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Heather Cranmer (2721 KP) rated Serenade (The Dark Nocturne #1) in Books
Aug 1, 2022
I don't normally read young adult books anymore, but when I read the synopsis for Serenade by Morgan Shamy, I was intrigued. I decided to get the eBook, and I am happy I did because I ended up loving Serenade!
I felt as if the plot of Serenade by Morgan Shamy was very original. Yes, it does have some of the other elements of paranormal fantasy that others of the same genre have such as the evil supernatural and paranormal creatures, but Shamy uses all of that and changes it all around to form a very different narrative. Her background in music and dance really shines through throughout Serenade. Whilst reading this novel, I was kept on the edge of my seat waiting to see what would happen next to November and her school. I also enjoyed how Morgan Shamy is not afraid of killing off any character whether they are minor or major. It made the book that much more suspenseful. There was one major plot twist that I didn't see coming. Although Serenade is a series, there's no major cliff hanger which was a plus.
I loved each and every character in Serenade. Each was well fleshed out, and I felt as if I was reading about actual people instead of characters in a book. November was an awesome main character! While there were a few times, I felt as if she made the wrong decision, I could easily see why she chose to do/act the way she did. It was interesting to see her hatch her plan to take on the baddies of the book as well as how she would stand up for her cousin. There was something very endearing about April, and I think she was my favorite character. There was something so innocent and sweet about her. I wanted a friend like April. In fact, I think I kind of was like April in high school - low self-esteem and never quite fitting in. I never liked Cam, not because he wasn't written well, but I hated how assured of himself he was. I was always drawn to Vincent even if he was moody and broody a lot of the time. My favorite creatures in Serenade were definitely the sylphs. I loved how they could go from being beautiful and alluring to deadly quite suddenly.
Trigger warnings for Serenade include violence, death, and murder.
Overall, Serenade is an original take on the whole paranormal fantasy genre that's full of relatable characters and a plot that sucks you in from the very first page. Once you start reading this novel, you will struggle to put it down. It will have that affect on you. I would definitely recommend Serenade by Morgan Shamy to those aged 14+ who are after a book with a fresh new plot full of action, adventure, and some really cool monsters. I have already started reading Etude, the next book in The Dark Nocturne series by Morgan Shamy!
I felt as if the plot of Serenade by Morgan Shamy was very original. Yes, it does have some of the other elements of paranormal fantasy that others of the same genre have such as the evil supernatural and paranormal creatures, but Shamy uses all of that and changes it all around to form a very different narrative. Her background in music and dance really shines through throughout Serenade. Whilst reading this novel, I was kept on the edge of my seat waiting to see what would happen next to November and her school. I also enjoyed how Morgan Shamy is not afraid of killing off any character whether they are minor or major. It made the book that much more suspenseful. There was one major plot twist that I didn't see coming. Although Serenade is a series, there's no major cliff hanger which was a plus.
I loved each and every character in Serenade. Each was well fleshed out, and I felt as if I was reading about actual people instead of characters in a book. November was an awesome main character! While there were a few times, I felt as if she made the wrong decision, I could easily see why she chose to do/act the way she did. It was interesting to see her hatch her plan to take on the baddies of the book as well as how she would stand up for her cousin. There was something very endearing about April, and I think she was my favorite character. There was something so innocent and sweet about her. I wanted a friend like April. In fact, I think I kind of was like April in high school - low self-esteem and never quite fitting in. I never liked Cam, not because he wasn't written well, but I hated how assured of himself he was. I was always drawn to Vincent even if he was moody and broody a lot of the time. My favorite creatures in Serenade were definitely the sylphs. I loved how they could go from being beautiful and alluring to deadly quite suddenly.
Trigger warnings for Serenade include violence, death, and murder.
Overall, Serenade is an original take on the whole paranormal fantasy genre that's full of relatable characters and a plot that sucks you in from the very first page. Once you start reading this novel, you will struggle to put it down. It will have that affect on you. I would definitely recommend Serenade by Morgan Shamy to those aged 14+ who are after a book with a fresh new plot full of action, adventure, and some really cool monsters. I have already started reading Etude, the next book in The Dark Nocturne series by Morgan Shamy!
Hazel (1853 KP) rated The Treatment in Books
Sep 28, 2017
One Flew Over the Cuckoo's Nest for Teens
This ARC was provided by the publisher via NetGalley in exchange for an honest review
You have to help me. We’re not being reformed. We’re being brainwashed. When sixteen-year-old Drew Finch receives this note from a strange woman on the street claiming to be her brother’s psychologist, she does not know how to react. But when a speeding car hits the doctor immediately after, Drew begins to think something portentous is afoot. In The Treatment by C. L. Taylor, the Residential Reform Academy in Northumberland is achieving great things, turning antisocial teenagers into model citizens. Mason, Drew’s brother, has been expelled from three different schools and has been sent to the academy as a last resort, however, Drew now suspects that Mason is in trouble.
In a slightly dystopian setting, Drew, a usually quiet girl, easily gets herself admitted to the academy by punching the school bully. With the intention of helping Mason escape, Drew calmly arrives at the Academy, not realising how much danger she is placing herself in. She soon discovers that this would not be a transitory admission and, unless she escapes, she will become like all the other narcotised students.
Trying to remain fastidious whilst avoiding garrulous roommates and staff, Drew desperately tries to concoct an escape plan, however, she may be too late. The more she learns about the Residential Reform Academy, the more she discovers about the evil intentions behind it. How can she break out of the prison-like building and seek help when the government is deeply involved with the whole sordid procedure?
C. L. Taylor devises an exciting scenario that will appeal to fans of Cecelia Ahern’s Flawed and Kazuo Ishiguro’s Never Let Me Go. A thriller that needs a hero in the unlikely form of a teenage girl, The Treatment is a stimulating story about those without a public voice overthrowing the immoral experiments of the dastards in power.
