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Cube 2: Hypercube (2002)
Cube 2: Hypercube (2002)
2002 | Sci-Fi
2
5.1 (7 Ratings)
Movie Rating
Christ, I did not have fun with this. Cube 2: Hypercube is unfortunately a downgrade of its predecessor in every single way, so I'll start with a couple of positives - 1. Kari Matchett gives us a likable enough lead to follow. 2. When the film first introduces parallel dimensions around 30 minutes in, it became vaguely interesting for about two minutes. And that's about your lot.

Every single character is a walking cliché. The introductions to all these people go on for waaayy too long, and I found myself pretty much immediately wanting them to die, but we're not even allowed to enjoy that aspect. The little gore on display looks awful, nothing done practically, and instead with CGI that looks like deep fried turd, CGI that is draped liberally all over the movie.
Then there's the titular cube itself. Gone are the intricate and Hellraiser-esque aesthetics of the first film, to make way for a clinical white series of Cube rooms (with a grey trim just to spice things up a bit). It just looks terrible.
The narrative isn't too compelling either, with twist after twist thrown at the viewer, but none which have any impact. It even throws in one at the very end which just isn't explained in any capacity. A lazy script with a lazy plot.

I'm pretty sure I had even more negatives to say about Cube 2, but honestly, I'm getting bored just thinking about this film, so yeah, it's poo.
  
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Hannibal  - Season 1
Hannibal - Season 1
2013 | Horror
Hannibal's character portrayal (3 more)
Will's character depth
The aesthetic
The portrayal of mental disorders
A true favourite
I'm loving the show so far, and considering one of my all time favourite films is Silence of the Lambs, I have high expectations.
It did not disappoint.

The relationships built within this season are well thought out and captivating, especially that of Will Graham and Hannibal Lecter. The way the two men circle each other, their relationship filled with manipulation and a subtle seduction, you learn the ways they need each other, and become dependant on each other as they delve further into each other's psyches.

Speaking of, the way in which Will is both portrayed by Hugh Dancy, and treated within the show in regards to his innate aptitude for understanding the macabre is fascinating. I found it opened a new door to how the mind can work, and the dark repercussions they can have. This is also well shown through Abigail, as we follow through the aftermath of a traumatic event at the hands of her father.

The overly stunning aesthetics of this show work not only to entice but also to act as a juxtaposition to the gore caused by Hannibal and the "monsters of the week" in every episode. It allows the viewer a glimpse into how Hannibal sees the world; as a work of art. Even down to his victims. The elegance that he constantly exudes, particularly in scenes in his kitchen, almost numbs the viewer to the horrific truth behind his character.

Overall, a beautiful show. One I would highly recommend, but maybe not to those with a particularly weak stomach.