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BookwormMama14 (18 KP) rated The Apothecary's Daughter in Books
Jan 2, 2019
Although it has been a couple years since I read this one, I am still very fond of it and have determined that I need to reread it SOON! Hopefully I can find the time before too long.
(Original review published on Bookworm Mama 11/2014.)
The Apothecary’s Daughter is a wonderful story beginning in 1810, England. Within the pages you will find heartbreak and romance, hope and despair, sorrow and joy. But above all...Faith.
Lillian (Lilly) Haswell is the daughter of the village apothecary in Wiltshire, England. She longs for adventure and a life outside of her father’s shop. Her mother left when she was younger and Lilly dreams of the adventures she might be having and longs to follow after her. Yet she is devoted to her father and her brother, Charlie. When Lilly is whisked away to London by her Aunt and Uncle Elliot, she believes all of her dreams are about to come true. Balls, admirers, the chance to marry a wealthy man and settle in London, but also the chance to look for her mother. Following a sad series of events, she has to return home to help her father run his shop, or risk having it closed. One of her admirers follows her home, but finds that he is not the only one interested in Miss Haswell.
While women were allowed to assist and work in apothecary shops, they were forbidden from diagnosing and prescribing treatments. It is not long before she has to cross the line of the law. Will grace and mercy be shown? Or will this be the end of Haswell’s once and for all? Along her journey Lilly loses herself, but in the end finds who she is and what she truly longs for in life. Throughout her trials and struggles she learns how to depend on the Lord for strength and wisdom.
Julie Klassen's novels are long and full of detail and she draws me in until I am completely obsessed with the story! I really enjoyed learning about the different herbs and their uses, apothecary. I found it all quite fascinating. I adore historical fiction, especially set in England. I was able to truly taste life in the early 1800s through this book. In a lot of ways I could relate to Lilly as well. I have left “home” twice in my life, living adventurously. But my heart was never at peace until I returned.
I borrowed The Apothecary's Daughter from my local library. I was not required to write a review. All opinions expressed are mine alone.
(Original review published on Bookworm Mama 11/2014.)
The Apothecary’s Daughter is a wonderful story beginning in 1810, England. Within the pages you will find heartbreak and romance, hope and despair, sorrow and joy. But above all...Faith.
Lillian (Lilly) Haswell is the daughter of the village apothecary in Wiltshire, England. She longs for adventure and a life outside of her father’s shop. Her mother left when she was younger and Lilly dreams of the adventures she might be having and longs to follow after her. Yet she is devoted to her father and her brother, Charlie. When Lilly is whisked away to London by her Aunt and Uncle Elliot, she believes all of her dreams are about to come true. Balls, admirers, the chance to marry a wealthy man and settle in London, but also the chance to look for her mother. Following a sad series of events, she has to return home to help her father run his shop, or risk having it closed. One of her admirers follows her home, but finds that he is not the only one interested in Miss Haswell.
While women were allowed to assist and work in apothecary shops, they were forbidden from diagnosing and prescribing treatments. It is not long before she has to cross the line of the law. Will grace and mercy be shown? Or will this be the end of Haswell’s once and for all? Along her journey Lilly loses herself, but in the end finds who she is and what she truly longs for in life. Throughout her trials and struggles she learns how to depend on the Lord for strength and wisdom.
Julie Klassen's novels are long and full of detail and she draws me in until I am completely obsessed with the story! I really enjoyed learning about the different herbs and their uses, apothecary. I found it all quite fascinating. I adore historical fiction, especially set in England. I was able to truly taste life in the early 1800s through this book. In a lot of ways I could relate to Lilly as well. I have left “home” twice in my life, living adventurously. But my heart was never at peace until I returned.
I borrowed The Apothecary's Daughter from my local library. I was not required to write a review. All opinions expressed are mine alone.
Merissa (12776 KP) rated In Pain and Blood (Spellster #1) in Books
Jun 15, 2018
In Pain and Blood (Spellster #1) by Aldrea Alien
In Pain and Blood is the first book in the Spellster series, and has all the hallmarks of everything I enjoy - epic fantasy, m/m, romance, action, and adventure. Dylan has spent his life in 'the Tower' learning how to be a spellster. Magic comes easily to him, but his guardian keeps on telling him to stay safe in the tower, and not to make waves. However, one event shoves him to the forefront, and he sees more of life than he expected. Trying to make his way back to the Tower, he becomes part of a ragtag group and sees life in a completely different way.
This should have been a good book. I really wanted it to be a good book, but it fell short for me on a number of different levels. First of all, it's long. And I mean REALLY long. Now don't get me wrong, I love epic fantasy, and regularly read books of a thick volume. However, for this book, it felt like it needed some serious editing to get some of the monotonous repetition removed. Also, this land is supposed to be under attack, but they manage to completely miss any and every member of either army on their two month trek across the land - which we hear about in great detail. How this book started actually had me going back to check on the blurb as I thought I was reading a completely different book. It does change and become the story the blurb describes, but only after a long start. It is only the two main characters who we really meet, and I wouldn't say I 'know' them very well. Even their companions, who they spend so much time with, aren't really fleshed out. It didn't help when one of the main characters spoke to everyone as 'my dear hunter/my dear warrior/my dear spellster'. I know this was supposed to be one of his quirks, but I got it after the first dozen times. It really didn't need repeating multiple times on every page. The ending, such as it was, is the only thing in the book that felt rushed. Big events happen, something life-changing happens to a supporting character, opinions change, a lifetime's enduring love is pronounced, and it happens at the speed of light.
I struggled to finish this book. It was only my sheer stubborn nature and optimistic belief that it would get better (and if I finished it before it ended, I would never know) that kept me turning the pages to the very end. I am glad I've read it, but I wouldn't recommend it.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This should have been a good book. I really wanted it to be a good book, but it fell short for me on a number of different levels. First of all, it's long. And I mean REALLY long. Now don't get me wrong, I love epic fantasy, and regularly read books of a thick volume. However, for this book, it felt like it needed some serious editing to get some of the monotonous repetition removed. Also, this land is supposed to be under attack, but they manage to completely miss any and every member of either army on their two month trek across the land - which we hear about in great detail. How this book started actually had me going back to check on the blurb as I thought I was reading a completely different book. It does change and become the story the blurb describes, but only after a long start. It is only the two main characters who we really meet, and I wouldn't say I 'know' them very well. Even their companions, who they spend so much time with, aren't really fleshed out. It didn't help when one of the main characters spoke to everyone as 'my dear hunter/my dear warrior/my dear spellster'. I know this was supposed to be one of his quirks, but I got it after the first dozen times. It really didn't need repeating multiple times on every page. The ending, such as it was, is the only thing in the book that felt rushed. Big events happen, something life-changing happens to a supporting character, opinions change, a lifetime's enduring love is pronounced, and it happens at the speed of light.