A One Flew Over the Cuckoo’s Nest for teenagers, this book deals with themes of mental health, oppression and the misuse of authority. Told from the perspective of a girl who has been bullied most of her life and coming from a dysfunctional family, there is a lot for the reader to connect with. Although it does not allay the growing fears of governmental conspiracies, The Treatment ends with the positive message that by standing up to those who do you wrong has its rewards, not only for yourself but for those in similar situations too.
The Treatment is a very enjoyable book that pulls the reader into the story, causing them to question how they would handle a similar situation. Would they be as brave as Drew and her new friends, or would they be doomed to a fate of mindless obedience? Compelling from beginning to end, C. L. Taylor’s latest novel is a refreshing break from the over-the-top science fiction dystopian novels, preferring to tackle futuristic ideas that are much closer to home. This is a book that can be fully recommended to the Young Adult community.
You have to help me. We’re not being reformed. We’re being brainwashed. When sixteen-year-old Drew Finch receives this note from a strange woman on the street claiming to be her brother’s psychologist, she does not know how to react. But when a speeding car hits the doctor immediately after, Drew begins to think something portentous is afoot. In The Treatment by C. L. Taylor, the Residential Reform Academy in Northumberland is achieving great things, turning antisocial teenagers into model citizens. Mason, Drew’s brother, has been expelled from three different schools and has been sent to the academy as a last resort, however, Drew now suspects that Mason is in trouble.
In a slightly dystopian setting, Drew, a usually quiet girl, easily gets herself admitted to the academy by punching the school bully. With the intention of helping Mason escape, Drew calmly arrives at the Academy, not realising how much danger she is placing herself in. She soon discovers that this would not be a transitory admission and, unless she escapes, she will become like all the other narcotised students.
Trying to remain fastidious whilst avoiding garrulous roommates and staff, Drew desperately tries to concoct an escape plan, however, she may be too late. The more she learns about the Residential Reform Academy, the more she discovers about the evil intentions behind it. How can she break out of the prison-like building and seek help when the government is deeply involved with the whole sordid procedure?
C. L. Taylor devises an exciting scenario that will appeal to fans of Cecelia Ahern’s Flawed and Kazuo Ishiguro’s Never Let Me Go. A thriller that needs a hero in the unlikely form of a teenage girl, The Treatment is a stimulating story about those without a public voice overthrowing the immoral experiments of the dastards in power.
A One Flew Over the Cuckoo’s Nest for teenagers, this book deals with themes of mental health, oppression and the misuse of authority. Told from the perspective of a girl who has been bullied most of her life and coming from a dysfunctional family, there is a lot for the reader to connect with. Although it does not allay the growing fears of governmental conspiracies, The Treatment ends with the positive message that by standing up to those who do you wrong has its rewards, not only for yourself but for those in similar situations too.
The Treatment is a very enjoyable book that pulls the reader into the story, causing them to question how they would handle a similar situation. Would they be as brave as Drew and her new friends, or would they be doomed to a fate of mindless obedience? Compelling from beginning to end, C. L. Taylor’s latest novel is a refreshing break from the over-the-top science fiction dystopian novels, preferring to tackle futuristic ideas that are much closer to home. This is a book that can be fully recommended to the Young Adult community.
Troy Aker (6 KP) rated Super 8 (2011) in Movies
Dec 13, 2017
Much fun from JJ Abrams
With Super 8, JJ Abrams did something I feel is rare in cinema. It was a monster movie in which you actually care about the people involved. Way too often in movies it becomes easy to cheer on the monster because the people involved just aren't likable, or that not enough time is spent on them to create a connection with the characters. A character driven monster-disaster movie is rare. This movie is the anti-Michael Bay movie. Which is part of the reason why I love it so much.
Another reason I enjoy it so much is because of the period of the film. It is a very believable 1979, and though the kids in the movie are a little bit older than me, I still felt a connection to them and what they did in their lives. I remember working on various projects with friends as kids, when we would do everything we could to make our silly and fun little projects seem more adult. There is a certain rush to compete, when hormones start kicking in, with older and more mature kids, but still wanting to hold on to the fun things that makes the group enjoyable. This was all conveyed very well during the movie, and it helps create a connection with the characters.
The movie brings to mine some absolutely wonderful movies about groups of friends that go through a life-changing journey together, like E.T., The Goonies, and Stand By Me.
This being said, I think that people that grew up in the late 70's and early to mid-80's will enjoy this movie for different reasons than somebody that grew up after that. There was a certain level of nostalgia that hooked me in this movie. Someone who can't necessarily relate to the characters that way can certainly relate to them as far as a group of friends having a shifting dynamic as the teen years come barreling down at you.
Then for the action fans, the movie has one of, if not the best, crash scene I have ever seen. The monster action through most of the movie is quick cuts, loud sounds and then you see the aftermath. As the movie progresses, you do start to see more and more of the monster, so be patient. It won't be hidden forever. Seeing a little town of 12,000 people turn into a war zone was crazy as the military gets progressively involved as well.
This movie was not perfect though. There were a couple jumps in logic I felt. The kind where you sit there and think, "No way that it would happen like that." And another where you wonder why certain things are happening and others there are not. Also, towards the end, there was a certain amount of sappiness. Maybe not uncalled for due to the extraordinary circumstances that this town was put through though. But all this is easy to move past because the movie it self is so enjoyable.
