Smashbomb

"In Talking Heads, the record collection was filled with Hamilton Bohannon, James Brown, Roxy Music, Funkadelic, and P-Funk, that whole world. George Clinton and his whole crazy P-Funk philosophy was great; they were doing these kind of spectacles. As we kept making records, they evolved into more rhythmic affairs, kind of weird, white-person funk. We decided that in order to represent this music live onstage, we needed to recruit some real funkers into the band. The size of the band pretty much doubled. It was a big, nervy thing to do, and it was a mess at first. But man, was it fun. In this period, I decided to formalize the tour into a show that became Stop Making Sense. And that was about as far as we could go with that idea. It liberated me musically, but also as a person. The music was a lot more ecstatic, almost trance-y; you could get lost in it, way more than you could when it’s just a four piece."

Source

Kudos

Darren Fisher (2454 KP) rated The Boogey Man (1980) in Movies

Dec 12, 2020 (Updated Dec 13, 2020)

The Boogey Man (1980)

1980 | Horror

5.0

(1 Ratings)

Movie Rating

"It begins with a horrifying killing and then starts to get bloody!"

The Boogeyman is an uneven state of affairs.
The first and third parts are enjoyable enough. The beginning sets up a promising menacing vibe which gets totally destroyed in the tedious middle section. Bad pacing means that it never regains the creepy mood it sets out to achieve. The third part goes all out crazy in an attempt to regain some kudos but it's all a little too late.
On the plus side, the kills are pretty good and mostly inventive, and the hokey special effects are certainly fun to watch. But the best thing about the film is Tim Krogs incredibly moody synth score. Using various analogue synthesizers, digital delay and reversed-tape effects, Krogs score is an eerie masterpiece that will stay with you longer than the film will.

The Boogeyman was placed on the UK's DPP list in 1984, but was later re-released on the Vipco label in 1992 in a cut form. In 2000 it was released uncut.