I struggled to finish this book. It was only my sheer stubborn nature and optimistic belief that it would get better (and if I finished it before it ended, I would never know) that kept me turning the pages to the very end. I am glad I've read it, but I wouldn't recommend it.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Ivana A. | Diary of Difference (1171 KP) rated Into The Crooked Place (Into The Crooked Place #1) in Books
Oct 5, 2020
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#1 <a href="https://www.goodreads.com/review/show/2999418076">Into the Crooked Place</a> - ★★★★
#2 <a href="https://www.goodreads.com/review/show/3504840515">City of Spells</a> - TBR
<img src="https://i0.wp.com/diaryofdifference.com/wp-content/uploads/2020/08/Book-Review-Banner-76.png?resize=768%2C432&ssl=1"/>;
Into the Crooked Place by Alexandra Christo was a book I was very excited to read in the first place.
There is magic and potions, there is romance and adventure. The hype around it was huge, and it is still talked about in the bookish community.
What’s not to like?
Tavia sells magic potions on the market. One day, she is ordered to sell a new magic potion. When her friend Saxoni drinks the new potion, something bad happens. The potion makes people do terrible things - and Tavia and Saxoni need to stop it, before it destroys everyone!
The storytelling in this book was amazing. I was immediately teleported to a world where going to a market to buy a love potion is normal. I could connect with all characters immediately, and wanted to know more about them. The story is told from multiple character’s points of view, which I found appropriate for this story.
Apart from Tavia and Saxony, we also meet Wesley - who is Tavia’s underboss. He is the one that she follows orders from, and he is the one to grant her her freedom, once she earns it by working for him.
<b><i>“There are no good people, he said. Just ones who haven’t made bad choices yet.”</i></b>
We also meet Karam - a feisty warrior woman, who is fighting in pits for money. Karam is a character that I instantly liked, for her bravery and her free spirit. She knows who she is, she knows how she got there, and she knows exactly what she wants.
<b><i>“She had fought her way to her position and hadn’t needed prayer or magic to do it. Just her fists and her smarts and the knowledge that she could.”</i></b>
I liked Karam and she was probably my favorite character.
I think that her journey was the most adventurous compared to all the other characters, and I feel like she’s grown the most.
<b><i>“She felt at home. And she knew why. She knew then that home could be anywhere, because it wasn’t a place, but a feeling. It was made up of people, not bricks, and it was something you could create for yourself, just like family.”</i></b>
The legacy that Karam and Saxony carry is very conveniently revealed. The author only revealed this when it was needed in the book, to fit a certain situation and prompt plot twists. This wasn’t something I enjoyed, and together with how the book ended, it did leave a bitter aftertaste. I think I would have liked the book more if certain reveals were handled better, and the ending was more interesting.
<b><i>“Sometimes, words spoken in anger are not words spoken in truth, dila.”</i></b>
To sum everything up, I still think Into the Crooked Place was amazing and enjoyable.
I enjoyed being in this magical world and I enjoyed the adventures the characters went through. If you’ve been reading my reviews, you will know I love a good versus evil battle, and this book did indeed have that. Would I change the ending? Yes. Would I change the way the reveals were handled? Yes. But was this still an amazing book? Most definitely. If you love young-adult magic and adventure books - you will enjoy this one!
Thank you to the teams at Hot Key Books and ReadersFirst, for sending me a copy of this book. Into the Crooked Place is the first book in the series. The second book is called City of Spells, and is expected to come out in 2021.
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#1 <a href="https://www.goodreads.com/review/show/2999418076">Into the Crooked Place</a> - ★★★★
#2 <a href="https://www.goodreads.com/review/show/3504840515">City of Spells</a> - TBR
<img src="https://i0.wp.com/diaryofdifference.com/wp-content/uploads/2020/08/Book-Review-Banner-76.png?resize=768%2C432&ssl=1"/>;
Into the Crooked Place by Alexandra Christo was a book I was very excited to read in the first place.
There is magic and potions, there is romance and adventure. The hype around it was huge, and it is still talked about in the bookish community.
What’s not to like?
Tavia sells magic potions on the market. One day, she is ordered to sell a new magic potion. When her friend Saxoni drinks the new potion, something bad happens. The potion makes people do terrible things - and Tavia and Saxoni need to stop it, before it destroys everyone!
The storytelling in this book was amazing. I was immediately teleported to a world where going to a market to buy a love potion is normal. I could connect with all characters immediately, and wanted to know more about them. The story is told from multiple character’s points of view, which I found appropriate for this story.
Apart from Tavia and Saxony, we also meet Wesley - who is Tavia’s underboss. He is the one that she follows orders from, and he is the one to grant her her freedom, once she earns it by working for him.
<b><i>“There are no good people, he said. Just ones who haven’t made bad choices yet.”</i></b>
We also meet Karam - a feisty warrior woman, who is fighting in pits for money. Karam is a character that I instantly liked, for her bravery and her free spirit. She knows who she is, she knows how she got there, and she knows exactly what she wants.
<b><i>“She had fought her way to her position and hadn’t needed prayer or magic to do it. Just her fists and her smarts and the knowledge that she could.”</i></b>
I liked Karam and she was probably my favorite character.
I think that her journey was the most adventurous compared to all the other characters, and I feel like she’s grown the most.
<b><i>“She felt at home. And she knew why. She knew then that home could be anywhere, because it wasn’t a place, but a feeling. It was made up of people, not bricks, and it was something you could create for yourself, just like family.”</i></b>
The legacy that Karam and Saxony carry is very conveniently revealed. The author only revealed this when it was needed in the book, to fit a certain situation and prompt plot twists. This wasn’t something I enjoyed, and together with how the book ended, it did leave a bitter aftertaste. I think I would have liked the book more if certain reveals were handled better, and the ending was more interesting.
<b><i>“Sometimes, words spoken in anger are not words spoken in truth, dila.”</i></b>
To sum everything up, I still think Into the Crooked Place was amazing and enjoyable.
I enjoyed being in this magical world and I enjoyed the adventures the characters went through. If you’ve been reading my reviews, you will know I love a good versus evil battle, and this book did indeed have that. Would I change the ending? Yes. Would I change the way the reveals were handled? Yes. But was this still an amazing book? Most definitely. If you love young-adult magic and adventure books - you will enjoy this one!
Thank you to the teams at Hot Key Books and ReadersFirst, for sending me a copy of this book. Into the Crooked Place is the first book in the series. The second book is called City of Spells, and is expected to come out in 2021.
Gareth von Kallenbach (980 KP) rated Spider-Man 2 (2004) in Movies
Aug 14, 2019
There comes a time in every young persons life where they have to make a series of decisions regarding their future. For many the pressures of finance, school, work, and ever-changing social dynamic force individuals to take a look at their values and what is important, adjusting their lives as needed.
For many this is a difficult situation that is often accomplished through trial and error marking the difficult transition into adulthood. For Peter Parker (Tobey Maguire), the added pressure of dealing with his dual identity of Spider-Man has driven him to the edge.
Since Peter spends his evenings scouring New York fighting crime, his college studies and job have become seriously neglected. With difficulties paying the bills and making it to class and work on time, Peter has become weary of his life, as Spider-Man has made it close to impossible for him to lead any semblance of normality.