Another reason I enjoy it so much is because of the period of the film. It is a very believable 1979, and though the kids in the movie are a little bit older than me, I still felt a connection to them and what they did in their lives. I remember working on various projects with friends as kids, when we would do everything we could to make our silly and fun little projects seem more adult. There is a certain rush to compete, when hormones start kicking in, with older and more mature kids, but still wanting to hold on to the fun things that makes the group enjoyable. This was all conveyed very well during the movie, and it helps create a connection with the characters.
The movie brings to mine some absolutely wonderful movies about groups of friends that go through a life-changing journey together, like E.T., The Goonies, and Stand By Me.
This being said, I think that people that grew up in the late 70's and early to mid-80's will enjoy this movie for different reasons than somebody that grew up after that. There was a certain level of nostalgia that hooked me in this movie. Someone who can't necessarily relate to the characters that way can certainly relate to them as far as a group of friends having a shifting dynamic as the teen years come barreling down at you.
Then for the action fans, the movie has one of, if not the best, crash scene I have ever seen. The monster action through most of the movie is quick cuts, loud sounds and then you see the aftermath. As the movie progresses, you do start to see more and more of the monster, so be patient. It won't be hidden forever. Seeing a little town of 12,000 people turn into a war zone was crazy as the military gets progressively involved as well.
This movie was not perfect though. There were a couple jumps in logic I felt. The kind where you sit there and think, "No way that it would happen like that." And another where you wonder why certain things are happening and others there are not. Also, towards the end, there was a certain amount of sappiness. Maybe not uncalled for due to the extraordinary circumstances that this town was put through though. But all this is easy to move past because the movie it self is so enjoyable.
The Queen of Hearts' Tale
This eBook was provided by the publisher via NetGalley in exchange for an honest review
Before she was the Queen of Hearts she was just a girl who wanted to fall in love. When Marissa Meyer finished writing The Lunar Chronicles, a series of books loosely based on fairytales, everyone wondered what she would do next. Continuing along the lines of using famous stories, Meyer has devoted an entire novel to Lewis Carroll’s Alice’s Adventures in Wonderland. With thousands of references to the original tale, and a couple of other works too, Heartless is perfect for fans of Carroll’s salient characters.
Unlike most retellings, Meyer has focused on events prior to Alice’s accidental discovery of Wonderland. The resulting novel is essentially a theory as to how the characters turned out the way they did in the original story published in 1865. Drawing attention to the predestined Queen of Hearts, a young woman named Catherine, readers discover a reason for her development into an infamous villain.
Lady Catherine Pinkerton is completely unlike the character she is fated to be. She is a kind, thoughtful girl whose greatest wish is to open her own bakery. Unfortunately, this dream is just that, a dream. With the asinine King of Hearts resolved to marry her, there is little Cath can do to avoid her royal future. At first it may appear odd that Cath is so against marrying the ruler of Hearts, but she soon makes it clear she would much rather marry for love. So, when the court joker, Jest – a similar character to the legendary Hatter – catches her eye, Catherine becomes determined to control her own future.
Heartless is a humourous, yet romantic, young adult novel, full of both well-known and new characters. Set in a world with morals similar to the Victorian era, it works extremely well as a prequel to Alice’s Adventures in Wonderland. Catherine is an admirable, feministic character who readers will struggle to believe will become such a notorious Queen. What could possibly happen to vastly alter her personality? Similarly, what is it that makes the Hatter go mad, and who is Jest? Being a character unique to this novel, there is a foreboding sense that this joker, and his poetry reciting raven – cue Edgar Allan Poe references – suffer a horrible demise.
Unlike Marissa Meyer’s previous books where the fairytales were not so obvious, the storyline in Heartless perfectly joins up with Lewis Carroll’s imagination. With references to mock turtles, the Jabberwock and other minor characters, there is so much to discover in Meyer’s interpretation of Wonderland – it even clears up a couple of scenarios from the original tale that may have bamboozled readers initially.
Admittedly, Heartless takes a little while to get going, but once it has, it is difficult to put down. Fans of Marissa Meyer may be disappointed that she did not stick to her futuristic storytelling, however all Alice enthusiasts will fall in love with this book – and probably with Jest as well. Overall, Heartless is a delightful book that reignites our inner childish imagination.
Before she was the Queen of Hearts she was just a girl who wanted to fall in love. When Marissa Meyer finished writing The Lunar Chronicles, a series of books loosely based on fairytales, everyone wondered what she would do next. Continuing along the lines of using famous stories, Meyer has devoted an entire novel to Lewis Carroll’s Alice’s Adventures in Wonderland. With thousands of references to the original tale, and a couple of other works too, Heartless is perfect for fans of Carroll’s salient characters.
Unlike most retellings, Meyer has focused on events prior to Alice’s accidental discovery of Wonderland. The resulting novel is essentially a theory as to how the characters turned out the way they did in the original story published in 1865. Drawing attention to the predestined Queen of Hearts, a young woman named Catherine, readers discover a reason for her development into an infamous villain.
Lady Catherine Pinkerton is completely unlike the character she is fated to be. She is a kind, thoughtful girl whose greatest wish is to open her own bakery. Unfortunately, this dream is just that, a dream. With the asinine King of Hearts resolved to marry her, there is little Cath can do to avoid her royal future. At first it may appear odd that Cath is so against marrying the ruler of Hearts, but she soon makes it clear she would much rather marry for love. So, when the court joker, Jest – a similar character to the legendary Hatter – catches her eye, Catherine becomes determined to control her own future.
Heartless is a humourous, yet romantic, young adult novel, full of both well-known and new characters. Set in a world with morals similar to the Victorian era, it works extremely well as a prequel to Alice’s Adventures in Wonderland. Catherine is an admirable, feministic character who readers will struggle to believe will become such a notorious Queen. What could possibly happen to vastly alter her personality? Similarly, what is it that makes the Hatter go mad, and who is Jest? Being a character unique to this novel, there is a foreboding sense that this joker, and his poetry reciting raven – cue Edgar Allan Poe references – suffer a horrible demise.
