedly dodgy. Antonio Banderas was wasted as King Rassouli and Michael Sheen was hamming it up to the extremes, but it's Robert Downey Jnr that deserves a notable mention... for how terrible his accent is. I love RDJ, but his Welsh accent ranges from ok to downright horrendous. I couldn't even tell from the trailer what sort of accent he was doing it was that bad. And the problem with this is the accent took away all of the fun and charisma you'd expect from his performance.
The one benefit of this film is that it's fairly short, so it doesnt drag too much. Your kids will love it, but as an adult I wouldn't expect much.
Right from the opening scene, its obvious this film has been made solely for children. The plot is basic and predictable and a lot of the action and gags are very childish and puerile. Even Emma Thompson's narration made me feel like I was watching a kids educational show. I appreciate it's difficult to make a film suitable for kids and adults alike, but Disney and Pixar have proved it's possible without being infantile - sadly Dolittle doesn't. There are a few moments that I did have a small giggle at, but most of the gags I found either too obvious or childish to be funny. Weirdly enough I found Kevin the squirrel and his logs hilarious.
The cast themselves I found underused, or rather odd choices - some of the voice actors of the animals to me seemed a little out of place. That probably wasn't helped by how distractingly odd the animals looked when they were talking, and with the CGI ranging from pretty good to decidedly dodgy. Antonio Banderas was wasted as King Rassouli and Michael Sheen was hamming it up to the extremes, but it's Robert Downey Jnr that deserves a notable mention... for how terrible his accent is. I love RDJ, but his Welsh accent ranges from ok to downright horrendous. I couldn't even tell from the trailer what sort of accent he was doing it was that bad. And the problem with this is the accent took away all of the fun and charisma you'd expect from his performance.
The one benefit of this film is that it's fairly short, so it doesnt drag too much. Your kids will love it, but as an adult I wouldn't expect much.
Dr. Panda Art Class
Art & Design, Education and Games
8.0
Rate It
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Break out your scissors, paint, pens, clay and glue; it’s time for Art Class with Dr. Panda! In...