Further hindering Peter’s life is his strong feelings for Mary Jane Watson (Kirsten Dunst), who he keeps at a distance to protect her from reprisals from enemies of his alter ego, though it is causing him endless emotional turmoil to do so.
Faced with losing the woman of his dreams and his lives goals, Peter decides to abandon his alter ego and live life as a normal person allowing his energies to be focused on his studies and pursuit of science.
Peter’s new found freedom is interrupted by the emergence of a new villain named Dr. Octopus (Alfred Molina), who is a brilliant scientist turned evil as a result of an experiment gone awry. The Doctor has four metallic limbs grafted to his body and is capable of amazing feats of strength and copious amounts of destruction and mayhem due to his unrestrained madness.
The cause of the good doctors wrath is to complete the experiment that disabled him and avenge the loss of his wife in the accident that created him. Towards that end, the Doctor needs an abundance of financial assets and a rare fuel source that can only be provided by his former employer Harry Osborn (James Franco). Harry is only to happy to comply as he still blames Spider-Man for the death of his father in the previous film, and promises to supply the Doctor if he delivers Spider-Man to him. The recent failure of the Doctors experiment, have pushed Norman to the edge as what was to be a shining achievement for the company has now left him reeling and looking for answers, straining his relationship with Peter and Mary Jane.
What follows is a wild ride of action, romance, drama, and comedy as the tangled web that is Peter Parker’s life unfolds and it is one wild ride.
“Spider-Man 2” is a solid film that will delight fans of the first film as well as the comic and will provide a welcome presence at the theaters this Summer from the flock of big budget disappointments that have been the norm.
Sam Raimi paces the film at a slow pace to start with and allows the action and pace of the film to unfold. The film never seems in your face as despite the intense action sequences, the film remains a character driven piece as the relationship between Peter and those he cares for are central elements to the film.
As adventure films go, “Spider-Man 2” has a very complex storyline as several mature issues are developed and explored which helps round out the characters from comic book icons to people that you actually care about.
If I had to find fault with the film, and it would be nitpicking, would be that Doctor Octopus did not stand out as menacing a threat as The Green Goblin did in the last film, as he does not embody the same level of fear and evil. That being said, Maguire is amazing as he does a great job of making Peter a realistic character by showing the audience the pain and conflict as well as the joy that Peter experiences being Spider-Man.
The special effects are amazing but never overshadow the human performance and tone of the film, as after all, this is still a story about a regular guy, with regular problems and extraordinary abilities that are part gift and part curse.
The supporting work of Franco and Dunst is solid and there chemistry amongst the leads is evident. The ending of the film sets the stage perfectly for the next chapter in the series and here is hoping that the winning formula continues as “Spider-Man 2” is not only the best comic inspired film ever made, but one of the best films of the year.
For many this is a difficult situation that is often accomplished through trial and error marking the difficult transition into adulthood. For Peter Parker (Tobey Maguire), the added pressure of dealing with his dual identity of Spider-Man has driven him to the edge.
Since Peter spends his evenings scouring New York fighting crime, his college studies and job have become seriously neglected. With difficulties paying the bills and making it to class and work on time, Peter has become weary of his life, as Spider-Man has made it close to impossible for him to lead any semblance of normality.
Further hindering Peter’s life is his strong feelings for Mary Jane Watson (Kirsten Dunst), who he keeps at a distance to protect her from reprisals from enemies of his alter ego, though it is causing him endless emotional turmoil to do so.
Faced with losing the woman of his dreams and his lives goals, Peter decides to abandon his alter ego and live life as a normal person allowing his energies to be focused on his studies and pursuit of science.
Peter’s new found freedom is interrupted by the emergence of a new villain named Dr. Octopus (Alfred Molina), who is a brilliant scientist turned evil as a result of an experiment gone awry. The Doctor has four metallic limbs grafted to his body and is capable of amazing feats of strength and copious amounts of destruction and mayhem due to his unrestrained madness.
The cause of the good doctors wrath is to complete the experiment that disabled him and avenge the loss of his wife in the accident that created him. Towards that end, the Doctor needs an abundance of financial assets and a rare fuel source that can only be provided by his former employer Harry Osborn (James Franco). Harry is only to happy to comply as he still blames Spider-Man for the death of his father in the previous film, and promises to supply the Doctor if he delivers Spider-Man to him. The recent failure of the Doctors experiment, have pushed Norman to the edge as what was to be a shining achievement for the company has now left him reeling and looking for answers, straining his relationship with Peter and Mary Jane.
What follows is a wild ride of action, romance, drama, and comedy as the tangled web that is Peter Parker’s life unfolds and it is one wild ride.
“Spider-Man 2” is a solid film that will delight fans of the first film as well as the comic and will provide a welcome presence at the theaters this Summer from the flock of big budget disappointments that have been the norm.
Sam Raimi paces the film at a slow pace to start with and allows the action and pace of the film to unfold. The film never seems in your face as despite the intense action sequences, the film remains a character driven piece as the relationship between Peter and those he cares for are central elements to the film.
As adventure films go, “Spider-Man 2” has a very complex storyline as several mature issues are developed and explored which helps round out the characters from comic book icons to people that you actually care about.
If I had to find fault with the film, and it would be nitpicking, would be that Doctor Octopus did not stand out as menacing a threat as The Green Goblin did in the last film, as he does not embody the same level of fear and evil. That being said, Maguire is amazing as he does a great job of making Peter a realistic character by showing the audience the pain and conflict as well as the joy that Peter experiences being Spider-Man.
The special effects are amazing but never overshadow the human performance and tone of the film, as after all, this is still a story about a regular guy, with regular problems and extraordinary abilities that are part gift and part curse.
The supporting work of Franco and Dunst is solid and there chemistry amongst the leads is evident. The ending of the film sets the stage perfectly for the next chapter in the series and here is hoping that the winning formula continues as “Spider-Man 2” is not only the best comic inspired film ever made, but one of the best films of the year.
Sophia (Bookwyrming Thoughts) (530 KP) rated Passenger (Passenger, #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
My very first taste of Alexandra Bracken's works didn't go bad after all (which means I don't have to mope or panic about wasting 99 cents on the first two books in her other series).
<i>Passenger</i> was a little hard for me to get into, at least in terms of characters – everything else is on good terms with me. The traveler world is a delight to read about – Bracken reveals some tidbits from significant events in history I've never actually known about unless I decide to dive into the nit picky details of world/American history or do research for fun on my own. I also love how Bracken integrates music into the traveling world.
Then there are the characters, especially Etta and Nick, who are pretty much the only characters throughout the entire novel. Everyone else appears every so often.
I'm a huge character person – I'm very nit picky about the characters I read about and is unintentionally weighed heavily on whether or not I become fond of the book or my continuation of reading the book. *cough* <i><a title="The Fifth Wave review" href="http://www.bookwyrmingthoughts.com/2015/05/dnf-review-the-5th-wave-by-rick-yancey-so.html"; target="_blank" rel="noopener">The Fifth Wave</a></i> didn't bode too well, and that's an understatement.
We have Etta, part one of two main characters/views. She's a violin prodigy, a loner (violin is everything after all), acts superior, and pleases her mother even when she doesn't want to.