Unlike Marissa Meyer’s previous books where the fairytales were not so obvious, the storyline in Heartless perfectly joins up with Lewis Carroll’s imagination. With references to mock turtles, the Jabberwock and other minor characters, there is so much to discover in Meyer’s interpretation of Wonderland – it even clears up a couple of scenarios from the original tale that may have bamboozled readers initially.
Admittedly, Heartless takes a little while to get going, but once it has, it is difficult to put down. Fans of Marissa Meyer may be disappointed that she did not stick to her futuristic storytelling, however all Alice enthusiasts will fall in love with this book – and probably with Jest as well. Overall, Heartless is a delightful book that reignites our inner childish imagination.
It Could Have Been Fantastic
I feel very conflicted about this YA novel so please bear with me as I try to explain why!
The positives first. The plot is very interesting and well thought out. Although not entirely original it isn't your run of the mill haunted house story either.
The main characters are well rounded and sympathetic. They each have a strong voice and are relatable. The author is very good at creating tension and does not shy away from scary/unsettling images.
The narration and pace of the story feels perfect for a young adult book - no slow enough to be condescending but with simple sentence structures and short chapters that will help to encourage reluctant or not so confident readers to stick with it. I would certainly use this book in my teaching role for my higher level students - adults that struggle with literacy and/or have slight learning difficulties.
The messages that this story carries are important ones. The main message is especially vital for both male and female readers.
Now for the negative's. There is rather a lot of repetition in the story. Not just parts of the back story but actual sentences in a couple of instances. This did grow to be tiresome and, had I read this aged fourteen I would have felt the same way. Unfortunately this did tend to slow the story down at times. Reading the exact same joke from four chapters ago isn't great.
The book centres on one character and what happened to her. I felt that the sudden shift in her personality was rushed. More time should have been taken to really understand her and what happened to her.
The fact that she is automatically disbelieved is not great. It's a VERY sensitive subject and to have the rest of the characters do that could easily lodge the idea, in some young people's heads, that they would also be treated with scepticism.
A few times throughout the story there were errors. Mostly continuation errors but a couple of glaring mistakes. For example, two of the characters are playing a video game. Fallout 4. In the story one of the characters 'gets the guy' of the other. Fallout 4 is not a multiplayer game, a friend cannot 'get' you in any way.
Yes, a small thing but hugely annoying when you know that it is wrong. As Fallout 4 is such a popular game this will not go unnoticed by many young adults!
The ending did feel rather rushed. An extra chapter or two to explain what happened and to explore the feelings of the characters properly would have been nice.
So yes, this is an extremely mixed review. Most of the negative's are small and I would have given another star if not for the slightly mixed message surrounding the title character - I was disappointed with that.
The author is obviously very talented and writes perfectly for the YA market. Just a little more time and care would have made it awesome.
The positives first. The plot is very interesting and well thought out. Although not entirely original it isn't your run of the mill haunted house story either.
The main characters are well rounded and sympathetic. They each have a strong voice and are relatable. The author is very good at creating tension and does not shy away from scary/unsettling images.
The narration and pace of the story feels perfect for a young adult book - no slow enough to be condescending but with simple sentence structures and short chapters that will help to encourage reluctant or not so confident readers to stick with it. I would certainly use this book in my teaching role for my higher level students - adults that struggle with literacy and/or have slight learning difficulties.
The messages that this story carries are important ones. The main message is especially vital for both male and female readers.
Now for the negative's. There is rather a lot of repetition in the story. Not just parts of the back story but actual sentences in a couple of instances. This did grow to be tiresome and, had I read this aged fourteen I would have felt the same way. Unfortunately this did tend to slow the story down at times. Reading the exact same joke from four chapters ago isn't great.
The book centres on one character and what happened to her. I felt that the sudden shift in her personality was rushed. More time should have been taken to really understand her and what happened to her.
The fact that she is automatically disbelieved is not great. It's a VERY sensitive subject and to have the rest of the characters do that could easily lodge the idea, in some young people's heads, that they would also be treated with scepticism.
A few times throughout the story there were errors. Mostly continuation errors but a couple of glaring mistakes. For example, two of the characters are playing a video game. Fallout 4. In the story one of the characters 'gets the guy' of the other. Fallout 4 is not a multiplayer game, a friend cannot 'get' you in any way.
Yes, a small thing but hugely annoying when you know that it is wrong. As Fallout 4 is such a popular game this will not go unnoticed by many young adults!
The ending did feel rather rushed. An extra chapter or two to explain what happened and to explore the feelings of the characters properly would have been nice.
So yes, this is an extremely mixed review. Most of the negative's are small and I would have given another star if not for the slightly mixed message surrounding the title character - I was disappointed with that.
The author is obviously very talented and writes perfectly for the YA market. Just a little more time and care would have made it awesome.
Hazel (1853 KP) rated The Moment Collector in Books
May 30, 2017
That ending ...
Originally posted on NetGalley.
Jodi Lynn Anderson’s latest novel The Moment Collector has been described as a haunting, mystery romance. There is certainly romance involved between the characters, however the mystery storyline is not so strong.
Sixteen year old, Maggie Larsen has just moved from Chicago with her parents to their new home in County Door on the edge of Lake Michigan. Being homeschooled means she does not have to deal with settling into a new school but she does need to get used to the quietness of the area. She quickly becomes friends with two other teenagers, Pauline Boden and Liam Witte, and spends plenty of time with them in the woods and by the lake.
