
ClareR (5885 KP) rated The Illustrated Child in Books
Oct 26, 2020
Tobias creates a series of beautifully illustrated books starring both Romilly and Monty, and their lives are changed. They find fame, as readers believe that the books are a kind of treasure hunt - which, incidentally, reminded me of the Kit Williams book, Masquerade, published in the late 1970’s. Strangers start to camp out in their garden, digging holes all over their land to find the treasure - meaning that Romilly is unable to leave the house.
Life changes again when Tobias’ behaviour becomes more and more erratic, Romilly’s mother comes back in to her life, and she meets her grandmother. Things seem to be continuously changing, and nothing is consistent - there’s no stability in Romilly’s life.
This book was not at all what I expected. It started out as something of an idyllic childhood, but as time went on, Romilly’s life is irrevocably changed. I felt so much sadness for her, and there were times when I was almost in tears (you might need a hanky!). This deals with some pretty serious themes: dementia, mental illness, death and child abuse. All the way through I was rooting for Romilly and hoping that she would get the help that she needed and deserved. This is such a beautifully written book, and I would have no hesitation in recommending it.
Many thanks to the publisher and NetGalley for my e-ARC.

Kirk Bage (1775 KP) rated 8 1/2 (1963) in Movies
Jan 28, 2021
Marcello Mastroianni is effortlessly cool and stylish, as is everyone in this semi-fantastical world of memories, dreams and fears. He lounges through the film in a way so naturally relaxed and interesting that you are drawn to every detail of his bizarre adventures. The presence of Claudia Cardinale and Anouk Aimée don’t hurt know bringing some Italian chic to affairs either. Visually, I lost count of the amount of times my jaw hit the ground! Freeze this rich and resplendent film in any moment and it will probably be an image worth framing. The black and white photography is so sharp, using light and dark in astonishing ways. What director since 1963 would not look at this and say “I am stealing that!”? Not a film you could watch every day, but one I know for sure will be amongst my favourites of this period forever. I can’t wait to watch his others!

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