Problem? Yep. The girl acts quite bratty and thinks she's everything.
Then there's Nick. He's from another time period, bitter, and blames himself for Julian's death constantly.
What a lovely duo to contend with.
But this is when Bracken just introduces Mademoiselle Superior and Monsieur Bitter into the story. Over the course of being a passenger in this wonderful book – the pun is totally intended – that doesn't sound so wonderful as of right now, saying Nick and Etta are horrible characters is a complete understatement.
Etta is not just a violin prodigy thrown in the world of time travel, a loner, and acts like she's better than every other violinist around her. She is also someone who is fierce, stubborn, and has no problem standing up for her beliefs or speaking her mind. Perhaps she's not bratty after all.
And Nick... well... he's secretly sweet among that internal bitterness.
I'm completely fond of the two characters by the time Bracken takes me through several time periods on Nick and Etta's journey to take back the astrolabe her mother hid from the Ironwoods (who is apparently thirsty for power and creating a familial empire through time). <i>Passenger</i> is a power struggle among families and a revenge rolled into time travel adventure and romance – it's going to be interesting to see where Bracken takes the series in future novels.
<a href="https://bookwyrmingthoughts.com/arc-review-passenger-by-alexandra-bracken/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
My very first taste of Alexandra Bracken's works didn't go bad after all (which means I don't have to mope or panic about wasting 99 cents on the first two books in her other series).
<i>Passenger</i> was a little hard for me to get into, at least in terms of characters – everything else is on good terms with me. The traveler world is a delight to read about – Bracken reveals some tidbits from significant events in history I've never actually known about unless I decide to dive into the nit picky details of world/American history or do research for fun on my own. I also love how Bracken integrates music into the traveling world.
Then there are the characters, especially Etta and Nick, who are pretty much the only characters throughout the entire novel. Everyone else appears every so often.
I'm a huge character person – I'm very nit picky about the characters I read about and is unintentionally weighed heavily on whether or not I become fond of the book or my continuation of reading the book. *cough* <i><a title="The Fifth Wave review" href="http://www.bookwyrmingthoughts.com/2015/05/dnf-review-the-5th-wave-by-rick-yancey-so.html"; target="_blank" rel="noopener">The Fifth Wave</a></i> didn't bode too well, and that's an understatement.
We have Etta, part one of two main characters/views. She's a violin prodigy, a loner (violin is everything after all), acts superior, and pleases her mother even when she doesn't want to.
Problem? Yep. The girl acts quite bratty and thinks she's everything.
Then there's Nick. He's from another time period, bitter, and blames himself for Julian's death constantly.
What a lovely duo to contend with.
But this is when Bracken just introduces Mademoiselle Superior and Monsieur Bitter into the story. Over the course of being a passenger in this wonderful book – the pun is totally intended – that doesn't sound so wonderful as of right now, saying Nick and Etta are horrible characters is a complete understatement.
Etta is not just a violin prodigy thrown in the world of time travel, a loner, and acts like she's better than every other violinist around her. She is also someone who is fierce, stubborn, and has no problem standing up for her beliefs or speaking her mind. Perhaps she's not bratty after all.
And Nick... well... he's secretly sweet among that internal bitterness.
I'm completely fond of the two characters by the time Bracken takes me through several time periods on Nick and Etta's journey to take back the astrolabe her mother hid from the Ironwoods (who is apparently thirsty for power and creating a familial empire through time). <i>Passenger</i> is a power struggle among families and a revenge rolled into time travel adventure and romance – it's going to be interesting to see where Bracken takes the series in future novels.
<a href="https://bookwyrmingthoughts.com/arc-review-passenger-by-alexandra-bracken/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Ari Augustine (10 KP) rated Crave (Crave, #1) in Books
May 4, 2020
I am super torn about CRAVE by Tracy Wolff.
First off, the world is kind of amazing. I did love the Hogwarts-Vampire Academy-Narnia-in-Alaska vibes I was getting from the setting. It was beautiful, secluded, and totally magical. Grace is hilarious most of the time, filled with snark and near corny knock knock jokes, but I also enjoyed how she called characters out on their crap. She wasn't always a reckless mess, which was nice, and I readily felt for her grief over the death of her parents. From the beginning, I was there for her pain, her panic attacks, her bravery, her wit, and this new adventure before her. Second to Grace is Jaxon, who I adored in so many ways. Perfection and arrogance aside, he's totally a broody vampire, but this isn't the ONLY side to his character we get, and unlike so many other characters we could compare him to, he does change throughout the course of the book. In fact, I'd go as far as saying that maybe Jaxon, not Grace, is the main lead of this story. They had amazing chemistry, sexy banter, and I deeply enjoyed the tug o' war between them.
Okay. Now for the....not so great. For one, while the setting is so magical and new, we don't really get to explore it much. Yes, we get the AMAZING library filled with witches, unusual tomes, and gargoyles, but I would have loved to hear more about the classes, the different cliques, the way this new place functioned. Unfortunately, because Grace was left out of the loop for pretty much the whole book, we were, too. So we end up not really getting to explore this new place much and that really sucked. This brings us to a second thing I struggled with: Grace.
While I absolutely adored her character, I also kind of wanted to smack her and scream "OPEN YOUR EYES". Even with Macy (her cousin) half spelling it out and with all the impossibilities going on (like students standing outside in below 0 weather without jackets), Grace just sort of files it away as odd, but shrugs. Meh. So that guy wanted to murder me? Meh. So these beads shock everyone but me? Meh. So I fell from a tree and somehow this hot guy caught me midair? Double meh. The list goes on. This went on for the ENTIRE BOOK. And while it was all painfully obvious to us, it sailed over her head like an invisible wind. This really bothered me. Just like the instalove with Jaxon bothered me. Look, I believe in instant attraction. I know a hottie when I see one and, yeah, there's always that little phase of infatuation and attraction, but this started intense and just sort of ended with love bombs. The chemistry, as I said before, was amazing, but I wished we could have had more to go on. It bothered me that Grace was constantly throwing herself at Jaxon, forcing herself on him and forcing him to open on. She also made so many assumptions about Jaxon and I was waiting for her rationale, which never really came. It's like meeting a feral dog in the tundra and believing it wont harm you because it's one of God's creatures or something. She totally idolized him, and I think that, more than anything, kept preventing me from fully loving her as a character.
Odd things I don't know how to feel about: I can totally see where people here are comparing it to Twilight. It pretty much follows the same Vampire Romance formula. Human girl meets broody vampire boy who has a dark past, a set of fangs, and, of course, many enemies. The girl almost always sacrifices herself for love and that happens here, too. I will argue that these characters had WAY MORE personality than Bella and Edward, though. In fact, I FUCKING LOVES all the scenes where Grace handed Jaxon his ass. In fact, this is pretty much why I was unable to put the book down despite all the issues I had with it later. What struck me, though, was I couldn't shake the feeling that the book was either laughing at Twilight (by being a better version of it) or if it was laughing at itself....as if Twilight were the inside joke. This was actually the most entertaining part of the book, and I was unable to figure out if this was meant to be comedic or if I was just reading it that way. Does this make sense? There were so many Twilight references and at one point, Grace event comments to herself about how she wasn't going to be like those female heroines in YA fantasy novels. I don't know. I read this alongside a friend who also felt like the book wasn't taking itself seriously, but neither of us could tell if this was deliberate or not.