Things, however, are not as idyllic as they may seem. Starting from the day of Maggie’s arrival, reports keep coming in of girls being found dead, floating in the water. It appears that there is a serial killer on the loose and many girls, including Maggie and Pauline, may be in danger.
As well as all this there is another part of the story told through paragraphs in italics. The ghost of a girl is living in Maggie’s basement. She is not sure who she is or whether she has a purpose. All she can do is watch.
It is difficult at first to get into the story. It is a while before anything of note begins to happen. The murders feel a pointless part of the novel especially as they do not appear to connect to Maggie in any way. The reader may expect Maggie to be kidnapped or hurt but after nothing happens during the first two thirds it seems doubtful that anything ever will.
Up until the final chapters, the ghost also feels meaningless. She does not connect with Maggie nor affects the outcome of the story. Maggie is not ever aware of her existence.
The third person writing style makes it difficult for the reader to relate to Maggie. She is a girl who rarely complains and keeps her emotions to herself; therefore it is not easy to truly get a sense of the way she feels. Due to this it is hard to feel any emotion about her love interest and eventual betrayal. Despite this, the ending is moving especially once it is realized who the ghost actually is.
‘The Moment Collector' does not really fit the story as a title. If there was more input from the ghost then it may possibly be more adequate, but overall the story mostly focuses on the relationships between Maggie, Pauline and Liam. The blurb is also a little deceptive when mentioning: “There’s a ghost haunting 208 Water Street.” The ghost is not doing any haunting in the paranormal novel-type sense. There were hints in the narrative that things may become more supernatural with mentions of Pesta, the Scandinavian version of the Grim Reaper. However these references amounted to nothing.
For those looking for a young adult romance novel complete with heartbreaking ending then this is the book to read. But for anything else there may not be enough substance to maintain a strong interest.
Jodi Lynn Anderson’s latest novel The Moment Collector has been described as a haunting, mystery romance. There is certainly romance involved between the characters, however the mystery storyline is not so strong.
Sixteen year old, Maggie Larsen has just moved from Chicago with her parents to their new home in County Door on the edge of Lake Michigan. Being homeschooled means she does not have to deal with settling into a new school but she does need to get used to the quietness of the area. She quickly becomes friends with two other teenagers, Pauline Boden and Liam Witte, and spends plenty of time with them in the woods and by the lake.
Things, however, are not as idyllic as they may seem. Starting from the day of Maggie’s arrival, reports keep coming in of girls being found dead, floating in the water. It appears that there is a serial killer on the loose and many girls, including Maggie and Pauline, may be in danger.
As well as all this there is another part of the story told through paragraphs in italics. The ghost of a girl is living in Maggie’s basement. She is not sure who she is or whether she has a purpose. All she can do is watch.
It is difficult at first to get into the story. It is a while before anything of note begins to happen. The murders feel a pointless part of the novel especially as they do not appear to connect to Maggie in any way. The reader may expect Maggie to be kidnapped or hurt but after nothing happens during the first two thirds it seems doubtful that anything ever will.
Up until the final chapters, the ghost also feels meaningless. She does not connect with Maggie nor affects the outcome of the story. Maggie is not ever aware of her existence.
The third person writing style makes it difficult for the reader to relate to Maggie. She is a girl who rarely complains and keeps her emotions to herself; therefore it is not easy to truly get a sense of the way she feels. Due to this it is hard to feel any emotion about her love interest and eventual betrayal. Despite this, the ending is moving especially once it is realized who the ghost actually is.
‘The Moment Collector' does not really fit the story as a title. If there was more input from the ghost then it may possibly be more adequate, but overall the story mostly focuses on the relationships between Maggie, Pauline and Liam. The blurb is also a little deceptive when mentioning: “There’s a ghost haunting 208 Water Street.” The ghost is not doing any haunting in the paranormal novel-type sense. There were hints in the narrative that things may become more supernatural with mentions of Pesta, the Scandinavian version of the Grim Reaper. However these references amounted to nothing.
For those looking for a young adult romance novel complete with heartbreaking ending then this is the book to read. But for anything else there may not be enough substance to maintain a strong interest.
Hazel (1853 KP) rated Timmy Failure: The Cat Stole My Pants in Books
Sep 12, 2017
Amusing ... If you are a child
I received this book for free through Goodreads First Reads.
For fans of Diary of a Wimpy Kid (Kinney, 2004) is a juvenile series by American author, Stephan Pastis, about a young boy who believes he is the world’s greatest detective. A series that is continually growing, the sixth Timmy Failure story is now available for fans and new readers. Subtitled The Cat Stole My Pants, Timmy Failure embarks on an adventure of mystery and crime solving whilst getting himself into all sorts of mischief.
Emulating both real and fictional detectives, Timmy has established his own agency, Failure, Inc., of which he is the sole employee after the flight of his (imaginary) ex-business partner, Total the polar bear, who is currently seeking political asylum in Cuba. Unfortunately, Timmy has been forced to join his mother and Doorman Dave on their honeymoon in Key West, Florida, along with Doorman Dave’s nephew, Emilio.
“Crime doesn’t take a holiday. Neither does greatness.” Determined to continue solving crimes, Timmy hires Emilio as an unpaid intern and sets off searching for crimes, greatly over exaggerating every little piece of “evidence” he finds. However, it soon appears that someone is out to get Timmy and he, along with Emilio, is determined to find out whom.
Timmy is a melodramatic, unconventional child with a large ego and is constantly getting told off. From annoying adults to having his pants stolen by a polydactyl cat – or so he claims – there is no end to the hilarious situations he causes.
The cat that stole Timmy’s pants only makes a brief appearance in the book, therefore the subtitle is more to attract the attention of young readers with its silliness rather than be suggestive of a certain storyline.