Overall, it was a light and entertaining read. Was it perfect? No. Is it funny? Hell yes. Lots of delicious fangy hotness? Um...YEAH. And despite all the problems I had with it, it was still a fun book to setting into during midterms week.
First off, the world is kind of amazing. I did love the Hogwarts-Vampire Academy-Narnia-in-Alaska vibes I was getting from the setting. It was beautiful, secluded, and totally magical. Grace is hilarious most of the time, filled with snark and near corny knock knock jokes, but I also enjoyed how she called characters out on their crap. She wasn't always a reckless mess, which was nice, and I readily felt for her grief over the death of her parents. From the beginning, I was there for her pain, her panic attacks, her bravery, her wit, and this new adventure before her. Second to Grace is Jaxon, who I adored in so many ways. Perfection and arrogance aside, he's totally a broody vampire, but this isn't the ONLY side to his character we get, and unlike so many other characters we could compare him to, he does change throughout the course of the book. In fact, I'd go as far as saying that maybe Jaxon, not Grace, is the main lead of this story. They had amazing chemistry, sexy banter, and I deeply enjoyed the tug o' war between them.
Okay. Now for the....not so great. For one, while the setting is so magical and new, we don't really get to explore it much. Yes, we get the AMAZING library filled with witches, unusual tomes, and gargoyles, but I would have loved to hear more about the classes, the different cliques, the way this new place functioned. Unfortunately, because Grace was left out of the loop for pretty much the whole book, we were, too. So we end up not really getting to explore this new place much and that really sucked. This brings us to a second thing I struggled with: Grace.
While I absolutely adored her character, I also kind of wanted to smack her and scream "OPEN YOUR EYES". Even with Macy (her cousin) half spelling it out and with all the impossibilities going on (like students standing outside in below 0 weather without jackets), Grace just sort of files it away as odd, but shrugs. Meh. So that guy wanted to murder me? Meh. So these beads shock everyone but me? Meh. So I fell from a tree and somehow this hot guy caught me midair? Double meh. The list goes on. This went on for the ENTIRE BOOK. And while it was all painfully obvious to us, it sailed over her head like an invisible wind. This really bothered me. Just like the instalove with Jaxon bothered me. Look, I believe in instant attraction. I know a hottie when I see one and, yeah, there's always that little phase of infatuation and attraction, but this started intense and just sort of ended with love bombs. The chemistry, as I said before, was amazing, but I wished we could have had more to go on. It bothered me that Grace was constantly throwing herself at Jaxon, forcing herself on him and forcing him to open on. She also made so many assumptions about Jaxon and I was waiting for her rationale, which never really came. It's like meeting a feral dog in the tundra and believing it wont harm you because it's one of God's creatures or something. She totally idolized him, and I think that, more than anything, kept preventing me from fully loving her as a character.
Odd things I don't know how to feel about: I can totally see where people here are comparing it to Twilight. It pretty much follows the same Vampire Romance formula. Human girl meets broody vampire boy who has a dark past, a set of fangs, and, of course, many enemies. The girl almost always sacrifices herself for love and that happens here, too. I will argue that these characters had WAY MORE personality than Bella and Edward, though. In fact, I FUCKING LOVES all the scenes where Grace handed Jaxon his ass. In fact, this is pretty much why I was unable to put the book down despite all the issues I had with it later. What struck me, though, was I couldn't shake the feeling that the book was either laughing at Twilight (by being a better version of it) or if it was laughing at itself....as if Twilight were the inside joke. This was actually the most entertaining part of the book, and I was unable to figure out if this was meant to be comedic or if I was just reading it that way. Does this make sense? There were so many Twilight references and at one point, Grace event comments to herself about how she wasn't going to be like those female heroines in YA fantasy novels. I don't know. I read this alongside a friend who also felt like the book wasn't taking itself seriously, but neither of us could tell if this was deliberate or not.
Overall, it was a light and entertaining read. Was it perfect? No. Is it funny? Hell yes. Lots of delicious fangy hotness? Um...YEAH. And despite all the problems I had with it, it was still a fun book to setting into during midterms week.
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Becs (244 KP) rated Ember Burning in Books
Oct 2, 2019
Contains spoilers, click to show
I received Ember Burning for an honest review and am just now getting around to do it. My bad…
Okay, so I was honestly really looking forward to reading this novel when I first received it in the mail that I’m kicking myself in the rear end for not picking it up sooner. I was shocked that it was exactly everything I was looking for in a young adult fantasy novel.
It’s got some witchiness to it. It’s got an adventure in it. And it’s got the best thing known to man, love. Fast-paced with well-rounded characters that make you either hate them or love them with a hint of history underlain throughout the novel. What more can I say about this wonderful book?
Genre: Paranormal, Fantasy, Young Adult
Reading Level: High School and up
Interests: Witch’s, Egyptian hieroglyphics, darkness
Style: Not so light but also not a heavy read. Very fast-paced – which I loved.
Difficulty Reading: NO, I could not put this book down. Oh my goodness, Jennifer Alsever has such a unique way of writing. At first, I was a little annoyed that there were so many sentences that could be switched to, ya know, longer sentences which leads to a way easier read. But they grew on me and as I started to get further into the book, I understood why it was written in such a way. Because that is the personality of the main character Ember. It definitely helped understand her more as an individual, rather than just another character in a book.
Promise: A mystery meets fantasy – it delivers.
Insights: Honestly, none. I wouldn’t change anything in Ember Burning even if it meant saving the planet. (Okay, maybe I might change stuff to save the planet. But that’s our home for crying out loud.) Ember Burning is such a well-written novel that leaves you wanting to continue on her journey with her in Oshun Rising and Venus Shining. (Which by the way, is the rest of the series.)
Ah-Ha Moment: WHEN EMBER AND TRE KISS. (Yes, that needed all caps.) Awh man, I love me a good romance. Especially one so sweet and simple like Ember and Tre’s. **SPOILERS AHEAD** I mean it’s such goals to be laying out talking about life and then turning to each other, kissing, and then both admitting that you wanted to do that for a while now. Like OH MY GOD, I’m seriously dying over here. **SPOILERS END** I ship Ember and Tre so hard and Lilly, Zoe or this redhead b**ch better not get in the way of their love. I’ll come after them. (‘I kill you!‘)
Favorite Quote: “Of course I know this is ridiculous. What I’m doing. Going to Trinity Forest. Alone. Like the freak show I am. The girl who goes off the tracks. Who obsesses about missing people, about what happens in Trinity. But the mystery of Trinity calls to me. If I disappear, so be it.” – Girl, you ain’t no freak show. You are so perfectly normal. And if you’re a freak show well, I guess I’m a freak show too.