Despite his grand claims, Timmy is not a very good detective and a lot of his unsolved crimes have been invented by his overactive imagination. This adds to the humour because, although he seems like an intelligent child, his ideas are completely silly.
Adorned with childish drawings and diagrams, Timmy Failure narrates the story from his subjective point of view, inflating his successes and blaming any failure on poor Emilio. No one takes Timmy seriously, which is something many of the target readers may appreciate, although they should also understand how futile Timmy’s attempts are at being a detective.
The storyline is not particularly clear until the final chapters of the book. Up until that moment, the book is full of disastrous, imaginary detective endeavours that prove Timmy to be nothing more than an annoying, inventive boy.
Some of the language may be above children’s reading capabilities, however, the humour is directly on their level. Whereas an adult may not find the idea of a cat stealing someone’s pants amusing, a child would find that hysterical.
There is no reason to read the Timmy Failure books in order, so if you, like me, read book six first, there is no problem. The stories are particularly aimed at young boys and will hopefully encourage the demographic to start reading more. Whilst it may not be a great feat of literature, it is a good enough introduction to the world of books.
For fans of Diary of a Wimpy Kid (Kinney, 2004) is a juvenile series by American author, Stephan Pastis, about a young boy who believes he is the world’s greatest detective. A series that is continually growing, the sixth Timmy Failure story is now available for fans and new readers. Subtitled The Cat Stole My Pants, Timmy Failure embarks on an adventure of mystery and crime solving whilst getting himself into all sorts of mischief.
Emulating both real and fictional detectives, Timmy has established his own agency, Failure, Inc., of which he is the sole employee after the flight of his (imaginary) ex-business partner, Total the polar bear, who is currently seeking political asylum in Cuba. Unfortunately, Timmy has been forced to join his mother and Doorman Dave on their honeymoon in Key West, Florida, along with Doorman Dave’s nephew, Emilio.
“Crime doesn’t take a holiday. Neither does greatness.” Determined to continue solving crimes, Timmy hires Emilio as an unpaid intern and sets off searching for crimes, greatly over exaggerating every little piece of “evidence” he finds. However, it soon appears that someone is out to get Timmy and he, along with Emilio, is determined to find out whom.
Timmy is a melodramatic, unconventional child with a large ego and is constantly getting told off. From annoying adults to having his pants stolen by a polydactyl cat – or so he claims – there is no end to the hilarious situations he causes.
The cat that stole Timmy’s pants only makes a brief appearance in the book, therefore the subtitle is more to attract the attention of young readers with its silliness rather than be suggestive of a certain storyline.
Despite his grand claims, Timmy is not a very good detective and a lot of his unsolved crimes have been invented by his overactive imagination. This adds to the humour because, although he seems like an intelligent child, his ideas are completely silly.
Adorned with childish drawings and diagrams, Timmy Failure narrates the story from his subjective point of view, inflating his successes and blaming any failure on poor Emilio. No one takes Timmy seriously, which is something many of the target readers may appreciate, although they should also understand how futile Timmy’s attempts are at being a detective.
The storyline is not particularly clear until the final chapters of the book. Up until that moment, the book is full of disastrous, imaginary detective endeavours that prove Timmy to be nothing more than an annoying, inventive boy.
Some of the language may be above children’s reading capabilities, however, the humour is directly on their level. Whereas an adult may not find the idea of a cat stealing someone’s pants amusing, a child would find that hysterical.
There is no reason to read the Timmy Failure books in order, so if you, like me, read book six first, there is no problem. The stories are particularly aimed at young boys and will hopefully encourage the demographic to start reading more. Whilst it may not be a great feat of literature, it is a good enough introduction to the world of books.
Haley Mathiot (9 KP) rated Lips Touch: Three Times in Books
Apr 27, 2018
Lips Touch: Three Times by Laini Taylor
Genre: Young Adult, paranormal/fantasy, romance
ISBN: 9780545055857
Published: October 1st 2009 by Arthur A. Levine Books
Rating: 5
Three stories. Three kisses, all with horrible—or wonderful?—consequences. Goblins hunt girls who long for what they don't have. The most beautiful voice can't be heard, even by a lover, or all who hear it will die. A young girl has been thrown into something she never chose, for a reason she doesn't know, with memories that aren't her own. Welcome to paranormal love.
These stories were fantastic. There were three things that stuck out about them:
1. None of them had happyland syndrome (description of Happyland Syndrome here: http://haleymathiot.blogspot.com/2010/06/unique-phrases-call-for-definitions.html) endings where everything wraps up perfectly. In fact only one of them ends at the end of the story: the others solve the main conflict and wrap up nicely. Taylor didn't have to write all the way to the end because I knew what was going to happen and was satisfied exploring the rest in my mind.
2. They pulled me into the story with the first sentence. There was no "I'm going to give this a try and maybe it'll be worth reading." No, it was enchanting and enticing from the first word, and it was because of the creativity in the prose and the language.
3. Great writing. Beautiful intricate descriptions that stuck with me and gave me the feelings Taylor wanted me to have—whether they be enticing and sensual, or terrifying and upsetting.
Here are my thoughts on the individual short stories:
Goblin Fruit
Really?… Wow… why was that so good even though it had a horrible ending?… and was it really that horrible? Yes, it really was. I had to double check and make sure that it really was the end! I'd been wondering for a while 'can an author write a good book with a good ending that isn't happy?' answer, Yes. Laini Taylor can.
Spicy Little Curses Such As These
This story was horrid and sweet at the same time. I had a thought of how the story would end, but the ending turned out to be much different. It wasn't perfect, but it was perfect enough to leave me smiling and feeling satisfied for the characters.
The Hatchling
I could not visualize how this story would have a happy ending, and it certainly wasn't perfect—there is one character whom I still fear for her sanity. But I was so amazed an the unwinding of the mysteries and secrets of the plot and was more pleased than I thought I would be with the conclusion.