What will you gain: A love for Ember and her determination to get out of the black vortex known as Trinity Forest. A hate for Zoe’s sweet yet bossy attitude of not giving a shit about anything. A love-hate for Lilly and her psychotic yet charming sides. A love for Tre, my favorite character in the entire novel.
Aesthetics: The cover. The way Tre smiles. The entire book. The way Tre looks. The way Jennifer Alsever describes Synesthesia within Ember’s mind. Have I mentioned Tre and how much I really dig him?
“Would you sacrifice your future to forget your past.”
Okay, so I was honestly really looking forward to reading this novel when I first received it in the mail that I’m kicking myself in the rear end for not picking it up sooner. I was shocked that it was exactly everything I was looking for in a young adult fantasy novel.
It’s got some witchiness to it. It’s got an adventure in it. And it’s got the best thing known to man, love. Fast-paced with well-rounded characters that make you either hate them or love them with a hint of history underlain throughout the novel. What more can I say about this wonderful book?
Genre: Paranormal, Fantasy, Young Adult
Reading Level: High School and up
Interests: Witch’s, Egyptian hieroglyphics, darkness
Style: Not so light but also not a heavy read. Very fast-paced – which I loved.
Difficulty Reading: NO, I could not put this book down. Oh my goodness, Jennifer Alsever has such a unique way of writing. At first, I was a little annoyed that there were so many sentences that could be switched to, ya know, longer sentences which leads to a way easier read. But they grew on me and as I started to get further into the book, I understood why it was written in such a way. Because that is the personality of the main character Ember. It definitely helped understand her more as an individual, rather than just another character in a book.
Promise: A mystery meets fantasy – it delivers.
Insights: Honestly, none. I wouldn’t change anything in Ember Burning even if it meant saving the planet. (Okay, maybe I might change stuff to save the planet. But that’s our home for crying out loud.) Ember Burning is such a well-written novel that leaves you wanting to continue on her journey with her in Oshun Rising and Venus Shining. (Which by the way, is the rest of the series.)
Ah-Ha Moment: WHEN EMBER AND TRE KISS. (Yes, that needed all caps.) Awh man, I love me a good romance. Especially one so sweet and simple like Ember and Tre’s. **SPOILERS AHEAD** I mean it’s such goals to be laying out talking about life and then turning to each other, kissing, and then both admitting that you wanted to do that for a while now. Like OH MY GOD, I’m seriously dying over here. **SPOILERS END** I ship Ember and Tre so hard and Lilly, Zoe or this redhead b**ch better not get in the way of their love. I’ll come after them. (‘I kill you!‘)
Favorite Quote: “Of course I know this is ridiculous. What I’m doing. Going to Trinity Forest. Alone. Like the freak show I am. The girl who goes off the tracks. Who obsesses about missing people, about what happens in Trinity. But the mystery of Trinity calls to me. If I disappear, so be it.” – Girl, you ain’t no freak show. You are so perfectly normal. And if you’re a freak show well, I guess I’m a freak show too.
What will you gain: A love for Ember and her determination to get out of the black vortex known as Trinity Forest. A hate for Zoe’s sweet yet bossy attitude of not giving a shit about anything. A love-hate for Lilly and her psychotic yet charming sides. A love for Tre, my favorite character in the entire novel.
Aesthetics: The cover. The way Tre smiles. The entire book. The way Tre looks. The way Jennifer Alsever describes Synesthesia within Ember’s mind. Have I mentioned Tre and how much I really dig him?
“Would you sacrifice your future to forget your past.”
Lottie disney bookworm (1056 KP) rated Cinderella is Dead in Books
Jun 6, 2020
Contains spoilers, click to show
Thank you to Netgalley and Kalynn Bayron for giving me the opportunity to read an advance copy of Cinderella is Dead in exchange for an honest review.
With such a strong title to a novel, it’s easy to predict that an author would struggle to maintain the sense of danger and mystery that is immediately evoked. However, as Kalynn Bayron opens on the revelation that Cinderella has been dead for 200 years and introduces us to two young women hiding from those who are sure to kill them, I think it is safe to say that she has the drama side of things covered!
The kingdom of Mersaille was once ruled by none other than Prince Charming and Cinderella. After her untimely death, Cinderella’s tale is held in almost biblical stature for generations, with young girls reciting it each night in preparation for their own chance to attend an annual ball once they turn 16 and wishing for their own fairy godmother to grant their happily ever after.
However, as the reader enters the town of Lille 200 years later, we witness that life within the kingdom is far from that of a fairytale. The balls that act as a tribute to Cinderella are mandatory meat markets with lecherous “suitors”, domestic violence and the suppression of women is commonplace and the ruler, Prince Manford, thrives on the power, fear and violence.
The reader witnesses this abysmal society through Bayron’s use of a first-person perspective: that of our protagonist Sophia. Sophia is everything a modern protagonist should be: she questions the unjust world around her and, having just turned 16 is preparing to attend her first ball, not with excitement, but with trepidation.
Sophia reveals to the reader that a girl only has three chances to be chosen by a suitor at the ball, after that she is considered forfeit, taken away from her family in disgrace and placed either into a workhouse or service. Men, however, are under no such conditions: they can attend balls when they wish and can choose a number of girls if they want to. Many girls’ singular hope is to be chosen by a good man at the ball, one who will not beat her, perhaps even one who will take them away from Lille. This is not enough for Sophia, she wants more for her life and, as she says herself:
“I don’t want to be saved by some knight in shining armor. I’d like to be the one in the armor, and I’d like to be the one doing the saving.”
At the beginning of the book, Sophia’s main gripe with the society she lives in is that it will not allow her to be with Erin, the girl she loves. As the book continues, the underlying theme of the rights and treatment of women strengthens, along with Sophia, but the first few pages at least are centered on the teenage relationship between Sophia and Erin.
What I absolutely adored about Bayron’s writing style here is the complete lack of shock or awe in this relationship: it is mentioned right from the start and at no point in this novel does Sophia “come out”, there is simply no need. All those around Sophia, who know her and care for her, are aware of her feelings for Erin and, although Sophia is occasionally referred to as “different”, the author chooses to abolish any unnecessary labels within her novel.
Unfortunately, Bayron does not have an easy ride in store for Sophia: reeling from a firm separation from Erin, Sophia is cast a lifeline, an “easy way out” in the form of a local boy who is also “different”. Sadly, this option is quickly and dramatically ripped away from her: forcing her to find her strength pretty damn quickly as she begins a life as an outlaw.
Along her path, Sophia meets two strong female characters: Constance and Amina. Although, wildly different, both these women play a significant role in Sophia’s self-discovery.
Amina is as far from the traditional fairy godmother image as you can get and, although she feels guilt for her previous actions, it takes meeting Sophia for her to recognise her previous denial and to help change the way of the world. Amina is a protector to Sophia right to the end, in her own unique way.
Constance, what can we say about Constance? I defy anyone to read this book and not fall in love with this girl! Constance possesses the strength that Sophia does not yet recognise within herself; she is fiery and, as a descendant of an “evil stepsister”, leads a resistance movement to uncover and publicise the truth about the real tale of Cinderella. Despite, technically saving Sophia towards the beginning of the story, Constance is not Sophia’s saviour: nor is Sophia the saviour; however, the power that they find together is monumental.