For wonderful writing, creativity, and fantastic characters, I give this one five stars and two thumbs up—get it, first chance you can.
Content/recommendation: Ages 15+ for some language, little sensuality. No explicit violence or language, no sex.
This review is copyright Haley Mathiot and Night Owl Reviews 2010. Original Review: http://haleymathiot.blogspot.com/2010/10/review-lips-touch-three-times.html
Genre: Young Adult, paranormal/fantasy, romance
ISBN: 9780545055857
Published: October 1st 2009 by Arthur A. Levine Books
Rating: 5
Three stories. Three kisses, all with horrible—or wonderful?—consequences. Goblins hunt girls who long for what they don't have. The most beautiful voice can't be heard, even by a lover, or all who hear it will die. A young girl has been thrown into something she never chose, for a reason she doesn't know, with memories that aren't her own. Welcome to paranormal love.
These stories were fantastic. There were three things that stuck out about them:
1. None of them had happyland syndrome (description of Happyland Syndrome here: http://haleymathiot.blogspot.com/2010/06/unique-phrases-call-for-definitions.html) endings where everything wraps up perfectly. In fact only one of them ends at the end of the story: the others solve the main conflict and wrap up nicely. Taylor didn't have to write all the way to the end because I knew what was going to happen and was satisfied exploring the rest in my mind.
2. They pulled me into the story with the first sentence. There was no "I'm going to give this a try and maybe it'll be worth reading." No, it was enchanting and enticing from the first word, and it was because of the creativity in the prose and the language.
3. Great writing. Beautiful intricate descriptions that stuck with me and gave me the feelings Taylor wanted me to have—whether they be enticing and sensual, or terrifying and upsetting.
Here are my thoughts on the individual short stories:
Goblin Fruit
Really?… Wow… why was that so good even though it had a horrible ending?… and was it really that horrible? Yes, it really was. I had to double check and make sure that it really was the end! I'd been wondering for a while 'can an author write a good book with a good ending that isn't happy?' answer, Yes. Laini Taylor can.
Spicy Little Curses Such As These
This story was horrid and sweet at the same time. I had a thought of how the story would end, but the ending turned out to be much different. It wasn't perfect, but it was perfect enough to leave me smiling and feeling satisfied for the characters.
The Hatchling
I could not visualize how this story would have a happy ending, and it certainly wasn't perfect—there is one character whom I still fear for her sanity. But I was so amazed an the unwinding of the mysteries and secrets of the plot and was more pleased than I thought I would be with the conclusion.
For wonderful writing, creativity, and fantastic characters, I give this one five stars and two thumbs up—get it, first chance you can.
Content/recommendation: Ages 15+ for some language, little sensuality. No explicit violence or language, no sex.
This review is copyright Haley Mathiot and Night Owl Reviews 2010. Original Review: http://haleymathiot.blogspot.com/2010/10/review-lips-touch-three-times.html
graveyardgremlin (7194 KP) rated Haunted (Harrison Investigation, #1) in Books
Feb 15, 2019
I picked up Haunted after I had finished [b:The Seance|959245|The Seance (Harrison Investigation, #5)|Heather Graham|http://photo.goodreads.com/books/1255876724s/959245.jpg|944150], and I was unaware that they both feature Adam and Harrison Investigations. I'm all set to read [b:The Vision|731809|The Vision (Harrison Investigation, #3)|Heather Graham|http://photo.goodreads.com/books/1177781638s/731809.jpg|717999] that I just picked up from the library. Even though I've completely juggled around the order of when they were written, it's lucky for me that they are standalones. In the prologue it gave background information about Adam's son, Josh, who was mentioned just briefly in The Seance, and he plays a big part in this book, so I was happy to find out all that information before I get to next book that features Harrison Investigations.
Now to get to the main story in Haunted...
Even though with the way Darcy was written you would think she was a Mary-Sue, she wasn't and I liked her just fine. Now Matt on the other hand, well he was a jerk, plain and simple. I never could like him much and that detracted a lot from the book. It seems that Heather Graham must make the male lead a hard-core skeptic that just will not believe (until the end of course) in anything paranormal and thinks the female lead is crazy or delusional or something. It would be nice if it was reversed or if maybe, just maybe, the hero is open-minded enough to say, well maybe there is 'something' out there that cannot be proven. *gasp* Is that even possible? Can a hero ever truly be open-minded? Not in these books. He has to be so narrow-minded that his thought-blocks must fit neatly into their right-shaped holes (e.g. triangle block into triangle hole, etc.).
I really enjoyed the whole Darcy/Josh/Adam/Ghost hunting thing. I thought the author did a good job describing how Darcy went about finding out about the ghosts and that's what made this book good. I really did like Darcy a lot and she was a sympathetic character who stood up for herself and acted like an adult with poise and class (unlike some other character I could mention). The mystery did keep me guessing because I was never quite sure who the ghost was or what had happened, although I had narrowed down who was behind everything to two people, leaning more on the actual culprit (yay me!), for lack of suspects. So overall, the mystery was very good, though I wish Ms. Graham would bring in more people so it isn't as easy to figure out. All in all, not as good as The Seance, but a good and entertaining read.
3.5 stars
I forgot to mention that there were tons of editing problems, which seem to be a mainstay in H.G.'s books. Once Clint's name is changed to Cliff and Josh was referred to as Matt, plus numerous other things that cropped up everywhere.
Now to get to the main story in Haunted...
Even though with the way Darcy was written you would think she was a Mary-Sue, she wasn't and I liked her just fine. Now Matt on the other hand, well he was a jerk, plain and simple. I never could like him much and that detracted a lot from the book. It seems that Heather Graham must make the male lead a hard-core skeptic that just will not believe (until the end of course) in anything paranormal and thinks the female lead is crazy or delusional or something. It would be nice if it was reversed or if maybe, just maybe, the hero is open-minded enough to say, well maybe there is 'something' out there that cannot be proven. *gasp* Is that even possible? Can a hero ever truly be open-minded? Not in these books. He has to be so narrow-minded that his thought-blocks must fit neatly into their right-shaped holes (e.g. triangle block into triangle hole, etc.).
I really enjoyed the whole Darcy/Josh/Adam/Ghost hunting thing. I thought the author did a good job describing how Darcy went about finding out about the ghosts and that's what made this book good. I really did like Darcy a lot and she was a sympathetic character who stood up for herself and acted like an adult with poise and class (unlike some other character I could mention). The mystery did keep me guessing because I was never quite sure who the ghost was or what had happened, although I had narrowed down who was behind everything to two people, leaning more on the actual culprit (yay me!), for lack of suspects. So overall, the mystery was very good, though I wish Ms. Graham would bring in more people so it isn't as easy to figure out. All in all, not as good as The Seance, but a good and entertaining read.
3.5 stars
I forgot to mention that there were tons of editing problems, which seem to be a mainstay in H.G.'s books. Once Clint's name is changed to Cliff and Josh was referred to as Matt, plus numerous other things that cropped up everywhere.
Kristy H (1252 KP) rated Baby Teeth in Books
Mar 11, 2019
Hanna is seven. She's a cute little thing in the eyes of her father, Alex, who thinks she can do no wrong. Hanna wants nothing more than life to be Hanna-and-Daddy forever. Her mother, Suzette, is exhausted by life with Hanna, which is nothing but endless manipulations, anger, tantrums, and now, escalating violence. Hanna doesn't speak, but she has her special ways of hurting her mother. She's been kicked out of several schools for her behavior, and Suzette is done. Even worse, Alex can't seem to acknowledge that something is off with Hanna's behavior.
"Every win for Hanna was a you-lose for Mommy."
I'd been putting off reading this book for a bit because I'd heard that it was creepy and disturbing, and I can confirm that yes, it is both of those things. Ha. I can't say I'm particularly glad that I read it, though it's an interesting read and certainly different. It mostly held my interest, but after all the hype, I found myself a little letdown: there really wasn't all that much to the story. I found myself waiting that twist, that something special that never came.
Still, Stage does an excellent job of capturing Hanna's child-like voice and telling a story from her unique perspective. The tale alternates between chapters from Hanna's perspective and then Suzette's, and I can't deny that you'll find yourself a little freaked out after reading Hanna's. The book is eerie and disturbing; it's hard to believe, yet not, as it's certainly effectively told. There are some tough moments to read and it's definitely not always for the faint of heart.
I had a tough time empathizing with our adult characters--our cast is mainly limited to the family unit, and I didn't care much for either Alex or Suzette. We are probably supposed to feel bad for Suzette, as she's struggling with both Hanna and failing health (having had Crohn's disease since childhood). And I did, at times, but she talked so much, and kept rehashing things, and I just wanted to shake her to wake up, get a grip, and deal with everything. So yeah. And her husband was just clueless and ugh.
Hanna was a much tougher one--as a parent, I found this one hard. Of course, you want to believe and care for a small child. Yet, you can also empathize with a mom who feels like they need a break from their child. I enjoyed how the book made you think about these kind of things as Hanna started to escalate. What would you do in this situation? How did things get to this point? That's where it is interesting. Some of the best parts are the oozing tension and unease that pervade the whole novel.
Unfortunately, it doesn't completely capitalize on that uneasiness, leaving you a little deflated by the end. I was actually hoping for a little more creepiness, a little less character-study. I definitely enjoyed pieces of this one, and I'd still recommend it due to how different it is.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
"Every win for Hanna was a you-lose for Mommy."
I'd been putting off reading this book for a bit because I'd heard that it was creepy and disturbing, and I can confirm that yes, it is both of those things. Ha. I can't say I'm particularly glad that I read it, though it's an interesting read and certainly different. It mostly held my interest, but after all the hype, I found myself a little letdown: there really wasn't all that much to the story. I found myself waiting that twist, that something special that never came.
Still, Stage does an excellent job of capturing Hanna's child-like voice and telling a story from her unique perspective. The tale alternates between chapters from Hanna's perspective and then Suzette's, and I can't deny that you'll find yourself a little freaked out after reading Hanna's. The book is eerie and disturbing; it's hard to believe, yet not, as it's certainly effectively told. There are some tough moments to read and it's definitely not always for the faint of heart.
I had a tough time empathizing with our adult characters--our cast is mainly limited to the family unit, and I didn't care much for either Alex or Suzette. We are probably supposed to feel bad for Suzette, as she's struggling with both Hanna and failing health (having had Crohn's disease since childhood). And I did, at times, but she talked so much, and kept rehashing things, and I just wanted to shake her to wake up, get a grip, and deal with everything. So yeah. And her husband was just clueless and ugh.
Hanna was a much tougher one--as a parent, I found this one hard. Of course, you want to believe and care for a small child. Yet, you can also empathize with a mom who feels like they need a break from their child. I enjoyed how the book made you think about these kind of things as Hanna started to escalate. What would you do in this situation? How did things get to this point? That's where it is interesting. Some of the best parts are the oozing tension and unease that pervade the whole novel.
Unfortunately, it doesn't completely capitalize on that uneasiness, leaving you a little deflated by the end. I was actually hoping for a little more creepiness, a little less character-study. I definitely enjoyed pieces of this one, and I'd still recommend it due to how different it is.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).