Constance is a complete juxtaposition to Erin: whereas Erin accepts the rules of society out of fear for herself and her family, Constance actively rebels against them. It is almost as if they represent the paths Sophia has to choose from. Nevertheless, along their adventure, Sophia and Constance’s relationship strengthens into love. This is no fairytale, love at first sight deal though! If anything, the slow-burning romance between the two made it more believable and I really appreciated that Sophia didn’t just rebound due to Erin’s choices: she had been burnt and she was still unsure of her own feelings never mind anyone else’s.
At the hands of Bayron, Sophia experiences heartbreak, friendship, murder, love and conspiracy: she is on the brink of danger too many times to count and is constantly second guessing who she can trust. Yet, it is clear that the author adores her main character: Sophia’s journey to realise that she is enough is incredible and the strength that she finds within herself is inspirational. Sophia is also surrounded by a cast of strong female characters: there are no Prince Charming’s in this novel that’s for sure!
I wasn’t that far into this book when I decided I need to read more of Kalynn Bayron’s work. I love how there are no chapters in this novel, we are taken on this relentless journey with Sophia: the reader is not given a chance to stop and take stock, reflect or rest until it is all over and this creates the tensest experience. Even we don’t know who to trust towards the end!
‘Cinderella is Dead’ is powerful, thought-provoking and is constantly leaving the reader guessing. On a basic level the novel deals with violence, love, politics and a little bit of necromancy thrown in there for good measure. However, the intelligent writing as well as the massive plot twist and the subjects of LGBTQ love, women’s rights and domestic violence lifts this novel from that basic level into, what I predict could be a bestseller.
With such a strong title to a novel, it’s easy to predict that an author would struggle to maintain the sense of danger and mystery that is immediately evoked. However, as Kalynn Bayron opens on the revelation that Cinderella has been dead for 200 years and introduces us to two young women hiding from those who are sure to kill them, I think it is safe to say that she has the drama side of things covered!
The kingdom of Mersaille was once ruled by none other than Prince Charming and Cinderella. After her untimely death, Cinderella’s tale is held in almost biblical stature for generations, with young girls reciting it each night in preparation for their own chance to attend an annual ball once they turn 16 and wishing for their own fairy godmother to grant their happily ever after.
However, as the reader enters the town of Lille 200 years later, we witness that life within the kingdom is far from that of a fairytale. The balls that act as a tribute to Cinderella are mandatory meat markets with lecherous “suitors”, domestic violence and the suppression of women is commonplace and the ruler, Prince Manford, thrives on the power, fear and violence.
The reader witnesses this abysmal society through Bayron’s use of a first-person perspective: that of our protagonist Sophia. Sophia is everything a modern protagonist should be: she questions the unjust world around her and, having just turned 16 is preparing to attend her first ball, not with excitement, but with trepidation.
Sophia reveals to the reader that a girl only has three chances to be chosen by a suitor at the ball, after that she is considered forfeit, taken away from her family in disgrace and placed either into a workhouse or service. Men, however, are under no such conditions: they can attend balls when they wish and can choose a number of girls if they want to. Many girls’ singular hope is to be chosen by a good man at the ball, one who will not beat her, perhaps even one who will take them away from Lille. This is not enough for Sophia, she wants more for her life and, as she says herself:
“I don’t want to be saved by some knight in shining armor. I’d like to be the one in the armor, and I’d like to be the one doing the saving.”
At the beginning of the book, Sophia’s main gripe with the society she lives in is that it will not allow her to be with Erin, the girl she loves. As the book continues, the underlying theme of the rights and treatment of women strengthens, along with Sophia, but the first few pages at least are centered on the teenage relationship between Sophia and Erin.
What I absolutely adored about Bayron’s writing style here is the complete lack of shock or awe in this relationship: it is mentioned right from the start and at no point in this novel does Sophia “come out”, there is simply no need. All those around Sophia, who know her and care for her, are aware of her feelings for Erin and, although Sophia is occasionally referred to as “different”, the author chooses to abolish any unnecessary labels within her novel.
Unfortunately, Bayron does not have an easy ride in store for Sophia: reeling from a firm separation from Erin, Sophia is cast a lifeline, an “easy way out” in the form of a local boy who is also “different”. Sadly, this option is quickly and dramatically ripped away from her: forcing her to find her strength pretty damn quickly as she begins a life as an outlaw.
Along her path, Sophia meets two strong female characters: Constance and Amina. Although, wildly different, both these women play a significant role in Sophia’s self-discovery.
Amina is as far from the traditional fairy godmother image as you can get and, although she feels guilt for her previous actions, it takes meeting Sophia for her to recognise her previous denial and to help change the way of the world. Amina is a protector to Sophia right to the end, in her own unique way.
Constance, what can we say about Constance? I defy anyone to read this book and not fall in love with this girl! Constance possesses the strength that Sophia does not yet recognise within herself; she is fiery and, as a descendant of an “evil stepsister”, leads a resistance movement to uncover and publicise the truth about the real tale of Cinderella. Despite, technically saving Sophia towards the beginning of the story, Constance is not Sophia’s saviour: nor is Sophia the saviour; however, the power that they find together is monumental.
Constance is a complete juxtaposition to Erin: whereas Erin accepts the rules of society out of fear for herself and her family, Constance actively rebels against them. It is almost as if they represent the paths Sophia has to choose from. Nevertheless, along their adventure, Sophia and Constance’s relationship strengthens into love. This is no fairytale, love at first sight deal though! If anything, the slow-burning romance between the two made it more believable and I really appreciated that Sophia didn’t just rebound due to Erin’s choices: she had been burnt and she was still unsure of her own feelings never mind anyone else’s.
At the hands of Bayron, Sophia experiences heartbreak, friendship, murder, love and conspiracy: she is on the brink of danger too many times to count and is constantly second guessing who she can trust. Yet, it is clear that the author adores her main character: Sophia’s journey to realise that she is enough is incredible and the strength that she finds within herself is inspirational. Sophia is also surrounded by a cast of strong female characters: there are no Prince Charming’s in this novel that’s for sure!
I wasn’t that far into this book when I decided I need to read more of Kalynn Bayron’s work. I love how there are no chapters in this novel, we are taken on this relentless journey with Sophia: the reader is not given a chance to stop and take stock, reflect or rest until it is all over and this creates the tensest experience. Even we don’t know who to trust towards the end!
‘Cinderella is Dead’ is powerful, thought-provoking and is constantly leaving the reader guessing. On a basic level the novel deals with violence, love, politics and a little bit of necromancy thrown in there for good measure. However, the intelligent writing as well as the massive plot twist and the subjects of LGBTQ love, women’s rights and domestic violence lifts this novel from that basic level into, what I predict could be a bestseller.
Gareth von Kallenbach (980 KP) rated 21 Jump Street (2012) in Movies
Aug 7, 2019
Back in 1987, the fledgling Fox Network debuted, offering entertainment on Saturday and Sunday evenings aimed at a younger audience. One of the network’s first breakout shows was a police drama with young cops and plenty of action, a show named 21 Jump Street. The show featured a cast of largely unknowns who quickly bolted to overnight notoriety, most notably its star Johnny Depp who, much to his chagrin, became a pinup boy and sex symbol for the show.
The show mixed humor, action, and romance. It followed a team of young officers who were part of a special undercover unit that infiltrated high schools and colleges where they posed as students to solve various campus crimes. Johnny Depp left the show after the fourth season, wanting to be taken seriously as a legitimate actor. The show soon ended one year later. Despite having run only five seasons and having a short-lived spinoff series for star Richard Grieco, “21 Jump Street” remained a pop-culture hit 25 years later.
As such, I had a lot of skepticism when I first heard that Jonah Hill and Channing Tatum would be bringing an updated, raunchier version to the big screen that was heavy on laughs and would definitely aim for an R-rated. This theatrical version stars Hill as Officer Schmidt and Tatum as Officer Jenko, two young officers who met while in high school and, despite being on opposite ends of the social spectrum, bonded and became close friends during their time at the police academy years after graduation. When the duo find their lives as bike cops not as exciting as they had hoped and after they bungle their first chance at a significant arrest, the duo find themselves reassigned to the revived Jump Street project.
Schmidt, in spite of his misgivings, decides to face his fear of the horror that was high school decides to give it another chance. Jenko is soon horrified to see that the social structure that he dominated back in his day has clearly turned upside down. Jocks are no longer the big men on campus, replaced by sensitive New Age types. Nerds that he preyed upon are now the cool kids in school.
After the death of a student who took a new designer drug he bought at school, Schmidt and Jenko are assigned to find the dealers, infiltrate the gang and get to the bottom of the drug distribution ring and stop it at all costs. This proves to be easier said than done, especially for Schmidt. He begins to really relish his new found popularity in school and he starts to live the high school experience that he only dreamed about back in his day. Further complicating matters is Molly (Brie Larson), an attractive high school senior who quickly catches Schmidt’s attention and becomes a focal point of his day-to-day activities.
Jenko, on the other hand, finds himself struggling as the former high school kingpin now finds himself a social outcast, spending much of his time with the chemistry nerds trying to find a way to work the social structure to get to the bottom of the school’s drug trade.
Now what would be a simple assignment for two seasoned cops becomes completely unhinged for the to raw recruits who become more obsessed with social status than their mission and take extreme measures to ingratiate themselves with their new classmates. This all comes at a cost as their bond becomes strained due to Schmidt’s rapidly ascending social status and their continued inability to crack the case.
Now this is a premise that has been done countless times in numerous cop films. “21 Jump Street” has a bold and fresh formula that deftly mixes elements of the gross-out teen comedy with an action-adventure film. While the film drags a bit in the middle, there are some incredibly funny jokes throughout the film. The action in the film is solid and fits well with the story rather than trying to spice things up with random explosions.
I loved how the film, based on a story co-written by Jonah Hill, and produced by both Hill and Tatum, took a fresh approach to the subject matter but also respectfully made fun of the source material, banking on nostalgia while updating it for a younger audience.
I can easily say this was probably Jonah Hill’s best comedy to date as they were numerous laugh out loud moments in the film and he and Tatum make a fantastic duo, playing extremely well off one another. There are also several cameos in the film and strong supporting work from Ice Cube, who plays the extremely agitated captain of the inept cops placed under his command. The film sets up very well for a sequel and I understand that there’s already preparation underway should this one do well at the box office.
“21 Jump Street” is easily the funniest movie I’ve seen this year. I have not laughed this much, for all the right reasons, in quite a long time. Hip and fresh again, there’s plenty of bounce left in “21 Jump Street.”
The show mixed humor, action, and romance. It followed a team of young officers who were part of a special undercover unit that infiltrated high schools and colleges where they posed as students to solve various campus crimes. Johnny Depp left the show after the fourth season, wanting to be taken seriously as a legitimate actor. The show soon ended one year later. Despite having run only five seasons and having a short-lived spinoff series for star Richard Grieco, “21 Jump Street” remained a pop-culture hit 25 years later.
As such, I had a lot of skepticism when I first heard that Jonah Hill and Channing Tatum would be bringing an updated, raunchier version to the big screen that was heavy on laughs and would definitely aim for an R-rated. This theatrical version stars Hill as Officer Schmidt and Tatum as Officer Jenko, two young officers who met while in high school and, despite being on opposite ends of the social spectrum, bonded and became close friends during their time at the police academy years after graduation. When the duo find their lives as bike cops not as exciting as they had hoped and after they bungle their first chance at a significant arrest, the duo find themselves reassigned to the revived Jump Street project.
Schmidt, in spite of his misgivings, decides to face his fear of the horror that was high school decides to give it another chance. Jenko is soon horrified to see that the social structure that he dominated back in his day has clearly turned upside down. Jocks are no longer the big men on campus, replaced by sensitive New Age types. Nerds that he preyed upon are now the cool kids in school.
After the death of a student who took a new designer drug he bought at school, Schmidt and Jenko are assigned to find the dealers, infiltrate the gang and get to the bottom of the drug distribution ring and stop it at all costs. This proves to be easier said than done, especially for Schmidt. He begins to really relish his new found popularity in school and he starts to live the high school experience that he only dreamed about back in his day. Further complicating matters is Molly (Brie Larson), an attractive high school senior who quickly catches Schmidt’s attention and becomes a focal point of his day-to-day activities.
Jenko, on the other hand, finds himself struggling as the former high school kingpin now finds himself a social outcast, spending much of his time with the chemistry nerds trying to find a way to work the social structure to get to the bottom of the school’s drug trade.
Now what would be a simple assignment for two seasoned cops becomes completely unhinged for the to raw recruits who become more obsessed with social status than their mission and take extreme measures to ingratiate themselves with their new classmates. This all comes at a cost as their bond becomes strained due to Schmidt’s rapidly ascending social status and their continued inability to crack the case.
Now this is a premise that has been done countless times in numerous cop films. “21 Jump Street” has a bold and fresh formula that deftly mixes elements of the gross-out teen comedy with an action-adventure film. While the film drags a bit in the middle, there are some incredibly funny jokes throughout the film. The action in the film is solid and fits well with the story rather than trying to spice things up with random explosions.
I loved how the film, based on a story co-written by Jonah Hill, and produced by both Hill and Tatum, took a fresh approach to the subject matter but also respectfully made fun of the source material, banking on nostalgia while updating it for a younger audience.
I can easily say this was probably Jonah Hill’s best comedy to date as they were numerous laugh out loud moments in the film and he and Tatum make a fantastic duo, playing extremely well off one another. There are also several cameos in the film and strong supporting work from Ice Cube, who plays the extremely agitated captain of the inept cops placed under his command. The film sets up very well for a sequel and I understand that there’s already preparation underway should this one do well at the box office.
“21 Jump Street” is easily the funniest movie I’ve seen this year. I have not laughed this much, for all the right reasons, in quite a long time. Hip and fresh again, there’s plenty of bounce left in “21 Jump Street.”